Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=42160&ordering=-airdate
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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            "id": 3594087,
            "uri": "https://api.kexp.org/v2/plays/3594087/?format=api",
            "airdate": "2025-12-21T16:02:56-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "Dancing on Volcanoes (Stone Club remix)",
            "track_id": "bf0d16a9-49dd-461d-b2bd-b13ab9c33f15",
            "recording_id": "64efa39a-5bcf-4d38-a0c1-aae1fad29af9",
            "artist": "Gwenno",
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            "album": "Utopia (Remixes)",
            "release_id": "a7299f6b-2773-4aae-a521-c9b58643067c",
            "release_group_id": "dd2d4d59-8575-4e98-b1f5-30f13279a884",
            "labels": [
                "Heavenly Recordings"
            ],
            "label_ids": [
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            "release_date": "2025-11-25",
            "rotation_status": "Library",
            "is_local": false,
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            "comment": "Of the inspiration behind this track, the Welsh singer-songwriter reveals, \"Jarvis Cocker dancing alone on stage, surrounded by dry ice, perfectly conveying the loss of our congregational dancing and drinking in small venues with a slight swing of the hip and flick of a hand... dancing 'til 5am at Le Mandela restaurant in Grangetown, Cardiff... the Pet Shop Boys' perfectly aimed observations on modern life... the spirit of Johnny Marr on guitar, his echoes of the Celtic sea passed down through the generations... the need to dance as a cathartic act... it's all here - Dancing on Volcanoes!\" https://tinyurl.com/3ekk65wk",
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        {
            "id": 3594085,
            "uri": "https://api.kexp.org/v2/plays/3594085/?format=api",
            "airdate": "2025-12-21T15:57:28-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "The Hopefulness of Dawn",
            "track_id": "0438ab37-1534-4932-9b5e-d938d10fd083",
            "recording_id": "a1d9b2e6-967e-44de-b351-fc93100194b3",
            "artist": "Austra",
            "artist_ids": [
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            "album": "Chin Up Buttercup",
            "release_id": "a1b398ab-90d1-4e64-9207-850dc57ecb22",
            "release_group_id": "86724f48-b08b-4083-a0eb-5e970fe4ead9",
            "labels": [
                "Domino Recording Co Ltd"
            ],
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            "release_date": "2025-11-14",
            "rotation_status": "Heavy",
            "is_local": false,
            "is_request": false,
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            "comment": "Austra will be at The Independent in SF on Saturday, January 24th, and The Crocodile in Seattle on Tuesday, January 27th! \n\nKatie Stelmanis, aka Austra shares, \"In the early days of the pandemic, Toronto was in lockdown more than any other city. In the depths of winter, that meant there were months at a time where none of us were able to see our friends. There were no outside walks, because it was too cold.\n\n\"I had a bubble with my new partner who was raised in rural France and who knew about all this Eurodance that had never really made it to Canada. Every weekend we’d get together and amid the cold and dark we’d blast Eurodance in my apartment and dance.\n\n\"It was the best antidote to the world we were living in, and those songs offered us a healthy hit of endorphins to combat the dark isolation. I wanted this feeling of euphoria to exist on my record, and here it is in the form of 'Hopefulness of Dawn.'\" https://tinyurl.com/5ae9pjdd\n\nCheck out this gorgeous in-studio session Live here at KEXP back in 2017! https://tinyurl.com/2aru7mxb",
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        },
        {
            "id": 3594083,
            "uri": "https://api.kexp.org/v2/plays/3594083/?format=api",
            "airdate": "2025-12-21T15:53:19-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "Sleep Paralysis",
            "track_id": null,
            "recording_id": null,
            "artist": "Daníel Hjálmtýsson",
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            "album": "A Piece of Broken Glass",
            "release_id": null,
            "release_group_id": null,
            "labels": [],
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            "release_date": null,
            "rotation_status": "R/N",
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            "comment": "Something you might not know about Icelandic wonder Daníel Hjálmtýsson: \"I have a Bachelor's degree in teaching social studies, science, physics and biology and I've been doing that for about 10 years now along with my musical work. Having an education in another field has proven vital to providing for my family, especially during this past year.\n\n\"Teaching teenagers and working with hundreds of personalities throughout the years has also helped me grow and evolve as a person and as an artist. They're awesome and it's a privilege to be able to help young minds evolve. If I wasn't teaching and making music, I´d want to study art, design and creative writing. Or at least I plan for a further education but I can't imagine my life without music. That is just absurd to me.\" https://tinyurl.com/yc6xyzn9\n\nCatch Hjálmtýsson's sublime 2023 in-studio session in our sparkling Live Room at KEXP here: https://tinyurl.com/yf2hsw5n",
