Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2579480&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2579500&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2579460&ordering=airdate", "results": [ { "id": 353070, "uri": "https://api.kexp.org/v2/plays/353070/?format=api", "airdate": "2019-07-11T15:04:39-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "http://coverartarchive.org/release/7b952493-a2a9-4470-92b0-642fd46d191c/9837414845-250.jpg", "thumbnail_uri": "", "song": "Welcome to the Terrordome", "track_id": "59362327-3942-3c00-9b17-f5a5ed2f6eba", "recording_id": null, "artist": "Public Enemy", "artist_ids": [ "bf2e15d0-4b77-469e-bfb4-f8414415baca" ], "album": "Fear of a Black Planet", "release_id": "7b952493-a2a9-4470-92b0-642fd46d191c", "release_group_id": null, "labels": [ "Def Jam Recordings" ], "label_ids": [ "a92d1684-4edb-48aa-b913-30e9da213004" ], "release_date": "1990-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Fear of a Black Planet\" features elaborate sound collages that incorporate varying rhythms, numerous samples, media sound bites, and eccentric loops, reflecting the songs' confrontational tone. Recorded during the golden age of hip hop, its assemblage of reconfigured and recontextualized aural sources preceded the sample clearance system that later emerged in the music industry. \"Fear of a Black Planet\" explores themes of organization and empowerment within the black community, social issues affecting African Americans, and race relations at the time. The record's criticism of institutional racism, white supremacy, and the power elite was partly inspired by Dr. Frances Cress Welsing's views on color.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353072, "uri": "https://api.kexp.org/v2/plays/353072/?format=api", "airdate": "2019-07-11T15:10:01-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "World Destruction (Original 12\" Version - Bill Laswell Rmx)", "track_id": "642e3c7e-b5c1-4d11-ab1f-913c5becf0b0", "recording_id": null, "artist": "Time Zone Feat. Afrika Bambaataa & John Lydon", "artist_ids": [ "b5473212-03b8-471a-8ccc-025fd114f543" ], "album": "The Celluloid Years", "release_id": "8aad68d2-4688-477a-93a7-f2e51455330d", "release_group_id": null, "labels": [ "Collision: Cause of Chapter 3" ], "label_ids": [ "a8c26fd0-b401-40b2-9ff1-27b4b5434ee6" ], "release_date": "2006-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Time Zone was an electro band headed by Afrika Bambaataa. Bambaataa worked with different musicians for each Time Zone project.In December 1984, Time Zone released their most well-known single, \"World Destruction\". A collaboration between Bambaataa, ex-Sex Pistol/Public Image Ltd. leader John Lydon, and producer/bassist Bill Laswell. The \"World Destruction\" single was arranged by Laswell after Lydon and Bambaataa had acknowledged respect for each other's work", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353074, "uri": "https://api.kexp.org/v2/plays/353074/?format=api", "airdate": "2019-07-11T15:16:00-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Party at Ground Zero", "track_id": "6e28a160-2d3b-3253-b91c-26d13cf934fa", "recording_id": null, "artist": "Fishbone", "artist_ids": [ "9f3764c0-c9f4-4e20-b7a8-9993124fb1b2" ], "album": "Party at Ground Zero", "release_id": "0fd4ad5d-2046-474c-8fa9-5adcf5bc17b9", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2001-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Fishbone is an American band formed in 1979 in Los Angeles, California, which plays a fusion of ska, punk rock, funk, heavy rock, reggae, and soul.Fishbone first assembled in 1979 with John Norwood Fisher (bass), his brother Philip \"Fish\" Fisher (drums), Angelo Moore (vocals, saxophones and theremin), Kendall Jones (guitar), \"Dirty\" Walter A. Kibby II (vocals, trumpet), and Christopher Dowd (keyboards, trombone, vocals). They achieved their greatest success in the late 1980s and early 1990s, after which they went through many personnel changes. From 2003 to 2010, John Norwood Fisher and Angelo Moore were the last remaining original members of the band. In the 2010s, all the other original members except Kendall Jones rejoined the band for