Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=27740&ordering=-airdate
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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            "id": 3624536,
            "uri": "https://api.kexp.org/v2/plays/3624536/?format=api",
            "airdate": "2026-03-02T21:38:15-08:00",
            "show": 66075,
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            "song": "Hey",
            "track_id": null,
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            "artist": "Matando Quimeras",
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            "album": null,
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            "release_date": "2024-11-22",
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            "comment": "Raw, explosive, and unapologetically direct, “Hey!!” by Matando Quimeras is a three‑minute charge of pure punk energy that feels like a rallying shout from the heart of the underground. The song locks into a gritty guitar attack right away, propelled by tight, rapid drums and a bassline that refuses to let up — a classic punk formula sharpened with attitude.\n\nVocals cut through with a snarling immediacy, capturing the band’s rebellious spirit without any pretense. Lyrically, the track thrives on simplicity and conviction: it’s less about elaborate storytelling and more about raw expression — a burst of noise and feeling that won’t let you ignore it. The interplay between the instruments gives “Hey!!” a live‑wired feel, like a band tearing into their set at full throttle.\n\nWhether you’re a punk purist or just someone who loves loud, honest music, this track delivers its message with impact. It’s a brief but thunderous statement from a band that knows how to make every second count.\n\nListen here:\nhttps://open.spotify.com/search/Matando%20Quimeras%20Hey",
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        {
            "id": 3624534,
            "uri": "https://api.kexp.org/v2/plays/3624534/?format=api",
            "airdate": "2026-03-02T21:35:13-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
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            "song": "Los Cobardes Mueren Varias Veces",
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            "artist": "PERRA BRAVA",
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            "album": "Los Cobardes Mueren Varias Veces",
            "release_id": null,
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            "release_date": "2025-07-22",
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            "comment": "“Los Cobardes Mueren Varias Veces” is a title that doesn’t blink. It frames cowardice as repetition—small deaths piling up long before anything is truly over—and the song delivers that idea with a voice sharpened into accusation. PERRA BRAVA approach the track like a confrontation you’ve rehearsed for months: the kind where you’re calm enough to be precise, but angry enough to be unforgettable. The lyric writing cuts with insults that feel earned, not decorative, and the hook lands like a verdict—what happened to you, why did you shrink, why did you choose the easy betrayal. The rhythm keeps things moving, refusing to let the message turn into a monologue. Instead, it stays physical: music you can stomp to, a groove that supports the disgust and the disappointment without diluting either. There’s something biblical in the language and posture—moral imagery, pointed metaphors—yet the emotion is street-real: the pain of watching someone become smaller than who they claimed to be. The song is also a reminder that “bravery” isn’t always heroic; sometimes it’s simply telling the truth out loud, naming the pattern, refusing the apology that arrives too late. “Los Cobardes Mueren Varias Veces” is a hard mirror, and it holds it up without mercy.\u2028Listen: https://perrabrava.bandcamp.com/track/los-cobardes-mueren-varias-veces-2",
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        {
            "id": 3624532,
            "uri": "https://api.kexp.org/v2/plays/3624532/?format=api",
            "airdate": "2026-03-02T21:30:36-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
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            "song": "What’s Holding You?",
            "track_id": null,
            "recording_id": "2ffd7df3-6536-4ab0-a592-a4a88dd99093",
            "artist": "Lorelle Meets the Obsolete",
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            "album": "Chambers",
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            "release_group_id": "ebb0ad63-58a2-4174-9e71-5b620a6bb003",
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            "release_date": "2014-02-01",
