Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2578660&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2578680&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2578640&ordering=airdate", "results": [ { "id": 352141, "uri": "https://api.kexp.org/v2/plays/352141/?format=api", "airdate": "2019-07-09T14:45:00-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Mammamelie", "track_id": "99272ece-8427-4188-9722-ecec0c5dc755", "recording_id": null, "artist": "Ajate", "artist_ids": [ "b40d33df-e626-4cb9-9c1e-8459bf440d8f" ], "album": "Mammamelie / With Regularity", "release_id": "fdf4f07f-2977-4b97-9b24-5c9c4769706d", "release_group_id": null, "labels": [ "180g" ], "label_ids": [], "release_date": "2019-05-24", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Formed in 2011, Ajate consists of 10 Japanese musicians who play a unique blend of afro-groove dance music mixed with Japanese traditional festival music called \"Ohayashi\". Teaming up with French groovers Ny.Ko, 'Mammamelie' and 'With Regularity' are two dancefloor destroyers released ahead of Ajate’s brand new album, due out in early 2020! Watch their KEXP session here: https://www.youtube.com/watch?v=eN7_2Qkf7Uo", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352142, "uri": "https://api.kexp.org/v2/plays/352142/?format=api", "airdate": "2019-07-09T14:53:00-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Indictment", "track_id": "7a888776-fe5d-3ee4-89bb-4bce25bf688c", "recording_id": null, "artist": "Antibalas", "artist_ids": [ "33c2a158-a788-44e5-81ab-142d544a165b" ], "album": "Who Is this America?", "release_id": "7c43279e-91be-49c0-a840-d5314f309301", "release_group_id": null, "labels": [ "Ropeadope" ], "label_ids": [], "release_date": "2010-08-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Born in a Brooklyn warehouse in 1997, 12 piece ensemble Antibalas is credited with introducing Afrobeat to a wider global audience, influencing countless musicians and developing a live show that is the stuff of legend. Members of Antibalas served as musical directors and the house band in the Broadway hit FELA! and collaborated/performed with Iron and Wine, Sharon Jones & theDap-Kings, Mark Ronson, TV on the Radio and The Roots.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352143, "uri": "https://api.kexp.org/v2/plays/352143/?format=api", "airdate": "2019-07-09T14:58:00-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Get Up, Get Into It and Get Involved (mono)", "track_id": "63042c65-eb51-39c0-bd87-90a99c6a563c", "recording_id": null, "artist": "James Brown", "artist_ids": [ "20ff3303-4fe2-4a47-a1b6-291e26aa3438" ], "album": "In the Jungle Groove", "release_id": "12ca0962-a0ca-4f17-ba9c-355b271457f3", "release_group_id": null, "labels": [ "Polydor" ], "label_ids": [], "release_date": "2003-06-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Get Up, Get Into It, Get Involved\" was released as a two-part single in 1970. It features backing vocals by Bobby Byrd, who shared writing credit for the song with Brown and Ron Lenhoff. This was one of several songs by Brown with an upfront social message.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352144, "uri": "https://api.kexp.org/v2/plays/352144/?format=api", "airdate": "2019-07-09T15:05:00-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "King Kunta", "track_id": "1218a913-7ad5-4ffc-996d-1fedcf4a9782", "recording_id": null, "artist": "Kendrick Lamar", "artist_ids": [ "381086ea-f511-4aba-bdf9-71c753dc5077" ], "album": "To Pimp a Butterfly", "release_id": "d86cb2dd-39f5-4e51-a886-c165a63df493", "release_group_id": null, "labels": [ "Top Dawg Entertainment" ], "label_ids": [], "release_date": "2015-03-20", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"King Kunta\" is a reference to the archetypal rebellious slave Kunta Kinte, the basis of the main character from the Alex Haley novel, Roots: The Saga of an American Family. The song also contains references to Chinua Achebe's novel Things Fall Apart.