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        {
            "id": 3594082,
            "uri": "https://api.kexp.org/v2/plays/3594082/?format=api",
            "airdate": "2025-12-21T15:47:18-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "You Want It Darker",
            "track_id": "138bbe06-e068-4aa0-b223-f7e7537f37b3",
            "recording_id": "206feb71-4841-4abe-85ca-8e0c622d308c",
            "artist": "Leonard Cohen",
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            "album": "You Want It Darker",
            "release_id": "dd15903e-0ee7-45ec-aba1-2fc7b3a44e19",
            "release_group_id": "99599db8-0e36-4a93-b0e8-350e9d7502a9",
            "labels": [
                "Columbia"
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            "release_date": "2016-10-21",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "This track was first previewed on June 2, 2016 when a segment was played during an erotic asphyxiation scene near the end of Season 3, Episode 5 of the BBC drama series Peaky Blinders. \n\nYou Want It Darker is the fourteenth studio album by Canadian singer-songwriter Leonard Cohen, released on October 21, 2016, by Columbia Records, 17 days before Cohen's death.\n\nThe album was created at the end of his life and focuses on death, God, and humour, and met critical acclaim. The title track was awarded a Grammy Award for Best Rock Performance in January 2018. It was Cohen's last album released during his lifetime and was followed by the posthumous album Thanks for the Dance in November 2019.\n\nAfter touring extensively between 2008 and 2013, Leonard Cohen began to suffer \"multiple fractures of the spine\" among other physical problems, according to his son and producer Adam Cohen. Due to Leonard Cohen's mobility issues, much of You Want It Darker was recorded in the living room of his home in Mid-Wilshire, Los Angeles, then sent by e-mail to his musical collaborators.\n\nCohen has said his condition helped him eliminate any distractions during the recording of the album: \"In a certain sense, this particular predicament is filled with many fewer distractions than other times in my life and actually enables me to work with a little more concentration and continuity than when I had duties of making a living, being a husband, being a father.\" \n\nDespite his medical condition, Adam Cohen said that \"occasionally, in bouts of joy, he would even, through his pain, stand up in front of the speakers, and we'd repeat a song over and over like teenagers.\" https://tinyurl.com/2s475kuh",
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        {
            "id": 3594080,
            "uri": "https://api.kexp.org/v2/plays/3594080/?format=api",
            "airdate": "2025-12-21T15:43:42-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "I See a Darkness",
            "track_id": "b33ce7a5-0bab-3964-a0d1-4faa4c80f45b",
            "recording_id": "7685acee-e8e5-46c5-842f-1356544fdc6e",
            "artist": "Johnny Cash",
            "artist_ids": [
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            "album": "American III: Solitary Man",
            "release_id": "2e40496a-7ed6-396b-ad9f-cf356f0f728e",
            "release_group_id": "98dd2686-39cc-31e9-9637-fa4e612e038e",
            "labels": [
                "American Recordings"
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            "release_date": "2000-10-17",
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            "comment": "I See a Darkness is the sixth studio album by American musician Will Oldham, and his first album under the name Bonnie \"Prince\" Billy. It was released by Palace Records on January 19, 1999. The album features appearances from Bob Arellano, Colin Gagon, Paul Oldham, David Pajo, and Peter Townsend.\n\nJohnny Cash recorded the titular track on his 2000 album American III: Solitary Man, with Oldham providing background vocals.  https://tinyurl.com/efjzsdku",
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        },
        {
            "id": 3594079,
            "uri": "https://api.kexp.org/v2/plays/3594079/?format=api",
            "airdate": "2025-12-21T15:37:45-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3594077,
            "uri": "https://api.kexp.org/v2/plays/3594077/?format=api",
            "airdate": "2025-12-21T15:33:00-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
            "image_uri": "",
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            "song": "In My Dreams",
            "track_id": "f0b76c61-9cdb-4bcc-b5f3-1fc55149d5d4",
            "recording_id": "0592ab1d-84db-46f1-b498-ac1f1445f06c",
            "artist": "Girls of the Internet & The Gospel of Thomas feat. Dani Siciliano",
