Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=29460&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=29480&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=29440&ordering=-airdate", "results": [ { "id": 3620848, "uri": "https://api.kexp.org/v2/plays/3620848/?format=api", "airdate": "2026-02-22T15:01:42-08:00", "show": 66003, "show_uri": "https://api.kexp.org/v2/shows/66003/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "TheFirstSong_", "track_id": "2cce2e3a-3f6e-45af-be58-8ada979d04c5", "recording_id": "7cfc42e3-f34f-4eaf-b76b-f720f46814b4", "artist": "JoyCut", "artist_ids": [ "e9878900-a5ee-4a9a-af61-8f495c9c430f" ], "album": "Thebluwave [Timeswhensilenceisapoem - Theicehasmelted - Andbleedingglaciersformourtears] _", "release_id": "f6b133b1-e8f3-4dc0-b9af-1f01ed834cf4", "release_group_id": "3ed41704-8d10-42ce-b9c9-14a6d0e88ea7", "labels": [ "[no label]" ], "label_ids": [ "157afde4-4bf5-4039-8ad2-5a15acc85176" ], "release_date": "2022-06-05", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "JoyCut will be performing with Archive in Seattle on May 5 at Neumos, Portland on May 7 at the Hawthorne Theatre, and in San Francisco on May 10 at The Independent!\n\nBeloved by Robert Smith, Bologna's JoyCut were invited by Smith to perform a specially curated edition of the Meltdown Festival with The Cure in London in 2018. \n\nThere also can’t be many bands inspired by José Mourinho to release a fifteen-track concept album split into three \"sections,\" but then, Italy’s JoyCut are not your average band.\n\nExploring the concept of \"passage,\" deconstructing the precepts of human behavior in \"events and destiny,\" and tackling themes of \"memory and future\" are the three suites the album is arranged around – heavy topics to confront in one’s art, but ones that have proved fertile ground for the Bologna-based trio.\n\nThe trio's songs are a heady mix of industrial drones, post-rock guitars, and dark-wave synths. Some are short but sweet, dynamic blasts of rhythm and texture, while others are sprawling soundscapes that stretch out past the horizon and the sky. https://bit.ly/3Pr60ir \n\nJoyCut graced us with a sublime performance in our Live Room back in 2023; check it out here: https://tinyurl.com/ky5jnahk", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620847, "uri": "https://api.kexp.org/v2/plays/3620847/?format=api", "airdate": "2026-02-22T14:58:36-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Julito Maraña", "track_id": null, "recording_id": "83cbde95-130a-4c2f-b09b-b8a193b790e1", "artist": "Voltio", "artist_ids": [ "c842457c-8087-433d-a895-ec58e7f14ca0" ], "album": "Reggeton en la parada puertoriqueña, vol. 2", "release_id": null, "release_group_id": "3c6d6bee-e5d9-379b-ab6a-39de705b1e52", "labels": [], "label_ids": [], "release_date": "2005-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Former rapper Voltio [Julio Irving Ramos Filomeno] was an early pioneer of reggaetón - a modern genre of Latin music originating primarily in Panamá and Puerto Rico, with sonic roots in Jamaican dancehall and American hip hop. He is sampling Willie Colón & Héctor Lavoe's \"Juanito Alimaña\" on this track.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620844, "uri": "https://api.kexp.org/v2/plays/3620844/?format=api", "airdate": "2026-02-22T14:50:12-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Juanito Alimaña", "track_id": "8645d140-1a96-4b95-8138-79eb8260546c", "recording_id": "87544ff8-ddea-4653-a93d-fa16bfb38480", "artist": "Willie Colón & Héctor Lavoe", "artist_ids": [ "f1edfbed-9315-4550-859c-599cc3fdee57", "2cf18512-c129-482b-aff1-7430a1a7850b" ], "album": "Vigilante", "release_id": "be7ac5e5-29bf-4d33-a876-6e1c3ccafb72", "release_group_id": "0e34b8e1-ff6f-34ce-8916-18fff825a04d", "labels": [ "Fania" ], "label_ids": [ "a00f1d54-2e47-492b-b24b-3b994b2ba0c4" ], "release_date": "1983-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Héctor Lavoe was a Puerto Rican salsa singer from Ponce. Willie Colón was an American Salsa musician and social activist from New York.