various reunions and anniversary activities", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353075, "uri": "https://api.kexp.org/v2/plays/353075/?format=api", "airdate": "2019-07-11T15:22:25-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 353076, "uri": "https://api.kexp.org/v2/plays/353076/?format=api", "airdate": "2019-07-11T15:26:45-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "http://coverartarchive.org/release/f2dd4d75-adcd-4347-93f3-4ea35f2b3b35/10158067235-250.jpg", "thumbnail_uri": "", "song": "Blue Monday", "track_id": "e8bd8cf2-129f-3ed4-aea4-aaa2ac9d8b7b", "recording_id": null, "artist": "New Order", "artist_ids": [ "f1106b17-dcbb-45f6-b938-199ccfab50cc" ], "album": "Power, Corruption & Lies", "release_id": "f2dd4d75-adcd-4347-93f3-4ea35f2b3b35", "release_group_id": null, "labels": [ "Qwest Records" ], "label_ids": [ "279669fd-fcd3-4d68-afa2-786b96e55de4" ], "release_date": "1987-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "'Blue Monday' is a song by the British rock band New Order. It was released as a 12-inch single on March 7th, 1983 through Factory Records and later as a 7-inch single through Tonpress in 1985. It appeared on certain cassette and CD versions of the band's second studio album, \"Power, Corruption & Lies\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353079, "uri": "https://api.kexp.org/v2/plays/353079/?format=api", "airdate": "2019-07-11T15:34:00-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Over the Shoulder (12\" version)", "track_id": "9ecdc6c4-48ec-3058-95ef-a7321be69761", "recording_id": null, "artist": "Ministry", "artist_ids": [ "13df2a46-f72f-40e7-aa63-26fcf62c7048" ], "album": "Twitch", "release_id": "13a66df4-ce5c-4e8e-9ba1-8766decf5676", "release_group_id": null, "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1990-02-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "'Over the Shoulder' has been described as an early example of electro-industrial, as well as synth-pop and synthrock.Musically, the song contains multiple layers of looped synthesizer parts along with distinctive heavy drum machine pattern and Jourgensen's weak vocal approach; Billboard editors compared this approach with music of Scritti Politti and Bee Gees. It was the band’s first recording after signing with Sire Records", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353082, "uri": "https://api.kexp.org/v2/plays/353082/?format=api", "airdate": "2019-07-11T15:40:21-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "http://coverartarchive.org/release/ed721fd4-ca0c-4cb1-a569-050c994d10d9/10149201972-250.jpg", "thumbnail_uri": "", "song": "Head Like a Hole", "track_id": "69a81468-799f-3734-a776-ef67bb99e43a", "recording_id": null, "artist": "Nine Inch Nails", "artist_ids": [ "b7ffd2af-418f-4be2-bdd1-22f8b48613da" ], "album": "Pretty Hate Machine", "release_id": "ed721fd4-ca0c-4cb1-a569-050c994d10d9", "release_group_id": null, "labels": [ "UMe" ], "label_ids": [ "93ba13c1-5d3f-4618-a8e7-17aeffff1da6" ], "release_date": "2010-11-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "'Head Like a Hole' is a song by the industrial rock band Nine Inch Nails, released as the second single from the group's debut album, \"Pretty Hate Machine\"\n\nThe song is an industrial rock song with elements of electronic and dance music, and is one of the more rock-oriented songs on the album. Lyrically, it discusses betrayal and angst. Trent Reznor wrote 'Head Like a Hole' in 1988, after touring with Skinny Puppy. Flood, Adrian Sherwood, and Keith LeBlanc were co-producers of the song, and it was recorded in 1989", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353085, "uri": "https://api.kexp.org/v2/plays/353085/?format=api", "airdate": "2019-07-11T15:45:16-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Straight Outta Compton", "track_id": "5d9a13e1-d52b-405f-b2ff-dcfe5bd2a035", "recording_id": null, "artist": "N.W.A", "artist_ids": [ "3a54bffa-2314-44a2-927b-60144119c780" ], "album": "Straight Outta Compton", "release_id": "c9f286ba-092d-4191-a11c-da849edf6876", "release_group_id": null, "labels": [ "Priority Records" ], "label_ids": [ "ce7a2977-c7dd-4695-97e0-5e72572bf0d3" ], "release_date": "2002-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "'Straight Outta Compton' is the a single from N.W.A's debut album of the same name. The opening verse is rapped by Ice Cube. MC Ren delivers the second, and Eazy-E the third verse. Dr. Dre does the intro as well as introducing Eazy E's verse. The album reached triple platinum sales status, initially reaching platinum status with no airplay support and without any major tours.