Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=49320&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=49340&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=49300&ordering=-airdate", "results": [ { "id": 3598879, "uri": "https://api.kexp.org/v2/plays/3598879/?format=api", "airdate": "2026-01-01T15:49:13-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Let's Groove", "track_id": null, "recording_id": "b415b61a-3b4c-4b8a-8107-a8310f3c67a9", "artist": "Earth, Wind & Fire", "artist_ids": [ "535afeda-2538-435d-9dd1-5e10be586774" ], "album": "Raise!", "release_id": null, "release_group_id": "0a28e7a2-836e-35c9-9a0b-26833dc5eefc", "labels": [ "CBS" ], "label_ids": [ "b8d33bec-92cc-40d9-bd92-4eb089b401a9" ], "release_date": "1981-11-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Maurice White and Wayne Vaughn wrote \"Let's Groove.\" that's The Phenix Horns contributing to the song.: https://grokipedia.com/page/The_Phenix_Horns", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598878, "uri": "https://api.kexp.org/v2/plays/3598878/?format=api", "airdate": "2026-01-01T15:46:10-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3598877, "uri": "https://api.kexp.org/v2/plays/3598877/?format=api", "airdate": "2026-01-01T15:43:27-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "You Can’t Hurry Love", "track_id": null, "recording_id": "4010de72-311f-4868-b955-2940f3da433c", "artist": "Phil Collins", "artist_ids": [ "401c3991-b76b-499d-8082-9f2df958ef78" ], "album": "The Singles", "release_id": null, "release_group_id": "9f99f4c0-4016-422b-8a57-6ab4daf858e4", "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "2016-10-14", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Phil Collins covering The Supremes! This 1966 song was written by the extraordinary songwriting team of Holland-Dozier-Holland.: https://www.detroithistorical.org/learn/online-research/encyclopedia-of-detroit/holland-dozier-holland", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598876, "uri": "https://api.kexp.org/v2/plays/3598876/?format=api", "airdate": "2026-01-01T15:39:33-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "99 Luftballons", "track_id": "960aa76b-1dc2-4107-a8d1-c41249946690", "recording_id": "f4655387-c676-4b07-9a27-f560ba254170", "artist": "Nena", "artist_ids": [ "c954d136-c7fd-4fd9-8bb0-fb0491fc6a02" ], "album": "99 Luftballons", "release_id": "30fd0c55-a75d-4881-ade9-ae5a51f1ba86", "release_group_id": "5f046368-b7c8-3f4b-9c85-ef2cc5b11af7", "labels": [ "CBS" ], "label_ids": [ "b8d33bec-92cc-40d9-bd92-4eb089b401a9" ], "release_date": "1983-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The band Nen was named for the nickname of its frontwoman, whose full name was Gabriele Kerner. \n--\nMost people's greatest fear during this highly explosive time in history (the early 80's) was that someone might accidentally press the red button and trigger nuclear annihilation. This is exactly what Nena describes in \"99 Luftballons\" — known in English as \"99 Red Balloons.\" The song imagines a situation where (99 red) balloons show up on both countries' radars as unidentified objects and both sides scramble planes and go on full alert to counteract a perceived nuclear attack.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598875, "uri": "https://api.kexp.org/v2/plays/3598875/?format=api", "airdate": "2026-01-01T15:37:03-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "As It Was", "track_id": null, "recording_id": "53969964-673a-4407-9396-3087be9245f6", "artist": "Harry Styles", "artist_ids": [ "7eb1ce54-a355-41f9-8d68-e018b096d427" ], "album": "Harry’s House", "release_id": null, "release_group_id": "d712ba0e-25fa-4c03-aecd-ec0c100deba5", "labels": [ "Erskine Records Limited" ], "label_ids": [ "2b0502a0-76c0-41ff-9ef1-3ab71eb4a184" ], "release_date": "2022-04-20", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "A fur-clad Harry performed \"As It Was\" at Coachella: https://www.youtube.com/watch?v=jte7I4BO0WQ", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598874, "uri": "https://api.kexp.org/v2/plays/3598874/?format=api", "airdate": "2026-01-01T15:34:09-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "My Fun", "track_id": "7683c6aa-24c1-4ad6-acbf-1669419686ea", "recording_id": "fab5660b-44fd-46a6-81e7-b6cc8b40c8ba", "artist": "Suki Waterhouse", "artist_ids": [ "8389ff77-a7a4-4ba4-bf1b-17ded47d41a1" ], "album": "Memoir of a Sparklemuffin", "release_id": "5f0e3703-9f59-4291-8fc6-a80e8232c891", "release_group_id": "05de6349-e348-4d32-a46e-9f23f6cb3b15", "labels": [ "Sub Pop Records" ], "label_ids": [ "38dc88de-7720-4100-9d5b-3cdc41b0c474" ], "release_date": "2024-09-13", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Suki Waterhouse talked with KEXP's Emily Fox about how starring in the Amazon Prime series Daisy Jones and the Six inspired her to make her new record, Memoir of a Sparklemuffin, and how she finished the record in the final weeks of her pregnancy and played Coachella a few weeks after birth.: https://www.kexp.org/podcasts/a-deeper-listen/2024/9/17/suki-waterhouse-model-actress-whatever/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598873, "uri": "https://api.kexp.org/v2/plays/3598873/?format=api", "airdate": "2026-01-01T15:31:13-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Here Comes the Sun", "track_id": "849c0a19-afe2-3d8b-852c-20e0172f584c", "recording_id": "440f60e8-0b25-4ec4-abb1-c6beec624ab0", "artist": "The Beatles", "artist_ids": [ "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d" ], "album": "Abbey Road", "release_id": "fb70321f-78df-30ff-92de-21a4bc9ca16c", "release_group_id": "9162580e-5df4-32de-80cc-f45a8d8a9b1d", "labels": [ "Parlophone" ], "label_ids": [ "df7d1c7f-ef95-425f-8eef-445b3d7bcbd9" ], "release_date": "1987-10-20", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "‘Here Comes The Sun’, George Harrison’s second song on Abbey Road, was written on an acoustic guitar in the garden of Eric Clapton’s house in Ewhurst, Surrey. Harrison was responsible for vocals, backing vocals, acoustic guitar, harmonium, Moog synthesiser, and handclaps.\n--\nJohn Lennon didn’t appear on ‘Here Comes The Sun’; he was recovering from a car accident at the time of the first sessions, and later on George Harrison largely completed the song alone.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598872, "uri": "https://api.kexp.org/v2/plays/3598872/?format=api", "airdate": "2026-01-01T15:28:23-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3598871, "uri": "https://api.kexp.org/v2/plays/3598871/?format=api", "airdate": "2026-01-01T15:25:00-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "https://ia601908.us.archive.org/6/items/mbid-993f394d-895d-4fbb-9733-f9e98e0afdd6/mbid-993f394d-895d-4fbb-9733-f9e98e0afdd6-32951845069_thumb500.jpg", "thumbnail_uri": "https://ia801908.us.archive.org/6/items/mbid-993f394d-895d-4fbb-9733-f9e98e0afdd6/mbid-993f394d-895d-4fbb-9733-f9e98e0afdd6-32951845069_thumb250.jpg", "song": "Don’t Stop Me Now", "track_id": "13042d0d-ccfa-3392-9d97-ce84c79e551e", "recording_id": "d4009c09-a339-4b89-bc45-d91ab649acb6", "artist": "Queen", "artist_ids": [ "0383dadf-2a4e-4d10-a46a-e9e041da8eb3" ], "album": "Jazz", "release_id": "993f394d-895d-4fbb-9733-f9e98e0afdd6", "release_group_id": "c192ea46-7377-34f0-b332-dd9810edd560", "labels": [ "EMI" ], "label_ids": [ "c029628b-6633-439e-bcee-ed02e8a338f7" ], "release_date": "1978-11-10", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Freddie Mercury wrote this song - both words and music - in Montreux, Switzerland. It finds him feeling unstoppable: he's \"floating around in ecstasy,\" \"like a tiger defying the laws of gravity,\" and \"traveling at the speed of light.\"\n--\nBrian May shared his thoughts on this song in 2011: \"I thought it was a lot of fun, but I did have an undercurrent feeling of, 'aren't we talking about danger here,' because we were worried about Freddie at this point. That feeling lingers, but it's become almost the most successful Queen track as regards to what people play in their car or at their weddings. It's become a massive, massive track and an anthem to people who want to be hedonistic. It was kind of a stroke of genius from Freddie.