Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=36660&ordering=-airdate
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
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    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=36640&ordering=-airdate",
    "results": [
        {
            "id": 3601357,
            "uri": "https://api.kexp.org/v2/plays/3601357/?format=api",
            "airdate": "2026-01-07T09:29:27-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "Street Fighting Man",
            "track_id": null,
            "recording_id": "d8c3f47e-d7f6-408b-a65b-90c77a557336",
            "artist": "The Rolling Stones",
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            "album": "Beggars Banquet",
            "release_id": null,
            "release_group_id": "6e672bbd-7c7f-32f8-8335-c603be99d13b",
            "labels": [
                "Decca Records"
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            "release_date": "1968-12-06",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "It may not be summer in the states right now, but the time is definitely right for protesting in the streets.\n\nThis was the first Stones song to make a powerful political statement, although with an air of resignation. Jagger opens the song declaring \"the time is right for fighting in the street,\" but goes on to sing, \"But what can a poor boy do, 'cept sing in a rock and roll band.\" - https://www.songfacts.com/facts/the-rolling-stones/street-fighting-man",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3601355,
            "uri": "https://api.kexp.org/v2/plays/3601355/?format=api",
            "airdate": "2026-01-07T09:25:23-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "https://ia802904.us.archive.org/10/items/mbid-21144d7e-6fa1-4d87-8f04-c18c38f3a754/mbid-21144d7e-6fa1-4d87-8f04-c18c38f3a754-15621532229_thumb500.jpg",
            "thumbnail_uri": "https://ia802904.us.archive.org/10/items/mbid-21144d7e-6fa1-4d87-8f04-c18c38f3a754/mbid-21144d7e-6fa1-4d87-8f04-c18c38f3a754-15621532229_thumb250.jpg",
            "song": "Rolling Confusion (The Rolling Stones vs. The Temptations)",
            "track_id": "df2b8d20-46b2-3ee1-a82c-1e497eb24774",
            "recording_id": "87dc0667-88d8-4528-8020-7af157fbc8bc",
            "artist": "Go Home Productions",
            "artist_ids": [
                "4a39e5ea-6b75-498b-92c0-6cf107bfb759"
            ],
            "album": "Spliced Krispies",
            "release_id": "21144d7e-6fa1-4d87-8f04-c18c38f3a754",
            "release_group_id": "4f036e3c-cedb-3caf-b7df-fe2be3a4e678",
            "labels": [],
            "label_ids": [],
            "release_date": "2008-05-01",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Mark Vidler aka GoHomeProductions:\nSongwriting, Remixing, Music Edit & Production since 2002.\n\nResponsible for many official (and otherwise) Mash-Up Bootlegs and Remixes over the past decade (Bowie, Dylan, The Doors, Blondie, Sex Pistols, Madonna etc)\nMix sets for Radio 1, XFM, BBC 6 Music, WFMU.\n\nhttps://www.gohomeproductions.co.uk/",
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        },
        {
            "id": 3601354,
            "uri": "https://api.kexp.org/v2/plays/3601354/?format=api",
            "airdate": "2026-01-07T09:20:06-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "",
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            "song": "Sympathy",
            "track_id": "8aa1f972-4937-3bac-b9ce-2a925a167eab",
            "recording_id": "d219584b-cc69-464d-8a48-4d06631400a7",
            "artist": "Jane’s Addiction",
            "artist_ids": [
                "e3434cc7-d348-491a-9dc8-325af3d9086d"
            ],
            "album": "Jane's Addiction",
            "release_id": "3e2010e2-0f84-4028-a215-18c93e2c9de8",
            "release_group_id": "01e26d01-dff7-371b-95db-bd198722de87",
            "labels": [
                "Triple X Records"
            ],
            "label_ids": [
                "4e33b5f0-f45f-4b24-9f20-fc75b6b7b07b"
            ],
            "release_date": "1987-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Sympathy is Jane’s Addiction’s cover of The Rolling Stones song Sympathy for the Devil.\n\n“I’ve always hated the Rolling Stones,” said Dave Navarro. \"We ended up singing “Sympathy For The Devil” as a joke, and we played it live and it ended up on the record. I can’t believe that one of my least favorite bands is on my first record.\" - https://janesaddiction.org/songs/janes-addiction/covers/sympathy/",
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        },
        {
            "id": 3601353,
            "uri": "https://api.kexp.org/v2/plays/3601353/?format=api",
            "airdate": "2026-01-07T09:16:04-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "Rock 'n' Roll",