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352145, "uri": "https://api.kexp.org/v2/plays/352145/?format=api", "airdate": "2019-07-09T15:09:00-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Doorman", "track_id": "ef8d73d1-c8a4-45b3-bb3e-26f236d86658", "recording_id": null, "artist": "slowthai", "artist_ids": [ "333e76b4-9606-4fd3-bcb3-8e7660bb4d96" ], "album": "Nothing Great About Britain", "release_id": "88bee97f-cb39-4c5e-8927-7dc96b47218c", "release_group_id": null, "labels": [ "True Panther Sounds" ], "label_ids": [], "release_date": "2019-05-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The track transpired after slowthai witnessed a display of exorbitant wealth. \"I was at some yard in Chelsea after a night out and I saw 4.5 million pound paintings hanging on the wall and it made me sick,\" slowthai explained in a press release. \"I went to the studio the next day and wrote Doorman.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352146, "uri": "https://api.kexp.org/v2/plays/352146/?format=api", "airdate": "2019-07-09T15:12:00-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 352147, "uri": "https://api.kexp.org/v2/plays/352147/?format=api", "airdate": "2019-07-09T15:15:33-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "http://coverartarchive.org/release/4b002b0e-3d58-4fea-a980-4b0577b32508/15696520432-250.jpg", "thumbnail_uri": "", "song": "Shine a Light", "track_id": "0e15b162-0624-3779-a99c-63ed9418530c", "recording_id": null, "artist": "Wolf Parade", "artist_ids": [ "b7ddce8b-9e5c-46bd-9d33-41b134ce1a7f" ], "album": "Apologies to the Queen Mary", "release_id": "4b002b0e-3d58-4fea-a980-4b0577b32508", "release_group_id": null, "labels": [ "Sub Pop Records" ], "label_ids": [ "38dc88de-7720-4100-9d5b-3cdc41b0c474" ], "release_date": "2005-09-27", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Wolf Parade will play the first of our Concerts at the Mural series this August. Get all the info on this free event at the Mural Amphitheater here: https://bit.ly/32j1HOz", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352149, "uri": "https://api.kexp.org/v2/plays/352149/?format=api", "airdate": "2019-07-09T15:19:10-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Club Nites", "track_id": "c59bad9c-9a4a-444c-b202-46b34cc77afe", "recording_id": null, "artist": "Dumb", "artist_ids": [ "f3a1e1a1-b6f6-42f9-bd92-5d7ceaec2484" ], "album": "Club Nites", "release_id": "863bd751-3af2-4102-804c-e74e85979a8d", "release_group_id": null, "labels": [ "Mint Records" ], "label_ids": [ "71587054-8671-48e3-ae91-fab5315fd06b" ], "release_date": "2019-06-07", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Dumb will also be playing our first Concerts at the Mural show on August 2nd. Find out more on this Vancouver-based band here: https://dumbband.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352150, "uri": "https://api.kexp.org/v2/plays/352150/?format=api", "airdate": "2019-07-09T15:21:24-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 352151, "uri": "https://api.kexp.org/v2/plays/352151/?format=api", "airdate": "2019-07-09T15:22:04-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "I Don't Mind", "track_id": "edc8c584-2dd8-4535-9a1a-d7c41c3c6117", "recording_id": null, "artist": "Bob Mould", "artist_ids": [ "d7f5305a-15fc-4af4-a61b-f6f45510cc8f" ], "album": "I Don't Mind", "release_id": "43b7d2a7-1e99-4b4d-8560-f70d03c4634f", "release_group_id": null, "labels": [ "Merge Records" ], "label_ids": [ "5a4f8d65-681e-4a1f-85a8-a874c9513888" ], "release_date": "2019-06-11", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "“Early in my sophomore year, two concerts had a major impact on me. The first was at the Longhorn, with Gang Of Four opening for the Buzzcocks,” Mould explains. “I was a huge fan of the Buzzcocks’ approach to pop songwriting and also appreciated the slashing guitar of Gang Of Four. I was front and center for the entire Buzzcocks set, studying singer-guitarist Pete Shelley, watching his every motion. Legend has it that the entire band was tripping on LSD that evening — I don’t know, but many times during the set, Pete did lean down, off-mic, and shout the chord changes at me. It left a deep impression, and I became an even more intent student of their work.