Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=32100&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=32120&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=32080&ordering=-airdate", "results": [ { "id": 3615437, "uri": "https://api.kexp.org/v2/plays/3615437/?format=api", "airdate": "2026-02-09T19:42:30-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3615436, "uri": "https://api.kexp.org/v2/plays/3615436/?format=api", "airdate": "2026-02-09T19:40:10-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Tu Sicaria", "track_id": null, "recording_id": "f14749c4-3845-4625-a02f-ed2c38b462d6", "artist": "Ms Nina & Beauty Brain", "artist_ids": [ "259ae350-462f-4779-a45c-a6f3472878f5", "1c0bbae6-3677-41e2-9bee-86200fb2a722" ], "album": "Tu Sicaria", "release_id": null, "release_group_id": "c6129b30-85c9-451d-b263-eedd66289dce", "labels": [], "label_ids": [], "release_date": "2017-01-04", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Tu Sicaria” is one of Ms Nina’s signature statements from the mid-2010s neo-perreo orbit: reggaeton that’s glossy and fun, but also openly feminist, sex-positive, and self-authored. Over Beauty Brain’s production, the song moves with bright efficiency—clean drums, a bouncing low end, and hooks designed to stick in your head long after the beat fades. Ms Nina’s delivery is the centerpiece: playful and fearless, flipping the gaze back toward the listener with a charisma that feels both sweet and confrontational. The track’s power is how it makes empowerment sound effortless—like dancing is a form of authorship, and pleasure is a language you’re allowed to speak loudly. “Tu Sicaria” plays like a neon postcard from a night that refuses shame: direct, catchy, and built on the idea that confidence can be communal, contagious, and impossible to put back in the box once it’s out.\u2028Listen: https://www.youtube.com/watch?v=AqLAKlkRM30", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615435, "uri": "https://api.kexp.org/v2/plays/3615435/?format=api", "airdate": "2026-02-09T19:37:30-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Gata En Celo", "track_id": null, "recording_id": null, "artist": "DENNA LA PORRI", "artist_ids": [], "album": "Gata En Celo", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-08-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Gata En Celo” is unapologetically high-energy—built around bold attitude, rhythmic snap, and a vocal presence that performs confidence as much as it sings it. DENNA LA PORRI and TBX push the track with a modern urbano engine: tight percussion, bass that moves like a heartbeat under strobe lights, and melodic touches that keep the song playful rather than heavy. The title sets the scene—restless, flirtatious, and intentionally provocative—and the track leans into that character with humor and swagger. This is nightlife music: made for volume, for friends shouting along, for the moment when a room collectively decides to go harder. Even if you don’t catch every line, you catch the intent—sensual, teasing, and in control of its own narrative. “Gata En Celo” doesn’t ask permission; it sets the temperature and lets the crowd adjust.\u2028Listen: https://open.spotify.com/track/1w4ckOzXDcbwj2MVAYcxxL", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615434, "uri": "https://api.kexp.org/v2/plays/3615434/?format=api", "airdate": "2026-02-09T19:35:11-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "OBVIAMENTE!", "track_id": null, "recording_id": null, "artist": "RIXXIA", "artist_ids": [], "album": "NO LO ENTENDERIAS!", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-10-23", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“OBVIAMENTE!” is a sharp, contemporary electronic/reggaeton-adjacent sprint—compact, punchy, and engineered for impact. RIXXIA frames the track with a modern club sensibility: a beat that doesn’t waste time, a hook that lands like a wink and a dare, and a forward sheen that suggests the song was made to travel fast through speakers and crowds. With María Daniela y Su Sonido Lasser involved, the track inherits a certain electro-pop bite—playful, neon-lit, and slightly mischievous—while staying rooted in the rhythmic insistence that keeps bodies moving. Even without overexplaining itself, “OBVIAMENTE!” communicates attitude immediately: it’s confident, a little theatrical, and intentionally loud in its personality. The result is dance music with character—tight enough to hit hard on first pass, and stylish enough to feel like part of a larger nightlife universe.