Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=47980&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=48000&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=47960&ordering=-airdate", "results": [ { "id": 3599121, "uri": "https://api.kexp.org/v2/plays/3599121/?format=api", "airdate": "2026-01-02T06:31:50-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3599120, "uri": "https://api.kexp.org/v2/plays/3599120/?format=api", "airdate": "2026-01-02T06:29:16-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "https://ia800105.us.archive.org/14/items/mbid-edb9e31d-f05d-47ec-a3a3-469a8c50cd75/mbid-edb9e31d-f05d-47ec-a3a3-469a8c50cd75-40873568524_thumb500.jpg", "thumbnail_uri": "https://ia800105.us.archive.org/14/items/mbid-edb9e31d-f05d-47ec-a3a3-469a8c50cd75/mbid-edb9e31d-f05d-47ec-a3a3-469a8c50cd75-40873568524_thumb250.jpg", "song": "Orlando in Love", "track_id": "856c5818-0ab5-4972-8b89-8ad7eb834a67", "recording_id": "2a974572-4e00-4d9d-8bb0-bc48b5df42f2", "artist": "Japanese Breakfast", "artist_ids": [ "8c529495-91f5-4e2f-b71b-adcb66878d04" ], "album": "For Melancholy Brunettes (& sad women)", "release_id": "edb9e31d-f05d-47ec-a3a3-469a8c50cd75", "release_group_id": "3cc55d86-0df6-4721-9502-ac0822935202", "labels": [ "Dead Oceans" ], "label_ids": [ "f70f950f-2587-4f85-a5c7-b483a47bd2e9" ], "release_date": "2025-03-21", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Japanese Breakfast’s ‘Orlando in Love’ is the lead single from For Melancholy Brunettes (& sad women). Drawing on the Renaissance poem Orlando Innamorato, Michelle Zauner sketches a whimsical man in a seaside Winnebago who falls under a siren’s spell, while soft strings and a slow, lilting arrangement keep the song in a dreamy, literary ballad mode.\n\nhttps://michellezauner.bandcamp.com/track/orlando-in-love", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599119, "uri": "https://api.kexp.org/v2/plays/3599119/?format=api", "airdate": "2026-01-02T06:26:02-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Cross My Heart and Hope to Die", "track_id": "094696b2-6799-4e7d-8c56-a4191e420053", "recording_id": "3233dec6-16e7-40cf-af3e-a2007e4bc254", "artist": "Yumi Zouma", "artist_ids": [ "6e3252a1-397d-4bf8-b2b7-d16f7fbcb3dd" ], "album": "Cross My Heart and Hope to Die", "release_id": "5a6019fd-cb7e-4652-86d2-8d87f4959ca0", "release_group_id": "97f07915-c641-4c0f-a44c-799c3b6dea64", "labels": [ "Nettwerk" ], "label_ids": [ "8aa0e885-1cbb-474d-9b74-ae8446989417" ], "release_date": "2025-07-25", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Yumi Zouma are a New Zealand alternative pop band from Christchurch. The band consists of Christie Simpson (vocals, keyboards), Josh Burgess (guitar, bass guitar, vocals, keyboards), Charlie Ryder (guitar, bass guitar, keyboards), and Olivia Campion (drums).\n\nThe band's name is an amalgamation of the two friends who encouraged the group to start writing together.\n\nThe group's origins trace back to their history of playing concerts together in Christchurch. However, the band did not begin writing music together until multiple members moved abroad and began collaborating over email following the events of the Christchurch earthquake. https://tinyurl.com/3y7j9hd6", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599118, "uri": "https://api.kexp.org/v2/plays/3599118/?format=api", "airdate": "2026-01-02T06:22:33-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Vacancy", "track_id": "2204a62f-967c-4596-b03d-3bbdff794f6d", "recording_id": "94b37b9e-ae11-4472-b1e0-def4aa15b9fb", "artist": "Still Blank", "artist_ids": [ "0a7734c0-a5ae-4fb5-8c3a-5ac66cd05ac8" ], "album": "Still Blank", "release_id": "5df4e4e9-de9d-4891-a72a-ce73a88c7be1", "release_group_id": "90cc756c-1a19-480c-9301-0965401cf148", "labels": [ "Capitol Records", "Distant Relative Recordings" ], "label_ids": [ "abea2d3e-eabf-4480-ab24-9382dd642c73", "994858c6-ac8a-4694-a9e4-c2bb1b43022c" ], "release_date": "2025-11-21", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "“Vacancy” is a 2025 track from Still Blank’s self‑titled debut album. The band are a transatlantic duo—Jordy Fleming and Ben Kirkland—who recorded much of the record between London, Los Angeles, and a cabin in Wales with producers Joel Pott and Flood.