[3][8]\n\nAs the hip hop community worldwide received the album with a high note, the members of N.W.A became the top stars for the emerging new era of gangsta rap while popularizing the lyrics of Ice Cube and MC Ren. The album also helped to spawn many young MCs and gangsta hip hop groups from areas such as Compton, California, and South Central Los Angeles, as many thought they had the same story to tell and the ability to pursue the career track that N.W.A had taken, hence the formation of groups such as Compton's Most Wanted.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353087, "uri": "https://api.kexp.org/v2/plays/353087/?format=api", "airdate": "2019-07-11T15:51:53-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 353088, "uri": "https://api.kexp.org/v2/plays/353088/?format=api", "airdate": "2019-07-11T15:52:31-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "http://coverartarchive.org/release/af36ad31-f54c-398e-82bf-6cf711890fba/5825227750-250.jpg", "thumbnail_uri": "", "song": "Cities in Dust", "track_id": "8e497219-e3d7-3083-b3b4-41266d06c9ba", "recording_id": null, "artist": "Siouxsie and the Banshees", "artist_ids": [ "78ea5ea1-3c4d-4b7e-ac5d-68900319ebe2" ], "album": "Twice Upon a Time: The Singles", "release_id": "af36ad31-f54c-398e-82bf-6cf711890fba", "release_group_id": null, "labels": [ "Geffen Records" ], "label_ids": [ "0fadc2ce-f7de-4e27-bbe6-612b317e716b" ], "release_date": "1992-10-13", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "'Cities in Dust' is a song by English rock band Siouxsie and the Banshees from their seventh studio album, \"Tinderbox\" in 1986. The 'Cities in Dust' 12-inch vinyl was the first Banshees' single release in the United States, on Geffen Records. The album was written to be presented live on stage in full like \"Juju\" was in 1981 on its subsequent tour. After rehearsing the songs for months, the band went abroad in Berlin to record the new material", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353091, "uri": "https://api.kexp.org/v2/plays/353091/?format=api", "airdate": "2019-07-11T15:56:26-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Television, the Drug of the Nation (radio edit)", "track_id": "245f457b-053d-301c-9ed2-4620e92e228f", "recording_id": null, "artist": "The Disposable Heroes of Hiphoprisy", "artist_ids": [ "0184c417-228d-4cd3-80ce-b44d5b9a3311" ], "album": "Television, the Drug of the Nation", "release_id": "580167cb-eb42-4734-be0f-705d218964fe", "release_group_id": null, "labels": [ "4th & B’way" ], "label_ids": [ "ff4cdd6e-e2e3-42e9-a733-c859ecf0331b" ], "release_date": "1991-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The Disposable Heroes of Hiphoprisy was an American hip-hop musical ensemble, active during the early 1990s.<br/><br/>\n\nThe band was formed in 1990 by Michael Franti (vocals, production, misc. instruments) and Rono Tse (drums, percussion, programming), who had been in the Beatnigs.\n<br/><br/>\nThe group was associated with contemporary bands, including House of Pain and Pop Will Eat Itself. They also were somewhat reminiscent of Gil Scott-Heron due to the half-spoken vocal styles of Franti and the up-front political messages in the music. The Disposable Heroes played many concerts, sometimes opening the bill for more well-known acts such as U2 (on their landmark Zoo TV Tour), Rage Against the Machine, Nirvana and Arrested Development. Guitarist Charlie Hunter made his recording debut with the Disposable Heroes before earning fame in jazz.