Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=35420&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=35440&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=35400&ordering=-airdate", "results": [ { "id": 3606468, "uri": "https://api.kexp.org/v2/plays/3606468/?format=api", "airdate": "2026-01-19T18:44:08-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "https://ia600206.us.archive.org/19/items/mbid-0718b963-7491-42d7-9a33-29ddf82bcbd1/mbid-0718b963-7491-42d7-9a33-29ddf82bcbd1-22127567992_thumb500.jpg", "thumbnail_uri": "https://ia800206.us.archive.org/19/items/mbid-0718b963-7491-42d7-9a33-29ddf82bcbd1/mbid-0718b963-7491-42d7-9a33-29ddf82bcbd1-22127567992_thumb250.jpg", "song": "Vietnam Blues", "track_id": "d59a2f10-5caa-4095-ba99-273d80007cd3", "recording_id": "bb631dc6-0c16-40a5-ae97-04d1b9592260", "artist": "J.B. Lenoir", "artist_ids": [ "29b9edaa-058f-489a-b54a-73cc3627661c" ], "album": "Evidence Blues Sampler Five", "release_id": "0718b963-7491-42d7-9a33-29ddf82bcbd1", "release_group_id": "7d46a28f-8e20-4b6d-bd1b-a49114e806e4", "labels": [ "Evidence" ], "label_ids": [ "7938563f-f10a-444d-9475-e24741fbc2cc" ], "release_date": "1996-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "J.B. Lenoir was an American blues singer‑guitarist from Mississippi who became known in Chicago for his distinctive voice and his willingness to tackle social issues like racism and war in his songs. His protest tune “Vietnam Blues” criticizes U.S. involvement in the Vietnam War and reflects the charged political climate of the 1960s blues scene in which he often addressed topical themes. \n\nhttps://www.peaceandrhythm.com/blogs/news/j-b-lenoir-march-5-1929-april-29-1967/\n\n---\n\nSupport a independent film documentary currently being produced by Gerald LeNoir and his sons, traveling back to Mississippi to research their family name and history to learn about the lives of their enslaved ancestors:\n\nhttps://www.whereigotmyname.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606467, "uri": "https://api.kexp.org/v2/plays/3606467/?format=api", "airdate": "2026-01-19T18:41:33-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "https://ia903108.us.archive.org/31/items/mbid-7da0e925-4315-4ef3-87ea-5538500d460d/mbid-7da0e925-4315-4ef3-87ea-5538500d460d-34595349345_thumb500.jpg", "thumbnail_uri": "https://ia903108.us.archive.org/31/items/mbid-7da0e925-4315-4ef3-87ea-5538500d460d/mbid-7da0e925-4315-4ef3-87ea-5538500d460d-34595349345_thumb250.jpg", "song": "For What It's Worth (stereo)", "track_id": "8c560a81-e48c-3e4c-9615-7fae530c064b", "recording_id": "3bdc2362-5f8b-4235-9b03-38e7248471e7", "artist": "Buffalo Springfield", "artist_ids": [ "22dc19af-d085-4c9b-adfb-22ec256251f1" ], "album": "Buffalo Springfield", "release_id": "7da0e925-4315-4ef3-87ea-5538500d460d", "release_group_id": "045b64e4-2bec-3b56-a94c-7a892a5f47c2", "labels": [ "Elektra" ], "label_ids": [ "873f9f75-af68-4872-98e2-431058e4c9a9" ], "release_date": "1997-06-24", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606466, "uri": "https://api.kexp.org/v2/plays/3606466/?format=api", "airdate": "2026-01-19T18:37:51-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3606465, "uri": "https://api.kexp.org/v2/plays/3606465/?format=api", "airdate": "2026-01-19T18:34:55-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "https://ia601508.us.archive.org/2/items/mbid-eb3a43ff-34cf-4c17-9be6-9ffa06e7ac40/mbid-eb3a43ff-34cf-4c17-9be6-9ffa06e7ac40-15168124998_thumb500.jpg", "thumbnail_uri": "https://ia601508.us.archive.org/2/items/mbid-eb3a43ff-34cf-4c17-9be6-9ffa06e7ac40/mbid-eb3a43ff-34cf-4c17-9be6-9ffa06e7ac40-15168124998_thumb250.jpg", "song": "We the People....", "track_id": "07b4a850-af94-473d-ad91-48041ecd1c84", "recording_id": "5cfcf5fb-bba9-449a-a270-cbc85aa007cf", "artist": "A Tribe Called Quest", "artist_ids": [ "9689aa5a-4471-4fb4-9721-07cecda0fa9f" ], "album": "We Got It from Here... Thank You 4 Your Service", "release_id": "eb3a43ff-34cf-4c17-9be6-9ffa06e7ac40", "release_group_id": "b445860f-edd9-4160-841c-fccf5533ecbd", "labels": [ "Epic" ], "label_ids": [ "8f638ddb-131a-4cc3-b3d4-7ebdac201b55" ], "release_date": "2016-11-11", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The first single from We Got It From Here, Thank You For Your Service finds Q-Tip and Phife Dawg rapping about racial and religious discrimination in America: All you Black folks, you must go All you Mexicans, you must go And all you poor folks, you must go Muslims and gays, boy, we hate your ways So all you bad folks, you must go -- The song's tense feel is enhanced by a sample of Black Sabbath's \"Behind the Wall of Sleep\" from their 1970 self-titled album.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606464, "uri": "https://api.kexp.org/v2/plays/3606464/?format=api", "airdate": "2026-01-19T18:30:23-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "https://coverartarchive.org/release/4ab92290-65f5-4654-8d85-13f62e926f97/3321777157-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/4ab92290-65f5-4654-8d85-13f62e926f97/3321777157-250.jpg", "song": "Banned in the U.S.A.", "track_id": null, "recording_id": "1b30f9cf-b403-4d17-b70b-653c8f22b102", "artist": "The 2 Live Crew", "artist_ids": [ "5cab4a1f-9797-42eb-9346-f5f375262a4a" ], "album": "Banned in the U.S.A.", "release_id": null, "release_group_id": "11d4faf7-9bae-496c-82e6-5f9af0002eec", "labels": [ "Lil' Joe Records" ], "label_ids": [ "7739aa84-2325-4224-a7fd-9ae5fbb34f17" ], "release_date": "1990-07-13", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "2 Live Crew’s explicit and politically charged music, especially As Nasty as They Wanna Be, sparked national debates over censorship. Their obscenity battles, highlighted by Banned in the U.S.A., coincided with parental and political concern over lyrics, helping inspire the PMRC and its push for parental advisory labels. The group’s defiance underscored the tension between artistic freedom and regulation, shaping both legal precedent and industry standards.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606463, "uri": "https://api.kexp.org/v2/plays/3606463/?format=api", "airdate": "2026-01-19T18:24:08-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "How We Gonna Make the Black Nation Rise?", "track_id": null, "recording_id": "f011a4d8-6562-4f70-ad24-3f45df1f2404", "artist": "Brother “D” with Collective Effort", "artist_ids": [ "31326227-2419-4adb-83ce-ad1fe722f973", "1d810d54-44d2-466d-a0e5-0af68e1ef20c" ], "album": null, "release_id": null, "release_group_id": null, "labels": [ "Soul Jazz Records" ], "label_ids": [ "88ff5195-2c1a-4ea6-94b4-f96384f9bf52" ], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Brother D (born Daryl Aamaa Nubyahn), a math teacher from the Bronx, teamed up with friends known as Collective Effort to record How We Gonna Make the Black Nation Rise? in 1980 — one of the earliest hip‑hop records driven by overt political and social commentary rather than party themes.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606462, "uri": "https://api.kexp.org/v2/plays/3606462/?format=api", "airdate": "2026-01-19T18:21:57-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Alabama", "track_id": null, "recording_id": "f78dd241-0de1-4b9c-b411-9418a0607ad9", "artist": "John Coltrane", "artist_ids": [ "b625448e-bf4a-41c3-a421-72ad46cdb831" ], "album": "In Movement", "release_id": null, "release_group_id": "0352870a-cb08-4404-a5ab-410489b3f32f", "labels": [ "ECM Records" ], "label_ids": [ "1edf842b-d727-4d27-8db6-f31882443f89" ], "release_date": "2016-05-06", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "On November 18, 1963, two months after Martin