\n\nVigilante is the eleventh and last studio album by the duo. It was recorded in 1982 as part of the soundtrack of the film of the same name. The 1983 film was inducted into the Library of Congress: https://www.loc.gov/item/jots.200166326/\n\nhttps://hectorlavoe.com/\nhttps://www.williecolon.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620842, "uri": "https://api.kexp.org/v2/plays/3620842/?format=api", "airdate": "2026-02-22T14:46:40-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "https://www.kexp.org/noisepop/\nhttps://www.kexp.org/donate/", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3620841, "uri": "https://api.kexp.org/v2/plays/3620841/?format=api", "airdate": "2026-02-22T14:39:46-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Plástico", "track_id": "78e963bc-ceed-3e75-8fb9-63281ee132da", "recording_id": "f4d57b0f-e2c2-48e4-b6dc-402aaa63d114", "artist": "Willie Colón & Rubén Blades", "artist_ids": [ "f1edfbed-9315-4550-859c-599cc3fdee57", "f050673a-dfb3-4200-b057-bf78213de36c" ], "album": "Siembra", "release_id": "2c3db041-fdc5-3c8f-a43d-8d4bfe6fc47b", "release_group_id": "0efd12a2-2d31-3fa8-a76c-5f8af6613fca", "labels": [ "Fania" ], "label_ids": [ "a00f1d54-2e47-492b-b24b-3b994b2ba0c4" ], "release_date": "2006-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Siembra\", a 1978 album collaboration between Willie Colón and Rubén Blades, remains one of the best-selling and most critically acclaimed salsa records of all time, noted for its sharp social commentary.\n\nWillie Colón, the legendary trombonist, producer, and social activist who redefined salsa music, passed away Saturday at the age of 75. As his family shared in their tribute, Colón gifted the world \"timeless music and cherished memories.\" He didn't just play salsa; he used it to narrate the struggles, joys, and identity of the Latino experience.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620840, "uri": "https://api.kexp.org/v2/plays/3620840/?format=api", "airdate": "2026-02-22T14:36:02-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "At We Feet", "track_id": "4ad6b3ba-8dea-4005-b80e-200d16fd9bf9", "recording_id": "2519b7e3-0ee5-496d-8a4e-59d3b1e4f393", "artist": "Protoje feat. Damian Marley", "artist_ids": [ "eb9ad275-dc6b-4d00-9dea-e60b02313a72", "cbfb9bcd-c5a0-4d7c-865f-2c641c171e1c" ], "album": "At We Feet", "release_id": "262c6fe9-0f7d-49b9-a71f-e2a92ced510d", "release_group_id": "5227f391-478f-4423-9bb4-9eb9664c21b4", "labels": [ "Ineffable Records", "In.Digg.Nation Collective" ], "label_ids": [ "7155876d-bb21-4e02-a53d-a2e3ef2603c2", "b7f6e35f-52ee-4553-b74a-752b6f5d818f" ], "release_date": "2026-01-16", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "The hook \"whatever we need Jah put a we feet” frames the song as a meditation on faith, alignment, and trusting that provision and purpose are already under you if you stay grounded.\n\nProtoje's verses lean into simple living, health, gratitude, and rural self‑sufficiency, while Damian comes in with that heavier, elder‑statesman energy about resilience and putting life and truth above ego or fear. It lands like a 2026 answer record to classic roots themes: instead of doom, it offers steady, anti‑panic reassurance that the foundation is strong and we move forward step by step, \"at we feet.\"\n\nProtoje will be at the UC Theatre in Berkeley on May 10th and at The Showbox at the Market in Seattle on May 13th.\n\nhttps://www.protoje.