Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=34820&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=34840&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=34800&ordering=-airdate", "results": [ { "id": 3608023, "uri": "https://api.kexp.org/v2/plays/3608023/?format=api", "airdate": "2026-01-23T10:46:07-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Dead End", "track_id": "b3787102-a7a2-42df-bd89-f7fab57c6c9b", "recording_id": "5b189f49-d88d-40da-9dd1-3fa8dcc41cf9", "artist": "Snail Mail", "artist_ids": [ "86cd4d38-857c-42bd-a5da-9acedcab1e01" ], "album": "Ricochet", "release_id": "af919cf1-dc05-4dd6-9b06-5c2135b9b7be", "release_group_id": "812fa041-72e3-4fe7-8f4a-dafdb5d99125", "labels": [ "Matador" ], "label_ids": [ "229bd4be-8cd7-442c-85b0-5007ea353abc" ], "release_date": "2026-03-27", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Snail Mail will be touring soon in support of her new album:\n\n-SF on May 4th at The Warfield\n\n-Seattle on May 8th at The Moore Theatre\n\nThe new album, Ricochet, is due out March 27th! \nhttps://snailmail.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608022, "uri": "https://api.kexp.org/v2/plays/3608022/?format=api", "airdate": "2026-01-23T10:43:25-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "https://dn721900.ca.archive.org/0/items/mbid-0a54174c-7a46-43f3-951e-b96bd9fbcb1f/mbid-0a54174c-7a46-43f3-951e-b96bd9fbcb1f-44140537063_thumb500.jpg", "thumbnail_uri": "https://dn721900.ca.archive.org/0/items/mbid-0a54174c-7a46-43f3-951e-b96bd9fbcb1f/mbid-0a54174c-7a46-43f3-951e-b96bd9fbcb1f-44140537063_thumb250.jpg", "song": "Site Unseen", "track_id": "00e6e695-1ebc-40bf-bdba-0aeac6a1ea57", "recording_id": "4b4b01a0-109b-4a5a-bd1d-a67f760518a2", "artist": "Courtney Barnett feat. Waxahatchee", "artist_ids": [ "42321e24-42b6-4f08-b0d9-8325ee887a20", "55111838-f001-494a-a1b5-9d818db85810" ], "album": "Creature of Habit", "release_id": "0a54174c-7a46-43f3-951e-b96bd9fbcb1f", "release_group_id": "86bd7034-660d-4f1d-96bf-1a70b81394ab", "labels": [ "Mom + Pop Music" ], "label_ids": [ "e30c6170-fcd5-4c30-9b89-bd1bdcbcaa5f" ], "release_date": "2026-03-27", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Courtney Barnett will play San Francisco on August 26th at The Fillmore! \nhttps://www.courtneybarnett.com.au/tour\n\nCourtney Barnett has a new album, Creature of Habit, coming out March 27th! This single, featuring Waxahatchee, is one of two songs released so far. \n\nhttps://courtneybarnett.bandcamp.com/album/creature-of-habit", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608021, "uri": "https://api.kexp.org/v2/plays/3608021/?format=api", "airdate": "2026-01-23T10:40:16-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "It's a Curse", "track_id": "6a43a019-df59-3426-99a1-1f0c93890c8d", "recording_id": "37893e37-80c4-4bbe-96b0-73a8163dc70a", "artist": "Wolf Parade", "artist_ids": [ "b7ddce8b-9e5c-46bd-9d33-41b134ce1a7f" ], "album": "Apologies to the Queen Mary", "release_id": "03f7f036-31b2-34a2-96cc-7e33f2c55ccf", "release_group_id": "d147f6f8-1ca1-3df0-acd9-3c81808f2822", "labels": [ "Outside Music" ], "label_ids": [ "0ada74b4-2436-4b3b-82b8-480067ab8c82" ], "release_date": "2005-09-27", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "For KEXP's local music column, Throwaway Style, Martin Douglas reflected on the impact of Wolf Parade's Apologies to the Queen Mary 17 years after its release. Read here: https://www.kexp.org/read/2022/7/7/throwaway-style-wolf-parade-apologies-queen-mary-retrospective-review/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608020, "uri": "https://api.kexp.org/v2/plays/3608020/?format=api", "airdate": "2026-01-23T10:35:45-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "I'll Believe in Anything", "track_id": "b3866555-c3a6-3729-bffc-3ec1cf7bc41b", "recording_id": "27dba9c5-27de-4c07-a7bd-f279cacc34d5", "artist": "Wolf Parade", "artist_ids": [ "b7ddce8b-9e5c-46bd-9d33-41b134ce1a7f" ], "album": "Apologies to the Queen Mary", "release_id": "03f7f036-31b2-34a2-96cc-7e33f2c55ccf", "release_group_id": "d147f6f8-1ca1-3df0-acd9-3c81808f2822", "labels": [ "Outside Music" ], "label_ids": [ "0ada74b4-2436-4b3b-82b8-480067ab8c82" ], "release_date": "2005-09-27", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This track has risen to new heights of fame due to being featured in the TV series Heated Rivalry! It was originally released on the 2005 Apologies to the Queen Mary album. \nhttps://wolfparade.bandcamp.com/\n\nWolf Parade was most recently Live on KEXP in 2022: https://www.youtube.com/watch?v=xsH1XmuIa5s", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608019, "uri": "https://api.kexp.org/v2/plays/3608019/?format=api", "airdate": "2026-01-23T10:33:15-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3608018, "uri": "https://api.kexp.org/v2/plays/3608018/?format=api", "airdate": "2026-01-23T10:28:34-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "https://ia801608.us.archive.org/8/items/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68-18173981072_thumb500.jpg", "thumbnail_uri": "https://ia601608.us.archive.org/8/items/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68-18173981072_thumb250.jpg", "song": "Beercan", "track_id": "bfc6ff53-a4f9-3d0b-81ac-7125248c62e5", "recording_id": "87e0a7ef-a844-4add-9fa2-5971909dccee", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Mellow Gold", "release_id": "401b0a2d-a250-4fe0-ae73-53fc4ca4ae68", "release_group_id": "4f8bb33f-9e2d-34dc-8852-5d591cc104d8", "labels": [ "Bong Load Custom Records", "DGC Records" ], "label_ids": [ "b41ac8e4-c575-44df-a544-40ad84723ff3", "68803e28-86fe-4a95-985f-8e493795ab31" ], "release_date": "1994-03-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Beck released his third album, Mellow Gold, in 1994. It was one of three albums he released that year!\n\n\"Compared to the rest of its 1994 class—Green Day’s Dookie, Nine Inch Nails’ The Downward Spiral, Hole’s Live Through This, Soundgarden’s Superunknown, and Nirvana’s MTV Unplugged in New York—Mellow Gold was both weirder and lower to the ground. It could be direct—the roughness of the production, the visceral noise of some of the songs—but obscure, too, a knot of words that didn’t immediately register as metaphor or reality.\" \n\nCheck out more from this retrospective review: https://tinyurl.com/2m8jxddv", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608017, "uri": "https://api.kexp.org/v2/plays/3608017/?format=api", "airdate": "2026-01-23T10:25:04-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "https://ia601306.us.archive.org/31/items/mbid-fabadd5c-64de-4e94-b4f5-e4b0d0227074/mbid-fabadd5c-64de-4e94-b4f5-e4b0d0227074-10226047994_thumb500.jpg", "thumbnail_uri": "https://ia601306.us.archive.org/31/items/mbid-fabadd5c-64de-4e94-b4f5-e4b0d0227074/mbid-fabadd5c-64de-4e94-b4f5-e4b0d0227074-10226047994_thumb250.jpg", "song": "Find Yourself", "track_id": "60254bdb-4296-4cef-8ba0-326168049529", "recording_id": "7ff3b259-c1c1-4b1f-8ad4-f8ae4fe099fd", "artist": "Jacco Gardner", "artist_ids": [ "5743f042-62a3-43c7-9643-776cb9c2308f" ], "album": "Hypnophobia", "release_id": "fabadd5c-64de-4e94-b4f5-e4b0d0227074", "release_group_id": "e8080fad-1da8-4931-8dbf-305f8fed794b", "labels": [ "Polyvinyl" ], "label_ids": [ "2ad60482-164f-4e5c-ac78-1f5267d4fdc0" ], "release_date": "2015-05-04", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Dutch musician Jacco Gardner joined Cheryl Waters in the KEXP studio back in 2015. Check out the whole performance and interview here: https://www.youtube.com/watch?v=X1v6t5To6hI\n\nhttps://jaccogardner.