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598870, "uri": "https://api.kexp.org/v2/plays/3598870/?format=api", "airdate": "2026-01-01T15:22:19-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "https://ia801506.us.archive.org/12/items/mbid-15f16c5b-2c84-4b01-af15-0500dfe011e3/mbid-15f16c5b-2c84-4b01-af15-0500dfe011e3-16545770243_thumb500.jpg", "thumbnail_uri": "https://ia601506.us.archive.org/12/items/mbid-15f16c5b-2c84-4b01-af15-0500dfe011e3/mbid-15f16c5b-2c84-4b01-af15-0500dfe011e3-16545770243_thumb250.jpg", "song": "Sunny", "track_id": "c868b3ed-fc98-35cb-b5c1-658afa215e21", "recording_id": "68d8306b-7fd5-4b2e-8b92-9dffebb60f03", "artist": "Bobby Hebb", "artist_ids": [ "d21d85ff-c0d5-4c50-a1be-93438e5d7c60" ], "album": "Beg, Scream & Shout! The Big Ol' Box of '60s Soul", "release_id": "15f16c5b-2c84-4b01-af15-0500dfe011e3", "release_group_id": "479f572c-b1bf-3ecf-a6d6-27d2f45cd5cb", "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "1997-08-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Singer and songwriter Bobby Hebb wrote the song “Sunny” in 1963. He wrote the song after two tragedies. Both happened in late November.\n\nThe first tragedy was a national tragedy–President John F. Kennedy was assassinated on November 22, 1963. The second tragedy was a personal tragedy–the next night, Bobby’s older brother died in a knife fight outside a nightclub. \n\nWhy did Bobby write a song about bright days and sunshine after two tragedies? He said he wanted to think of happier times “because times were at a low.”\n\nAfter the song became a hit, many people asked Bobby, “Is Sunny a real person?” He answered that Sunny was not a real person, but a person he imagined. “Sunny,” he said, “is any person who has a positive attitude.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598869, "uri": "https://api.kexp.org/v2/plays/3598869/?format=api", "airdate": "2026-01-01T15:19:27-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Dance to the Music", "track_id": "3fd1330b-3825-395c-8d1b-4762f88da49e", "recording_id": "fe76d5f8-dc3b-4b8c-89cc-9f4d810150e8", "artist": "Sly & the Family Stone", "artist_ids": [ "b7ec4c54-1f93-4bf2-957f-7b9921ab84ea" ], "album": "Dance to the Music", "release_id": "b59298f4-7131-48e7-9cdc-f5ad8cff3e89", "release_group_id": "0e3c99d0-cd2a-3fa0-a874-fd9ff97cd72b", "labels": [ "Epic" ], "label_ids": [ "8f638ddb-131a-4cc3-b3d4-7ebdac201b55" ], "release_date": "1968-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Sly Stone was concerned their first album A Whole New Thing hadn’t sold well because it was too complex. So for their next song, he wanted a hit.\n\nI had an idea in mind with the catchiest melody, the most obvious rhythm, and the simplest words.\n--\n\nThis song was a showcase for the different elements going on in the band. Drummer Greg Errico: “Sly wrote a song about dancing to the music, but he also injected some of the attributes that the band had—the vocal thing, the black/white/male/female thing. A little vocal breakdown, a drum breakdown, Larry Graham’s bass and Freddie Stone’s guitar, plus the horns—and to show we’re dancing and having fun together.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598867, "uri": "https://api.kexp.org/v2/plays/3598867/?format=api", "airdate": "2026-01-01T15:13:13-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "I Believe in Miracles", "track_id": null, "recording_id": "261d2d2c-add1-4f34-bcb4-c849fd2ee59e", "artist": "Jackson Sisters", "artist_ids": [ "ebfc94eb-5c6b-49fd-86c1-400f685a6840" ], "album": "I Believe in Miracles / (Why Can’t We Be) More Than Just Friends", "release_id": null, "release_group_id": "8c732a33-f570-3992-be2b-54f0e5ddf167", "labels": [ "Tiger Lily Records" ], "label_ids": [ "811ac8b2-83c1-46c3-a63c-2e34ba52f270" ], "release_date": "1973-09-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Jackson Sisters (not to be confused with the Cincinnati Jackson Sisters, nor the siblings to American soul group The Jackson Five) were an American soul and disco family group in the 1970s. The group hailed from Compton, California but were based in Detroit, Michigan.