Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2604740&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2604760&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2604720&ordering=airdate", "results": [ { "id": 380439, "uri": "https://api.kexp.org/v2/plays/380439/?format=api", "airdate": "2019-09-13T15:08:05-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Weak Spot", "track_id": "4ae138aa-6e2d-4e34-9191-bdcdb254d1ff", "recording_id": null, "artist": "Wu-Tang Clan", "artist_ids": [ "0febdcf7-4e1f-4661-9493-b40427de2c13" ], "album": "8 Diagrams", "release_id": "aa3e7d04-72bd-4346-9d54-d74558aa664a", "release_group_id": null, "labels": [ "Street Records Corporation" ], "label_ids": [ "66f815cc-7828-4f5f-88dd-e611dbfd17c6" ], "release_date": "2007-12-10", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380440, "uri": "https://api.kexp.org/v2/plays/380440/?format=api", "airdate": "2019-09-13T15:11:40-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/0d33ef7a-1f5d-4365-b807-b412271b99c3/3778673680-250.jpg", "thumbnail_uri": "", "song": "Man Next Door", "track_id": "582ca562-6a60-3e04-b786-d2f5c3e3d943", "recording_id": null, "artist": "Massive Attack", "artist_ids": [ "10adbe5e-a2c0-4bf3-8249-2b4cbf6e6ca8" ], "album": "Mezzanine", "release_id": "0d33ef7a-1f5d-4365-b807-b412271b99c3", "release_group_id": null, "labels": [ "Virgin Records America" ], "label_ids": [ "1644d8bc-b558-447f-82eb-5d6829988156" ], "release_date": "1998-05-12", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The production of Mezzanine was a stressful process. With tensions arising within the group, it almost split the band. They disagreed about the musical direction for the new material. Robert Del Naja first started making samples from new wave records, from the likes of Wire and Gang of Four: it was the music he'd listened to in his early teens. Del Naja wanted Massive Attack to make an album having an atmosphere of edginess and paranoia present in the music of the late 1970s. Grant Marshall, also a new wave fan himself, supported this idea, as he wanted to get away from the \"urban soul\" of their previous work, Protection, but Andrew Vowles was sceptical. The sessions continued with Vowles and Marshall working on bass and drum loops, while Del Naja carried on experimenting from new wave records. However, during the recording, the group decided to release a new track, \"Superpredators\" sampling extensively a Siouxsie and the Banshees' song called \"Metal Postcard\", for the movie soundtrack of The Jackal; the track would be included on the Japanese version of Mezzanine. https://bit.ly/2TqATLr", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380441, "uri": "https://api.kexp.org/v2/plays/380441/?format=api", "airdate": "2019-09-13T15:17:06-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 380442, "uri": "https://api.kexp.org/v2/plays/380442/?format=api", "airdate": "2019-09-13T15:20:35-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/2667c6b5-a429-4fc0-8bb0-68dcf661d3b3/23124167704-250.jpg", "thumbnail_uri": "", "song": "Green & Blue", "track_id": "ad6454c2-dd18-4ede-a627-ff1b5cae90d5", "recording_id": null, "artist": "The Murder Capital", "artist_ids": [ "41e30723-07ab-40fd-8f6b-983981a76d8b" ], "album": "When I Have Fears", "release_id": "2667c6b5-a429-4fc0-8bb0-68dcf661d3b3", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2019-08-16", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Writing for The Guardian, Damien Morris described the Irish band as \"reaching back to Joy Division’s drum tattoos, interlocking with surging, wave-break bass. Pixies' quiet-loud-quiet trick is in there, as are Shame and Savages, while PJ Harvey and the Bad Seeds infest tracks such as Green and Blue.\" <Br><br>In describing the themes of their music, the band expressed eagerness for improvement in their home town: \"It just feels like there are loads of fuckin' hotels going up over Dublin, where there could be new housing,\" James hammers home. \"There are cranes all over the city. There's one on George's Street right now, and they're gutting this beautiful Georgian house, and I stopped and asked the builder what it was gonna be, and it's turning into a fuckin' Premier Inn.\" The band further said, \"the hotels are only a sidenote to the homelessness, the suicide, the mental health issues. The lack of services available to people who aren't from even middle class backgrounds,\" he continues. \"We just wanna talk about it as much as possible, and make sure that the government knows that we're not happy with the standard of where it's at. People have real issues in their lives, and they need somewhere to go and talk about these things beyond their friends and families. It feels like there's no excuses. I know bad things that have happened to people that were avoidable.