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620839, "uri": "https://api.kexp.org/v2/plays/3620839/?format=api", "airdate": "2026-02-22T14:31:36-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Freedom Fighter", "track_id": "c6dd460b-b726-4fbf-85e0-7462c2a302fb", "recording_id": "d1dca173-9881-4bb2-b52a-213612f22201", "artist": "Chronixx", "artist_ids": [ "0de2154a-6c01-4cd6-8795-78d21211d6e6" ], "album": "Freedom Fighter", "release_id": "45dae721-abce-41fb-9fd9-5e4ae8a626a2", "release_group_id": "a662ce28-fdd4-4968-b102-10373889aee8", "labels": [ "Soul Circle Music" ], "label_ids": [ "b41071a4-696f-41e9-b249-c972ea685011" ], "release_date": "2021-08-27", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Chronixx's stage name makes reference to his father, the singer Chronicle.\n\n\"[Freedom Fighter] speaks directly to an artist like myself who has always opted to purpose my art and soul work towards the upliftment of African peoples and humanity in general [...] the first step is to emancipate yourself from mental slavery…since none but ourselves can free our minds.\"\n\nhttps://soundcloud.com/chronixxmusic/freedom-fighter\nhttps://chronixx.com", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620838, "uri": "https://api.kexp.org/v2/plays/3620838/?format=api", "airdate": "2026-02-22T14:27:16-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Puppet", "track_id": "ce7856bb-32e1-4e1a-b852-1ffd406fd37a", "recording_id": "78cdd24c-a76c-4fa5-9040-7f2497880ddd", "artist": "SAULT", "artist_ids": [ "23b19bc5-813e-4456-bbae-ac3ca118f535" ], "album": "Chapter 1", "release_id": "51834eb9-d016-419b-a3b7-d4b5ffc78359", "release_group_id": "da6e8c6e-edcb-4fe6-a81a-aeb5148961de", "labels": [ "Forever Living Originals" ], "label_ids": [ "81e61c90-28f2-4dcb-b656-cac924dfa331" ], "release_date": "2026-01-09", "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "Chapter 1 is the 13th studio album from the enigmatic British collective SAULT.\n\nhttps://saultglobal.bandcamp.com/album/chapter-1\nhttps://sault.global/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620837, "uri": "https://api.kexp.org/v2/plays/3620837/?format=api", "airdate": "2026-02-22T14:22:56-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "https://ia802804.us.archive.org/0/items/mbid-58916346-7f43-4804-8a14-471f25d06afe/mbid-58916346-7f43-4804-8a14-471f25d06afe-43171497243_thumb500.jpg", "thumbnail_uri": "https://ia802804.us.archive.org/0/items/mbid-58916346-7f43-4804-8a14-471f25d06afe/mbid-58916346-7f43-4804-8a14-471f25d06afe-43171497243_thumb250.jpg", "song": "Winny", "track_id": "c8b4df4e-a356-4945-8e32-2facb8818c75", "recording_id": "e83cf485-3cc4-4739-aa28-4a507090ba39", "artist": "Fred again..", "artist_ids": [ "bca46a0c-25c9-42ca-98c2-e64c8a5e337e" ], "album": "USB", "release_id": "58916346-7f43-4804-8a14-471f25d06afe", "release_group_id": "0d223bf8-1096-4cc5-adb5-df6123f676d1", "labels": [ "Atlantic" ], "label_ids": [ "50c384a2-0b44-401b-b893-8181173339c7" ], "release_date": "2025-12-12", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "After another blockbuster year, the DJ de jour lands with the second official instalment of his “infinite” album project, USB. Dropped incrementally over the course of a 10-week, 10-city tour, USB002 is a slick odyssey through contemporary dance music, with a typically bass-heavy thrust and names like Amyl and the Sniffers, Danny Brown, and Floating Points helping out. It makes for an energetic soundtrack to stadium raves, but it’s not always easy to tell what, if anything, he’s trying to say with it beneath the snarling low end.\n\nhttps://pitchfork.com/reviews/albums/fred-again-usb002/\n\nhttps://fredagainagain.bandcamp.com/album/usb-volume-1\nhttps://fredagainagain.bandcamp.com/album/usb002\nhttps://www.fredagain.