\u2028Listen: https://open.spotify.com/track/1w53VeDC57O0jNw7Hfb9Q7", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615433, "uri": "https://api.kexp.org/v2/plays/3615433/?format=api", "airdate": "2026-02-09T19:32:25-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Secunena", "track_id": null, "recording_id": "155c89ab-dd25-4359-b68b-f2d1613c8259", "artist": "Sayuri & Sopholov", "artist_ids": [ "7786584f-13de-4d13-b177-a90244e2bc03" ], "album": "Secunena", "release_id": null, "release_group_id": "e606c020-6e2e-490d-97b0-16aa4b28e37c", "labels": [], "label_ids": [], "release_date": "2025-04-11", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Secunena” arrives as a sleek, modern club cut with a pop-forward shape and a confident, late-night pulse. Sayuri & Sopholov ride the track with a chemistry that feels built for the dance floor: lines that flirt, snap, and glide, and a rhythm that keeps tightening its grip as it goes. The production keeps things clean and kinetic—bass that hits with intention, percussion that stays crisp, and melodic touches that feel like bright signage cutting through smoke. What makes “Secunena” work is its balance of immediacy and replay value: it’s direct enough to catch you on first listen, but detailed enough to keep you coming back for the textures, the transitions, and the way the vocal phrasing locks into the groove. It plays like a scene in motion—bodies moving, lights shifting, confidence rising—built to be felt as much as heard.\u2028Listen: https://www.youtube.com/watch?v=N4CYtiDrCFM", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615432, "uri": "https://api.kexp.org/v2/plays/3615432/?format=api", "airdate": "2026-02-09T19:29:15-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3615431, "uri": "https://api.kexp.org/v2/plays/3615431/?format=api", "airdate": "2026-02-09T19:27:29-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "https://coverartarchive.org/release/8748d883-3d60-4acb-a160-50943dee85bc/44206531934-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/8748d883-3d60-4acb-a160-50943dee85bc/44206531934-250.jpg", "song": "Grin-gosano", "track_id": null, "recording_id": "2767472e-ca5f-48fa-a67e-a57c8f2eb3ea", "artist": "Control Machete", "artist_ids": [ "38c8254f-ceac-460d-9123-5af2d7a4fc7e" ], "album": "Mucho barato…", "release_id": null, "release_group_id": "e83030c3-b47c-3542-80c5-4861e03e382c", "labels": [], "label_ids": [], "release_date": "1996-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Control Machete are a pioneering Mexican hip-hop group from Monterrey, known for gritty, genre-blending rap that helped shape Latin urban music since the 1990s. Their track “Grin-Gosano”—a raw, rhythmic cut from their influential debut Mucho Barato—blends sharp lyrics with pulsating beats and street-savvy flair, capturing the group’s signature energy. As of now there are no confirmed upcoming songs, but their catalog remains essential for fans of classic Latin rap. Dive into “Grin-Gosano” and explore their sound here: https://www.youtube.com/watch?v=G9Jt1soHrk4", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615430, "uri": "https://api.kexp.org/v2/plays/3615430/?format=api", "airdate": "2026-02-09T19:23:25-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Infinite Potential", "track_id": null, "recording_id": null, "artist": "Indigenous Cats", "artist_ids": [ "70310ce9-dbdf-4a8e-9f18-04bda2a0549e" ], "album": "Infinite Potential", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-01-24", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Indigenous Cats operate in the underground hip-hop lane where craft and community are inseparable: throwback-informed rhythms, socially conscious writing, and a mission that treats music as cultural memory and present-tense resistance. “Infinite Potential” expands that ethos with an uplifting angle—still grounded, still lyrical, but aimed at possibility rather than despair. With REKS in the mix, the track leans into veteran-level bar work: cadence, clarity, and a sense of purpose that doesn’t need to posture. The title is the thesis—an insistence that power isn’t granted from above, it’s cultivated, protected, and shared. The vibe balances grit and lift: the beat moves steadily, leaving space for the words to land, and the hook carries a kind of forward-facing optimism that feels earned rather than naïve. This is the sound of self-determination in rhythm form—music that holds history in one hand and tomorrow in the other.\u2028Listen: https://indigenouscats.bandcamp.com/track/infinite-potential-ft-reks", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615429, "uri": "https://api.kexp.org/v2/plays/3615429/?format=api", "airdate": "2026-02-09T19:20:39-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "https://coverartarchive.org/release/715b23bb-33ef-4b32-bfca-037ca625f83f/40709154585-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/715b23bb-33ef-4b32-bfca-037ca625f83f/40709154585-250.jpg", "song": "BIDDI BOMB", "track_id": null, "recording_id": "b48ce88c-06ec-4316-8c88-66d5adce07ec", "artist": "The Neighborhood Kids", "artist_ids": [ "369e3ee5-19f2-4d49-aedd-629eb40dde27" ], "album": "BIDDI BOMB", "release_id": null, "release_group_id": "6ffbb057-c5b2-4b84-835e-8da2e24b90d5", "labels": [], "label_ids": [], "release_date": "2024-07-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“BIDDI BOMB” lands as a gritty, old-school–leaning