Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2593820&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2593840&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2593800&ordering=airdate", "results": [ { "id": 368314, "uri": "https://api.kexp.org/v2/plays/368314/?format=api", "airdate": "2019-08-16T16:50:39-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "jane, don't you know me?", "track_id": "b4deba10-748e-4e79-b507-2207214d7ee7", "recording_id": null, "artist": "Elvis Depressedly", "artist_ids": [ "531f2c87-9442-4c89-843c-56313dc58ed7" ], "album": "Depressedelica", "release_id": "458887fa-02b1-486c-9b12-bbc62d4f7f6a", "release_group_id": null, "labels": [ "Run for Cover Records" ], "label_ids": [ "9c5c93da-b877-4c50-9ae8-7c6aaaf32e51" ], "release_date": "2019-10-04", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Elvis Depressedly was formed in 2011 in Columbia, South Carolina, originally as a way for Cothran to explore his Bowie-esque alter ego of \"Mickey,\" referenced in the early EPs as a way for him to confront and examine his fears and anxieties. https://bit.ly/33xfpxI", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368316, "uri": "https://api.kexp.org/v2/plays/368316/?format=api", "airdate": "2019-08-16T16:54:04-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 368317, "uri": "https://api.kexp.org/v2/plays/368317/?format=api", "airdate": "2019-08-16T16:56:07-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "To the Ground", "track_id": "9c574304-cbdf-46c0-b721-0d1a3985cea2", "recording_id": null, "artist": "Death Cab for Cutie", "artist_ids": [ "0039c7ae-e1a7-4a7d-9b49-0cbc716821a6" ], "album": "The Blue EP", "release_id": "bff31a9d-841a-4fa5-bf88-3d4d223b2394", "release_group_id": null, "labels": [ "Atlantic" ], "label_ids": [ "50c384a2-0b44-401b-b893-8181173339c7" ], "release_date": "2019-09-06", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "This new track was produced by Rich Costey during the recording sessions for the band's critically acclaimed ninth studio album, Thank You for Today and held for this planned subsequent EP, set for release on September 6. https://bit.ly/33xgJ3E", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368318, "uri": "https://api.kexp.org/v2/plays/368318/?format=api", "airdate": "2019-08-16T17:01:04-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sunglasses", "track_id": "40fa0621-e9bb-4348-b3ee-8d5469af7a1b", "recording_id": null, "artist": "Black Country, New Road", "artist_ids": [ "e9403d9c-329b-4108-a26f-564159d441d9" ], "album": "Sunglasses", "release_id": "b253f362-9392-41f0-9c6d-9f073de1c2a6", "release_group_id": null, "labels": [ "Blank Editions" ], "label_ids": [ "8c2cb1fb-8f6a-4e23-9f8b-9df5b4839cfd" ], "release_date": "2019-09-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "“It describes a series of events, loosely connected, all yet to happen,” says frontman Isaac Wood. “The song was intended to be highly inspirational. The lyrics are sometimes concerned with symbols of wealth or affluence but they are not written from a critical or even external position.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368320, "uri": "https://api.kexp.org/v2/plays/368320/?format=api", "airdate": "2019-08-16T17:05:40-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "http://coverartarchive.org/release/4f79360f-dec8-4135-9cf8-f5543b62b8b4/2228075128-250.jpg", "thumbnail_uri": "", "song": "Unsung", "track_id": "06398761-cf41-3cca-b64f-95a4190d01b9", "recording_id": null, "artist": "Helmet", "artist_ids": [ "582fee78-d934-4603-9f5c-1729e0ca36b7" ], "album": "Meantime", "release_id": "4f79360f-dec8-4135-9cf8-f5543b62b8b4", "release_group_id": null, "labels": [ "Interscope Records" ], "label_ids": [ "2182a316-c4bd-4605-936a-5e2fac52bdd2" ], "release_date": "1992-06-23", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Unsung\" was Helmet's first single to be released, and was also the lead single to their second album Meantime. The song helped Helmet attain breakthrough success and is their most commercially successful song to date. \"Unsung\" reached # 29 on the US Alternative Songs chart and #32 on the US Hot Mainstream Rock Tracks chart. https://bit.ly/2Ml5EgL", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368322, "uri": "https://api.kexp.org/v2/plays/368322/?format=api", "airdate": "2019-08-16T17:09:36-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "http://coverartarchive.org/release/26a75c55-00de-4de3-b419-3bb7bd3a2982/22859902189-250.jpg", "thumbnail_uri": "", "song": "Got You", "track_id": "1afc6d36-b291-464f-ace9-c99a551b61b7", "recording_id": null, "artist": "Amyl and The Sniffers", "artist_ids": [ "0f74b263-65bf-4027-9708-45aadf40122d" ], "album": "Amyl and The Sniffers", "release_id": "26a75c55-00de-4de3-b419-3bb7bd3a2982", "release_group_id": null, "labels": [ "ATO Records" ], "label_ids": [ "b63922e9-da3c-4e41-9eda-ae1b11d33a1a" ], "release_date": "2019-05-24", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Amyl and the Sniffers are a grimy pub rock band from Melbourne, Australia. Amy Taylor (vocals), Bryce Wilson (drums) and Declan Martens (guitar) are former housemates who formed the band, wrote a handful of tunes and released their debut EP, Giddy Up, all in a span of twelve hours. Completing their line up with Gus Romer on bass, Amyl and the Sniffers took their cues from a diverse mix of genres including pub rock, Aussie punk and country. They set out to have as much fun as possible and scared up a whole lot of fans along the way. https://bit.ly/2TCEOS2", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368323, "uri": "https://api.kexp.org/v2/plays/368323/?format=api", "airdate": "2019-08-16T17:14:19-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Round and Round", "track_id": "4a618e76-619e-4fac-b1dd-0fb0c2183bd2", "recording_id": null, "artist": "Geowulf", "artist_ids": [ "1976f81d-fb04-4e2a-90d0-e297b5a99892" ], "album": "My Resignation", "release_id": "fb0acdd3-f7ad-41d8-a8e9-873229c7599f", "release_group_id": null, "labels": [ "[PIAS]" ], "label_ids": [ "da314fb6-6f98-4ac6-8ef1-890fc5ddf4e0" ], "release_date": "2019-10-25", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Geowulf (yes, named after a love of Beowulf and things geo-related) on their musical influences: \"Musically we both love Fleetwood Mac and I think that’s obvious through some of our songs. Being so ostracised in Australia I think you become more attached to your favourite old school artists and musicians. There’s so much mystery and appeal wrapped up in their tracks and it’s hard to not get inspired by all of that. As it’s probably obvious as well, we both have a a huge love for shoe gazing artists like Mazzy Star and even Cigarettes After Sex.\" https://bit.ly/2WaZFwN", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368333, "uri": "https://api.kexp.org/v2/plays/368333/?format=api", "airdate": "2019-08-16T17:15:00-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Just Like Honey", "track_id": "63a8b121-5de4-41a6-a9eb-62a95a09ae8c", "recording_id": null, "artist": "The Jesus and Mary Chain", "artist_ids": [ "e938a15c-b17e-4e7a-9f68-ff0d536cab44" ], "album": "Psychocandy", "release_id": "16f11eba-1673-4339-97c5-7b1979974b89", "release_group_id": null, "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "2011-09-23", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368328, "uri": "https://api.kexp.org/v2/plays/368328/?format=api", "airdate": "2019-08-16T17:21:16-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "http://coverartarchive.org/release/9ff89174-d7ca-4c3f-99de-a5dc1eb4f4a6/23266427192-250.jpg", "thumbnail_uri": "", "song": "Feel for You", "track_id": "8a560253-ea4a-4aea-b02e-11e57919a951", "recording_id": null, "artist": "Bat for Lashes", "artist_ids": [ "10000730-525f-4ed5-aaa8-92888f060f5f" ], "album": "Lost Girls", "release_id": "9ff89174-d7ca-4c3f-99de-a5dc1eb4f4a6", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2019-09-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Lost Girls is the upcoming fifth studio album by English singer-songwriter Natasha Khan, known professionally as Bat for Lashes. It is set to be released on September 6, 2019 through AWAL. It will be Khan's first album since 2016's The Bride. https://bit.ly/2TEkhwm", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368332, "uri": "https://api.kexp.org/v2/plays/368332/?format=api", "airdate": "2019-08-16T17:24:36-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Wannago", "track_id": "dc9ba309-b98c-4ef4-943e-f73c6b21e8d9", "recording_id": null, "artist": "Frankie Cosmos", "artist_ids": [ "e49dd402-2297-4192-a359-48b233d39cd4" ], "album": "Close It Quietly", "release_id": "d8948f29-4021-434e-891c-d1c7d3d79f96", "release_group_id": null, "labels": [ "Sub Pop Records" ], "label_ids": [ "38dc88de-7720-4100-9d5b-3cdc41b0c474" ], "release_date": "2019-09-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "On September 6th, Sub Pop will release Frankie Cosmos’ fourth studio album, Close It Quietly. This album is a manifestation of the band’s collaborative spirit: Greta Kline and longtime bandmates Lauren Martin (synth), Luke Pyenson (drums), and Alex Bailey (bass) luxuriated in studio time with Gabe Wax, who engineered and co-produced the record with the band at Brooklyn’s Figure 8 Studios. \n<br><br> \nThe bands latest