\n--\nThe Jackson Sisters were Jacqueline Jackson-Rencher, Lyn Jackson, Pat Jackson, Rae Jackson and Gennie Jackson. They recorded material for the Tiger Lily Records label, obtaining some modest success in the 1970s. However the group really came into their own nearly a decade later, following the emergence of the rare groove scene in the UK. Many of their songs were written by Johnny Bristol. “I Believe in Miracles”, their hit song, was written and originally recorded by Mark Capanni in 1973.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598866, "uri": "https://api.kexp.org/v2/plays/3598866/?format=api", "airdate": "2026-01-01T15:10:45-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Ain’t No Mountain High Enough", "track_id": "1a03e934-e575-3743-b9b3-616bd0c6a9bf", "recording_id": "b04b5028-da5b-4f05-bfe3-4f8f80396d98", "artist": "Marvin Gaye & Tammi Terrell", "artist_ids": [ "afdb7919-059d-43c1-b668-ba1d265e7e42", "ce4582b6-aee7-4da1-b841-3c619d4fb5a5" ], "album": "United", "release_id": "11035e2e-73f7-44e6-a6a2-98b9fcc9e9bb", "release_group_id": "069ee10c-f694-36d9-91b0-2e1f405a9708", "labels": [ "Tamla" ], "label_ids": [ "7f87e14e-eb85-4a7e-957a-77465f869cb5" ], "release_date": "1967-08-29", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Marvin Gaye had three Billboard soul No. 1s in the space of six months in ‘68, two of them with one of his great duet partners, Tammi Terrell, who would tragically die of a brain tumor at the age of just 24.: https://classic.motown.com/story/when-marvin-tammi-made-beautiful-music/\n--\n\"Ain't No Mountain High Enough\" was written by Ashford & Simpson, inspired by New York City skyscrapers, and was initially held by them to get a contract with Motown, which it did.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598865, "uri": "https://api.kexp.org/v2/plays/3598865/?format=api", "airdate": "2026-01-01T15:07:43-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3598864, "uri": "https://api.kexp.org/v2/plays/3598864/?format=api", "airdate": "2026-01-01T15:05:19-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Over the Rainbow", "track_id": "c43ea082-4e16-3138-9679-5ef4443c9d42", "recording_id": "e985f7ff-0cf1-4bcf-a7e2-0fd51d5c4236", "artist": "Judy Garland", "artist_ids": [ "b9348d59-b91b-423f-847b-8db155a0653b" ], "album": "Respect: A Century of Women in Music", "release_id": "f32dbcdd-e964-4311-816e-6c9cf0785931", "release_group_id": "89e7e86e-1fbe-344b-8843-6a341eaff2f5", "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "1999-10-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Harold Arlen wrote this song; Yip Harburg wrote the lyrics.\n--\nWatch Judy Garland singing this lovely song in 1939: https://www.youtube.com/watch?v=oW2QZ7KuaxA", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598863, "uri": "https://api.kexp.org/v2/plays/3598863/?format=api", "airdate": "2026-01-01T15:03:30-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Mister Rogers Final Sign Off", "track_id": null, "recording_id": null, "artist": "", "artist_ids": [], "album": "", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Imagine what our neighborhoods would be like if each of us offered, as a matter of course, just one kind word to another person.” --Mister Rogers", "location": 1, "location_name": "Default", "play_type": "nontrackplay" }, { "id": 3598862, "uri": "https://api.kexp.org/v2/plays/3598862/?format=api", "airdate": "2026-01-01T15:00:59-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Guava Jelly", "track_id": null, "recording_id": "732223d0-fa9c-4650-bcbc-48665ceacb23", "artist": "Johnny