            "track_id": "e761bd5f-0983-3807-9498-e65087e19656",
            "recording_id": "6b96ad4f-b330-428a-ae68-dc6de7ed0943",
            "artist": "Jane’s Addiction",
            "artist_ids": [
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            "album": "Jane's Addiction",
            "release_id": "3e2010e2-0f84-4028-a215-18c93e2c9de8",
            "release_group_id": "01e26d01-dff7-371b-95db-bd198722de87",
            "labels": [
                "Triple X Records"
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            "release_date": "1987-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "This is Jane's Addiction cover of the classic Velvet Underground 1970 song.\nTheir self-titled album included two covers: \"Rock & Roll\" by The Velvet Underground, and \"Sympathy for the Devil\" by The Rolling Stones, the latter retitled \"Sympathy\". \n- http://www.janesaddiction.com/",
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        },
        {
            "id": 3601352,
            "uri": "https://api.kexp.org/v2/plays/3601352/?format=api",
            "airdate": "2026-01-07T09:11:22-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3601351,
            "uri": "https://api.kexp.org/v2/plays/3601351/?format=api",
            "airdate": "2026-01-07T09:06:52-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "Head Like a Hole",
            "track_id": null,
            "recording_id": "55cd2583-89a3-4273-9d3d-c049e4ef94cb",
            "artist": "Nine Inch Nails",
            "artist_ids": [
                "b7ffd2af-418f-4be2-bdd1-22f8b48613da"
            ],
            "album": "Pretty Hate Machine",
            "release_id": null,
            "release_group_id": "fcb872a2-7ef9-3ed0-bd4a-7c55c78179b6",
            "labels": [
                "TVT Records"
            ],
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            ],
            "release_date": "1989-10-20",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "“I wrote it at the last minute as a throwaway,” he said in 2005. “The rest of Pretty Hate Machine was already written, and we’d revised everything else about nine times. Up until then songwriting had been a meticulous and agonising process, but this took me 15 minutes in my bedroom.”\n\n“I don’t remember what I was thinking about at the time,” he later said of the song’s subject matter, “but it was pretty much about yelling at a beast without putting a face to it.”\n\nRead more about the creation of Nine Inch Nail's first hit: https://tinyurl.com/22wf8teu",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3601349,
            "uri": "https://api.kexp.org/v2/plays/3601349/?format=api",
            "airdate": "2026-01-07T09:01:22-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "https://ia801300.us.archive.org/33/items/mbid-6ff3abf5-4e80-41d7-a0d3-f418608a8b83/mbid-6ff3abf5-4e80-41d7-a0d3-f418608a8b83-23521785829_thumb500.jpg",
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            "song": "N.W.O.",
            "track_id": "a0abc21a-7d1a-35fc-b72e-c4e47c2e4429",
            "recording_id": "3a0bb352-5a82-402a-86c2-9507f564f3cd",
            "artist": "Ministry",
            "artist_ids": [
                "13df2a46-f72f-40e7-aa63-26fcf62c7048"
            ],
            "album": "ΚΕΦΑΛΗΞΘ",
            "release_id": "6ff3abf5-4e80-41d7-a0d3-f418608a8b83",
            "release_group_id": "15cfaf82-5a4b-3ee1-bcce-75561055d27a",
            "labels": [
                "Warner Bros. Records",
                "Sire Records"
            ],
            "label_ids": [
                "c595c289-47ce-4fba-b999-b87503e8cb71",
                "be0fec81-5c18-4494-8bbf-0d81dec006bf"
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            "release_date": "1992-07-14",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "\"N.W.O.\" (New World Order) is the opening track and second single from Ministry's fifth studio album, 'ΚΕΦΑΛΗΞΘ' (commonly known as 'Psalm 69: The Way to Succeed and the Way to Suck Eggs' or simply 'Psalm 69').\n\nIt features samples from Apocalypse Now and President George H.W. Bush's 1991 State of the Union Address.\n\nhttps://ministryband.bandcamp.com\nhttps://ministryband.com/",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3601348,
            "uri": "https://api.kexp.org/v2/plays/3601348/?format=api",
            "airdate": "2026-01-07T08:56:57-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "Bulls on Parade",
            "track_id": "19cf81ca-0125-42ae-a8df-307375df9593",
            "recording_id": "6e5c3010-8b3f-4551-b857-52aaa0b37e8b",
            "artist": "Denzel Curry",
            "artist_ids": [
                "5f95440d-7737-4a36-9bcf-c05337f7129b"
