Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=2601980&ordering=airdate
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
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    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2601960&ordering=airdate",
    "results": [
        {
            "id": 377497,
            "uri": "https://api.kexp.org/v2/plays/377497/?format=api",
            "airdate": "2019-09-06T14:28:26-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
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            "song": "Spell",
            "track_id": "a5008b50-e076-43c6-9ed2-17c42020bd36",
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            "artist": "Hot Chip",
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            "album": "A Bath Full of Ecstasy",
            "release_id": "703da45f-540d-49d8-acd2-1a8d0d8c3517",
            "release_group_id": null,
            "labels": [
                "Domino"
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            "release_date": "2019-06-21",
            "rotation_status": "R/N",
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            "comment": "When the members of Hot Chip re-convened to record A Bath Full of Ecstasy, they decided to work with outside producers for the first time and to allow them to have a say in the songwriting.  The decision was born out of the band's desire to take a different approach than they had on previous records, and to have someone push them creatively.  Martin said, \"We all recognize you need to set new challenges and put yourself in slightly different positions in order to provoke a different response artistically.\"  Goddard said that the group also wanted someone who would present additional choices of equipment for them to use beyond what they already owned.  After meeting with several producers, the band chose to work with Philippe Zdar of French musical duo Cassius, as well as Rodaidh McDonald.  https://bit.ly/2kzkNyD",
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        {
            "id": 377499,
            "uri": "https://api.kexp.org/v2/plays/377499/?format=api",
            "airdate": "2019-09-06T14:34:00-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
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            "song": "Nothing is Safe",
            "track_id": null,
            "recording_id": null,
            "artist": "clipping.",
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            "album": "There Existed An Addiction To Blood",
            "release_id": null,
            "release_group_id": null,
            "labels": [
                "Sub Pop Records"
            ],
            "label_ids": [],
            "release_date": "2019-10-18",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
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            "comment": "There Existed an Addiction to Blood is due out October 18th via Sub Pop. It’s the fourth album from Daveed Diggs and company. The album will span 15 tracks and features contributions from Ed Balloon, Sarah Bernat, La Chat, and more. According to a press release, this album is clipping.’s “transmutation of horrorcore”, the absurdist mid-90s sub-genre, and could be compared to the 1973 cult classic blaxploitation film Ganja & Hess. It goes on to raise the stakes, saying, “There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue.”",
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        },
        {
            "id": 377501,
            "uri": "https://api.kexp.org/v2/plays/377501/?format=api",
            "airdate": "2019-09-06T14:39:26-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
            "image_uri": "http://coverartarchive.org/release/08677853-12ea-4346-b7e9-4e334608efb6/23167331298-250.jpg",
            "thumbnail_uri": "",
            "song": "Doorman",
            "track_id": "061daf40-c30a-4091-b22c-d3662beb4176",
            "recording_id": null,
            "artist": "slowthai & Mura Masa",
            "artist_ids": [
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            "album": "Nothing Great About Britain",
            "release_id": "08677853-12ea-4346-b7e9-4e334608efb6",
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            "labels": [],
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            "release_date": "2019-05-17",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The album features guest appearances from British rappers Jaykae and Skepta, as well as production credits from electronic music producer Mura Masa and punk rock band Slaves.  https://bit.ly/2lBXe8G",
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        {
            "id": 377502,
            "uri": "https://api.kexp.org/v2/plays/377502/?format=api",
            "airdate": "2019-09-06T14:43:00-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
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            "song": "Border Country",
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            "artist": "Underworld",
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            "album": "DRIFT",
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            "labels": [],
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            "release_date": "1950-01-01",
            "rotation_status": "Library",