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620836, "uri": "https://api.kexp.org/v2/plays/3620836/?format=api", "airdate": "2026-02-22T14:20:21-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "https://wafarmlandtrust.org/\nhttps://www.sct.org/", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3620835, "uri": "https://api.kexp.org/v2/plays/3620835/?format=api", "airdate": "2026-02-22T14:18:24-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Turn Away", "track_id": "927dd469-7532-4238-87df-7044f3bbd84e", "recording_id": "8ce505a3-db9c-4158-80cf-7277bdab0689", "artist": "DJ HARRISON feat. Angélica Garcia", "artist_ids": [ "411b5c5b-5432-4789-8160-6921c7cf6bcb", "11dee790-19d5-4afb-bff7-fd85115e3ed3" ], "album": "ElectroSoul", "release_id": "efa2dabe-e70c-45df-ae92-0a9b7ad3b5df", "release_group_id": "72ee9739-cec3-4392-b803-fa1ab4a877b8", "labels": [ "Stones Throw Records" ], "label_ids": [ "f1b83107-23e5-41a3-ab1b-2a36965cf77b" ], "release_date": "2026-01-23", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "DJ Harrison is Richmond, Virginia-based multi-instrumentalist, singer, songwriter and producer Devonne Harris.\n\nhttps://djharrison.bandcamp.com/album/electrosoul\nIG: @djharrisonrva", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620834, "uri": "https://api.kexp.org/v2/plays/3620834/?format=api", "airdate": "2026-02-22T14:14:10-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Still Sound", "track_id": "e1db5492-5ca6-33ce-b274-de012190c2e1", "recording_id": "69d87ce4-7bf6-4328-a006-d0652726639a", "artist": "Toro y Moi", "artist_ids": [ "3a6d6481-142d-423f-91d4-55bbfff318ed" ], "album": "Underneath the Pine", "release_id": "25e471bb-f0ba-4472-83c5-dcb7de633123", "release_group_id": "7e76af5b-a815-498a-9d5c-455bdefb2a0b", "labels": [ "Carpark Records" ], "label_ids": [ "c34caca6-4de9-4cd2-8549-c71b0162bf1c" ], "release_date": "2011-02-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Released on this day in 2011, \"Underneath the Pine\", Toro y Moi's second studio album.\n\nThis album was a departure from the sample-heavy synth-pop from his debut.\n\nToro y Moi will be at Soundscape Northwest in Portland in late April.\n\nhttps://toroymoi.bandcamp.com/album/underneath-the-pine\nhttps://toroymoi.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620833, "uri": "https://api.kexp.org/v2/plays/3620833/?format=api", "airdate": "2026-02-22T14:09:28-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "In My Dreams", "track_id": "f0b76c61-9cdb-4bcc-b5f3-1fc55149d5d4", "recording_id": "0592ab1d-84db-46f1-b498-ac1f1445f06c", "artist": "Girls of the Internet & The Gospel of Thomas feat. Dani Siciliano", "artist_ids": [ "11c3823e-91d0-4c68-8051-9cd55728ad8b", "feabbf00-d3d4-4d72-9fa8-2364cede2da2", "5bf56119-bfa5-4d7c-807b-8a6db6fb7c1f" ], "album": "Secular Music Vol. 1", "release_id": "c95f0416-753e-4044-99e2-d22d97e06f97", "release_group_id": "7e8b6ab6-8a7d-49a3-a20f-502cc0253fa0", "labels": [ "House of the Internet" ], "label_ids": [ "45dcfe71-2263-42d1-acb1-5e852ab39c2f" ], "release_date": "2025-11-14", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "https://drabqueen.bandcamp.com/album/secular-music-vol-1\nhttp://www.girlsoftheinter.net/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620832, "uri": "https://api.kexp.org/v2/plays/3620832/?format=api", "airdate": "2026-02-22T14:06:19-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Boyface", "track_id": "66d5adfa-7928-4616-9929-b15e12bd2d35", "recording_id": "70dec07f-23d4-4320-868f-d00bdfe591db", "artist": "PVA", "artist_ids": [ "3e3c2787-4412-4614-82af-ce903b4d8b96" ], "album": "No More Like This", "release_id": "68c6a63d-72d9-4c69-b33d-5a93b3b1d818", "release_group_id": "ce2f78d9-a9ad-449b-ad98-d7493b9f5ab4", "labels": [], "label_ids": [], "release_date": "2026-01-23", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "\"The sophomore album from London trio PVA is all about balance; light and dark, blurry and sharp, urgent and tranquil. Featuring synths both bright and sinister, angular guitars, driving percussion, and Ella Harris’s entrancing, deadpan vocals, No More Like This is an engrossing, essential listen that brilliantly fuses electropunk, trip-hop, and experimental soundscapes to reveal their ever-evolving vision,\" writes KEXP's Music Director Chris Sanley about PVA's new album.