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            "album": "Bulls on Parade (triple j Like a Version)",
            "release_id": "2090e4dc-d8cd-47e0-ba1c-1fdea752addd",
            "release_group_id": "a20f3053-4ce6-4f91-975a-a5713584b99a",
            "labels": [
                "Australian Broadcasting Corporation"
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            "release_date": "2019-03-15",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Watch Denzel Curry turn Rage Against the Machine up to 11 on this cover of \"Bulls on Parade\" here: https://tinyurl.com/26y6a6ss\n\n\"Curry’s dad turned him onto Public Enemy, his mom played Tupac on road trips, and older brothers had hipped him to the rap made in Dirty South hotspots like New Orleans, Atlanta and, of course, Miami.\"\n- Revolver (https://tinyurl.com/dt7pekab)\n\nhttps://denzelcurrymusic.bandcamp.com\nhttps://www.denzelcurry.com/",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3601347,
            "uri": "https://api.kexp.org/v2/plays/3601347/?format=api",
            "airdate": "2026-01-07T08:53:09-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
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            "song": "Bulls on Parade",
            "track_id": "5892e525-698e-3fb2-b3ea-d38743a562f0",
            "recording_id": "5fde776a-799a-462c-b8e1-55c985740a2c",
            "artist": "Rage Against the Machine",
            "artist_ids": [
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            "album": "Evil Empire",
            "release_id": "e9c991e2-2b60-4166-8fd1-875a0ab94613",
            "release_group_id": "1b469da1-e542-346b-84e6-4d7fe45be181",
            "labels": [
                "Epic"
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            ],
            "release_date": "1996-04-16",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The title \"Evil Empire\" is a deliberate reversal of Ronald Reagan's \"evil empire\" label for the Soviet Union, with the band applying the same term to the U.S. to critique its own domestic and international actions. The band felt the label was fitting due to U.S. military spending, economic inequality, and other systemic issues, and even briefly considered breaking up during the album's creation due to intense internal disagreements among the highly opinionated band members.",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3601346,
            "uri": "https://api.kexp.org/v2/plays/3601346/?format=api",
            "airdate": "2026-01-07T08:47:50-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "",
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            "song": "Can’t Truss It",
            "track_id": "0a412914-ba38-3c00-8a3e-7e3a7d3f3c0e",
            "recording_id": "74cb1bc5-e82d-45ba-8ec4-1c27f006cc26",
            "artist": "Public Enemy",
            "artist_ids": [
                "bf2e15d0-4b77-469e-bfb4-f8414415baca"
            ],
            "album": "Apocalypse 91… The Enemy Strikes Black",
            "release_id": "4af7bbba-d6fa-43ef-9969-4ee4a223ab00",
            "release_group_id": "b21f49a6-cd5f-3783-9302-6a727121e787",
            "labels": [
                "Def Jam Recordings"
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            "label_ids": [
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            ],
            "release_date": "1991-10-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "In a 1991 interview with Melody Maker, Chuck D of Public Enemy explained:\n\n‘Can’t Truss It’ is about how the corporate world of today is just a different kind of slavery. We don’t control what we create. And because of the media, we don’t control the way we think or run our lives. We’ve got to limit working for a situation that’s other than ours. We have no ownership of anything. If you don’t own business, then you don’t have jobs. White people have jobs because they have business. They have institutions that teach them how to live in America. Black people don’t have institutions that teach them how to deal with s–t. The Number One institution that teaches you how to deal is the family, but slavery f–ked that up. So the song is about the ongoing cost of the holocaust. There was a Jewish holocaust, but there’s a black holocaust that people still choose to ignore.\"",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3601344,
            "uri": "https://api.kexp.org/v2/plays/3601344/?format=api",
            "airdate": "2026-01-07T08:42:24-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "https://ia801906.us.archive.org/15/items/mbid-52a0845e-ca19-439e-a428-17270c0e1990/mbid-52a0845e-ca19-439e-a428-17270c0e1990-3778550483_thumb500.jpg",
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            "song": "Black Steel",
            "track_id": "ac5c3cdd-9958-3d17-acd5-42b3d5a62217",