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            "comment": "Drift is the ongoing music-and-video experiment by the British electronic group Underworld, launched on November 1, 2018, with consecutive tracks and music videos being released online, on a weekly basis.  It's Underworld's second digital distribution project, after the 2005–2006 series Riverrun.  The project will be concluded after a 52-week run, with the band's new album Drift Songs, to be released on October 25, 2019.  <br><br>\"Border Country\" is the second collaboration with friend of Underworld and DRIFT community member Ø [Phase] and the final part of DRIFT Episode 4. Lithe and restless, it edges and darts through unmapped spaces into a place where grimy nocturnal electronics are driven hard by fizzing hi hats and multiple voices ricochet in from the peripheries.   Dig deep 'ere and don't forget to sign up!  https://underworldlive.com/drift/",
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        },
        {
            "id": 377504,
            "uri": "https://api.kexp.org/v2/plays/377504/?format=api",
            "airdate": "2019-09-06T14:51:00-07:00",
            "show": 6282,
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            "comment": null,
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            "play_type": "airbreak"
        },
        {
            "id": 377505,
            "uri": "https://api.kexp.org/v2/plays/377505/?format=api",
            "airdate": "2019-09-06T14:53:42-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
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            "song": "Plants",
            "track_id": "0bc8b779-2789-4dd7-a28b-8c586e7731e4",
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            "artist": "Guerilla Toss",
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            "album": "What Would the Odd Do?",
            "release_id": "fa04bf84-3dbe-4d6a-a97b-cb0952e457b4",
            "release_group_id": null,
            "labels": [
                "NNA Tapes"
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            "label_ids": [
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            "release_date": "2019-11-15",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Playing the Vera Project on Saturday, October 26th!  Ticket info here: https://bit.ly/2SR6xy9  <Br><br>  Guerilla Toss are a psychedelic art rock band formed in 2012 and from Boston, MA. Now based in New York, NY, the group currently consists of singer Kassie Carlson, drummer Peter Negroponte, guitarist Arian Shafiee, keyboardist Sam Lisabeth, and bassist Stephe Cooper. They were also listed in Rolling Stone magazine as one of the “10 Great Modern Punk Bands.” https://bit.ly/2kxiQms",
            "location": 1,
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        },
        {
            "id": 377508,
            "uri": "https://api.kexp.org/v2/plays/377508/?format=api",
            "airdate": "2019-09-06T14:58:58-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
            "image_uri": "http://coverartarchive.org/release/6835be6c-5ecb-4db1-af57-b86d97d0f566/23723289857-250.jpg",
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            "song": "Cognitive Dissonance",
            "track_id": "7385bfa3-68e0-495b-8efe-e76bced0a831",
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            "artist": "B Boys",
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            "album": "Dudu",
            "release_id": "6835be6c-5ecb-4db1-af57-b86d97d0f566",
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            "labels": [
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            "release_date": "2019-07-26",
            "rotation_status": "Light",
            "is_local": false,
            "is_request": false,
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            "comment": "New York’s B Boys (Andrew Kerr, Brendon Avalos, Britton Walker) find inspiration in the chaos that surrounds them: the aggressive attitude and sonic lawlessness of the city they live, work, and breathe in every day. Their raw, yet meticulous style is characterized by rhythmic complexity, commanding riffs, and introspective lyrics that are as playful and self-aware as they are cutting.\n\nAcross two acclaimed releases on Captured Tracks—2016’s No Worry No Mind EP and 2017’s debut full-length Dada—B Boys explore solitude and self-reflection through sharp, high-energy shouts and melodic mediations. Now, the sprightly sarcasm and acerbic commentary continues on the band’s highly anticipated sophomore LP, Dudu. Recorded by Gabe Wax (Deerhunter, Ought, Crumb) at Outlier Inn, and mixed by Andy Chugg (Pill, Pop. 1280, Bambara) to be released on July 26, 2019.  Explore more from B Boys here: https://bboys.bandcamp.com/album/dudu",
            "location": 1,
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        },
        {
            "id": 377511,
            "uri": "https://api.kexp.org/v2/plays/377511/?format=api",
            "airdate": "2019-09-06T15:01:34-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
            "image_uri": "http://coverartarchive.org/release/d4bfdd53-f9ac-35d8-b30d-f750b4420af4/9552855097-250.jpg",
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            "song": "Jocko Homo",
            "track_id": "f81504fe-0315-31d2-92fe-93fc50b113bb",
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            "artist": "DEVO",
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            "album": "Q: Are We Not Men? A: We Are Devo!",
            "release_id": "d4bfdd53-f9ac-35d8-b30d-f750b4420af4",
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            "labels": [
                "Warner Bros. Records"
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            "release_date": "1990-01-01",
            "rotation_status": "Library",
            "is_local": false,