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            "comment": "Delicate, introspective, and hauntingly melodic, What's Holding You? by Lorelle Meets The Obsolete showcases the band’s signature blend of ethereal textures and emotional depth. From the first note, the track envelops the listener in shimmering guitar lines, soft percussion, and layered harmonies that feel both intimate and expansive.\n\nVocals float above the instrumentation with a quiet intensity, conveying vulnerability and reflection without ever feeling forced. Lyrically, “What’s Holding You?” explores themes of hesitation, self-doubt, and the tension between desire and restraint, making it universally relatable. The arrangement supports this narrative beautifully: subtle shifts in dynamics, atmospheric synth pads, and gentle melodic flourishes create an almost cinematic sense of space, allowing the song to breathe and resonate.\n\nWhat makes this track remarkable is its balance between minimalism and emotional weight. It’s contemplative without dragging, cinematic without overproduction, and deeply human in its expression. “What’s Holding You?” stands as a testament to Lorelle Meets The Obsolete’s ability to craft music that lingers long after the final note fades, rewarding repeated listens with new emotional layers each time.\n\nListen here:\nhttps://obsoletelorelle.bandcamp.com/track/what-s-holding-you",
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        {
            "id": 3624531,
            "uri": "https://api.kexp.org/v2/plays/3624531/?format=api",
            "airdate": "2026-03-02T21:25:48-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
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            "song": "Kravitz",
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            "recording_id": "4c07b2c3-db7f-4d5f-ab2e-7e88332f2ab4",
            "artist": "Mabe Fratti",
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            "album": "Sentir que no sabes",
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            "release_date": "2024-06-28",
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            "comment": "Bold, sleek, and instantly magnetic, Kravitz by Mabe Fratti fuses modern pop sensibilities with a raw, emotional edge. From the first note, the track hooks listeners with shimmering synths and a groove that’s both spacious and propulsive, creating a soundscape that feels intimate yet expansive.\n\nFratti’s vocal performance is the song’s heartbeat — clear, expressive, and effortlessly commanding. She balances vulnerability with confidence, drawing the listener into the narrative while letting the rhythm carry them along. Lyrically, “Kravitz” explores themes of desire, longing, and emotional complexity, layering personal introspection with universal resonance. The production mirrors this tension, juxtaposing smooth electronic textures with dynamic percussion and subtle, atmospheric flourishes.\n\n“Kravitz” stands out not just for its sonic appeal, but for its ability to feel cinematic without overstatement. It’s a track that invites movement, reflection, and repeated listens, rewarding attention to both melody and mood. With this release, Mabe Fratti continues to carve a distinct artistic voice — one that blends modern pop innovation with heartfelt storytelling.\n\nListen here:\nhttps://open.spotify.com/search/Mabe%20Fratti%20Kravitz",
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        {
            "id": 3624529,
            "uri": "https://api.kexp.org/v2/plays/3624529/?format=api",
            "airdate": "2026-03-02T21:20:12-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
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            "song": "User Manual",
            "track_id": null,
            "recording_id": "de748a33-3cd8-4b30-8f90-40f2860f076a",
            "artist": "Telephone Exchange",
            "artist_ids": [
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            "album": "Maschinelles Lernen",
            "release_id": null,
            "release_group_id": "c72a7802-7a2e-4a90-b61e-b54d3455687d",
            "labels": [],
            "label_ids": [],
            "release_date": "2019-01-05",
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            "comment": "“User Manual” reads like a title with built-in irony: the fantasy that there could be instructions for being human, for operating a relationship, for making the right choices in a world that keeps changing the buttons. Telephone Exchange lean into that tension with music that feels engineered and emotional at the same time—clean lines, deliberate pacing, and an undercurrent of warmth beneath the circuitry. The track moves like a system learning itself: patterns repeating, small variations accumulating, a melody emerging as if it’s being discovered rather than declared. There’s a subtle humor in the concept, but the feeling is sincere. A “manual” implies clarity and control; the music suggests the opposite—that we improvise constantly, that we build meaning out of trial and error, that our best instructions are the ones we write while failing. The arrangement supports that idea by staying precise while allowing atmosphere to seep in, making space for reflection between the rhythmic choices. “User Manual” is especially strong in how it invites close listening: the way textures stack, the way the groove holds steady while the details shift, like a machine whose inner parts are quietly rearranging. The result is music that feels thoughtful without becoming distant—an electronic pulse with a human heartbeat tucked inside it. It’s the sound of trying to understand your own operating system, and realizing that the mystery might be the point.\u2028Listen: https://telephoneexchange.bandcamp.com/album/user-manual",
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        {
            "id": 3624528,
            "uri": "https://api.kexp.org/v2/plays/3624528/?format=api",
            "airdate": "2026-03-02T21:18:05-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
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            "play_type": "airbreak"