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599117, "uri": "https://api.kexp.org/v2/plays/3599117/?format=api", "airdate": "2026-01-02T06:18:18-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "https://ia800100.us.archive.org/4/items/mbid-35b12194-76eb-4562-afd9-93c36d366291/mbid-35b12194-76eb-4562-afd9-93c36d366291-17143152285_thumb500.jpg", "thumbnail_uri": "https://ia800100.us.archive.org/4/items/mbid-35b12194-76eb-4562-afd9-93c36d366291/mbid-35b12194-76eb-4562-afd9-93c36d366291-17143152285_thumb250.jpg", "song": "Mourning Sound", "track_id": "fea380e0-1158-4210-8ff4-01bd5134e79e", "recording_id": "e8b723cb-823a-429b-a252-174cecedd7aa", "artist": "Grizzly Bear", "artist_ids": [ "59a7fbcb-ff74-494d-abd0-9c82359040c9" ], "album": "Painted Ruins", "release_id": "35b12194-76eb-4562-afd9-93c36d366291", "release_group_id": "3c04d855-7213-48e6-bead-f617c779f0d0", "labels": [ "RCA" ], "label_ids": [ "1ca5ed29-e00b-4ea5-b817-0bcca0e04946" ], "release_date": "2017-08-18", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Grizzly Bear have reformed after a six-year hiatus and are on tour!\nhttps://www.grizzly-bear.net/tour-dates\n\nSee Ed Droste and Daniel Rossen singing \"Mourning Sound\" in the Electric Lady \nstudio in 2017: https://www.youtube.com/watch?v=k8xhpA0veKg\n--\nHere's a an article on Droste's decision to leave Grizzly Bear and begin a career as a therapist: https://www.gq.com/story/ed-droste-grizzly-bear-therapist-interview-2023", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599116, "uri": "https://api.kexp.org/v2/plays/3599116/?format=api", "airdate": "2026-01-02T06:15:44-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3599115, "uri": "https://api.kexp.org/v2/plays/3599115/?format=api", "airdate": "2026-01-02T06:11:38-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Kimpton", "track_id": "2d113fd8-d653-49eb-8822-5ea8cb036a2b", "recording_id": "1c5a20c9-8b71-4ee4-b70a-b2c5d8c2e6a8", "artist": "Barry Can’t Swim with O’Flynn", "artist_ids": [ "7dcf3b98-701a-4309-a90c-eb4179b96ea9", "24c24af0-ce68-4cb1-b76b-2f11664d1567" ], "album": "Loner", "release_id": "2d0ff636-1ae7-4119-9721-4af9e1c3fb68", "release_group_id": "0761b8f9-f975-4865-a995-a35204d1ab74", "labels": [ "Ninja Tune" ], "label_ids": [ "dc940013-b8a8-4362-a465-291026c04b42" ], "release_date": "2025-07-11", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "From the sophomore record of Scottish producer/DJ Barry Can't Swim.\n\n\"This album has been described as a “personal” and “authentic expression,” pushing the boundaries of his sound. The 12-track project is a reflection of his life over the past year, going through the trials and tribulations of his newfound fame.\"\nhttps://www.melodicmag.com/album-reviews/dive-into-barry-cant-swims-new-album-loner/\n\nhttps://barrycantswim.bandcamp.com/album/loner\nhttps://barrycantswim.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599114, "uri": "https://api.kexp.org/v2/plays/3599114/?format=api", "airdate": "2026-01-02T06:07:01-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "93 'Til Infinity - LP Version (Clean)", "track_id": "7dc8d51b-31f4-4acb-8fa7-9647674957f2", "recording_id": "aab1d84f-9238-4dd9-a67b-9f4bce627fbb", "artist": "Souls of Mischief", "artist_ids": [ "7b61cf8f-c042-4bd4-b64a-25cb40f3dd50" ], "album": "93 'Til Infinity", "release_id": "52f8b5a7-30ce-46d8-a344-0b507637a1cd", "release_group_id": "1187d51f-81b4-4b79-815d-524bf7524fe0", "labels": [ "Jive" ], "label_ids": [ "79245298-c0ba-4eba-aecc-3dfe8eeb689f" ], "release_date": "1993-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Sampled Billy Cobham's \"Heather\" from his 1974 album \"Crosswinds.