            "artist_ids": [
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                "5bf56119-bfa5-4d7c-807b-8a6db6fb7c1f"
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            "album": "Secular Music Vol. 1",
            "release_id": "c95f0416-753e-4044-99e2-d22d97e06f97",
            "release_group_id": "7e8b6ab6-8a7d-49a3-a20f-502cc0253fa0",
            "labels": [
                "House of the Internet"
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            "release_date": "2025-11-14",
            "rotation_status": "Medium",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "At the Girls of the Internet headline show at the Jazz Café in March, 2025, The Gospel of Thomas made their live debut completely unannounced and without warning.\n\nArmed with just two cheap samplers worth under £300 each, The Gospel of Thomas created a unique deep house performance in the legendary venue.\n\nThe recording was recorded, and has been edited into six tracks over their debut release, taking in influences from Detroit, early Chicago house, Aphex Twin's Selected Ambient Works & Sheffield's Bleep scene of the late 80's. https://tinyurl.com/4km6b4mw\n\nEquipment used: 1 x Teenage Engineering EP–133 K.O. II 1 x Sonicware Liven Texture Lab",
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        {
            "id": 3594075,
            "uri": "https://api.kexp.org/v2/plays/3594075/?format=api",
            "airdate": "2025-12-21T15:27:07-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "For Now I Am Winter",
            "track_id": null,
            "recording_id": "f3192763-086c-46a6-ad83-5bc71c0fe585",
            "artist": "Ólafur Arnalds feat. Arnór Dan",
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            "album": "For Now I Am Winter",
            "release_id": null,
            "release_group_id": "3e4c0fe3-e9f5-42e2-b907-42dc234fe793",
            "labels": [],
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            "release_date": "2013-02-22",
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            "is_local": false,
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            "comment": "If the sublime vocals sound familiar, you may have heard Arnór Dan singing the vocals to Ólafur Arnalds' Broadchurch soundtrack. If you haven't yet, check out \"So Close\" here: https://tinyurl.com/229ss22z, and \"So Far\": https://tinyurl.com/bd9jmypa\n\nArnalds performed songs live from this album in a stirring in-studio here at KEXP in 2013; relive that magic here: https://tinyurl.com/29tj35ua\n\nThe living, breathing aspect of Arnalds’ music is more evident here than on his previous six years’ worth of albums and EPs, which makes Winter easily his most straightforwardly accessible and mainstream-leaning effort to date. Which is impressive: he juggles so many clashing elements and aesthetics that it’s a wonder he can stand up straight. \n\nArnalds began his music career playing drums in hardcore bands (the charmingly named Fighting Shit among them), before turning to a head-trippy combination of ambient electronic and minimalist classical, landing somewhere between prog rock and post-rock. It’s quite a concoction, balancing the elegant precision of classical overtures with loose-limbed, mechanical clank and clatter. The beats aren’t exactly block-rockin’ — more like grains of sand that Arnalds turns into pop pearls. https://tinyurl.com/3x69ry37",
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        },
        {
            "id": 3594073,
            "uri": "https://api.kexp.org/v2/plays/3594073/?format=api",
            "airdate": "2025-12-21T15:22:59-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "Shadows",
            "track_id": "9954786e-129f-36f7-acd4-474c30a34d6d",
            "recording_id": "5bc71efd-a034-47d5-9fce-f435eccc5c45",
            "artist": "Au Revoir Simone",
            "artist_ids": [
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            "album": "Still Night, Still Light",
            "release_id": "a0dcf76f-2d23-4274-92cc-90ae3e9402f4",
            "release_group_id": "8536a3f7-cf9b-3690-b26a-a5bbaeb278b2",
            "labels": [
                "Our Secret Record Company"
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            ],
            "release_date": "2009-05-19",
            "rotation_status": null,
            "is_local": false,
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            "comment": "Au Revoir Simone formed in Williamsburg, Brooklyn, New York, in 2003. The group is composed of Erika Forster (vocals/keyboard), Annie Hart (vocals/keyboard/bass) and Heather D'Angelo (vocals/drum machine/keyboard).\n\nThe band's name comes from a line Pee-wee Herman says to a minor character (named Simone) in Tim Burton's 1985 film Pee-wee's Big Adventure.\n\nAu Revoir Simone formed in late 2003 when Forster (formerly of Dirty on Purpose) and Hart met on a train ride home to New York from Vermont and decided to form an all-keyboard band. They were soon joined at practices by D'Angelo and a fourth member, Sung Bin Park (keyboard/vocals). In December 2004, Park left the band. https://tinyurl.com/y73fzmrp",