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608016, "uri": "https://api.kexp.org/v2/plays/3608016/?format=api", "airdate": "2026-01-23T10:19:41-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Feed My Release", "track_id": "a0accff2-667e-440c-a51d-ae5ab1a13d5f", "recording_id": "87b1a3db-c939-421f-89e5-d29b7c4ab79d", "artist": "Naima Bock", "artist_ids": [ "e9613311-8017-40d0-a4f9-d27e3a90c2bc" ], "album": "Below a Massive Dark Land", "release_id": "e0b4729e-80ce-46cc-b7d6-5c8743ed1d9f", "release_group_id": "925a20be-3d73-4c18-a49f-b5c010f897f5", "labels": [ "Sub Pop Records" ], "label_ids": [ "38dc88de-7720-4100-9d5b-3cdc41b0c474" ], "release_date": "2024-09-27", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Naima Bock will be back on the west coast soon! \n\n-Seattle on Thursday, February 5th at the Tractor Tavern\n\n-Oakland on Monday, February 9th at the Ivy Room \n\nNaima Bock shared songs from Below a Massive Dark Land Live on KEXP in 2024: https://www.youtube.com/watch?v=_pQHJg7hKC4&t=964s\n\nhttps://naimabock.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608015, "uri": "https://api.kexp.org/v2/plays/3608015/?format=api", "airdate": "2026-01-23T10:16:04-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3608014, "uri": "https://api.kexp.org/v2/plays/3608014/?format=api", "airdate": "2026-01-23T10:12:30-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "DEATH CULT ZOMBIE", "track_id": "aca89d72-9147-45f6-a88b-6d28f229a931", "recording_id": "499b4c02-b890-4321-b2a4-d148d9a586ac", "artist": "Genesis Owusu", "artist_ids": [ "632258cb-4ab5-4f2d-be29-bcc641a275eb" ], "album": "DEATH CULT ZOMBIE", "release_id": "2995e837-9f78-458e-866a-eeef7d31ce94", "release_group_id": "318b6734-bc99-4980-9a9e-2b48cd4a7961", "labels": [ "Ourness Pty Ltd" ], "label_ids": [ "030d7e9f-da7e-48c0-b705-f4e535d2e5a1" ], "release_date": "2025-10-30", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "This banger from Ghanaian-Australian rapper Kofi Owusu-Ansah, known by his stage name Genesis Owusu, came out on Halloween last year.\n\n\"Underpinned by a pounding bass line, this track is a harsh punk banger, with elements of NYC indie rock, and the choppiest guitar chords this side of Islington in 2007. It’s rough, bold, and strictly for the mosh-pitters. It’s this meshing of similar but disparate styles that makes the sound at once unique and strikingly familiar, a balance Owusu achieves with characteristic vigour.\" \nhttps://tinyurl.com/dttnf6k8", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608013, "uri": "https://api.kexp.org/v2/plays/3608013/?format=api", "airdate": "2026-01-23T10:09:34-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sabotage", "track_id": "5cf13dbd-28f7-4e67-97f7-06789e3a1ca3", "recording_id": "ae86bc81-9e3b-4122-a95a-64c8a85b40b4", "artist": "Beastie Boys", "artist_ids": [ "9beb62b2-88db-4cea-801e-162cd344ee53" ], "album": "Ill Communication", "release_id": "a1b805e1-c67e-4ef4-a9e3-9fc8c4570467", "release_group_id": "1134696c-1078-3c38-bcaa-4ee7c320670a", "labels": [ "Capitol Records" ], "label_ids": [ "abea2d3e-eabf-4480-ab24-9382dd642c73" ], "release_date": "1994-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Sabotage was released ahead of the \"Ill Communication\" album on 28 January 1994. It saw the band use traditional rock instrumentation (Ad-Rock on guitar, MCA on bass, and Mike D on drums) alongside their more typical turntable scratches and rap vocal phrasings.