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        {
            "id": 3624527,
            "uri": "https://api.kexp.org/v2/plays/3624527/?format=api",
            "airdate": "2026-03-02T21:14:27-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
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            "song": "Cumbia Gabacha",
            "track_id": null,
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            "artist": "Alberto Pedraza",
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            "album": null,
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            "comment": "Smooth, groovy, and nostalgically infectious, Cumbia Gabacha by Alberto Pedraza is a masterclass in contemporary romantic cumbia. From the gentle percussion to the lush melodic lines, the track blends traditional cumbia rhythms with modern production, creating a sound that’s both heartfelt and irresistibly danceable.\n\nAlberto Pedraza’s vocals are tender and emotive, carrying lyrics that speak of love, longing, and the bittersweet moments of romance. The phrasing is intimate, almost conversational, drawing the listener into a personal narrative while keeping the beat alive for the dance floor. Instrumentation is layered thoughtfully, with melodic keyboards, smooth basslines, and subtle guitar flourishes that accentuate the track’s warm, melodic charm.\n\n“Cumbia Gabacha” shines in its ability to evoke nostalgia without feeling dated. It bridges classic cumbia traditions with contemporary sensibilities, appealing to longtime fans of the genre while welcoming new listeners. Whether played at a party, on the radio, or through personal headphones, the song delivers a gentle, groovy energy that lingers.\n\nListen here:\nhttps://open.spotify.com/search/Alberto%20Pedraza%20Cumbia%20Gabacha",
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        {
            "id": 3624526,
            "uri": "https://api.kexp.org/v2/plays/3624526/?format=api",
            "airdate": "2026-03-02T21:09:42-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
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            "song": "Pinche cumbion bien loco",
            "track_id": null,
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            "artist": "Mister Cumbia",
            "artist_ids": [],
            "album": "Ea Ea LaCumbia Buena",
            "release_id": null,
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            "release_date": "2021-07-21",
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            "comment": "Wild, irreverent, and unapologetically energetic, Pinche Cumbión Bien Loco by Mister Cumbia is a high-voltage ride through the wilder side of modern cumbia. From the first beat, the track sets a party-ready tone with punchy percussion, infectious synth riffs, and a driving bassline that refuses to let listeners stay still.\n\nVocals are delivered with humorous bravado, matching the title’s audacious promise. The lyrics revel in exaggeration and chaos, crafting a playful, almost cartoonish story that’s as much about attitude as it is about dance. The energy of the track is its defining feature — it’s built for live audiences, dance floors, and anyone ready to embrace the unhinged fun of a full-on cumbia fiesta.\n\nMusically, “Pinche Cumbión Bien Loco” blends traditional cumbia rhythms with modern electronic flourishes, creating a hybrid that honors the genre’s roots while pushing it into wild new territory. The production keeps the momentum relentless, ensuring that every chorus hits like a burst of confetti and every drop lands with comedic flair. It’s the kind of song that stays lodged in your head long after the last note.\n\nListen here:\nhttps://open.spotify.com/search/Mister%20Cumbia%20Pinche%20Cumbión%20Bien%20Loco",
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        {
            "id": 3624525,
            "uri": "https://api.kexp.org/v2/plays/3624525/?format=api",
            "airdate": "2026-03-02T21:03:32-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
            "image_uri": "https://coverartarchive.org/release/635bea1e-1590-4b2a-a73a-3e90837ab036/39759572495-500.jpg",
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            "song": "Cumbia de la Montana",
            "track_id": null,
            "recording_id": null,
            "artist": "Amantes del futuro",
            "artist_ids": [
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            "album": "Sabor sónico",
            "release_id": null,
            "release_group_id": "c9dad82c-aebe-4ae6-bdff-65c9d7b965f2",
            "labels": [
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            "label_ids": [
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            "release_date": "2019-01-01",