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353092, "uri": "https://api.kexp.org/v2/plays/353092/?format=api", "airdate": "2019-07-11T16:01:19-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "It Was A Good Day", "track_id": "90fa70e2-5cee-464d-a898-fd2c701b9221", "recording_id": null, "artist": "Ice Cube", "artist_ids": [ "1d11e2a1-4531-4d61-a8c7-7b5c6a608fd2" ], "album": "Greatest Hits", "release_id": "50b36cd9-10ed-4754-9f9b-fed7c13bb172", "release_group_id": null, "labels": [ "Priority Records" ], "label_ids": [ "ce7a2977-c7dd-4695-97e0-5e72572bf0d3" ], "release_date": "2001-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "'It Was a Good Day' is a song by American gangsta rapper Ice Cube. It was released in February 1993 as the second single from his third solo album, \"The Predator.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353093, "uri": "https://api.kexp.org/v2/plays/353093/?format=api", "airdate": "2019-07-11T16:07:00-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Don't Bring Me Down", "track_id": "fc9e0ee8-3c9e-3ae7-a599-01e8b7d47ae6", "recording_id": null, "artist": "Electric Light Orchestra", "artist_ids": [ "0c502791-4ee9-4c5f-9696-0602b721ff3b" ], "album": "Discovery", "release_id": "c8729e68-c4a0-4975-b7a2-291ea2e708bd", "release_group_id": null, "labels": [ "Jet Records" ], "label_ids": [], "release_date": "1979-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Skylab was the first space station launched and operated by NASA. Skylab was designed as an orbiting workshop for research on scientific matters. Unfortunately, NASA failed to build in any control mechanisms to return the orbiter to Earth. This presented a problem when NASA engineers discovered the station’s orbit was decaying rapidly. Skylab became a 77-ton loose cannon.\n<br/><br/> On July 11, 1979, Skylab began rapidly descending from orbit, engineers fired the station’s booster rockets, sending it into a tumble they hoped would bring it down in the Indian Ocean. They were close. While large chunks did go into the ocean, the space station’s debris littered in populated areas of western Australia. Fortunately, no one was injured.\n<br/><br/>Electric Light Orchestra dedicated their single \"Don't Bring Me Down\" to Skylab", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353095, "uri": "https://api.kexp.org/v2/plays/353095/?format=api", "airdate": "2019-07-11T16:11:29-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 353096, "uri": "https://api.kexp.org/v2/plays/353096/?format=api", "airdate": "2019-07-11T16:15:40-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Rebound City", "track_id": "914ac503-fa89-442e-a77c-5f3f09d2889b", "recording_id": null, "artist": "Bleached", "artist_ids": [ "7081867c-8870-4f44-ae04-f345f6edcd64" ], "album": "Don’t You Think You’ve Had Enough?", "release_id": "9d9dc917-b490-4e37-8c79-1c3bf68bfd58", "release_group_id": null, "labels": [ "Dead Oceans" ], "label_ids": [ "f70f950f-2587-4f85-a5c7-b483a47bd2e9" ], "release_date": "2019-07-12", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "'Rebound City' is a single off of Bleached's new album \"Don't You Think You've Had Enough\" which drops tomorrow! You can catch them October 7th at The Crocodile!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353099, "uri": "https://api.kexp.org/v2/plays/353099/?format=api", "airdate": "2019-07-11T16:19:21-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "http://coverartarchive.org/release/1e736fa3-7cbb-44f5-851a-38a196f8326f/23163316672-250.jpg", "thumbnail_uri": "", "song": "Hurry On Home", "track_id": "b4b16f3b-8ce3-4394-ab06-c3f0dbc0f59b", "recording_id": null, "artist": "Sleater‐Kinney", "artist_ids": [ "e36e78eb-3ace-4acd-882c-16789e700ab7" ], "album": "Hurry on Home", "release_id": "1e736fa3-7cbb-44f5-851a-38a196f8326f", "release_group_id": null, "labels": [ "Mom + Pop Music" ], "label_ids": [ "e30c6170-fcd5-4c30-9b89-bd1bdcbcaa5f" ], "release_date": "2019-05-29", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "Sleater-Kinney will be releasing their ninth album \"The Center Won't Hold on August 16th. The album was produced by St. Vincent and will be the last album to feature long time drummer Janet Weiss. You can catch Sleater-Kinney at the Paramount Theatre on November 23rd and 24th!