\n\nWatch the Beastie Boys perform this one live on The David Letterman Show: https://tinyurl.com/yywjrhrz", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608012, "uri": "https://api.kexp.org/v2/plays/3608012/?format=api", "airdate": "2026-01-23T10:06:12-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Been Caught Stealing", "track_id": "122e589e-392e-3def-b564-b072fbc82f49", "recording_id": "a5e8ee8c-236c-4d0e-b883-6f9e7fef471e", "artist": "Jane’s Addiction", "artist_ids": [ "e3434cc7-d348-491a-9dc8-325af3d9086d" ], "album": "Ritual de lo habitual", "release_id": "0239d797-11ca-3d4d-b838-8a70a984f632", "release_group_id": "baeba3f5-a5aa-3e6e-944f-cca5374192e4", "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1990-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Jane's Addiction released Ritual de lo habitual in 1990. It had a \"messy, chaotic\" creation story and proved to be the band's final album. \n\nhttps://tinyurl.com/3cpy6k6c", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608011, "uri": "https://api.kexp.org/v2/plays/3608011/?format=api", "airdate": "2026-01-23T10:02:42-08:00", "show": 65731, "show_uri": "https://api.kexp.org/v2/shows/65731/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Winterlong", "track_id": "f8c4fc0c-3078-3c96-bfd1-0c9c73ef5d87", "recording_id": "c4ca6498-b990-484f-b6dd-4b137ebd75e7", "artist": "Neil Young & Crazy Horse", "artist_ids": [ "75167b8b-44e4-407b-9d35-effe87b223cf", "71f754c0-f2d1-4a54-8d70-cc0ee409ca00" ], "album": "Live at the Fillmore East", "release_id": "7757348b-3c6a-4f45-b6e6-c1888dd3ac86", "release_group_id": "78f4492d-bf9d-3c10-b025-f3ed6f7e95bf", "labels": [ "Reprise Records" ], "label_ids": [ "af6d6f49-2b4d-40fe-86d4-241906772b59" ], "release_date": "2006-11-14", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This rendition of \"Winterlong\" came out on the seven-track live album, Live at the Fillmore East, in 2006. The tracks for the album were recorded on March 6th at 7th, 1970, at the Fillmore East in NYC. \n\nThough the album only includes seven songs, it still runs over forty minutes thanks largely to a version of \"Down by the River\" that lasts over twelve minutes and one of \"Cowboy in the Sand\" running over sixteen minutes!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608010, "uri": "https://api.kexp.org/v2/plays/3608010/?format=api", "airdate": "2026-01-23T09:58:51-08:00", "show": 65730, "show_uri": "https://api.kexp.org/v2/shows/65730/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Winter Song", "track_id": "7a31c933-ae65-3c37-a221-1fe836375571", "recording_id": "f9d35016-e157-477c-ab64-5e9830fa8215", "artist": "Screaming Trees", "artist_ids": [ "bc5e6e42-73ba-44fa-a41e-3379402f0429" ], "album": "Sweet Oblivion", "release_id": "f1a301d4-09b3-37d2-822c-df5a8de46599", "release_group_id": "3ed0f3e2-aef3-39c4-86e7-b1e9dc80a52c", "labels": [ "Epic" ], "label_ids": [ "8f638ddb-131a-4cc3-b3d4-7ebdac201b55" ], "release_date": "1992-01-01", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "Here's a KEXP remembrance of beloved Mark Lanegan, who died in 2022 at age 57: https://www.kexp.org/podcasts/sound-vision/2022/2/25/remembering-mark-lanegan/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608009, "uri": "https://api.kexp.org/v2/plays/3608009/?format=api", "airdate": "2026-01-23T09:54:00-08:00", "show": 65730, "show_uri": "https://api.kexp.org/v2/shows/65730/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3608008, "uri": "https://api.kexp.org/v2/plays/3608008/?format=api", "airdate": "2026-01-23T09:49:16-08:00", "show": 65730, "show_uri": "https://api.kexp.org/v2/shows/65730/?format=api", "image_uri": "https://ia601300.us.archive.org/33/items/mbid-6ff3abf5-4e80-41d7-a0d3-f418608a8b83/mbid-6ff3abf5-4e80-41d7-a0d3-f418608a8b83-23521785829_thumb500.jpg", "thumbnail_uri": "https://ia801300.us.archive.org/33/items/mbid-6ff3abf5-4e80-41d7-a0d3-f418608a8b83/mbid-6ff3abf5-4e80-41d7-a0d3-f418608a8b83-23521785829_thumb250.jpg", "song": "N.W.O.", "track_id": "a0abc21a-7d1a-35fc-b72e-c4e47c2e4429", "recording_id": "3a0bb352-5a82-402a-86c2-9507f564f3cd", "artist": "Ministry", "artist_ids": [ "13df2a46-f72f-40e7-aa63-26fcf62c7048" ], "album": "ΚΕΦΑΛΗΞΘ", "release_id": "6ff3abf5-4e80-41d7-a0d3-f418608a8b83", "release_group_id": "15cfaf82-5a4b-3ee1-bcce-75561055d27a", "labels": [ "Warner Bros. Records", "Sire Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71", "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1992-07-14", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "f you're taking requests, can you play \"N.W.O.\" by Ministry? Happy Friday!\n--Brennan in West Seattle \n--\n\"N.W.O.\" (New World Order) is the opening track and second single from Ministry's fifth studio album, 'ΚΕΦΑΛΗΞΘ' (commonly known as 'Psalm 69: The Way to Succeed and the Way to Suck Eggs' or simply 'Psalm 69'). The title was derived from Alister Crowley’s The Book of Lies.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608007, "uri": "https://api.kexp.org/v2/plays/3608007/?format=api", "airdate": "2026-01-23T09:40:57-08:00", "show": 65730, "show_uri": "https://api.kexp.org/v2/shows/65730/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Symphony no. 7 in A major, op. 92: II. Allegretto", "track_id": "85040f90-7340-3071-9758-2e93c638e6ad", "recording_id": "21aa0eb5-be7e-4c18-91d4-9110d798a1ac", "artist": "Ludwig van Beethoven", "artist_ids": [ "1f9df192-a621-4f54-8850-2c5373b7eac9" ], "album": "Symphony no. 7 in A, op. 92 / Symphony no. 8 in F, op. 93", "release_id": "3faf6834-4a38-4ce7-b510-95c204094811", "release_group_id": "ab64ebf9-c539-4190-8c65-0efbea272e75", "labels": [ "IMP Classics" ], "label_ids": [ "cb1c9bce-068b-4c88-a26f-067702a40416" ], "release_date": "1989-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Did you know that Franz Schubert was haunted by that movement throughout his entire career? Among the evidence for that claim is a passage in the fifth variation of Schubert’s Variations in A-flat major for Four Hands, written 11 years after the premiere of Beethoven’s Seventh Symphony, in which Schubert—who, as a teen, actually witnessed its premiere 200 years ago—quotes the Allegretto.\nLearn more about this music called \"the greatest music ever.