\" https://bit.ly/2kJ1QcU", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380443, "uri": "https://api.kexp.org/v2/plays/380443/?format=api", "airdate": "2019-09-13T15:26:47-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/b4281981-8ef6-4183-ad06-76aa931d2f3d/7561337478-250.jpg", "thumbnail_uri": "", "song": "Flesh War", "track_id": "f408da0c-ebf2-4f58-9443-596abfb07f7f", "recording_id": null, "artist": "Total Control", "artist_ids": [ "4ba2ddec-dd8d-44b8-8fee-1f4d06e63fb3" ], "album": "Typical System", "release_id": "b4281981-8ef6-4183-ad06-76aa931d2f3d", "release_group_id": null, "labels": [ "Iron Lung Records" ], "label_ids": [ "b967c5e5-9817-4bd5-9e14-bbb91f6d9fd6" ], "release_date": "2014-06-24", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Total Control was formed in 2008 by Eddy Current Suppression Ring band member Mikey Young and UV Race's Dan Stewart. The pair, who came together over a shared interest of early 1980s acts such as Devo, Gary Numan, The Screamers, and The Adolescents, recorded some songs using a sampler and synthesizers at Young's home studio. They gained a following over the next few years after releasing a series of 7-inch singles and playing only a handful of live shows. Total Control became a quintet with the additions of guitarist Al Montfort, bassist Zephyr Pavey, and drummer James Vinciguerra. Young explained the reason for the expansion to The Washington Post: \"Bands with drum machines and three synths are just not as much fun to watch as bands with drummers and guitars,\" he said. \"We realized it couldn't be good live, so we tried to adapt the songs to work in a rock-and-roll band.\" https://bit.ly/2kgPys6", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380444, "uri": "https://api.kexp.org/v2/plays/380444/?format=api", "airdate": "2019-09-13T15:32:00-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Bad Feeling", "track_id": "b2cb479e-f521-450a-b492-945633175cc9", "recording_id": null, "artist": "Cobra Man", "artist_ids": [ "ddceb6ca-af5a-4622-9edc-2c65a99dcc88" ], "album": "Toxic Planet", "release_id": "db00784b-c01a-4127-a2d0-d6f5eb7e6a00", "release_group_id": null, "labels": [ "Goner Records" ], "label_ids": [], "release_date": "2018-08-27", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Cobra Man is Andy and Sarah, a Los Angeles power-disco duo scoring electro-punk skate film soundtracks for skateboarding collective The Worble. Released alongside the full length video from the Worble skate collective, TOXIC PLANET is Cobra Man’s follow up to their 2017 debut album “New Driveway Soundtrac,k” and is their second for Memphis, TN based Goner Records. They initially formed to create music for a series of skate videos for Thrasher Magazine, which is how Goner founder Eric Friedl (The Oblivians) discovered the band. Follow the link to explore more of their work: https://bit.ly/2mh1KtC", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380445, "uri": "https://api.kexp.org/v2/plays/380445/?format=api", "airdate": "2019-09-13T15:35:33-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/110144b6-753d-47d2-b218-456d35b8b22b/21052782167-250.jpg", "thumbnail_uri": "", "song": "Diamond", "track_id": "933251e9-4b5f-45c8-9eb1-a60f977f9c78", "recording_id": null, "artist": "All Them Witches", "artist_ids": [ "b574bfea-2359-4e9d-93f6-71c3c9a2a4f0" ], "album": "ATW", "release_id": "110144b6-753d-47d2-b218-456d35b8b22b", "release_group_id": null, "labels": [ "New West Records" ], "label_ids": [ "c1b263e3-f148-4e85-81a3-c57aefc56797" ], "release_date": "2018-09-28", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Always a favourite band to host here at KEXP, All Them Witches performed a hauntingly kinetic live set for us at Seattle's famed Avast! Studios while our Live Room was getting spruced up. Watch that performance here: www.youtube.com/watch?v=VteuWD_dIdk", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380446, "uri": "https://api.kexp.org/v2/plays/380446/?format=api", "airdate": "2019-09-13T15:41:00-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 380447, "uri": "https://api.kexp.org/v2/plays/380447/?format=api", "airdate": "2019-09-13T15:44:22-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/5a8b3c9b-909b-4b2f-ad8c-2484a8917ac4/23565239974-250.jpg", "thumbnail_uri": "", "song": "Feel the Vibe", "track_id": "df9e3481-9f9f-4946-9c9a-94dba19b6fc5", "recording_id": null, "artist": "BJ the Chicago Kid & Anderson .Paak", "artist_ids": [ "112beffb-1adc-488b-8d61-7b2ab3475d52" ], "album": "1123", "release_id": "5a8b3c9b-909b-4b2f-ad8c-2484a8917ac4", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2019-07-26", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "\"I want to consistently remind Black people of our power. 