video for “Wannago” features comedian Catherine Cohen and was directed by the fine folks at House of Nod. The video is centered around the band’s love for reality baking shows, specifically The Great British Bake Off. “I thought a baking competition theme would translate well to a music video. In some ways I think the lighthearted drama, tension, and release of that format mirrors the ebb and flow of emotions (lyrically and musically) in this song, and so it was kind of a natural fit” says drummer Luke Pyenson. You can watch the video for the song here: https://bit.ly/2Mm7C0o", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368334, "uri": "https://api.kexp.org/v2/plays/368334/?format=api", "airdate": "2019-08-16T17:28:00-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 368336, "uri": "https://api.kexp.org/v2/plays/368336/?format=api", "airdate": "2019-08-16T17:29:00-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "In ’n’ Out of Grace", "track_id": "c49854bb-c8ca-4f77-91ec-5cd65336fbcc", "recording_id": null, "artist": "Mudhoney", "artist_ids": [ "e675295a-1efe-4247-aa3b-53b78d0cdffc" ], "album": "Superfuzz Bigmuff", "release_id": "ef8122da-58ba-3989-8234-9accbb31fe18", "release_group_id": null, "labels": [ "Sub Pop Records" ], "label_ids": [], "release_date": "2008-06-02", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Paying homage to legendary actor Peter Fonda, who passed away today. \"In 'n' Out of Grace\" opens with a sample of the eulogy from Peter Fonda's character in the 1966 movie The Wild Angels, saying \"We wanna be free to do what we wanna do…\"; the same sample was later used on Primal Scream's song \"Loaded.\" https://bit.ly/33BrX7k", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368340, "uri": "https://api.kexp.org/v2/plays/368340/?format=api", "airdate": "2019-08-16T17:34:37-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "http://coverartarchive.org/release/51769fbe-5aea-442c-bd77-e98a47ce4453/5376385316-250.jpg", "thumbnail_uri": "", "song": "Loaded", "track_id": "6e48d184-2f5c-3e93-8079-8f2de7d1c733", "recording_id": null, "artist": "Primal Scream", "artist_ids": [ "55704c38-224f-4b75-b29f-d43653f8bc9a" ], "album": "Screamadelica", "release_id": "51769fbe-5aea-442c-bd77-e98a47ce4453", "release_group_id": null, "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1991-10-08", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Primal Scream approached dance DJ Andrew Weatherall after a favourable review of the second Primal Scream album in the 'Boys Own' football fanzine. He was asked to remix \"I'm Losing More Than I'll Ever Have,\" a song from the band's eponymous second album, Primal Scream and by the second or third attempt Loaded was born — his first visit to a recording studio.\n\nAt the start of the song, Weatherall added an audio sample of Frank Maxwell and Peter Fonda from the film The Wild Angels. The rest of the song is constructed from parts of \"I'm Losing More Than I'll Ever Have,\" with a vocal sample from The Emotions' \"I Don't Want to Lose Your Love,\" and a drum loop from an Italian bootleg remix of Edie Brickell's song \"What I Am,\" plus Bobby Gillespie singing a line from Robert Johnson's \"Terraplane Blues.\" https://bit.ly/1CHXVzm", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368346, "uri": "https://api.kexp.org/v2/plays/368346/?format=api", "airdate": "2019-08-16T17:41:00-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Born to Be Wild", "track_id": "f351ee8d-c19f-4fcb-bb29-ed80fc514e7a", "recording_id": null, "artist": "Steppenwolf", "artist_ids": [ "12ff8858-bfcb-4812-a8dd-7e9debf0cbee" ], "album": "Steppenwolf", "release_id": "37402dbc-169d-4762-b907-e73c5d148e8b", "release_group_id": null, "labels": [ "Dunhill ABC" ], "label_ids": [], "release_date": "1968-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Paying homage to the late, great Peter Fonda, who passed away earlier today at the age of 79. www.youtube.com/watch?v=egMWlD3fLJ8", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368347, "uri": "https://api.kexp.org/v2/plays/368347/?format=api", "airdate": "2019-08-16T17:45:00-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 368348, "uri": "https://api.kexp.org/v2/plays/368348/?format=api", "airdate": "2019-08-16T17:47:02-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "http://coverartarchive.org/release/25c74201-d986-419d-80c2-68c4224592a1/7235948923-250.jpg", "thumbnail_uri": "", "song": "Now I Wanna Sniff Some Glue", "track_id": "1df867dd-f744-3587-9f05-e18d41b0657b", "recording_id": null, "artist": "Ramones", "artist_ids": [ "d6ed7887-a401-47a8-893c-34b967444d26" ], "album": "All the Stuff (and More), Volume 