\": https://stringsmagazine.com/beethovens-allegretto-greatest-music-ever/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608006, "uri": "https://api.kexp.org/v2/plays/3608006/?format=api", "airdate": "2026-01-23T09:34:35-08:00", "show": 65730, "show_uri": "https://api.kexp.org/v2/shows/65730/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "God Moving Over the Face of the Waters", "track_id": "be9464b7-47b0-44ac-ad58-845b8536d31c", "recording_id": "a694733d-a973-4a80-9887-6e6de0f8248a", "artist": "Moby feat. Víkingur Ólafsson", "artist_ids": [ "8970d868-0723-483b-a75b-51088913d3d4", "cea4a3b8-c26c-4b61-a243-cf72555e2c71" ], "album": "Reprise", "release_id": "120acc3f-5ca6-43ca-baa2-150132239bd2", "release_group_id": "c88942a2-d9bf-4661-9bba-22625a8f261a", "labels": [ "Deutsche Grammophon" ], "label_ids": [ "5a584032-dcef-41bb-9f8b-19540116fb1c" ], "release_date": "2021-05-28", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "According to Moby, this is the favorite song he has written. He said,“I wrote this late one night in 1994”, he recalls. “When I was done writing it I thought of God (whoever or whatever God might be) looking at Earth before life began. An empty Earth, and the aforementioned God omnisciently knowing all of the horrors and joys that would come with a world full of life. And I lay down on the floor and cried.” \n--\n\"God Moving Over The Face Of The Waters” features performances by Icelandic pianist Víkingur Ólafsson and the Budapest Art Orchestra.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608005, "uri": "https://api.kexp.org/v2/plays/3608005/?format=api", "airdate": "2026-01-23T09:31:07-08:00", "show": 65730, "show_uri": "https://api.kexp.org/v2/shows/65730/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "A Moment Apart", "track_id": "401ff0af-78f3-4452-b341-1edd83b0306a", "recording_id": "73dddcb6-74d8-448b-a426-7383a5ea0025", "artist": "ODESZA", "artist_ids": [ "2e222fce-02ae-4221-b1c6-3c3242b423b6" ], "album": "A Moment Apart", "release_id": "d8d7147d-52a3-4457-bc30-01366f9e7f9a", "release_group_id": "724699f1-9153-4c72-9ac4-cbf2d598582b", "labels": [ "Counter Records" ], "label_ids": [ "93214c28-306f-493f-a1e8-be3e04e1ab78" ], "release_date": "2017-09-08", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "ODESZA formed in 2012 at Western Washington University. In 2018, the duo behind the intricate electronic group, Harrison Mills and Clayton Knight talked with KEXP about how this album, \"A Moment Apart,\" brought them closer together: https://www.kexp.org/read/2018/3/28/odesza/\n--\n\nWatch a live performance by ODESZA in our studio in 2017: https://www.youtube.com/watch?v=aGVU_1Udhrs", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3608004, "uri": "https://api.kexp.org/v2/plays/3608004/?format=api", "airdate": "2026-01-23T09:24:56-08:00", "show": 65730, "show_uri": "https://api.kexp.org/v2/shows/65730/?format=api", "image_uri": "https://ia800308.us.archive.org/4/items/mbid-4491675f-2e47-489d-8c72-9d71ab7f747e/mbid-4491675f-2e47-489d-8c72-9d71ab7f747e-3049629726_thumb500.jpg", "thumbnail_uri": "https://ia600308.us.archive.org/4/items/mbid-4491675f-2e47-489d-8c72-9d71ab7f747e/mbid-4491675f-2e47-489d-8c72-9d71ab7f747e-3049629726_thumb250.jpg", "song": "Skin of the Night", "track_id": "4ae96c95-a4ec-3ab3-84ec-9fd1e1e44421", "recording_id": "fdf4ec39-e927-4148-a0d5-c3b7c85cc634", "artist": "M83", "artist_ids": [ "6d7b7cd4-254b-4c25-83f6-dd20f98ceacd" ], "album": "Saturdays = Youth", "release_id": "4491675f-2e47-489d-8c72-9d71ab7f747e", "release_group_id": "81fa7a0e-451f-3e51-8bc8-b8ab2b599bf0", "labels": [ "Mute Corporation" ], "label_ids": [ "68523539-169d-481a-984d-8cc997fb6ea2" ], "release_date": "2008-04-15", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "This song was written by Anthony Gonzalez and singer-songwriter Morgan Kibby, aka White Sea. \n--\nSee a live performance in London in 2012: https://www.youtube.com/watch?v=Wmwd_Zfq5-Y", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
