Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2577080&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2577100&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2577060&ordering=airdate", "results": [ { "id": 350524, "uri": "https://api.kexp.org/v2/plays/350524/?format=api", "airdate": "2019-07-05T17:00:06-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/c89caa69-a10a-4d55-80da-47c4b55b7035/23132970398-250.jpg", "thumbnail_uri": "", "song": "Listen to Their No", "track_id": "cd90613c-16e7-4b2d-b531-9f671680d6ef", "recording_id": null, "artist": "Underworld", "artist_ids": [ "ba2f4f3b-0293-4bc8-bb94-2f73b5207343" ], "album": "Listen to Their No", "release_id": "c89caa69-a10a-4d55-80da-47c4b55b7035", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2019-05-23", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Over the course of the year, British dance music heroes Underworld have been sharing weekly music, film, and text pieces as part of their multimedia DRIFT series. In May, they went on to announce that the project will culminate in the fall with the release of a new album called DRIFT SONGS.\n\nDRIFT SONGS, which will arrive on 10/25, “expands and enhances a selection of the recordings the duo have released since they began their audio/visual experiment in November 2018.” It will be released in CD and 2xLP formats plus a box set featuring all of the music, visuals, and text pieces from the series.\n\nAlong with the announcement, Underworld have shared two new songs. They describe “Listen To Their No” as “just over five and a half minutes of superlative sunset techno; a lucid dream built around an insistent analogue riff and a rush of pure positivity,” while “Soniamode (Aditya Game Version)” is a new version of a track from DRIFT’s second installment featuring lyrics from writer Aditya Chakrabortty. https://bit.ly/2JYQr3W", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350525, "uri": "https://api.kexp.org/v2/plays/350525/?format=api", "airdate": "2019-07-05T17:05:28-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/c06c34e8-15b5-4728-abfc-c7a4bca2c956/3981485392-250.jpg", "thumbnail_uri": "", "song": "Alive", "track_id": "891dec84-fb8e-4b85-b9d6-8b831d73202b", "recording_id": null, "artist": "Empire of the Sun", "artist_ids": [ "ac7e838c-3d95-47c2-92a9-81767ad7c217" ], "album": "Ice on the Dune", "release_id": "c06c34e8-15b5-4728-abfc-c7a4bca2c956", "release_group_id": null, "labels": [ "EMI" ], "label_ids": [ "c029628b-6633-439e-bcee-ed02e8a338f7" ], "release_date": "2013-06-14", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The music video for the song has acquired widespread notice; directed by Alex Theurer and Charles Scott from Kelvin Optical, Inc., a division of J.J. Abrams' Bad Robot Productions. It features science fiction costumes and was filmed in Bryce Canyon National Park and the redwoods of California.\n\nThe animation starting at (0:45) depicts both singers standing on a rock tower, which is Spider Rock in Canyon de Chelly located on the Navajo Nation in Arizona. https://bit.ly/2JiNk5r | www.youtube.com/watch?v=IPKAwJKGSDc", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350526, "uri": "https://api.kexp.org/v2/plays/350526/?format=api", "airdate": "2019-07-05T17:08:47-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/e9d5f43f-826f-3a52-8890-084d0863d687/2096303717-250.jpg", "thumbnail_uri": "", "song": "No Cars Go", "track_id": "b10a41da-12d8-33ed-b954-17f971938d46", "recording_id": null, "artist": "Arcade Fire", "artist_ids": [ "52074ba6-e495-4ef3-9bb4-0703888a9f68" ], "album": "Neon Bible", "release_id": "e9d5f43f-826f-3a52-8890-084d0863d687", "release_group_id": null, "labels": [ "Merge Records" ], "label_ids": [ "5a4f8d65-681e-4a1f-85a8-a874c9513888" ], "release_date": "2007-03-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The song was featured in Eric Bana's 2009 documentary film Love The Beast. It was also used for Mike Mo Capaldi's segment in Fully Flared, a skateboarding video released by Lakai Limited Footwear in 2007.