Nash", "artist_ids": [ "0efaa6e3-3ef1-4481-bc01-aa3d5901dbdc" ], "album": "The Best of Johnny Nash", "release_id": null, "release_group_id": "5c816d0a-60b5-3abd-af0c-3688af385e40", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1991-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "R.I.P., reggae singer Johnny Nash, perhaps best known for \"I Can See Clearly Now,\" who died in 2020: https://www.theguardian.com/music/2020/oct/08/johnny-nash-obituary", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598861, "uri": "https://api.kexp.org/v2/plays/3598861/?format=api", "airdate": "2026-01-01T14:57:06-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Cinderella", "track_id": "85ffd3ac-fc8f-4dee-a31e-d655bfac26d8", "recording_id": "f0ce0cde-fc0e-4742-b525-7bdfa7b1cb5e", "artist": "Remi Wolf", "artist_ids": [ "afb6cc6d-a060-4f5e-bc3a-00d4b6832e41" ], "album": "Big Ideas", "release_id": "f046423d-1d62-486b-83be-60b09b456e2b", "release_group_id": "9fc40af7-4b44-4f63-a27b-fed0545f28d0", "labels": [ "Island" ], "label_ids": [ "dfd92cd3-4888-46d2-b968-328b1feb2642" ], "release_date": "2024-07-12", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "She was born in Palo Alto in 1996 and initially found an interest in skiing at age eight which took her to the Youth Olympic Games where she represented the U.S. for two consecutive years. At age 14, Remi started her first band with her friend called Remi and Chloe. She first came into the national music spotlight in 2014 when she auditioned for American Idol as a senior in high school. She then studied at the USC Thornton School of Music until 2018. The following year, Remi released her debut EP You're A Dog! which put her on the radar of Island Records and Virgin EMI Records. Both of these labels released her second EP I'm Allergic To Dogs! in 2020 and her follow-up debut LP Juno in 2021. : https://www.allmusic.com/artist/remi-wolf-mn0003729181#biography", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598860, "uri": "https://api.kexp.org/v2/plays/3598860/?format=api", "airdate": "2026-01-01T14:54:16-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "For Once in My Life", "track_id": "545bd37f-0aa4-34da-be06-019f50442948", "recording_id": "00f22db1-817b-44e0-bf14-54cfda874e1e", "artist": "Stevie Wonder", "artist_ids": [ "1ee18fb3-18a6-4c7f-8ba0-bc41cdd0462e" ], "album": "Hitsville USA: The Motown Singles Collection 1959–1971", "release_id": "55e12b15-e080-42a8-af93-4301e3487a45", "release_group_id": "ebc5c8a7-5537-34b2-a7ad-a2bc50ba4a31", "labels": [ "Motown" ], "label_ids": [ "8e479e57-ef44-490c-b75d-cd28df89bf1b" ], "release_date": "1992-11-03", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Did you know that Stevie Wonder was only 17 when he recorded this classic? \n\nWatch an older Mr. Wonder perform this one live in Madison Square Garden in 2024: https://www.youtube.com/watch?v=4efovwxr-Fw", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3598859, "uri": "https://api.kexp.org/v2/plays/3598859/?format=api", "airdate": "2026-01-01T14:50:30-08:00", "show": 65533, "show_uri": "https://api.kexp.org/v2/shows/65533/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "You Sexy Thing", "track_id": "69edac79-d7b6-3e40-bb5f-2bc0d5d281f2", "recording_id": "3a0e22be-2ad1-49ca-8de9-744388ebc033", "artist": "Hot Chocolate", "artist_ids": [ "a749130e-c2d8-4a7c-b740-908ea4574961" ], "album": "Super Hits of the '70s: Have a Nice Day, Vol. 15", "release_id": "57274a4c-2e8a-405f-b993-e541c35caa25", "release_group_id": "e11fc29e-36f1-3a74-bb02-4ecb4129265b", "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "1990-10-15", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Lead singer Errol Brown wrote this about his wife Ginette. It was the first happy song he wrote - he had always written sad songs before.\n--\nThis was one of two songs to make the UK Top 10 in the 1970s, '80s and '90s. The other one to do so was John Lennon's \"Imagine.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