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        },
        {
            "id": 3594068,
            "uri": "https://api.kexp.org/v2/plays/3594068/?format=api",
            "airdate": "2025-12-21T15:18:15-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "Shadows",
            "track_id": "b163f9c9-048c-3177-9e75-092f163bac6c",
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            "artist": "Sunny Day Real Estate",
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            "album": "Diary",
            "release_id": "8838d557-42df-4ebd-88a4-f74cbc33e8f8",
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            "labels": [
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            "release_date": "1994-05-10",
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            "is_local": true,
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            "comment": "Diary was different from those released by popular Seattle grunge bands at the time, showcasing a melodic, yet urgent sound. Its influence has been observed in the works of subsequent releases in the genre.\n\nDespite being the only album by the band not to chart, it has since become the seventh best-selling album released on Sub Pop, having sold more than 231,000 copies.\n\nIn a retrospective article about the 40 greatest emo albums of all time, Rolling Stone wrote that Diary \"captures the vague inner-turmoil of Enigk's lyrics and propels those turbulent emotions to the heavens.\" https://tinyurl.com/mr3uwtke",
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        },
        {
            "id": 3594065,
            "uri": "https://api.kexp.org/v2/plays/3594065/?format=api",
            "airdate": "2025-12-21T15:14:30-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "Shadowplay",
            "track_id": "5c4c6d95-2642-38d7-8a37-a288103dfae0",
            "recording_id": "17ddd699-a35f-4f80-8064-9a807ad2799f",
            "artist": "Joy Division",
            "artist_ids": [
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            "album": "Unknown Pleasures",
            "release_id": "83efe2a2-f6c7-379b-942f-dfa409463014",
            "release_group_id": "42352def-1aab-3000-b548-895ebd869cb6",
            "labels": [
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            "release_date": "1989-03-10",
            "rotation_status": null,
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            "comment": "Joy Division originally hated Unknown Pleasures.\n\n\"The production inflicted this dark, doomy mood over the album,\" said Bernard Sumner. \"We'd drawn this picture in black and white, and Martin had coloured it in for us. We resented it.\"\n\nEveryone else loved it though, so, according to Sumner, \"We swallowed our pride and went with it.\"\n\n\"Unknown Pleasures once sounded like the future – its genius is that, four decades later, it still sounds like the future,\" says John Robb, Manchester musician, rock journalist and author of The North Will Rise Again: Manchester Music City 1976–1996.\n\n\"It is a remarkable and astonishing record made by a band who had no idea how good they were, with a singer who didn’t live long enough to see how important they would become. Its bass-driven soundscapes utilise space, emotion and melancholy in ways the generations of bands are still trying to unravel.\" https://bit.ly/40pt0EM",
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        {
            "id": 3594063,
            "uri": "https://api.kexp.org/v2/plays/3594063/?format=api",
            "airdate": "2025-12-21T15:11:03-08:00",
            "show": 65440,
            "show_uri": "https://api.kexp.org/v2/shows/65440/?format=api",
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            "song": "Misty Winter",
            "track_id": "454181af-504c-305e-9fb4-a6e21fe09911",
            "recording_id": "236879b2-e268-4b13-8990-5a6e533b43bb",
            "artist": "Digital Mystikz",
            "artist_ids": [
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            "album": "Soul Jazz Records Singles 2006-2007",
            "release_id": "7a90825a-1c94-4aef-9a17-a02ef8cf83f6",
            "release_group_id": "99eed52b-348e-3a76-8aa1-4a86f85054f3",
            "labels": [
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            "release_date": "2007-09-24",
            "rotation_status": "Library",
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            "comment": "Digital Mystikz are a dubstep production duo consisting of Mala (aka Mark Lawrence), and Coki (aka Dean Harris) from the South London suburb of Norwood.\n\nAlong with Loefah and SGT Pokes, who make up the group ASBO (All Soundbwoy Out), they operate the DMZ record label and host the influential bimonthly nightclub DMZ, held at the Mass club complex in Brixton, London.\n\nBBC Radio 1 DJ John Peel was an early supporter of Digital Mystikz, eventually putting them in his annual 2004 top 50 list at number 29.\n\nTheir song \"Anti War Dub\" appeared in the 2006 film Children of Men, although it wasn't included in the soundtrack. https://tinyurl.com/3pkj56ax",
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