\n\nIn the UK, the song was also featured in Top Gear's video montage/preview at the beginning of Series Ten, as well as in ITV's coverage of the UEFA Champions League in 2007/8. It has also featured on series 6 of Wheeler Dealers, a motoring programme on the Discovery Channel. In Italy, it was used as the main theme of the soccer's Sunday TV-show \"Quelli Che Il Calcio\" hosted by Victoria Cabello, from September 18, 2011 to May 19, 2013 on Rai 2. The song was jokingly referred to by Win Butler as \"Yes Boats Yes\" during their gig at the Hackney Empire on July 7, 2010. https://bit.ly/2S2bOlZ", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350527, "uri": "https://api.kexp.org/v2/plays/350527/?format=api", "airdate": "2019-07-05T17:15:06-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350528, "uri": "https://api.kexp.org/v2/plays/350528/?format=api", "airdate": "2019-07-05T17:16:15-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "The Whole Of The Moon", "track_id": "72addf1b-8d9c-4480-8c56-3b0cee87136d", "recording_id": null, "artist": "Kirin J. Callinan", "artist_ids": [ "a3614a52-01f3-4f9d-999d-4bc650e2f2b1" ], "album": "Return to Center", "release_id": "519e2d25-b9b1-4b98-a1bb-603d09062893", "release_group_id": null, "labels": [ "Terrible Records" ], "label_ids": [ "09ec3fcc-17ae-464d-8cb7-d702565af959" ], "release_date": "2019-06-21", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Both weird and Australian, Callinan occupies a peculiar tier of notoriety. He declines to give his age, though an educated guess puts him around 33. He grew up in the relatively affluent Northern Beaches outside Sydney, the son of Brendan Callinan, a former member of the Australian band the Radiators. Kirin’s not famous, exactly, but he’s not not famous either. He hasn’t deigned to write his own Wikipedia page, so he doesn’t have one. If he did, it might list his two solo albums, his old band Mercy Arms, his stint as Mark Ronson’s guitar player, his budding acting career, and his latest project, a soft-rocking new wave band called the Night Game. Its frontman is former Boys Like Girls singer Martin Johnson, now a pop songwriter partially responsible for, among other things, Avril Lavigne’s “Hello Kitty.” This year, with just one song officially released, the Night Game toured the U.S. with John Mayer. In Callinan’s orbit, the distinctions between talent, irony, and genuine bad taste bleed together until they’re indistinguishable. https://bit.ly/2LFWvOT", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350529, "uri": "https://api.kexp.org/v2/plays/350529/?format=api", "airdate": "2019-07-05T17:20:56-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/c1e1ecb3-ae03-4b3c-8f08-78479163e932/12750373922-250.jpg", "thumbnail_uri": "", "song": "Outsiders", "track_id": "d493924c-fac5-4a1c-8865-c15a449f4ef0", "recording_id": null, "artist": "Suede", "artist_ids": [ "a55c2f1b-3f3f-4d6a-aa30-5e186dbadce6" ], "album": "Night Thoughts", "release_id": "c1e1ecb3-ae03-4b3c-8f08-78479163e932", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2016-01-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Produced by long-time collaborator Ed Buller, the album was released through Warner Music UK on January 22, 2016 to widespread critical acclaim. It was accompanied by a feature film, directed by Roger Sargent. During their 2016 tour the band performed from behind a screen on which Sargent's film was projected during the first half of their set. The album is considered by many critics to be the band's finest work since 1994's Dog Man Star. https://bit.ly/2Xq1wCd", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350530, "uri": "https://api.kexp.org/v2/plays/350530/?format=api", "airdate": "2019-07-05T17:24:43-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/65eec80c-8b0e-4d9c-8b01-c8a289650c2f/21969671092-250.jpg", "thumbnail_uri": "", "song": "Daddi", "track_id": "f659b8ce-81de-47b3-8b54-61631ce23236", "recording_id": null, "artist": "Cherry Glazerr", "artist_ids": [ "64a0c404-58af-4083-8fc6-a6725ef02ecb" ], "album": "Stuffed & Ready", "release_id": "65eec80c-8b0e-4d9c-8b01-c8a289650c2f", "release_group_id": null, "labels": [ "Secretly Canadian" ], "label_ids": [ "dd6afc9a-6352-4c96-aeb6-9a73e2bf1519" ], "release_date": "2019-02-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Speaking about the development between records, Clementine Creevy says: \"With Apocalipstick, I was an over-confident teenager trying to solve the world’s problems. With Stuffed & Ready, I’m a much more weary and perhaps a more cynical woman who believes you need to figure your own self out