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            "comment": "Vibrant, playful, and irresistibly rhythmic, Cumbia de la Montaña by Amantes del Futuro transports listeners straight to the heart of highland celebrations. From the opening percussion to the catchy accordion motifs, the track is a masterclass in modern cumbia’s ability to blend traditional Latin rhythms with contemporary pop sensibilities.\n\nThe song thrives on movement — every beat feels like a step in a communal dance, while the melodic lines evoke the sweeping vistas of mountains and valleys. Vocals are spirited and communal, delivering lyrics that celebrate joy, togetherness, and the simple pleasures of life in rhythmically infectious Spanish. It’s a track designed to make listeners sway, clap, and sing along, regardless of whether they know the words.\n\n“Cumbia de la Montaña” balances nostalgia and modernity beautifully. It’s playful without being gimmicky, authentic without being rigid. The production emphasizes clarity and energy, letting each instrument breathe while maintaining the infectious momentum cumbia fans crave. The song is a reminder that the genre thrives not just in clubs, but in the imagination, evoking landscapes, movement, and shared celebration.\n\nListen here:\nhttps://open.spotify.com/search/Amantes%20del%20Futuro%20Cumbia%20de%20la%20Montaña",
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        {
            "id": 3624524,
            "uri": "https://api.kexp.org/v2/plays/3624524/?format=api",
            "airdate": "2026-03-02T21:01:00-08:00",
            "show": 66075,
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        {
            "id": 3624523,
            "uri": "https://api.kexp.org/v2/plays/3624523/?format=api",
            "airdate": "2026-03-02T20:56:20-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
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            "song": ",nosé, nomàs",
            "track_id": null,
            "recording_id": null,
            "artist": "Demencia Infantil",
            "artist_ids": [
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            "album": "Monigote Cualquiera",
            "release_id": null,
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            "labels": [],
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            "release_date": "2025-07-25",
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            "comment": "“,nosé, nomàs” carries the shrug of its title like a philosophy: not ignorance, but exhaustion—what you say when explanations feel pointless, when your mind is crowded and the best you can offer is honesty without polish. The song turns that phrase into mood, leaning into ambiguity as an emotional truth rather than a lack of direction. There’s a distinctive push-pull in the pacing: moments that feel tightly wound, then sudden openings where the track breathes and lets the tension ring out. The vocal delivery sits in that compelling space between confession and performance, as if the narrator is talking to themselves while still keeping one eye on the room. What makes the song stick is how it captures the texture of modern overwhelm—thoughts looping, certainty dissolving, humor showing up as defense, then slipping away again. The arrangement supports that instability with sharp rhythmic decisions and a sense of movement that never fully settles, mirroring the feeling of trying to stand still while your head keeps sprinting. “,nosé, nomàs” doesn’t promise resolution. It offers recognition: the relief of hearing someone else admit the same thing you’ve been swallowing—sometimes you don’t have the clean answer, sometimes you’re just surviving the noise. The track turns that admission into something strangely cathartic, like a laugh you didn’t know you needed.\u2028Listen: https://open.spotify.com/track/0Vw8W8R5CswF5RhnkJFEBD",
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        {
            "id": 3624522,
            "uri": "https://api.kexp.org/v2/plays/3624522/?format=api",
            "airdate": "2026-03-02T20:51:40-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
            "image_uri": "https://coverartarchive.org/release/2054f532-8ad0-4dfa-82ba-32fcdbf5dd07/38902087135-500.jpg",
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            "song": "Don Quijote Marihuana",
            "track_id": null,
            "recording_id": "c75c551c-d043-488e-aa00-7d4793d59c36",
            "artist": "Brujería",
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            "album": "Don Quijote Marihuana",
            "release_id": null,
            "release_group_id": "79ee371a-8384-40a9-8858-f6978ecd2664",
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            "comment": "Don Quijote Marihuana by Brujeria was released on February 17, 2023 as a single titled Don Quijote Marihuana — not originally part of a full album but issued as its own standalone release.\n\nThe track is a spirited metal‑infused reinterpretation (and parody) of the catchy 1980s tune “Don Quichotte” by French act Magazine 60 — reimagined through Brujeria’s irreverent lens with lyrics celebrating stoner culture and absurd imagery.\n\nhttps://open.spotify.com/search/Brujeria%20Don%20Quijote%20Marihuana",
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        {
            "id": 3624521,
            "uri": "https://api.kexp.org/v2/plays/3624521/?format=api",
            "airdate": "2026-03-02T20:47:08-08:00",
            "show": 66075,
            "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
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            "song": "Pobre de ti",
            "track_id": null,
            "recording_id": "83f57fd1-aebc-427d-92cc-c6839924c97e",
            "artist": "Tijuana No",
            "artist_ids": [
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            "album": "No",
            "release_id": null,
            "release_group_id": "e2d42925-6171-345a-bec1-7b9279e6ad91",
            "labels": [],