Luther King Jr.’s funeral oration, Coltrane recorded “Alabama,” a musical tribute to the four girls killed in Birmingham. The session occurred just days before President Kennedy’s assassination, a tumultuous moment in U.S. history. Pianist McCoy Tyner explained that Coltrane drew the song’s rhythms from King’s speech: “John took the rhythmic patterns of his speech and came up with ‘Alabama.’” Without lyrics, Coltrane conveyed the grief and resolve of King’s words—opening and closing with sorrow, while the middle reflects determination against racial violence. Released on Live at Birdland on January 9, 1964, “Alabama” remains one of Coltrane’s most emotional works.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606461, "uri": "https://api.kexp.org/v2/plays/3606461/?format=api", "airdate": "2026-01-19T18:17:29-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3606460, "uri": "https://api.kexp.org/v2/plays/3606460/?format=api", "airdate": "2026-01-19T18:13:51-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "https://coverartarchive.org/release/a0faffc8-e678-4fcb-a45b-2a6a7a3e53a3/3763345582-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/a0faffc8-e678-4fcb-a45b-2a6a7a3e53a3/3763345582-250.jpg", "song": "Everything Must Change", "track_id": null, "recording_id": "f045d319-378e-4701-9662-19df474ad272", "artist": "Nina Simone", "artist_ids": [ "2944824d-4c26-476f-a981-be849081942f" ], "album": "Baltimore", "release_id": null, "release_group_id": "4fa78391-c883-3941-8ce3-ba1ffa8e5f12", "labels": [ "Epic" ], "label_ids": [ "8f638ddb-131a-4cc3-b3d4-7ebdac201b55" ], "release_date": "1978-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Nina Simone speaks on what it means to be free (an excerpt from the documentary, Nina: An Historical Perspective): https://youtu.be/Si5uW6cnyG4", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606459, "uri": "https://api.kexp.org/v2/plays/3606459/?format=api", "airdate": "2026-01-19T18:02:01-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "https://coverartarchive.org/release/67ca4950-f7ee-4764-87e3-a85be1c6d7dc/3782660256-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/67ca4950-f7ee-4764-87e3-a85be1c6d7dc/3782660256-250.jpg", "song": "“B” Movie", "track_id": null, "recording_id": "46c3a2a7-1b32-448b-afff-80cf97256cb9", "artist": "Gil Scott‐Heron", "artist_ids": [ "b5b89643-c488-4f39-a302-25cab31084a5" ], "album": "Reflections", "release_id": null, "release_group_id": "8d4d4587-1d2a-3cac-8462-748cd9eaed1e", "labels": [ "Arista" ], "label_ids": [ "c62e3985-6370-446a-bfb8-f1f6122e9c33" ], "release_date": "1981-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Gil Scott‑Heron’s “‘B’ Movie” from Reflections (1981) is a spoken‑word critique of early ’80s politics, blending sharp social commentary with jazzy grooves. The track highlights his talent for turning music into pointed activism.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606458, "uri": "https://api.kexp.org/v2/plays/3606458/?format=api", "airdate": "2026-01-19T17:58:15-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3606457, "uri": "https://api.kexp.org/v2/plays/3606457/?format=api", "airdate": "2026-01-19T17:55:08-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Somewhere in Heaven", "track_id": null, "recording_id": "8ecca7cf-c36d-4c6e-a570-f55f5fc539fb", "artist": "Santana", "artist_ids": [ "9a3bf45c-347d-4630-894d-7cf3e8e0b632" ], "album": "Multi‐Dimensional Warrior", "release_id": null, "release_group_id": "0ca09bae-7c44-34ea-bf14-b56cecd22ef7", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "2008-09-29", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606456, "uri": "https://api.kexp.org/v2/plays/3606456/?format=api", "airdate": "2026-01-19T17:50:19-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Miss