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            "comment": "The title of the track is taken from a 1924 anti-evolution tract called Jocko-Homo Heavenbound by B. H. Shadduck, where it is explained as meaning \"ape-man.\"  The song revolves around an idiosyncratic descending guitar riff and absurdist lyrics.  The song's verses primarily concern themselves with the view of de-evolution, noting foibles in human society. Most versions include a bridge that begins with \"God made man, but he used the monkey to do it...\"  This is a response and reference to the Uncle Dave Macon song \"The Bible's True\" (1926), an anti-evolution song.  <br><br>The song begins in the unusual time signature of 7/8 time, but switches partway through to common 4/4 time for the call and response sections.  https://bit.ly/2k3tZer",
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        {
            "id": 377514,
            "uri": "https://api.kexp.org/v2/plays/377514/?format=api",
            "airdate": "2019-09-06T15:05:07-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
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            "song": "Running",
            "track_id": "e2b4d6e2-4a06-4436-bac9-f839d8c51f56",
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            "artist": "Gauche",
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            "album": "A People's History of Gauche",
            "release_id": "57c26a15-57e1-468b-9a07-e2d7eed1e4ae",
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            "labels": [
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            "release_date": "2019-07-12",
            "rotation_status": "Light",
            "is_local": false,
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            "comment": "Birthed from Washington D.C.’s punk scene like a manifestation of righteous rage, Gauche—which counts as members Priests’ Daniele Yandel, Downtown Boys’ Mary Jane Regalado, and Jason P. Barnett—emerged from the Mid-Atlantic bog in 2015 with a seven-song EP, coupling social commentary and new wave riffs. Four years later, the band debuts their full-length, with six reworked and re-recorded EP tracks plus five new songs that find the band sharpening its sound to a steely point. The studio gloss occasionally smothers, but A People’s History of Gauche is a swamp creature for modern times, a driving and tenacious record that never loses its feral appeal.  https://bit.ly/2kwGsre",
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        {
            "id": 377516,
            "uri": "https://api.kexp.org/v2/plays/377516/?format=api",
            "airdate": "2019-09-06T15:07:14-07:00",
            "show": 6282,
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            "song": "Speedway",
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            "artist": "Black Midi",
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            "album": "Schlagenheim",
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            "labels": [
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            "release_date": "2019-06-21",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
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            "comment": "Schlagenheim is the debut album by British experimental rock band Black Midi, released on June 21st, 2019 through Rough Trade Records. \n\nThe band recorded the majority of Schlagenheim over a five-day period with producer Dan Carey.  Throughout its recording the band made the conscious decision not to replicate their live set, embellishing their four-piece setup with synthesizers, sequencers, drum machines, banjos and organs, whilst the music was developed organically through extensive jamming sessions.  https://bit.ly/2k9dq0U",
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            "uri": "https://api.kexp.org/v2/plays/377518/?format=api",
            "airdate": "2019-09-06T15:11:00-07:00",
            "show": 6282,
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        {
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            "uri": "https://api.kexp.org/v2/plays/377519/?format=api",
            "airdate": "2019-09-06T15:14:05-07:00",
            "show": 6282,
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            "song": "Final Form",
            "track_id": "52c54b23-7170-445e-ac16-639d5630e6b6",
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            "artist": "Sampa the Great",
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            "album": "Final Form",
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            "labels": [
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        {
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            "uri": "https://api.kexp.org/v2/plays/377520/?format=api",
            "airdate": "2019-09-06T15:17:00-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
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            "song": "That’s Love",
            "track_id": "2795a504-ebff-476c-8c20-4d393ed2fca8",
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            "artist": "Oddisee",
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            "album": "The Good Fight",
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            "labels": [
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            "release_date": "2015-04-28",
            "rotation_status": "Library",
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            "comment": "The Good Fight is technically a hip-hop record, but the vibe here is decidedly eclectic, building upon the kaleidoscopic method he’s employed for 13 years. If Odd’s debut album addressed the uncertainty he felt about his artistic trek, The Good Fight proclaims the success of said path. He references a \"working\" plan that eschews mainstream attention and the fame that comes with it, choosing instead to be the low-key jetsetter culling inspiration from his global travels. As a result, The Good Fight exudes a sense of artistic freedom not heard on Oddisee’s previous releases. <Br><br> The music feels distinctly international and unhindered, far removed from the straight-ahead boom-bap he used to make. He’s always created on his own terms, but The Good Fight feels like a hearty \"fuck you\" to prevailing groupthink and the industry’s creative limitations.  https://bit.ly/2lDpfN4",