'Feel the Vibe' reminds them of who we are, who we're talking about, and what we come from. Even the food I mention—all of these were scraps fed to slaves. Now we have soul food restaurants where everybody is eating our food. Rumplestilskin. We took the hay and made it gold.\" https://bit.ly/2kLJEPR", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380448, "uri": "https://api.kexp.org/v2/plays/380448/?format=api", "airdate": "2019-09-13T15:48:08-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/091d2293-19d2-3f40-8542-05412f1f7aeb/2977171652-250.jpg", "thumbnail_uri": "", "song": "SpottieOttieDopaliscious", "track_id": "5841f422-3a7f-3735-9f67-6b9e29299e0b", "recording_id": null, "artist": "OutKast", "artist_ids": [ "73fdb566-a9b1-494c-9f32-51768ec9fd27" ], "album": "Aquemini", "release_id": "091d2293-19d2-3f40-8542-05412f1f7aeb", "release_group_id": null, "labels": [ "LaFace Records" ], "label_ids": [ "4fe1da66-ecf9-469a-828c-ef6301d1bd5c" ], "release_date": "1998-09-29", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The album's title is a portmanteau of the two performers' Zodiac signs: Aquarius (Big Boi) and Gemini (André 3000), which is indicative of the album's recurring theme of the differing personalities of the two members. The group recorded the majority of the album in Bobby Brown's Bosstown Recording Studios and Doppler Studios, both in Atlanta, Georgia. <br><br>Released as the follow-up to the duo's 1996 album ATLiens, Aquemini expands on the previous record's outer space-inspired compositions by incorporating live instrumentation. The commercial success of ATLiens allowed for more creative freedom for the group, which led to the members self-producing the majority of the tracks. The band employed a large number of musicians for the album, who frequently entered and exited the studio throughout the recording process and had a major influence on the writing development of the album's songs. Lyrically, Aquemini explores various themes including human nature, addiction, and interpersonal relationships. https://bit.ly/2PHqBne", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380449, "uri": "https://api.kexp.org/v2/plays/380449/?format=api", "airdate": "2019-09-13T15:54:03-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/fff34c23-c5c3-49c8-9876-08b26ba67819/23273950508-250.jpg", "thumbnail_uri": "", "song": "My Heart Dreams", "track_id": "0d21a264-db3f-4f3e-b3a8-c3677d2b456d", "recording_id": null, "artist": "Black Belt Eagle Scout", "artist_ids": [ "76a91880-2242-4c2a-8982-d56fb1ee686d" ], "album": "At the Party With My Brown Friends", "release_id": "fff34c23-c5c3-49c8-9876-08b26ba67819", "release_group_id": null, "labels": [ "Saddle Creek Records" ], "label_ids": [ "006ea2fb-e616-4743-924a-8bda90fff909" ], "release_date": "2019-08-30", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Playing the Tractor Tavern on Thursday, October 24th! To understand the music of Black Belt Eagle Scout, it helps to know a little bit about the place frontwoman Katherine Paul grew up. The artist was raised on Swinomish Indian Reservation, near La Conner, in Washington. With there only being about 1,000 people in the Swinomish tribe — and not all of them living on the reservation — Paul's community was extremely tight knit.\n<br><br>\nPaul, who now lives in Portland, Ore., still channels her community through her music. Paul says that a lot of the music on her latest album, At the Party With My Brown Friends, finds its origins in the music she heard on the reservation.\n<br><br>\nI guess I was just always surrounded by [music],\" Paul says. \"My family had a drum group... We would host pow wows and I think for me music is just a way of life. It's how we express ourselves it's how we express our spirituality and how we live our culture... \"When I think about the struggles that black, indigenous people of color face, that line of 'We will always sing / We will always sing,' that just kind of shows no matter what, we're always going to be standing back up.