America", "track_id": null, "recording_id": "f1505538-284a-4375-b577-7d4191649221", "artist": "Martin Luther", "artist_ids": [ "4d4b497c-91c9-48e5-a0e7-333c90c43f8d" ], "album": "Rebel Soul Music", "release_id": null, "release_group_id": "d037a527-2794-38d5-8f67-3730903bd7be", "labels": [ "[no label]" ], "label_ids": [ "157afde4-4bf5-4039-8ad2-5a15acc85176" ], "release_date": "2004-09-21", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Martin Luther McCoy, also known as Martian Luther, is an electrifying rebel soul artist hailing from the vibrant city of San Francisco...https://martinluthermccoy.bandcamp.com/album/rebel-soul-music", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606455, "uri": "https://api.kexp.org/v2/plays/3606455/?format=api", "airdate": "2026-01-19T17:43:55-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Many Rivers to Cross", "track_id": null, "recording_id": "106484f2-5a74-40f8-9f77-bbbf04b97bf2", "artist": "Jimmy Cliff", "artist_ids": [ "2caa54a7-b08c-41da-b892-3a41abe778be" ], "album": "In Concert: The Best of Jimmy Cliff", "release_id": null, "release_group_id": "ec6772d5-fe16-3370-a6df-49cd7d6b57ad", "labels": [ "Reprise Records" ], "label_ids": [ "af6d6f49-2b4d-40fe-86d4-241906772b59" ], "release_date": "1976-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "a request from James in Vashon Island", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606454, "uri": "https://api.kexp.org/v2/plays/3606454/?format=api", "airdate": "2026-01-19T17:41:12-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "https://ia601907.us.archive.org/26/items/mbid-caf02eb2-72d0-4e7e-ab59-086ad959fe06/mbid-caf02eb2-72d0-4e7e-ab59-086ad959fe06-4395440529_thumb500.jpg", "thumbnail_uri": "https://ia801907.us.archive.org/26/items/mbid-caf02eb2-72d0-4e7e-ab59-086ad959fe06/mbid-caf02eb2-72d0-4e7e-ab59-086ad959fe06-4395440529_thumb250.jpg", "song": "Love’s Gonna Get Cha (Material Love)", "track_id": "dcfc9fcb-56b0-399f-90b9-145f25080151", "recording_id": "ee171d44-244b-4130-8848-27aa9122965d", "artist": "Boogie Down Productions", "artist_ids": [ "ff7466a5-c538-4d2b-8450-54f11b20f2f4" ], "album": "Edutainment", "release_id": "caf02eb2-72d0-4e7e-ab59-086ad959fe06", "release_group_id": "b03eb2b3-53cb-3496-9704-fa4f31cb3937", "labels": [ "Jive" ], "label_ids": [ "79245298-c0ba-4eba-aecc-3dfe8eeb689f" ], "release_date": "1990-07-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "a request from Erik...Boogie Down Productions’ “Love’s Gonna Get’cha (Material Love)” was released as the lead single from their 1990 album Edutainment. The song’s nearly seven‑minute narrative — anchored by KRS‑One’s thoughtful lyrics over a minimalist beat — became one of the album’s most memorable tracks and a standout in conscious hip‑hop.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606453, "uri": "https://api.kexp.org/v2/plays/3606453/?format=api", "airdate": "2026-01-19T17:35:27-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3606452, "uri": "https://api.kexp.org/v2/plays/3606452/?format=api", "airdate": "2026-01-19T17:29:29-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "https://ia800407.us.archive.org/28/items/mbid-0638eb80-3850-4fe0-bc99-a5009577af9c/mbid-0638eb80-3850-4fe0-bc99-a5009577af9c-18190194735_thumb500.jpg", "thumbnail_uri": "https://ia600407.us.archive.org/28/items/mbid-0638eb80-3850-4fe0-bc99-a5009577af9c/mbid-0638eb80-3850-4fe0-bc99-a5009577af9c-18190194735_thumb250.jpg", "song": "We're a Winner", "track_id": "45d1fc9d-3a24-32b5-8115-85862b6054a5", "recording_id": "f7ab2a20-fe67-4ef7-93e4-072262b85918", "artist": "Curtis Mayfield", "artist_ids": [ "4dca4bb2-23ba-4103-97e6-5810311db33a" ], "album": "Curtis/Live!", "release_id": "0638eb80-3850-4fe0-bc99-a5009577af9c", "release_group_id": "a374f6fc-48c1-305b-a626-7c81cef08a8f", "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "2000-08-15", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Originally