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            "release_date": "1993-01-01",
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            "comment": "Explosive, defiant, and irresistibly danceable, Pobre de Ti by Tijuana No! is a rallying cry disguised as a ska-punk anthem. From the first burst of horns and rapid-fire drums, the track surges forward with unapologetic urgency, blending punk aggression with ska rhythms and a borderland political consciousness that defined the band’s sound in the 1990s.\n\nLyrically, “Pobre de Ti” channels frustration into collective empowerment. Its chant-ready chorus flips the phrase into a sharp critique, aimed at complacency and corruption. The band’s energy is contagious — guitars slash through the mix while the brass section injects a celebratory edge that keeps the message from feeling heavy-handed. It’s protest music you can move to, shout along with, and feel part of.\n\nEmerging from Tijuana’s vibrant countercultural scene, the song captures a specific time and place while remaining strikingly relevant. Its fusion of activism and rhythm embodies the spirit of resistance with joy, not despair. Decades later, “Pobre de Ti” still hits with the same fire — urgent, communal, and impossible to ignore.\n\nListen here:\nhttps://open.spotify.com/search/Tijuana%20No!%20Pobre%20de%20Ti",
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            "airdate": "2026-03-02T20:40:33-08:00",
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            "song": "canicula en el cerro",
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            "artist": "unperro andaluz",
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            "comment": "Tense, hypnotic, and sun-scorched, Canícula en el Cerro by UNPERRO ANDALUZ feels like standing still under a relentless afternoon heat — suspended between dream and delirium. The track unfolds with a slow-burning intensity, layering gritty guitars and pulsing rhythms that evoke both post-punk austerity and a distinctly Latin American atmospheric weight.\n\nThere’s a rawness in the production that works in the song’s favor. Nothing feels overly polished; instead, it breathes with tension. The instrumentation circles around itself, creating a sense of claustrophobia that mirrors the title’s imagery — the “canícula,” that oppressive seasonal heat, becomes both physical and emotional. Vocals cut through with a detached coolness, never fully erupting, which only deepens the unease.\n\nWhat makes “Canícula en el Cerro” compelling is its restraint. Rather than chasing a dramatic payoff, the song commits to mood and texture, letting repetition do the heavy lifting. It’s immersive, slightly unsettling, and cinematic in scope — the kind of track that lingers like heat radiating off concrete long after sunset.\n\nListen here:\nhttps://open.spotify.com/search/UNPERRO%20ANDALUZ%20Canícula%20en%20el%20Cerro",
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            "airdate": "2026-03-02T20:35:03-08:00",
            "show": 66075,
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            "song": "Circunvalación",
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            "artist": "Teresa Cienfuegos y las Cobras",
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            "album": "Duras Vacaciones",
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            "release_date": "2019-06-21",
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            "comment": "“Circunvalación” feels like driving in circles around the same feeling—wide turns, familiar exits, the sense that you’re moving but still returning to the center of the problem. The title suggests a ring road, a perimeter route, and the song mirrors that geometry: themes that loop, tension that builds with each pass, release that arrives only after you’ve made the same lap enough times to understand what you’re really avoiding. The track carries an urban nocturnal mood—restless and vivid—like headlights on wet asphalt, like conversations that get sharper as the night gets later. Vocals sit confidently in the mix, delivering lines with a mix of cool detachment and sudden heat, as if the narrator is trying to stay composed while the story keeps tightening. “Circunvalación” doesn’t rush its payoff; it earns it through accumulation, letting rhythm become a kind of psychology. The groove holds steady while the emotional temperature changes, and that contrast makes the song feel cinematic—one continuous shot where the city becomes a mirror for the mind. By the time the track resolves, it doesn’t feel like you’ve found a simple answer; it feels like you’ve traced the outline of something real. “Circunvalación” captures the truth that sometimes the longest route is the only honest one, because you need the full circle to see what was there the whole time.\u2028Listen: https://open.spotify.com/intl-es/track/1w9e8qMssK9Ow1q3faWIRK",
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            "airdate": "2026-03-02T20:31:16-08:00",
            "show": 66075,
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            "id": 3624518,
            "uri": "https://api.kexp.org/v2/plays/3624518/?format=api",
            "airdate": "2026-03-02T20:29:15-08:00",
            "show": 66075,
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            "song": "Todavía DF",
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            "artist": "Belafonte Sensacional",