\n\nRead more new music reviews here: https://www.kexp.org/read/2026/2/9/new-music-reviews-29/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620831, "uri": "https://api.kexp.org/v2/plays/3620831/?format=api", "airdate": "2026-02-22T14:03:53-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "https://dn721907.ca.archive.org/0/items/mbid-e2fdeee3-c362-43a5-99ea-4ec4f62606dc/mbid-e2fdeee3-c362-43a5-99ea-4ec4f62606dc-28117079127_thumb500.jpg", "thumbnail_uri": "https://dn721907.ca.archive.org/0/items/mbid-e2fdeee3-c362-43a5-99ea-4ec4f62606dc/mbid-e2fdeee3-c362-43a5-99ea-4ec4f62606dc-28117079127_thumb250.jpg", "song": "Hot on the Heels of Love", "track_id": "0a348af9-8a1a-49bf-8fe2-39bd6f21c59f", "recording_id": "0e1c9a5e-889a-4512-ae66-ed1b126e66b1", "artist": "Throbbing Gristle", "artist_ids": [ "e135d690-9c53-4333-8f11-98aec8c9f434" ], "album": "The Taste of TG", "release_id": "e2fdeee3-c362-43a5-99ea-4ec4f62606dc", "release_group_id": "40e04988-d10d-3751-bc47-81d3d4bb3efb", "labels": [ "Mute" ], "label_ids": [ "e0b106a5-4add-4839-9e40-c192457e1bf8" ], "release_date": "2004-05-04", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Today is Genesis Breyer P-Orridge's birthday, born in Manchester in 1950.\n\nBorn Neil Andrew Megson, the visual, musical and performance artist whose work with Throbbing Gristle and Psychic TV gave rise to the industrial and acid house genres, died in 2020 at age 70, after being diagnosed with leukemia two-and-a-half years before his death. P-Orridge never meant to engender industrial music, the genre with which they are most closely associated. With their collaborators in the avant-garde arts collective COUM Transmissions and its house band Throbbing Gristle, they clawed away at music as they knew it; what came to be known as industrial was simply what was left. The English musician, artist and social provocateur saw destruction as a means to creation, and took everything from noise to language to their own body, which they modified extensively before and during their gender transition, as raw material for reordering the world.\n https://www.npr.org/2020/03/15/816088912/genesis-breyer-p-orridge-provocateur-and-industrial-co-creator-dead-at-70", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620830, "uri": "https://api.kexp.org/v2/plays/3620830/?format=api", "airdate": "2026-02-22T14:02:26-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3620829, "uri": "https://api.kexp.org/v2/plays/3620829/?format=api", "airdate": "2026-02-22T13:59:20-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Rock It Like a Palestinian", "track_id": "f79e7a52-956a-49e8-8d7d-0bbb125a7ae4", "recording_id": "db6fa4ff-14c4-4540-8daf-eaa7a938cb65", "artist": "تامر النفار feat. Rasha Nahas & Nasir AlBashir", "artist_ids": [ "48a14e85-1587-417c-ad7d-a709789431f6", "063fb12d-48f4-49f8-b538-706f6778bf7a", "2d74f22a-a8d1-4b76-b27d-c744d7da4447" ], "album": "Rock it like a Palestinian", "release_id": "eb8f50ff-a17c-4ab8-9de8-1959c337c925", "release_group_id": "39d45465-e482-458b-b9aa-d514cb35bc4f", "labels": [ "Levantine Music" ], "label_ids": [ "a2b4ec81-32c7-453e-9b18-9944938a3b9b" ], "release_date": "2025-11-26", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Tamer Nafar (تامر النفار) is a Palestinian-Israeli rapper, actor, screenwriter, and activist who co-founded the first Palestinian hip-hop group, DAM, in the late 1990s. \n\nNafar's lyrics, often in Arabic and