\" https://n.pr/2lF6toK", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380450, "uri": "https://api.kexp.org/v2/plays/380450/?format=api", "airdate": "2019-09-13T15:57:00-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 380451, "uri": "https://api.kexp.org/v2/plays/380451/?format=api", "airdate": "2019-09-13T16:02:00-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Don't Let the Sun Go Down on Your Grievances", "track_id": "7b9a915a-45bc-3ae8-8501-0f6f671d8984", "recording_id": null, "artist": "Daniel Johnston", "artist_ids": [ "8a7ca8b0-d23c-4eff-8fe9-6220ba5c9c76" ], "album": "Yip/Jump Music", "release_id": "7dd40829-c8f6-478d-8aab-53bd2451f5cd", "release_group_id": null, "labels": [ "Eternal Yip Eye Music" ], "label_ids": [], "release_date": "1983-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Remembering the remarkable and inimitable Daniel Johnston, who passed away two days ago at the age of 58. His manager, Jeff Tartakov, shared with Spin Magazine, “We’ve been struggling for several years with Daniel’s health, and his frequent and lengthy stays in hospitals dampened his creative efforts, but throughout he continued to draw and write songs,” the artist’s brother, Dick Johnston told Spin in and email. “We had hoped to get back to a point where he was stable and could enjoy things like touring. He had just returned from a recent hospital stay and seemed (and looked) better than I’d seen him in a good while. So this was something of a surprise.” www.kexp.org/read/2019/9/11/rip-daniel-johnston/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380452, "uri": "https://api.kexp.org/v2/plays/380452/?format=api", "airdate": "2019-09-13T16:05:20-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/1902c0d2-8d45-4eb4-b23b-9a8195b9fbd5/13892804223-250.jpg", "thumbnail_uri": "", "song": "Devil Town", "track_id": "0bc9e289-28ff-3a0b-bc4a-bd76746d9fee", "recording_id": null, "artist": "Daniel Johnston", "artist_ids": [ "8a7ca8b0-d23c-4eff-8fe9-6220ba5c9c76" ], "album": "Welcome to My World: The Music of Daniel Johnston", "release_id": "1902c0d2-8d45-4eb4-b23b-9a8195b9fbd5", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2006-04-18", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "To gain a deeper appreciation of the late, great Daniel Johnston, of his life and unique genius, check out the enthralling 2005 documentary, The Devil and Daniel Johnston. The director of the award-winning piece, Jeff Feuerzeig, shared his thoughts with Billboard on Johnston's passing: https://bit.ly/2kJODRe", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380453, "uri": "https://api.kexp.org/v2/plays/380453/?format=api", "airdate": "2019-09-13T16:06:00-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Walking the Cow", "track_id": null, "recording_id": null, "artist": "TV on the Radio", "artist_ids": [ "eb872766-98f6-453d-883f-2ae908a18315" ], "album": "The Late Great Daniel Johnston: Discovered Covered", "release_id": null, "release_group_id": null, "labels": [ "Gammon" ], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The Late Great Daniel Johnston: Discovered Covered is a 2004 Gammon Records two-disc set featuring, among others, contributions by Tom Waits, Beck, Bright Eyes, and Death Cab for Cutie. The first disc features covers of Daniel Johnston songs by a variety of different artists. The second disc features the original versions of these eighteen songs, as well as \"Rock This Town\", a previously unreleased Johnston track. Despite what the title and cover art may suggest, Johnston lived to see the album's release; he died fifteen years later in 2019. https://bit.ly/2mckOck", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380454, "uri": "https://api.kexp.org/v2/plays/380454/?format=api", "airdate": "2019-09-13T16:12:00-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 380455, "uri": "https://api.kexp.org/v2/plays/380455/?format=api", "airdate": "2019-09-13T16:14:21-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/1be88956-f027-48fe-90a8-a91bec9765a6/23949218554-250.jpg", "thumbnail_uri": "", "song": "Confessions", "track_id": "f4c5cd6c-08bc-474d-8c92-433c436da2f7", "recording_id": null, "artist": "Sudan Archives", "artist_ids": [ "6ce5eca0-4ad6-49e0-a5ab-e11482d85324" ], "album": "Confessions", "release_id": "1be88956-f027-48fe-90a8-a91bec9765a6", "release_group_id": null, "labels": [ "Stones Throw Records" ], "label_ids": [ "f1b83107-23e5-41a3-ab1b-2a36965cf77b" ], "release_date": "2019-08-28", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Sudan Archives grew up in Cincinnati, Ohio, where she \"messed around with instruments in the house\" and took up violin in the fourth grade, eventually teaching herself how to play the instrument by ear. <br><br>When she discovered the violin playing style of Northeast Africa, her eyes opened to the possibilities of the instrument. \"The way they played it was different from classical music. I resonated with the style, and I was like, 'Maybe I can use this style with electronic music,'\" she says.<br><br>\nThis fusing of folk music and electronic production was the turning point for Sudan. \"I started mixing my violin into beats,” she says, “It wasn't complicated — I'd just sing straight into the iPad.