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        {
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            "uri": "https://api.kexp.org/v2/plays/377527/?format=api",
            "airdate": "2019-09-06T15:20:00-07:00",
            "show": 6282,
            "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
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            "song": "Idealistic (A-trak's remix)",
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            "artist": "Digitalism",
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            "album": "Idealistic",
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            "labels": [
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            "release_date": "2007-09-17",
            "rotation_status": "Library",
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            "comment": "Digitalism are a German electronic music duo formed in Hamburg in 2004, consisting of Jens \"Jence\" Moelle and İsmail \"Isi\" Tüfekçi.  The duo are signed to French label Kitsuné, as well as Virgin Records and Astralwerks in other parts of the world.  https://bit.ly/2lAAtSH",
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        {
            "id": 377528,
            "uri": "https://api.kexp.org/v2/plays/377528/?format=api",
            "airdate": "2019-09-06T15:26:15-07:00",
            "show": 6282,
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            "song": "Fame",
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            "artist": "Cassius",
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            "album": "Dreems",
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            "release_date": "2019-06-21",
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            "comment": "Twenty years on the heels of their debut with 1999, established cornerstone of the French touch, the duo Philippe ‘Zdar’ Cerboneschi and Hubert ‘Boom Bass’ Blanc-Francard announce their fifth opus Dreems. This album will bring Cassius back to his original house, the one that has always fed their energetic DJ's sets, but was a few faded lately behind the sophisticated pop of previous albums.\n\nBack to basics, then, both in the design and influences, they worked during long sessions spent at the Motorbass’ studio, where the disc was largely imagined. A magical place causing an organic heat into the sound power (with a new subtlety that the initiates will appreciate, the use of a Korg synthesizer, last acquisition of Zdar and Boom Bass).  https://bit.ly/2k4f97v",
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            "airdate": "2019-09-06T15:30:50-07:00",
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            "artist": "Cat Power",
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            "comment": "Cat Power plays The Showbox on October 30, 2019.  Six years after her last album of original material,Chan Marshall has moved on from her collaborative forays into Memphis soul and Delta blues. She wrote, played, recorded and produced the entirety of SUN by herself, a statement of complete control that is echoed in the songs’ themes.\n\nMarshall calls SUN “a rebirth,” which is exactly what this confident, ambitious, charismatic record feels like. “Moon Pix was about extreme isolation and survival in the crazy struggle,” she says. \"SUN is don't look back, pick up, and go confidently into your own future, to personal power and fulfillment.\"  https://bit.ly/2k25P40",
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            "airdate": "2019-09-06T15:36:03-07:00",
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            "comment": "Remembering Dolores O'Riordan on this day of her birth.  The soft-spoken singer/songwriter of The Cranberries, O'Riordan was notable for her lilting mezzo-soprano voice, for yodeling and for her strong Limerick accent. She has also been recognised as a style icon, sporting a pixie cut or buzzed hair in the ‘90s and performing barefoot, saying \"it just feels comfortable and honest to pull your toes along the ground.\" <Br><br> In April 2014, O'Riordan joined and began recording new material with the trio D.A.R.K., with former Smiths bassist Andy Rourke.\nOn 15 January 2018, O'Riordan was found dead of drowning in a London hotel room. In September 2018, Noel Hogan confirmed the Cranberries would not be continuing as a band, and their final album will be called In the End stating: \"We will do this album and then that will be it. No one wants to do this without Dolores... So there’s a song called 'In the End', it’s the last song on the album, and it just kind of summed up the whole album and the band. Because it’s definitely the end of it for us. So we’ve called it that.\" \nOn 15 January 2019, one year after O'Riordan's death, the band released the first single from In the End, called \"All Over Now\". The band released the single \"Wake Me When It's Over\" on 19 June 2019.",
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            "airdate": "2019-09-06T15:39:00-07:00",
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            "airdate": "2019-09-06T15:40:20-07:00",
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            "song": "Even Though I Knew",
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            "artist": "Frankie Cosmos",
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