released in May 1971 as a double LP on Curtis Mayfield’s Curtom label (distributed through Buddah Records), Curtis/Live! features 16 tracks recorded at Paul Colby’s 230-seat Bitter End nightclub in New York City. The album captures Mayfield’s signature live energy, including his spoken interludes addressing the social and political issues of the era. The live band includes Master Henry Gibson on percussion, Craig McMullen on rhythm guitar, Joseph “Lucky” Scott on bass, and Tyrone McCullen on drums.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606451, "uri": "https://api.kexp.org/v2/plays/3606451/?format=api", "airdate": "2026-01-19T17:24:09-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "https://ia802801.us.archive.org/30/items/mbid-d7484a79-48fb-4f4b-8860-7dadaf18c233/mbid-d7484a79-48fb-4f4b-8860-7dadaf18c233-21640246464_thumb500.jpg", "thumbnail_uri": "https://ia802801.us.archive.org/30/items/mbid-d7484a79-48fb-4f4b-8860-7dadaf18c233/mbid-d7484a79-48fb-4f4b-8860-7dadaf18c233-21640246464_thumb250.jpg", "song": "Inner City Blues (Make Me Wanna Holler)", "track_id": "1922cf7c-ea27-3a51-a7cc-700a7bcdb156", "recording_id": "6808c8f4-e2db-4758-ad16-c6a9c973295c", "artist": "Marvin Gaye", "artist_ids": [ "afdb7919-059d-43c1-b668-ba1d265e7e42" ], "album": "What's Going On", "release_id": "d7484a79-48fb-4f4b-8860-7dadaf18c233", "release_group_id": "c1fa4d2c-ec62-37d5-b01d-6df7f8fd2c90", "labels": [ "Motown" ], "label_ids": [ "8e479e57-ef44-490c-b75d-cd28df89bf1b" ], "release_date": "2001-02-27", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "a request from Andrew in Mountlake Terrace...The album ...\"is an indictment on the widening gulf of inequality, racial instability and social hardship endured throughout America’s urban spaces\"..and is still as potent and relevant now as it was then. Back in ’71, the track’s immediate catalyst was Motown co-writer James Nyx Jr.’s scathing analysis of misspent tax dollars – how could the US government be spending billions on sending astronauts to the moon, while life in the ghettos of Detroit remained so tough? https://thevinylfactory.com/features/marvin-gaye-inner-city-blues-versions/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606450, "uri": "https://api.kexp.org/v2/plays/3606450/?format=api", "airdate": "2026-01-19T17:18:21-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Talkin’ ’Bout a Revolution (live)", "track_id": null, "recording_id": "969a8562-425b-4521-a69b-8682227533a4", "artist": "Living Colour", "artist_ids": [ "dc6f8c1f-626b-42b0-9115-7e66ae4cecd6" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "1989-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "A Tracy Chapman cover recorded live at The Ritz, N.Y. on April 22nd 1989.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3606449, "uri": "https://api.kexp.org/v2/plays/3606449/?format=api", "airdate": "2026-01-19T17:13:28-08:00", "show": 65701, "show_uri": "https://api.kexp.org/v2/shows/65701/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Phobia", "track_id": null, "recording_id": "aec8fbd7-f628-417d-aff6-0b3879c8d3ba", "artist": "OutKast", "artist_ids": [ "73fdb566-a9b1-494c-9f32-51768ec9fd27" ], "album": "Higher Learning: Music From the Motion Picture", "release_id": null, "release_group_id": "fb72157a-5047-3daa-bff4-33c747f4d0e0", "labels": [ "550 Music" ], "label_ids": [ "65f85c42-92a0-489c-a921-d804acba29b1" ], "release_date": "1995-01-03", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "OutKast’s “Phobia,” is featured on the Higher Learning: Music From the Motion Picture soundtrack. It's a deeper cut from the duo that blends inventive rhymes with themes of fear, perception, and societal pressures.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