\" The beat's producer, A+, looped a section from that track, and also used horn riffs from a different part of the same song. \n--\nHere's the lyric video: https://www.youtube.com/watch?v=fXJc2NYwHjw", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599113, "uri": "https://api.kexp.org/v2/plays/3599113/?format=api", "airdate": "2026-01-02T06:01:24-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "https://ia800705.us.archive.org/19/items/mbid-3e90c88c-bfce-410d-9c2f-babd140a58c9/mbid-3e90c88c-bfce-410d-9c2f-babd140a58c9-42030039028_thumb500.jpg", "thumbnail_uri": "https://ia800705.us.archive.org/19/items/mbid-3e90c88c-bfce-410d-9c2f-babd140a58c9/mbid-3e90c88c-bfce-410d-9c2f-babd140a58c9-42030039028_thumb250.jpg", "song": "Masterpiece", "track_id": "c9605142-9614-44ca-a25d-2645974ca33b", "recording_id": "1dfbda18-156e-4fd8-8e6a-810e20da1d67", "artist": "SAULT", "artist_ids": [ "23b19bc5-813e-4456-bbae-ac3ca118f535" ], "album": "Back to Mine: Jungle", "release_id": "3e90c88c-bfce-410d-9c2f-babd140a58c9", "release_group_id": "6853aceb-78e6-4b32-bdc8-4238e0a8dd4f", "labels": [], "label_ids": [], "release_date": "2019-10-18", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "“Masterpiece” is the closing track on SAULT’s 2019 debut album 5, released via Forever Living Originals. It’s a mellow, mid‑tempo soul tune built around a warm bassline, soft drums, and gentle guitar, with Cleo Sol’s vocal sitting right at the center.\n\nhttps://saultglobal.bandcamp.com/track/masterpiece", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599112, "uri": "https://api.kexp.org/v2/plays/3599112/?format=api", "airdate": "2026-01-02T05:58:35-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Get You Gone", "track_id": "52ff4654-2cf4-4e96-8d8e-cc771eacd65b", "recording_id": "cdc4bee5-3972-4420-9731-9229802f6370", "artist": "Ben Marc feat. Kay Young", "artist_ids": [ "1bf41653-37f0-4b0f-a46b-a3e00820d72f", "7f149adb-309f-4931-8450-c580613e7067" ], "album": "Who Cares Wins", "release_id": "7a2b421e-b429-4c40-8de0-a08b1ea66bcc", "release_group_id": "9d7d88c6-b039-45c8-a978-ce9294a24d54", "labels": [ "Innovative Leisure Records" ], "label_ids": [ "747265c7-b153-4f1a-9f1e-ec05e3604a97" ], "release_date": "2025-12-05", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "London bassist‑producer Ben Marc teams with Kay Young on ‘Get You Gone,’ from his 2025 album Who Cares Wins. Over a warm, jazz‑inflected hip‑hop beat, Young delivers a relaxed but firm message about setting boundaries and clearing out the people who weigh you down.\n\nhttps://benmarc.bandcamp.com/track/get-you-gone-feat-kay-young", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599111, "uri": "https://api.kexp.org/v2/plays/3599111/?format=api", "airdate": "2026-01-02T05:56:02-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3599109, "uri": "https://api.kexp.org/v2/plays/3599109/?format=api", "airdate": "2026-01-02T05:52:15-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Prisoners Round", "track_id": "6d3074ad-abaa-424b-8167-3871779cc6a9", "recording_id": "5429f7a1-cfe6-4d2e-9ab0-bb483bdbc8c7", "artist": "Greentea Peng", "artist_ids": [ "2443a94a-03a6-4f0e-a369-ecda74af1c9f" ], "album": "Prisoners Round", "release_id": "3dd2f0fa-57de-4c72-973a-f0ba45fc81c3", "release_group_id": "eccfe619-aef8-4a93-b772-ff8afd223923", "labels": [ "AWAL Recordings Ltd" ], "label_ids": [ "1a59ec10-ab09-450c-86ec-04f1796be3fd" ], "release_date": "2025-12-05", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "South‑east London’s Greentea Peng follows Tell Dem It’s Sunny with ‘Prisoners Round,’ a stripped‑back dub‑soul single produced by Declan Gaffney. Over minimal bass and drums she sings about feeling watched and worn down by modern systems, circling the refrain that ‘we’re just prisoners round here’ and that all we really have is each other.