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352153, "uri": "https://api.kexp.org/v2/plays/352153/?format=api", "airdate": "2019-07-09T15:24:15-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Not My Job", "track_id": "b827c13d-57e1-42c5-8ac0-e290ec9a426e", "recording_id": null, "artist": "Mal Blum", "artist_ids": [ "9fab4271-09a4-452d-b0bf-c59f8e5532cb" ], "album": "Pity Boy", "release_id": "9776ffdd-85af-49e0-b0e7-308fd6cda108", "release_group_id": null, "labels": [ "Don Giovanni Records" ], "label_ids": [ "dcea8cc5-4fc4-4f77-aeef-3e5a14863776" ], "release_date": "2019-07-12", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Blum says, “The last record was like, ‘Oh, okay, for the first time I’ve admitted to myself that I am struggling’ But after that, you have to take all that self-examination to the next step, which is: ‘Why do I do the things I do? What are these cycles in my life that are or are not helping me?’ That’s the place that I was in when I wrote almost all of these songs.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352157, "uri": "https://api.kexp.org/v2/plays/352157/?format=api", "airdate": "2019-07-09T15:27:26-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "http://coverartarchive.org/release/98d6d2b9-d173-3313-a5d9-c740753c1a66/1951275113-250.jpg", "thumbnail_uri": "", "song": "Queen Bitch", "track_id": "4094f53b-1b6d-3eb0-9065-de0cbb36950e", "recording_id": null, "artist": "David Bowie", "artist_ids": [ "5441c29d-3602-4898-b1a1-b77fa23b8e50" ], "album": "Hunky Dory", "release_id": "98d6d2b9-d173-3313-a5d9-c740753c1a66", "release_group_id": null, "labels": [ "Rykodisc" ], "label_ids": [ "6dedcd20-3d02-4838-b583-5434eac199d9" ], "release_date": "1990-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Bowie was a great Velvet Underground fan and wrote the song in tribute to the band and Lou Reed. He recorded a studio cover of Reed's \"I'm Waiting for the Man\" in 1967 (which remains unissued), as well as live versions, which may be heard on Bowie at the Beeb and on Live Nassau Coliseum '76 (in the 2010 special edition and deluxe edition re-issues of Station to Station).", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352159, "uri": "https://api.kexp.org/v2/plays/352159/?format=api", "airdate": "2019-07-09T15:30:33-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "http://coverartarchive.org/release/cac8502f-98e6-4820-8c08-dbcab85bd030/23359653737-250.jpg", "thumbnail_uri": "", "song": "Speedway", "track_id": "58a2495e-46a0-4c5a-b77d-4b2e134e690e", "recording_id": null, "artist": "Black Midi", "artist_ids": [ "4afbef0a-05ee-4551-b0e0-f1f1870d8f1c" ], "album": "Schlagenheim", "release_id": "cac8502f-98e6-4820-8c08-dbcab85bd030", "release_group_id": null, "labels": [ "Rough Trade" ], "label_ids": [ "2276f06e-f65a-4d61-9dee-9f95ff4b775c" ], "release_date": "2019-06-21", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Describing their writing process, the band says, \"Basically, we go about jamming for like two hours, or maybe more, depending on how we feel. And we usually just have a tape recorder in the room, and that night, before the next rehearsal, we’ll listen back to the bits we like. And we get those bits, and start to refine them, and stick them together, and that usually makes a song.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352160, "uri": "https://api.kexp.org/v2/plays/352160/?format=api", "airdate": "2019-07-09T15:33:51-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 352161, "uri": "https://api.kexp.org/v2/plays/352161/?format=api", "airdate": "2019-07-09T15:36:02-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "http://coverartarchive.org/release/999d4656-d6b7-4698-acd6-fec6ef35e51d/23160910276-250.jpg", "thumbnail_uri": "", "song": "Love Yourself", "track_id": "382c6e99-f3e2-4152-a11a-54e9eed209de", "recording_id": null, "artist": "Sufjan Stevens", "artist_ids": [ "01d3c51b-9b98-418a-8d8e-37f6fab59d8c" ], "album": "Love Yourself / With My Whole Heart", "release_id": "999d4656-d6b7-4698-acd6-fec6ef35e51d", "release_group_id": null, "labels": [ "Asthmatic Kitty Records" ], "label_ids": [ "e56c2bce-416f-4ddf-aee0-be2b3eee4067" ], "release_date": "2019-05-29", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "For Pride Month, Sufjan Stevens released a new four-track EP featuring two new songs that he states are his attempt to \"write an upbeat and sincere love song without conflict, anxiety or self-deprecation.