first.” https://bit.ly/328NfbG", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350531, "uri": "https://api.kexp.org/v2/plays/350531/?format=api", "airdate": "2019-07-05T17:27:49-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/f2b0e0b1-ae55-461d-aa8e-db893f3047f1/20576668677-250.jpg", "thumbnail_uri": "", "song": "Concrete", "track_id": "299aa0e8-8f1b-4260-9724-1071db183a2d", "recording_id": null, "artist": "shame", "artist_ids": [ "3294b9ce-0bef-4080-8ae8-95bad1abd71c" ], "album": "Songs of Praise", "release_id": "f2b0e0b1-ae55-461d-aa8e-db893f3047f1", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2018-01-12", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Our first time playing this song was at the Great Escape in Brighton, which was kind of the catalyst for when things started happening for the band. Whilst jamming acoustically in a pub green room, Josh came up with what went on to be the chorus. The song was left on the shelf for a pretty long time before we worked on but after we added the bouncy to and fro between Eddie and Sean [Coyle Smith], the song started to take shape.\n\nThe call-and-response vocals between Steen and [bassist] Josh [Finerty] represent the idea of being trapped in a relationship, almost feeling like you're talking to yourself in a way.\n\nThis song went through a couple of instrumental incarnations before we settled on this one. When we recorded it, we also had all five of us doing vocals for the ending, which gave it the sort of schoolboy-choir, vaguely angelic finale that we were looking for. Incidentally, this track was also the first release on our new label, Dead Oceans.\" https://n.pr/2DawFi8", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350532, "uri": "https://api.kexp.org/v2/plays/350532/?format=api", "airdate": "2019-07-05T17:31:18-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Mercedes Marxist", "track_id": "13d88494-4681-47df-a46c-bd9a522b7573", "recording_id": null, "artist": "IDLES", "artist_ids": [ "be465d4f-c28d-4ba1-94ab-ebaada7db8af" ], "album": "Mercedes Marxist", "release_id": "a28633b3-3801-4060-8c1c-7e466a835049", "release_group_id": null, "labels": [ "Partisan Records" ], "label_ids": [ "d4ec5bb3-1d64-40fe-9629-ee1e452e251e" ], "release_date": "2019-05-07", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Joe Talbot remembered the difficult phase of his life he was in when he wrote “Mercedes Marxist.\" \"I was pissed off at what I was and where I was: I was sofa surfing on the weekends and spending the weeks looking after my mum. My life balance was way off and this song reflects just how useless I felt. It was me at my worst and without any buoyancy it became catharsis. It was the last splurge from Brutalism so we omitted it. I like it now.” https://bit.ly/2RXTn1M", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350533, "uri": "https://api.kexp.org/v2/plays/350533/?format=api", "airdate": "2019-07-05T17:34:00-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350534, "uri": "https://api.kexp.org/v2/plays/350534/?format=api", "airdate": "2019-07-05T17:35:51-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Everybody", "track_id": "7eb7d880-c8ca-4e50-9685-42e3bdc9e958", "recording_id": null, "artist": "Sinkane", "artist_ids": [ "b15d17d4-37ea-4410-9ae4-60b5eee03459" ], "album": "Dépaysé", "release_id": "0fb2b9f7-7ed9-44aa-b9fa-7649f4d09f42", "release_group_id": null, "labels": [ "City Slang" ], "label_ids": [ "82935ddb-a9d6-45a7-85e3-0b0add51fa1c" ], "release_date": "2019-05-31", "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "Born Ahmed Abdullahi Gallab in London, England, Sinkane is a Sudanese-American musician who blends krautrock, prog rock, electronica, free jazz and funk rock with Sudanese pop, and is signed to City Slang Records.\n\nBorn to college professors in London, he lived in Sudan, then moved to the US when he was five, and lived for some time in Ohio. Prior to embarking on his solo career, he worked with Eleanor Friedberger, Caribou, of Montreal, Born Ruffians, and Yeasayer as a session musician.