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599110, "uri": "https://api.kexp.org/v2/plays/3599110/?format=api", "airdate": "2026-01-02T05:48:41-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Lucky Wheel", "track_id": null, "recording_id": null, "artist": "Deki Alem", "artist_ids": [ "77a626b5-e7da-4a1b-8a5a-fd899ed08e85" ], "album": "Forget In Mass", "release_id": null, "release_group_id": null, "labels": [ "Amuseio AB" ], "label_ids": [ "bcdfda31-84fe-429e-95a7-4d1f8045b20b" ], "release_date": "2025-08-08", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Deki Alem are twin brothers Sammy and Johnny Boakye Bennett from Gothenburg; “Lucky Wheel” lands mid‑album on their 2025 debut Forget In Mass, a record that fuses punk energy, rave synths, and trip‑hop textures.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599107, "uri": "https://api.kexp.org/v2/plays/3599107/?format=api", "airdate": "2026-01-02T05:46:50-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Stop", "track_id": "f804840c-c653-3157-85a6-6336c8ccd11f", "recording_id": "9b0c6993-b196-4550-8435-a1f82d233b93", "artist": "J Dilla", "artist_ids": [ "cbcbb22c-3a8d-46af-b4ba-09c98f0d7931" ], "album": "Donuts", "release_id": "e3655e9f-3db1-434d-bb4b-3529d09b2989", "release_group_id": "6b78c33a-64c4-3472-99e9-be45a392acb4", "labels": [ "Stones Throw Records" ], "label_ids": [ "f1b83107-23e5-41a3-ab1b-2a36965cf77b" ], "release_date": "2006-02-07", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "'Donuts' is the second and final studio album released by J Dilla on the day of his 32nd birthday, three days before his death.\n\nIn the December 2006 issue of The Fader, J Dilla's mother Maureen Yancey, a former opera singer, spoke of watching her son's daily routine during the making of Donuts: \"He was working in the hospital. He tried to go over each beat and make sure that it was something different and make sure that there was nothing that he wanted to change. \"Lightworks\", oh yes, that was something! That's one of the special ones. It was so different. It blended classical music (way out there classical), commercial and underground at the same time.\": https://www.thefader.com/2006/11/18/shine-on-and-on-extended-sentimental-remix", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599106, "uri": "https://api.kexp.org/v2/plays/3599106/?format=api", "airdate": "2026-01-02T05:43:09-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "https://ia600603.us.archive.org/30/items/mbid-80c9ce8c-ae15-4938-854d-dc2274488d4f/mbid-80c9ce8c-ae15-4938-854d-dc2274488d4f-4530700120_thumb500.jpg", "thumbnail_uri": "https://ia600603.us.archive.org/30/items/mbid-80c9ce8c-ae15-4938-854d-dc2274488d4f/mbid-80c9ce8c-ae15-4938-854d-dc2274488d4f-4530700120_thumb250.jpg", "song": "Overcome", "track_id": "90e7b2fb-eec5-3254-b5a9-74ceed3284de", "recording_id": "d4d9ada2-799a-450e-a45e-cfcce44ff67a", "artist": "Tricky", "artist_ids": [ "5bf64d94-efd9-4334-96fd-e6197b0b02b8" ], "album": "A Ruff Guide", "release_id": "eac94ebc-6671-4bcb-a7b9-9ab974efe5ae", "release_group_id": "f76f8906-291d-3814-91cd-08fa3037ca40", "labels": [ "Island" ], "label_ids": [ "dfd92cd3-4888-46d2-b968-328b1feb2642" ], "release_date": "2002-05-27", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Overcome is also on Tricky's debut album Maxinquaye from 1995. The song features Martina Topley-Bird on vocals.