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353100, "uri": "https://api.kexp.org/v2/plays/353100/?format=api", "airdate": "2019-07-11T16:22:07-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "http://coverartarchive.org/release/26a75c55-00de-4de3-b419-3bb7bd3a2982/22859902189-250.jpg", "thumbnail_uri": "", "song": "Got You", "track_id": "1afc6d36-b291-464f-ace9-c99a551b61b7", "recording_id": null, "artist": "Amyl and The Sniffers", "artist_ids": [ "0f74b263-65bf-4027-9708-45aadf40122d" ], "album": "Amyl and The Sniffers", "release_id": "26a75c55-00de-4de3-b419-3bb7bd3a2982", "release_group_id": null, "labels": [ "ATO Records" ], "label_ids": [ "b63922e9-da3c-4e41-9eda-ae1b11d33a1a" ], "release_date": "2019-05-24", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "AMyl and the Sniffers' sound has been compared to 1970's hard rock groups such as Iggy Pop and The Stooges and The Damned. However,singer Amy Taylor has cited a number of varying influences including Minor Threat, Ceremony, AC/DC, Sleaford Mods, Dolly Parton, and Cardi B.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353106, "uri": "https://api.kexp.org/v2/plays/353106/?format=api", "airdate": "2019-07-11T16:24:20-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "http://coverartarchive.org/release/be45b090-8feb-4467-ae83-9d61953aab7a/23152900661-250.jpg", "thumbnail_uri": "", "song": "Live a Lie", "track_id": "8cfc719f-a8fa-4276-8c09-d1bfbeb8c1ff", "recording_id": null, "artist": "The Raconteurs", "artist_ids": [ "be407b02-f3e6-4ed5-9489-f8e5f0ab36dc" ], "album": "Help Us Stranger", "release_id": "be45b090-8feb-4467-ae83-9d61953aab7a", "release_group_id": null, "labels": [ "Third Man Records" ], "label_ids": [ "95336f80-eef4-41fa-a4ca-d4bc4ecebcde" ], "release_date": "2019-06-21", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "The Raconteurs will be playing in Seattle next Thursday, July 18th, at CenturyLink Field!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353107, "uri": "https://api.kexp.org/v2/plays/353107/?format=api", "airdate": "2019-07-11T16:28:56-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Jelmore", "track_id": "8fd5bac5-3f18-4899-8f55-2af6cdd3d4ef", "recording_id": null, "artist": "Bon Iver", "artist_ids": [ "437a0e49-c6ae-42f6-a6c1-84f25ed366bc" ], "album": "i,i", "release_id": "8c87718d-57f8-4382-ac20-77cc56d5bacf", "release_group_id": null, "labels": [ "Jagjaguwar" ], "label_ids": [ "42e06800-76f8-4a5b-a9b6-0983a5d72f17" ], "release_date": "2019-08-30", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Bon iver's new album \"i,i\" is due out on August 30th. They will be performing at the Gorge Amphitheater on September 6th!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 353109, "uri": "https://api.kexp.org/v2/plays/353109/?format=api", "airdate": "2019-07-11T16:31:13-07:00", "show": 5882, "show_uri": "https://api.kexp.org/v2/shows/5882/?format=api", "image_uri": "http://coverartarchive.org/release/c210f11e-7855-4828-a05c-e9670ce4289b/3192389215-250.jpg", "thumbnail_uri": "", "song": "Atoms for Peace", "track_id": "b35b3497-af0d-3261-b176-3f0bf8fd4c1f", "recording_id": null, "artist": "Thom Yorke", "artist_ids": [ "8ed2e0b3-aa4c-4e13-bec3-dc7393ed4d6b" ], "album": "The Eraser", "release_id": "c210f11e-7855-4828-a05c-e9670ce4289b", "release_group_id": null, "labels": [ "XL Recordings" ], "label_ids": [ "14221f01-8939-4ea0-b8f1-b5a21beae80a" ], "release_date": "2006-07-11", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "On July 11, 2006, Thom Yorke of Radiohead released his debut solo album, \"The Eraser\". It was produced by longtime Radiohead producer Nigel Godrich and comprises of electronic music Yorke recorded during Radiohead's 2004 hiatus and between their 2005 rehearsals.<br/><br/>To generate ideas, Yorke cut and pasted clips at random from Radiohead's library of original samples, many of which were created on laptops in hotel rooms as the band toured. He would send fragments to Godrich, who identified passages that could become songs, edited them, and returned them to Yorke.\n\nThe lyrics express Yorke's political concerns. Lead single \"Harrowdown Hill\" was written about the death of David Kelly, a whistleblower who allegedly committed suicide after telling a reporter that the British government had falsely identified weapons of mass destruction in Iraq.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