1", "release_id": "25c74201-d986-419d-80c2-68c4224592a1", "release_group_id": null, "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1990-05-31", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "After Hit Parader editor Lisa Robinson saw the Ramones at a gig in New York City, she wrote about them in an article and contacted Danny Fields, insisting that he be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album. They used similar sound-output techniques to those of the Beatles and used advanced production methods by Leon. https://bit.ly/2TEkhwm", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368349, "uri": "https://api.kexp.org/v2/plays/368349/?format=api", "airdate": "2019-08-16T17:48:50-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "http://coverartarchive.org/release/25c74201-d986-419d-80c2-68c4224592a1/7235948923-250.jpg", "thumbnail_uri": "", "song": "I Don’t Wanna Go Down to the Basement", "track_id": "9f53a32f-f203-3cbd-b261-7b38abdfe660", "recording_id": null, "artist": "Ramones", "artist_ids": [ "d6ed7887-a401-47a8-893c-34b967444d26" ], "album": "All the Stuff (and More), Volume 1", "release_id": "25c74201-d986-419d-80c2-68c4224592a1", "release_group_id": null, "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1990-05-31", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "On August 16, 1974 (45 years ago today!), The Ramones gave their first public performance at famed Manhattan dive bar CBGBs.\n\nThe Ramones had previously played together at a practice space with Joey Ramone on drums, Johnny Ramone on guitar, and Dee Dee Ramone on bass and lead vocals. Neither Dee Dee nor Joey could sing while playing, so manager Tommy Erdelyi stepped in on drums and Joey took over vocals.\n\nWith their newly-cemented lineup, the Ramones took the stage at CBGBs and Dee Dee began with his famous one/two/three/four countoff. They were opening for a band called Angel and the Snake, which was a band who would soon change their name to Blondie.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368350, "uri": "https://api.kexp.org/v2/plays/368350/?format=api", "airdate": "2019-08-16T17:51:26-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "http://coverartarchive.org/release/62f2f224-3b1b-4320-98db-65a6e8a7589a/3352547867-250.jpg", "thumbnail_uri": "", "song": "Judy Is a Punk", "track_id": "615a8a79-e966-3e3a-87b5-2509e749e493", "recording_id": null, "artist": "Ramones", "artist_ids": [ "d6ed7887-a401-47a8-893c-34b967444d26" ], "album": "Anthology: Hey Ho, Let’s Go!", "release_id": "62f2f224-3b1b-4320-98db-65a6e8a7589a", "release_group_id": null, "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "1999-07-09", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Music journalist Legs McNeil, the future co-founder of Punk magazine, was at the show and wrote this in his review: “They were all wearing these black leather jackets. And they counted off this song…and it was just this wall of noise,” McNeil later recalled. “These guys were not hippies. This was something completely new.”\n\nFollowing their historic debut performance 45 years ago today, the Ramones quickly became a force on the burgeoning underground rock scene centered in the downtown Manhattan clubs CBGB and Max’s Kansas City.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 368351, "uri": "https://api.kexp.org/v2/plays/368351/?format=api", "airdate": "2019-08-16T17:53:11-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 368352, "uri": "https://api.kexp.org/v2/plays/368352/?format=api", "airdate": "2019-08-16T17:56:00-07:00", "show": 6136, "show_uri": "https://api.kexp.org/v2/shows/6136/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Ragysh", "track_id": "202a8bf8-7acd-3865-be56-bde09376c2dd", "recording_id": null, "artist": "Todd Terje", "artist_ids": [ "a0cded3a-4ca3-4ddb-8e46-ed9037f30aea" ], "album": "Ragysh", "release_id": "1e6214e9-6b04-46e1-aee1-4ebc56a3b7bf", "release_group_id": null, "labels": [ "Running Back" ], "label_ids": [], "release_date": "2011-04-04", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Terje Olsen (born 1981), better known as Todd Terje, is a Norwegian DJ, songwriter, and record producer. His stage name is a homage to house music producer Todd Terry. Called \"King of the summer jams\" by Mixmag, \"one third of the Holy Trinity of Norwegian disco\" by Spin magazine, and \"one of [the Scandinavian dance scene's] prominent figures\" by AllMusic, Todd Terje made his name with a string of remixes and re-edits in the mid 2000s. He is the younger brother of Olaf Olsen, who often performs drums for Terje's live shows. https://bit.ly/2z32BBf", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