\" \"Love Yourself\" is today's KEXP Song of the Day and you can get it for free here: https://bit.ly/2xADy7Y", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352163, "uri": "https://api.kexp.org/v2/plays/352163/?format=api", "airdate": "2019-07-09T15:40:00-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "I Drive", "track_id": null, "recording_id": null, "artist": "Lower Dens", "artist_ids": [ "3dee0ca7-99ae-4421-9c3b-f42d8caf4c88" ], "album": "The Competition", "release_id": null, "release_group_id": null, "labels": [ "Ribbon Music" ], "label_ids": [], "release_date": "2019-09-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "“Like a lot of queer and trans people, I’ve learned that real family is made, and it isn’t necessarily blood. Even my blood relatives, we work for that familial connection and trust,” Jana Hunter said in a statement. “This song is about leaving behind obligations to people who don’t love or care about you, being with and about people who do. It’s a feeling so strong it’s driving me. That’s the driving I’m doing.” https://bit.ly/2JEQpf4", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352166, "uri": "https://api.kexp.org/v2/plays/352166/?format=api", "airdate": "2019-07-09T15:43:10-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "http://coverartarchive.org/release/780823a5-a852-4958-bcb3-b291ceb66ea1/2973789684-250.jpg", "thumbnail_uri": "", "song": "Race for the Prize (remix)", "track_id": "1ad57a0b-edcc-37d3-a6e1-6a0e3b76a4e3", "recording_id": null, "artist": "The Flaming Lips", "artist_ids": [ "1f43d76f-8edf-44f6-aaf1-b65f05ad9402" ], "album": "The Soft Bulletin", "release_id": "780823a5-a852-4958-bcb3-b291ceb66ea1", "release_group_id": null, "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1999-06-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The single, released in 1999, was the album's highest charting single, reaching the top 40 at #39.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352168, "uri": "https://api.kexp.org/v2/plays/352168/?format=api", "airdate": "2019-07-09T15:47:08-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Hot Motion", "track_id": "cec53e4d-a8ef-45d5-b1fa-f89ed3d88e70", "recording_id": null, "artist": "Temples", "artist_ids": [ "1916fc94-bf9c-4ba2-90b0-22ebb5444d57" ], "album": "Hot Motion", "release_id": "73d21c87-a7ea-419d-ac68-80ee3c68df65", "release_group_id": null, "labels": [ "ATO Records" ], "label_ids": [ "b63922e9-da3c-4e41-9eda-ae1b11d33a1a" ], "release_date": "2019-09-27", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Title track from the new album, out September 27th. // “It felt like there was a darker edge to what we were coming up with and we wanted to make sure that carried through the whole record,” said bassist Thomas Walmsley. “It’s not a ten track, relentless rock record from start to finish, it’s got a lot of light and shade and more tender moments, but that heavier, darker sound is something we wanted to explore further.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 352170, "uri": "https://api.kexp.org/v2/plays/352170/?format=api", "airdate": "2019-07-09T15:53:15-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 352171, "uri": "https://api.kexp.org/v2/plays/352171/?format=api", "airdate": "2019-07-09T15:55:52-07:00", "show": 5869, "show_uri": "https://api.kexp.org/v2/shows/5869/?format=api", "image_uri": "http://coverartarchive.org/release/0dcc581c-4939-4355-aa9c-a1bc53e3af8a/23064926398-250.jpg", "thumbnail_uri": "", "song": "WHAT’S GOOD", "track_id": "3eaac17b-e9ac-44e2-adf0-33f0551d2048", "recording_id": null, "artist": "Tyler, the Creator", "artist_ids": [ "f6beac20-5dfe-4d1f-ae02-0b0a740aafd6" ], "album": "IGOR", "release_id": "0dcc581c-4939-4355-aa9c-a1bc53e3af8a", "release_group_id": null, "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "2019-05-17", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "The character Igor is mentioned by name on the tracks \"Igor's Theme\" and \"What's Good\". Igor follows the Gothic \"Igor\" archetype as a villain's assistant and represents a darker, aromantic side of Tyler that comes out. Igor arrives after Tyler pours out all of his heart for his love interest, though his love interest remains focused on his ex-girlfriend. The arrival of Igor serves as a reset for the strong romantic emotions Tyler was entangled in the album's first half.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