            "recording_id": "b6bfd359-0bd4-4452-8d86-26b555fff40a",
            "artist": "Tricky",
            "artist_ids": [
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            "album": "Maxinquaye",
            "release_id": "52a0845e-ca19-439e-a428-17270c0e1990",
            "release_group_id": "9fd2415f-182f-39c1-aa02-5acb36f99bef",
            "labels": [
                "Island"
            ],
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            ],
            "release_date": "1995-02-21",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "\"It started with the concept – Tricky wanted to cover the Public Enemy track, and he had a drum sample from a tape recording of some '80s Indian music that he wanted to use.\" Read more about the creation of this awesome cover here: https://tinyurl.com/5n6eeu3k",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3601343,
            "uri": "https://api.kexp.org/v2/plays/3601343/?format=api",
            "airdate": "2026-01-07T08:38:43-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
            "image_uri": "",
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            "song": "War",
            "track_id": "c6672c9a-ef0d-37cf-b258-f639a62dee63",
            "recording_id": "2da4574b-1f9d-497e-a05b-1bb66404aae5",
            "artist": "Chuck D vs. Ticc-Tacc feat. Ambersunshower",
            "artist_ids": [
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                "4e16313d-67a5-4950-bfb3-4274b9623f81",
                "a72394a2-46c5-4f29-8991-e1dfc6327aed"
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            "album": "MTV's AMP 2",
            "release_id": "f62a9626-1e48-48cc-bba9-4abed41e292d",
            "release_group_id": "56470342-cc51-3c3c-bf38-012d942f8eee",
            "labels": [
                "Astralwerks"
            ],
            "label_ids": [
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            "release_date": "1998-06-16",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "For \"War,\" Chuck D merges his lyrical flow with that of vocalist Ambersunshower over a straight drum-n-bass track from New York-based producer Ticc Tacc of Quarantine Inc.\n--\n\"After hearing so many drum-n-bass samples using Chuck D's voice, we figured it was about time we made our own statement.\"  said Astralwerks executives.",
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        },
        {
            "id": 3601345,
            "uri": "https://api.kexp.org/v2/plays/3601345/?format=api",
            "airdate": "2026-01-07T08:37:44-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
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            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3601342,
            "uri": "https://api.kexp.org/v2/plays/3601342/?format=api",
            "airdate": "2026-01-07T08:34:45-08:00",
            "show": 65586,
            "show_uri": "https://api.kexp.org/v2/shows/65586/?format=api",
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            "song": "Ball of Confusion (That’s What the World Is Today)",
            "track_id": "ed126e16-a38f-3600-b25e-f6d906ccbf8d",
            "recording_id": "995a0836-2ef6-4fd2-9322-dc50841566d3",
            "artist": "The Temptations",
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            "comment": "“What is it good for? Absolutely nothing” became a funky battle cry among the thousands of Vietnam War protesters on college campuses across America. \n\nThough this song was originally recorded by the Temptations in 1969, Motown feared the counterculture soul song might be too controversial for fans of the otherwise conventionally sweet vocal group. Thus Edwin Starr’s recording became the definitive version after it was released and climbed to number one in the charts in 1970.",
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            "comment": "Jesse Welles and Joan Baez sang this along with Bob Dylan's \"Don't Think Twice, It's All Right\" at The Fillmore in San Francisco back in November 2025. https://tinyurl.com/4ke8cczf\n\nRead the full lyrics here: https://jessewellesworld.com/song/no-kings-featuring-joan-baez/",
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            "comment": "Julia in Olympia\nI gave up the news on my 55th birthday in June. We've replaced our morning routine with KEXP and I am calmer, happier, and over time able to be more and more present. And it turns out I am aware enough of what's going on in the world. I'm super grateful for KEXP and the work of the DJs and everyone behind the scenes. I've been an amplifier for more than 10 years. Who knew it was going to be an investment in my own mental health?",
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