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599105, "uri": "https://api.kexp.org/v2/plays/3599105/?format=api", "airdate": "2026-01-02T05:40:21-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Heart2Heart", "track_id": null, "recording_id": null, "artist": "Trick Pony", "artist_ids": [ "ce4217a5-e713-47d2-a10c-c6286753f384" ], "album": "24/7 Heaven", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-01-01", "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "Berlin producer trickpony leans into sleek, femme‑forward club music—‘Heart2Heart’ is four minutes of modern dance‑floor pulse that still feels like a late‑night confessional.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599104, "uri": "https://api.kexp.org/v2/plays/3599104/?format=api", "airdate": "2026-01-02T05:36:27-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3599102, "uri": "https://api.kexp.org/v2/plays/3599102/?format=api", "airdate": "2026-01-02T05:33:09-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Time Time Time (I'm in the Palm of Your Hand) | Yndling", "track_id": null, "recording_id": null, "artist": "Yndling", "artist_ids": [ "126b0d48-fe25-4052-946c-cf150f1b50c6" ], "album": "Time Time Time", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-01-01", "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "“Time Time Time (I’m in the Palm of Your Hand)” is the title track from Norwegian dream‑pop artist Yndling’s 2025 sophomore album on Spirit Goth Records, and it’s the record’s trip‑hop‑leaning centerpiece. It plays like “trip hop with happy chords”: hushed, beat‑driven, and a little Portishead/Massive Attack via Erika de Casier, but with a bright, bittersweet melodic lift.\n\nhttps://yndling.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599101, "uri": "https://api.kexp.org/v2/plays/3599101/?format=api", "airdate": "2026-01-02T05:31:30-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "https://coverartarchive.org/release/19a1b784-496f-444f-8043-f0ac97c541bf/3303295676-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/19a1b784-496f-444f-8043-f0ac97c541bf/3303295676-250.jpg", "song": "Eyes Are Mosaics", "track_id": null, "recording_id": "9ed2a4ca-3a75-4cee-844b-eb810be1f7ec", "artist": "Cocteau Twins, Harold Budd", "artist_ids": [ "000fc734-b7e1-4a01-92d1-f544261b43f5", "5c864a6f-146e-4225-986d-3295ce90f784" ], "album": "The Moon and the Melodies", "release_id": null, "release_group_id": "6f7f19e2-e75e-3697-affe-9d56bfc34750", "labels": [], "label_ids": [], "release_date": "1986-11-10", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Eyes Are Mosaics” is a 1986 track from The Moon and the Melodies, the collaborative album by Cocteau Twins and ambient composer Harold Budd. It’s one of the record’s four vocal songs, a gauzy dream‑pop piece where Budd’s luminous piano and the band’s treated guitar/bass cradle Elizabeth Fraser at peak glossolalia.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3599100, "uri": "https://api.kexp.org/v2/plays/3599100/?format=api", "airdate": "2026-01-02T05:25:59-08:00", "show": 65538, "show_uri": "https://api.kexp.org/v2/shows/65538/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Cherry-coloured Funk", "track_id": "ce3c37fb-8441-415e-bfd0-92002a65b860", "recording_id": "d83a0560-0d70-4e25-80cd-3a3099da02c1", "artist": "True Blue", "artist_ids": [ "dde545bb-1a2e-448d-ba4c-30482d5f496f" ], "album": "Star Witness", "release_id": "bb8f125c-1a52-42e2-9f89-17e233b9ff50", "release_group_id": "f1bc0dd9-cb2f-4204-a60d-68617eac3cb9", "labels": [ "True Nature" ], "label_ids": [ "e12f86cb-f3ef-4e85-ba4c-3372e5bf17a9" ], "release_date": "2025-10-17", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "NY‑via‑Copenhagen artist True Blue drapes Cocteau Twins’ ‘Cherry‑coloured Funk’ in gauzy breakbeats and bedroom‑pop glow—a rare Cocteaus cover that keeps the dream but lets you stand a little closer to it.\n\nhttps://true-blue.bandcamp.com/track/cherry-colored-funk", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