\n\nAhmed Gallab is the vocalist and music director of the Atomic Bomb! Band which plays the music of Nigerian funk musician William Onyeabor. The group includes David Byrne (of Talking Heads), Money Mark (of the Beastie Boys),[3] Damon Albarn (of Blur and Gorillaz), Dev Hynes (aka Blood Orange and Lightspeed Champion), Alexis Taylor (of Hot Chip), Charles Lloyd, Amadou and Mariam, Jamie Lidell, Pharoah Sanders, Joshua Redman, among many many others. https://bit.ly/2XOAP9F", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350535, "uri": "https://api.kexp.org/v2/plays/350535/?format=api", "airdate": "2019-07-05T17:40:04-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Buka Dansa", "track_id": null, "recording_id": null, "artist": "KOKOKO!", "artist_ids": [ "6983949c-bea5-4231-b7e7-09c4b1ead6fc" ], "album": "Fongola", "release_id": null, "release_group_id": null, "labels": [ "Transgressive Records" ], "label_ids": [], "release_date": "2019-07-05", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "KOKOKO! is a collective born in Kinshasa capital of the Democratic Republic of Congo, a creative collision of different artists which fused at a block party. It consists of musical instrument inventors from the Ngwaka neighbourhood, electronic producer débruit, Makara Bianko (aka the Lingwala devil) and his dancers bursting forth from the Lingwala neighbourhood.\n\nThey’re best known for creating a contemporary aesthetic all their own by re-wiring and up-cycling materials such as metal, cans, engine parts and plastic containers found in Kinshasa’s streets into vital sculptural resonant dance music. Their distorted fast rhythms and spontaneous lo-fi electric sounds provide the chaotic soundtrack for the city's harsh yet abundantly creative realities. <Br><br>It does not escape the notice of the Congolese people that the very resources which have fuelled much of the most prosperous countries industrial and technological progress, from slaves, rubber and diamonds to the coltan powering our smartphones and Kobalt for new electric batteries, are the root cause of their own country’s suffering. https://bit.ly/2LJfIPL", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350536, "uri": "https://api.kexp.org/v2/plays/350536/?format=api", "airdate": "2019-07-05T17:44:15-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/bbcd2b60-1a23-4131-8667-99c66921132e/23265226374-250.jpg", "thumbnail_uri": "", "song": "Final Form", "track_id": "52c54b23-7170-445e-ac16-639d5630e6b6", "recording_id": null, "artist": "Sampa the Great", "artist_ids": [ "9d79c790-9897-464e-aef0-db5bd3290f00" ], "album": "Final Form", "release_id": "bbcd2b60-1a23-4131-8667-99c66921132e", "release_group_id": null, "labels": [ "Ninja Tune" ], "label_ids": [ "dc940013-b8a8-4362-a465-291026c04b42" ], "release_date": "2019-06-05", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "The Zambia-born, Botswana-raised rapper reveals the song has multiple layers. In particular, she highlights the value of the creative process regardless of commercial success. She notes,\n\n“It’s easy to get caught up in the constant chatter around you about how ‘you are not there yet,’ how you ‘might not make it.’ ‘Final Form’ is about expanding yourself and calling out any negativity towards that growth process. As an artist I now recognize my in-between stage; sometimes it drops and sometimes it rises, but I love that I get to level up each second. I might even final form tomorrow.” https://bit.ly/2xAqxuU", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350537, "uri": "https://api.kexp.org/v2/plays/350537/?format=api", "airdate": "2019-07-05T17:47:27-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Get By", "track_id": "65a4b09c-c844-4c9a-902a-c5153f73e280", "recording_id": null, "artist": "Talib Kweli", "artist_ids": [ "bb3cbea2-5ad4-4917-bc84-8a1975d40315" ], "album": "Quality", "release_id": "8386d96e-4857-411e-9739-273c9f4f3273", "release_group_id": null, "labels": [ "Rawkus Records" ], "label_ids": [ "21a9343c-4a03-4768-8186-569dc03f850c" ], "release_date": "2002-11-18", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Born in Brooklyn, New York, Kweli grew up in a household in Park Slope. His mother, Brenda Greene, is an English professor at Medgar Evers College of the City University of New York, and his father is an administrator at Adelphi University. His younger brother, Jamal Greene, is a professor of constitutional law at Columbia Law School, a graduate of Yale Law School, and former clerk to Justice John Paul Stevens on the Supreme Court. As a youth, he was drawn to Afrocentric rappers, such as De La Soul and other members of the Native Tongues Posse whom he had met in high school. Kweli was a student at Cheshire Academy, a boarding school in Connecticut. He was previously a student at Brooklyn Technical High School before being academically dismissed. He