hip-hop statement built on momentum and conviction. The Neighborhood Kids frame the track like a rally: verses delivered with forward-leaning urgency, a hook that sticks because it sounds like it’s meant to be shouted back, and turntable energy that keeps the whole thing sharp around the edges. The writing aims outward—toward systems, toward injustice, toward the daily accumulation of anger that turns into clarity—and the performance makes that message physical. There’s a satisfying rawness here: it doesn’t feel overly polished or distant, it feels like it was made close to the source, with the point intact. Even if you come for the beat, what stays is the insistence: this isn’t background music, it’s a call to pay attention. “BIDDI BOMB” moves with the force of a street-level broadcast—rhythmic, direct, and hard to ignore once it hits.\u2028Listen: https://www.youtube.com/watch?v=Y3kbRgE4LO0", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615428, "uri": "https://api.kexp.org/v2/plays/3615428/?format=api", "airdate": "2026-02-09T19:16:45-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3615427, "uri": "https://api.kexp.org/v2/plays/3615427/?format=api", "airdate": "2026-02-09T19:12:48-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "https://coverartarchive.org/release/e861b9af-ef5e-4684-bd21-5cd8822a7030/21201213815-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/e861b9af-ef5e-4684-bd21-5cd8822a7030/21201213815-250.jpg", "song": "Un Gran Circo", "track_id": null, "recording_id": null, "artist": "Maldita Vecindad y Los Hijos del Quinto Patio", "artist_ids": [ "603358be-cfcd-442a-b251-994a75208719" ], "album": "El circo", "release_id": null, "release_group_id": "3f567c84-5e98-3464-8630-136bc7552be3", "labels": [], "label_ids": [], "release_date": "1991-08-13", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Un Gran Circo” sits inside Maldita Vecindad’s landmark early-90s era, when the band fused rock attitude with ska propulsion and a distinctly urban Mexican sensibility. They’ve always had a gift for turning social observation into something you can sing in unison, and this track frames the world as spectacle—bright lights, sharp edges, and the uneasy feeling that entertainment and reality have been stitched together. Musically, the band’s strength is how they make complexity feel immediate: rhythms that spring forward, accents that feel like street corners and sirens, and vocals that can sound both playful and accusatory in the same breath. “Un Gran Circo” moves like a parade that knows it’s being watched, and that tension is the engine—joy and critique riding the same beat. It’s a song that doesn’t merely describe chaos; it choreographs it, inviting you to dance while asking what the dance is covering up.\u2028Listen: https://open.spotify.com/intl-es/track/5BwVAAJzAuzpDHeWuKdFsN", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615426, "uri": "https://api.kexp.org/v2/plays/3615426/?format=api", "airdate": "2026-02-09T19:11:33-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "https://coverartarchive.org/release/b9f250d2-b9ad-4e5d-8bbb-59b8ae388fc2/37552896053-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/b9f250d2-b9ad-4e5d-8bbb-59b8ae388fc2/37552896053-250.jpg", "song": "Resistelo Todo", "track_id": null, "recording_id": "101140e5-c596-4cba-b497-8abf2749a51a", "artist": "La Pobreska", "artist_ids": [ "0866bf74-32c6-4d15-b31f-eb8005c5ee8e" ], "album": "Dale la Bota", "release_id": null, "release_group_id": "e8bde922-cbe0-4457-82a3-afbea9123c39", "labels": [], "label_ids": [], "release_date": "2013-05-14", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "La Pobreska emerged from the East Los Angeles–area ska-punk ecosystem with a sound designed for action: fast, loud, and message-forward, mixing hardcore urgency with ska bounce and Latin-rooted swing. “Resistelo Todo” (from their album era around “Estamos Unidos”) is brief but pointed—more like a flare than a long speech. The band’s approach is about compression: take the politics, the exhaustion, the daily grind, and distill it into something you can shout back at the world while you move. In ska-core, the “up” feeling is never purely celebratory; it’s the resilience of people who keep going anyway. “Resistelo Todo” leans into that ethic: it hits quickly, pushes you forward, and leaves the aftertaste of solidarity. Even when it’s over, the energy lingers—the sense that resistance isn’t abstract, it’s physical, communal, and loud enough to be heard over whatever tried to silence it.