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            "album": "LLAMAS LLAMAS LLAMAS",
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            "release_date": "2025-05-30",
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            "comment": "“Todavía DF” is a love song to a city that won’t stop changing, told with the tenderness of someone who knows every version of the place lives on in the body. Belafonte Sensacional have a gift for turning Mexico City’s daily intensity into melody—songs that feel conversational, funny, bruised, and deeply alive—and “Todavía DF” carries that gift with a quiet glow. The title says “still DF,” a phrase that holds nostalgia and insistence at once: the idea that a city remains itself even when names shift and streets get repainted. The track moves with a gentle momentum, letting the vocal sit close, as if the singer is speaking to an old friend across a table, naming what’s left, what’s missing, what still makes the heart recognize home. There’s an emotional realism here: affection without idealization, pride without blindness, grief without collapse. “Todavía DF” feels like walking familiar blocks and noticing both the ghosts and the new lights, accepting that memory is part of the architecture. The chorus lands like a soft declaration of belonging, and that softness is powerful—because in a city built on noise, choosing tenderness is a form of resistance. The song doesn’t try to freeze the city in time; it honors the fact that you can love something precisely because it refuses to stay still.\u2028Listen: https://open.spotify.com/track/465yg7FtqxBOmZgdjsirPu",
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            "airdate": "2026-03-02T20:26:38-08:00",
            "show": 66075,
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            "song": "Mil horas",
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            "artist": "Los Abuelos de la Nada",
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            "album": "Vasos y besos",
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            "release_date": "1983-01-01",
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            "comment": "Effervescent, dramatic, and irresistibly melodic, Mil horas by Los Abuelos de la Nada** remains one of the defining anthems of Argentine pop-rock. Driven by bright synth lines, punchy drums, and a hook that feels instantly eternal, the song captures the emotional chaos of love at its most obsessive and theatrical.\n\nFrontman Andrés Calamaro delivers the lyrics with a mix of irony and vulnerability, walking the line between heartbreak and self-aware melodrama. The title — “Mil horas” — suggests endless waiting, and the song perfectly embodies that restless feeling of time stretching painfully when someone you love is absent. Yet, despite its lyrical melancholy, the production feels vibrant and almost celebratory, a hallmark of the 1980s Latin pop-rock explosion.\n\nReleased during a golden era of Argentine rock, the track blends new wave textures with classic songwriting instincts. Its chorus is explosive without being heavy, catchy without sacrificing emotional depth. Decades later, it still fills dance floors and sing-alongs across generations — proof of its enduring cultural impact.\n\nListen here:\nhttps://open.spotify.com/search/Los%20Abuelos%20de%20la%20Nada%20Mil%20Horas",
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            "id": 3624514,
            "uri": "https://api.kexp.org/v2/plays/3624514/?format=api",
            "airdate": "2026-03-02T20:20:42-08:00",
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            "song": "Tren al sur",
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            "recording_id": "344a3096-6646-45b5-8885-12ef0365cd9c",
            "artist": "Los Prisioneros",
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            "album": "Corazones",
            "release_id": null,
            "release_group_id": "c50ba999-f67f-39da-ab4a-c77a618ddb37",
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            "release_date": "1990-01-01",
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            "comment": "“Tren Al Sur” turns a simple departure into a full-body memory: the early morning, the seat by the window, the steady pull of rails as the city loosens its grip. The song moves with the calm insistence of travel—those repeating patterns that feel like wheels on track—while the melody opens outward like landscape. It’s pop built with restraint, but the emotion is enormous: a longing for air, for distance, for the kind of place that feels like home even if you only reach it in your head. The chorus lands like a collective chant, the kind that lives in stadiums and living rooms at the same time, because it names something shared—escape, return, and the complicated relief of going “south.” There’s tenderness in the details and steel in the momentum. You can hear a whole era of Latin American songwriting here: social reality carried inside a hook, poetry that never abandons rhythm. “Tren Al Sur” doesn’t romanticize leaving; it honors the need to move, even when what you carry can’t be put down.\u2028Listen: https://open.spotify.com/track/6W1BLmVBxkqZwFQcORQLnv",
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            "airdate": "2026-03-02T20:18:06-08:00",
            "show": 66075,
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