later studied experimental theater at New York University. https://bit.ly/2FVZoap", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350538, "uri": "https://api.kexp.org/v2/plays/350538/?format=api", "airdate": "2019-07-05T17:51:49-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350539, "uri": "https://api.kexp.org/v2/plays/350539/?format=api", "airdate": "2019-07-05T17:53:21-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/84f2a351-913b-4f73-853b-023e5c256912/22994127066-250.jpg", "thumbnail_uri": "", "song": "BETTY (for Boogie)", "track_id": "749d4b96-391c-45d4-8cae-2be27785a56c", "recording_id": null, "artist": "Jamila Woods", "artist_ids": [ "a357b4fb-b0ca-4b4e-9b6b-2030bb2ce2d6" ], "album": "LEGACY! LEGACY!", "release_id": "84f2a351-913b-4f73-853b-023e5c256912", "release_group_id": null, "labels": [ "Jagjaguwar" ], "label_ids": [ "42e06800-76f8-4a5b-a9b6-0983a5d72f17" ], "release_date": "2019-05-10", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "“Sometimes I scroll through [my phone] and say, ‘Oh, what are these things I’ve just collected? And how can I apply them to this world?... I’m just starting to read Questlove’s book about creativity, and he says, like, ‘I don’t even know if I’m a creative person, because all I do is just look at the work of other people and get inspiration from them.’ That really resonated with me. I think part of being an artist is that consumption and marination part of it. I’m just trying to lean into that as much as possible, and not feel bad about how much I like being inspired by other people.” https://bit.ly/32eB0KW", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350540, "uri": "https://api.kexp.org/v2/plays/350540/?format=api", "airdate": "2019-07-05T17:57:28-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "VV Violence", "track_id": "0c8516ba-9231-4001-bf1e-2439312d0e20", "recording_id": null, "artist": "Jessy Lanza", "artist_ids": [ "0dfb3c3d-e140-4575-baf3-7ff20ae56c9c" ], "album": "Oh No", "release_id": "2f92435d-666f-42ba-aab5-ecb5610ec872", "release_group_id": null, "labels": [ "Hyperdub" ], "label_ids": [ "d73fd0e0-8799-4506-ad1b-6342bf46fc77" ], "release_date": "2016-05-13", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Jessy Lanza grew up playing piano and clarinet before going to Concordia University to study jazz. Before starting her career as a singer and music producer, she was a music teacher at school.\n In a review of her debut album, Pull My Hair Back, she was described by The Guardian as \"the latest and possibly greatest of the new ethereal soul girls.\" https://bit.ly/2FT8mFC", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350541, "uri": "https://api.kexp.org/v2/plays/350541/?format=api", "airdate": "2019-07-05T18:00:00-07:00", "show": 5837, "show_uri": "https://api.kexp.org/v2/shows/5837/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Rock Steady (Krivitz Remix)", "track_id": null, "recording_id": null, "artist": "Show Intro with Aretha Franklin", "artist_ids": [], "album": "Daddy G/DJ Kicks", "release_id": null, "release_group_id": null, "labels": [ "K7" ], "label_ids": [], "release_date": "2008-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Hello! Dance-worthy sets all night. Have a request? Email dj@kexp.org, message 206903-5397 or interact online: Instagram @djmichelemyers, Facebook DJ Michele or Twitter @djmichelemyers.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350542, "uri": "https://api.kexp.org/v2/plays/350542/?format=api", "airdate": "2019-07-05T18:03:00-07:00", "show": 5837, "show_uri": "https://api.kexp.org/v2/shows/5837/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350543, "uri": "https://api.kexp.org/v2/plays/350543/?format=api", "airdate": "2019-07-05T18:04:00-07:00", "show": 5837, "show_uri": "https://api.kexp.org/v2/shows/5837/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Get Down", "track_id": "8b469d8c-aa1a-4d32-85d2-44905844de04", "recording_id": null, "artist": "Jess Kent", "artist_ids": [ "2d9632b7-ae09-4fd3-a04a-adbc9edba0bd" ], "album": "My Name Is Jess Kent", "release_id": "18b2a6db-4514-45e2-9d06-e6968f231731", "release_group_id": null, "labels": [ "EMI" ], "label_ids": [], "release_date": "2016-11-18", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Artist brought in by Marika, who's assisting tonight. Thanks Marika! www.jesskent.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