\u2028Listen: https://open.spotify.com/track/63CV7ws7s6ubJFpmEeaqm0", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615425, "uri": "https://api.kexp.org/v2/plays/3615425/?format=api", "airdate": "2026-02-09T19:07:13-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "https://coverartarchive.org/release/27d96088-6cb9-4d78-aaa5-6eff8bce5fdf/2539991841-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/27d96088-6cb9-4d78-aaa5-6eff8bce5fdf/2539991841-250.jpg", "song": "Acabar mal", "track_id": null, "recording_id": "d4b4b0f8-ab71-4a95-a715-0b6d38c787f9", "artist": "Sergent Garcia", "artist_ids": [ "84f6391b-32be-4e06-bfa4-ad9d9cb9ce29" ], "album": "Un poquito quema'o", "release_id": null, "release_group_id": "04ce3fc8-02ea-382b-87d4-f8491e61b148", "labels": [], "label_ids": [], "release_date": "1999-02-19", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Sergent Garcia is built around Bruno Garcia’s long-running “salsamuffin” vision: the meeting point between reggae’s rhythmic talk and the swing, brass, and heat of Afro-Caribbean and Latin music. “Acabar mal” carries that hybrid spirit with a charged, street-level urgency—music that can make a room dance while still sounding like it has something to say. The hook lands like a warning sign, and the track’s propulsion is the point: percussion and bass lock into a rolling gait, horns and accents pop in with celebratory bite, and the vocal delivery leans into the theatrical tension of a song that feels like a countdown. This is protest music that refuses to be stiff, and party music that refuses to be empty—built for movement, but with an undercurrent of frustration and determination. It’s the sound of pressure turning into rhythm, the kind of cut that can ignite a crowd while keeping its eyes open.\u2028Listen: https://open.spotify.com/track/3YTVbAGeJFVVZG6FIVSiCo", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615424, "uri": "https://api.kexp.org/v2/plays/3615424/?format=api", "airdate": "2026-02-09T19:04:50-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3615423, "uri": "https://api.kexp.org/v2/plays/3615423/?format=api", "airdate": "2026-02-09T19:00:34-08:00", "show": 65891, "show_uri": "https://api.kexp.org/v2/shows/65891/?format=api", "image_uri": "https://coverartarchive.org/release/65e2ac4e-d8d6-4898-b6d3-53ffd3d0b6a9/42889983962-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/65e2ac4e-d8d6-4898-b6d3-53ffd3d0b6a9/42889983962-250.jpg", "song": "Zenit", "track_id": null, "recording_id": "7336cb47-2bc3-4d4d-bfdd-85e34b4d226c", "artist": "Telefunka", "artist_ids": [ "a897b51c-282b-4ed0-924f-018ddc8e8d38" ], "album": "Electrodomestico", "release_id": null, "release_group_id": "2f01d6dd-4872-318b-b899-180479fa49b9", "labels": [], "label_ids": [], "release_date": "2003-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Telefunka’s “Zenit” comes from the early-2000s wave of Mexican electronic music that treated dance floors like laboratories: part synth-pop pulse, part playful experimentation, and fully committed to forward motion. Formed in Guadalajara in 2002, Telefunka built a sound that moves with club-grade momentum while leaving room for odd textures, sudden melodic flashes, and a sly sense of humor that keeps the track feeling alive. “Zenit” sits in that sweet spot where electronic minimalism turns cinematic: the groove repeats like a mantra, then details flicker at the edges—tones that feel like neon reflections, percussion that snaps into focus, and a melody that suggests lift-off without ever needing to shout. It’s a track that rewards loud speakers, but it also works as a late-night headphone ride: steady, bright, and slightly strange in the best way, like you’re watching a city breathe from above.\u2028Listen: https://open.spotify.com/track/0xPSN1e1sH9hALJBN7TnBi", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3615422, "uri": "https://api.kexp.org/v2/plays/3615422/?format=api", "airdate": "2026-02-09T18:57:24-08:00", "show": 65890, "show_uri": "https://api.kexp.org/v2/shows/65890/?format=api", "image_uri": "https://dn721508.ca.archive.org/0/items/mbid-07d22bed-e640-4470-9d6b-c5b069fb1fbb/mbid-07d22bed-e640-4470-9d6b-c5b069fb1fbb-42999419665_thumb500.jpg", "thumbnail_uri": "https://dn721508.ca.archive.org/0/items/mbid-07d22bed-e640-4470-9d6b-c5b069fb1fbb/mbid-07d22bed-e640-4470-9d6b-c5b069fb1fbb-42999419665_thumb250.jpg", "song": "Wind of Change", "track_id": "38171809-b960-4451-aa4e-2cf628cd6eea", "recording_id": "59aecf4f-420e-4ac2-9bdd-6ef9895746fb", "artist": "Nightmares On Wax feat. 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That was the first time I heard my own voice, so I was kind of scared of it.\n\n\"But I was so free at the time. I didn’t have any expectations on who was going to listen to it. It was just ‘la la la’ and then upload, the process was not complicated. I could use a bit of that mindset now, for sure.\"\n\nOf the reality of releasing music today, she advises, \"You have to try to break through the noise. It’s impossible to be free from that pressure if your ambition is to make a living from music, which is such a cursed blessing to be able to do.\n\n\"I’ve been lucky not to have thought too much about that while I’m creating, but it is definitely distorting the relationship I have with my craft. I think many artists can relate to that.\" https://tinyurl.com/532zmf3e", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