\" She honed her at-home style after moving to Los Angeles aged 19 to study music technology, and after a chance encounter at a Low End Theory party with Stones Throw A&R and Leaving Records owner Matthewdavid, she signed with Stones Throw. At the very start of her musical career, she's already won plaudits from the likes of the New York Times and Pitchfork, and played live at experimental festival Moogfest. https://bit.ly/2PIStEp", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380456, "uri": "https://api.kexp.org/v2/plays/380456/?format=api", "airdate": "2019-09-13T16:17:18-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/3e09b06f-825c-45a4-bd50-9327f1159591/13875733591-250.jpg", "thumbnail_uri": "", "song": "Burn the Witch", "track_id": "955d43fc-60d3-40de-a56a-6b30ae745874", "recording_id": null, "artist": "Radiohead", "artist_ids": [ "a74b1b7f-71a5-4011-9441-d0b5e4122711" ], "album": "A Moon Shaped Pool", "release_id": "3e09b06f-825c-45a4-bd50-9327f1159591", "release_group_id": null, "labels": [ "XL Recordings" ], "label_ids": [ "14221f01-8939-4ea0-b8f1-b5a21beae80a" ], "release_date": "2016-06-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Radiohead worked on \"Burn the Witch\" during the sessions for their albums Kid A (2000), Hail to the Thief (2003), and In Rainbows (2007), but were not satisfied with the results. The title appears in the Hail to the Thief album artwork. Thom Yorke mentioned the song in a 2005 blog entry on Radiohead's website and posted lyrics in 2007, and briefly played chords from the song in performances in 2006 and 2008, but told the audience that Radiohead would perform it \"when we get the orchestra.\" <br><br>Asked in 2013 about \"Burn the Witch\" and Radiohead's other unreleased songs, producer Nigel Godrich responded: \"Everything will surface one day... it all exists... and so it will eventually get there, I'm sure.\" He cited the song \"Nude,\" released on Radiohead's 2007 album In Rainbows but written 12 years prior, as an example of a song that took several years to complete. <br><br>According to guitarist Jonny Greenwood, who arranges the band's string sections, \"Burn the Witch\" was written with strings in mind. He said: \"Very rarely for us, we managed to get strings on near the beginning [of the A Moon Shaped Pool sessions]. We left it unfinished on purpose and left lots of room for the strings and we never do that usually. Usually the strings are the icing on top.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380457, "uri": "https://api.kexp.org/v2/plays/380457/?format=api", "airdate": "2019-09-13T16:20:54-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/77536527-bfb0-45fc-bb52-850a36e1dc87/23576388191-250.jpg", "thumbnail_uri": "", "song": "Young Republicans", "track_id": "5ce05f26-33c1-44c9-8bda-959bd3dea3fb", "recording_id": null, "artist": "Lower Dens", "artist_ids": [ "3dee0ca7-99ae-4421-9c3b-f42d8caf4c88" ], "album": "The Competition", "release_id": "77536527-bfb0-45fc-bb52-850a36e1dc87", "release_group_id": null, "labels": [ "Ribbon Music" ], "label_ids": [ "ca3afed1-d509-465e-89d0-952d167b2abb" ], "release_date": "2019-07-26", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Of this track, the Dens' Jana Hunter wryly notes, \"Is there anyone quite as sensitive as a wealthy conservative who would burn the world to the ground for profit but has never had any real problems?\" Watch the official video here: https://www.youtube.com/watch?v=D0xIaRaFvV8", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380458, "uri": "https://api.kexp.org/v2/plays/380458/?format=api", "airdate": "2019-09-13T16:24:25-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/f9efec3b-c554-4509-ba96-0d468b6d0b4f/2987465419-250.jpg", "thumbnail_uri": "", "song": "Hounds of Love", "track_id": "444816f2-7450-3a99-bcf8-6c46f61befb9", "recording_id": null, "artist": "The Futureheads", "artist_ids": [ "0cf9d983-aecf-4d57-9e94-fde2beac014f" ], "album": "The Futureheads", "release_id": "f9efec3b-c554-4509-ba96-0d468b6d0b4f", "release_group_id": null, "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "2004-09-07", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "A cover of the Kate Bush song. The Futureheads are an English post-punk band from Sunderland, consisting of Ross Millard (vocals and guitar), Barry Hyde (vocals and guitar), David \"Jaff\" Craig (vocals and bass guitar) and Dave Hyde (drums). Their name comes from the title of The Flaming Lips album Hit to Death in the Future Head. In an interview with Channel 4's 4Music, Barry Hyde revealed that Dave Hyde was given a golden guitar by his parents when he was young. But Barry had taken it off him to learn to strum his first chords. Dave was left with nothing, forcing him to take up the drums. https://bit.ly/2lOR4Cc", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