Hebrew, address social injustices, poverty, and political tensions faced by Palestinians and Arab citizens of Israel. His work has earned international recognition and sparked protests in Israel. \n\nhttps://www.npr.org/sections/parallels/2016/11/02/499627396/arab-rapper-tests-the-limit-of-israels-artistic-freedoms\n\nhttps://soundcloud.com/tamer-nafar-min-dam/rock-it-like-a-palestinian", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620828, "uri": "https://api.kexp.org/v2/plays/3620828/?format=api", "airdate": "2026-02-22T13:56:35-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Ahonetwo, Ahonetwo", "track_id": "3270a8b8-2017-3b40-a741-d7f0b1855e66", "recording_id": "f56be6dc-92bd-4ad2-aeb0-49ffb1ddbbbf", "artist": "Del the Funky Homosapien", "artist_ids": [ "a31a5e0c-d37a-41a8-90d5-9e256a47d83b" ], "album": "I Wish My Brother George Was Here", "release_id": "5c4b42bf-3fd8-43eb-bb64-ecb4259b68fe", "release_group_id": "719890ae-5409-3cdc-9f7d-2550a8dbae8b", "labels": [ "Elektra Entertainment" ], "label_ids": [ "745f3292-03fe-44b5-babe-bc7eaa46a15d" ], "release_date": "1991-10-22", "rotation_status": null, "is_local": false, "is_request": true, "is_live": false, "comment": "Request from Matt in San Diego!\n\nhttps://delthefunkyhomosapien.bandcamp.com/album/i-wish-my-brother-george-was-here\nhttps://delthefunkyhomosapien.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620827, "uri": "https://api.kexp.org/v2/plays/3620827/?format=api", "airdate": "2026-02-22T13:53:38-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "https://dn720603.ca.archive.org/0/items/mbid-aff71ed6-e7fb-4ea2-a78e-f21a04e4cc23/mbid-aff71ed6-e7fb-4ea2-a78e-f21a04e4cc23-44225935335_thumb500.jpg", "thumbnail_uri": "https://dn720603.ca.archive.org/0/items/mbid-aff71ed6-e7fb-4ea2-a78e-f21a04e4cc23/mbid-aff71ed6-e7fb-4ea2-a78e-f21a04e4cc23-44225935335_thumb250.jpg", "song": "Beautiful Thing", "track_id": "7a758e34-859e-4e78-8feb-a67357615c8c", "recording_id": "2ca86584-c984-4556-9acf-c5bf7b3f43cb", "artist": "Neon Ion", "artist_ids": [ "327428ba-7685-4635-9788-4b8832aa53c9" ], "album": "Laugh Now, Cry Later", "release_id": "aff71ed6-e7fb-4ea2-a78e-f21a04e4cc23", "release_group_id": "e6924795-4625-44c6-9b0c-4fbb035ee003", "labels": [ "Jazzland Recordings" ], "label_ids": [ "ddd1dacb-086c-4c5f-982d-9aa491d75dfb" ], "release_date": "2026-01-30", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Neon Ion is the new solo project of Natalie Sandtorv emerging on the Norwegian music scene.\n\nhttps://neonion.bandcamp.com/album/laugh-now-cry-later-2", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3620826, "uri": "https://api.kexp.org/v2/plays/3620826/?format=api", "airdate": "2026-02-22T13:49:36-08:00", "show": 66002, "show_uri": "https://api.kexp.org/v2/shows/66002/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Red Room (Ki Pharaoh Basement Edit)", "track_id": "201c69fe-d0f7-4363-ae6c-6f69e5ad4e2a", "recording_id": "73bfadf8-59bc-4c40-929f-70884d61b008", "artist": "Hiatus Kaiyote", "artist_ids": [ "55c03773-59ea-4d4e-9057-87c2ecab005d" ], "album": "Mood Variant (The Remixes)", "release_id": "94d63afd-76fe-4161-8ecb-38f58bc37c83", "release_group_id": "905e6542-7179-4a64-960d-f7f621eb55cc", "labels": [ "Brainfeeder" ], "label_ids": [ "20b3d6f9-9086-48d9-802f-5f808456a0ef" ], "release_date": "2022-04-08", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Australian neo-jazz and soul band Hiatus Kaiyote released this remix album in 2022, derived from 2021's \"Mood Valiant\". The 10-track project includes remixes from Stro Elliot, Salami Rose Joe Louis, Mndsgn, Nick Hakim, DJ Khalil, Georgia Anne Muldrow, as well as this Ki Pharaoh remix. \n\nhttps://hiatuskaiyote.bandcamp.com/album/mood-variant-the-remixes\nhttps://hiatuskaiyote.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
