Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=5300&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=5320&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=5280&ordering=-airdate", "results": [ { "id": 3639920, "uri": "https://api.kexp.org/v2/plays/3639920/?format=api", "airdate": "2026-04-09T14:45:46-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "https://dn710803.ca.archive.org/0/items/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68-18173981072_thumb500.jpg", "thumbnail_uri": "https://dn710803.ca.archive.org/0/items/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68-18173981072_thumb250.jpg", "song": "Sweet Sunshine", "track_id": "59af15f6-5834-3895-bae1-7a6322c54c46", "recording_id": "35ab80ab-09b9-48c2-ae61-c31d40a023d6", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Mellow Gold", "release_id": "401b0a2d-a250-4fe0-ae73-53fc4ca4ae68", "release_group_id": "4f8bb33f-9e2d-34dc-8852-5d591cc104d8", "labels": [ "Bong Load Custom Records", "DGC Records" ], "label_ids": [ "b41ac8e4-c575-44df-a544-40ad84723ff3", "68803e28-86fe-4a95-985f-8e493795ab31" ], "release_date": "1994-03-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Beck sampled the drums for Southside Movement's \"Save the World.\"\n--\nOnce when talking about \"The New Pollution,\" Beck mentioned that he likes how he took an ugly word like \"pollution\" and use it an appealing concept or context. With \"Sweet Sunshine,\" he did the opposite, taking a completely innocent (and in a way cheesy) phrase like \"sweet sunshine\" and turning it into an ugly, harsh image: \"Gonna break my face on the sweet sunshine.\" He sings of buckets of blood, scumbag souls, wreckin' balls, and how he killed his imagination. This is not a song that should be titled \"Sweet Sunshine\"! Beck's explored this type of duality in his lyrics many times, from \"Asshole\" to \"Beautiful Way.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639919, "uri": "https://api.kexp.org/v2/plays/3639919/?format=api", "airdate": "2026-04-09T14:44:40-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Save the World", "track_id": null, "recording_id": "d0223bfe-1266-42c3-b6fc-8e8453a85777", "artist": "Southside Movement", "artist_ids": [ "fbfbd9ec-8e4a-4216-9d9e-e9f057494a6a" ], "album": "Movin'", "release_id": null, "release_group_id": "0acdf997-4ef6-3038-8ef4-c9023f90ac8e", "labels": [ "20th Century Records" ], "label_ids": [ "ed0d5aff-e23f-4239-950f-bae0bc201e6c" ], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Southside Movement was a Chicago-based funk and soul octet which recorded in the early '70s. Made up of vocalist Melvin Moore, guitarist Bobby Pointer, keyboardist Morris Beeks, bassist Ronald Simmons, drummer Willie Hayes, alto saxophonist Milton Johnson, trumpeter Stephen Hawkins, and trombonist Bill McFarland, the group got its start as the backing band for the Sam & Dave-styled soul duo Simtec & Wylie. \n--\nThis song, particularly the drums, has been sampled more than 90 times, Including by Beck at least twice!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639926, "uri": "https://api.kexp.org/v2/plays/3639926/?format=api", "airdate": "2026-04-09T14:43:53-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3639917, "uri": "https://api.kexp.org/v2/plays/3639917/?format=api", "airdate": "2026-04-09T14:36:22-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "https://dn721604.ca.archive.org/0/items/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c-43096301269_thumb500.jpg", "thumbnail_uri": "https://dn721604.ca.archive.org/0/items/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c-43096301269_thumb250.jpg", "song": "Debra", "track_id": "3d0a9ed1-2545-38c9-b8ff-96caaeb269be", "recording_id": "89c6a4a4-ceec-43fb-8e34-d44715ba38ec", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Midnite Vultures", "release_id": "53014f5f-355a-4bf3-aeab-70be7b6bb97c", "release_group_id": "4c5cd9dc-31b5-32b1-bd11-57081e83f8bb", "labels": [ "DGC Records" ], "label_ids": [ "68803e28-86fe-4a95-985f-8e493795ab31" ], "release_date": "1999-11-23", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Beck had originally attempted to record \"Debra\" with the Dust Brothers for Odelay, but was either not happy with the recording, or felt it didn't fit on the album, or both. (\"I thought it was too jokey,\" Beck once admitted.) But the song was a natural for the stage: \"What happened is we started playing it live and it became the centerpiece of the whole set. It was the song that people would react to more than the songs that they'd heard on the radio. So we kept playing it and playing it.\" It took on a life of its own, and the energy that was breathed into the song was clearly noted. \"I think its life began as being tongue-in-cheek and silly, but somewhere along the way, like the way we performed it every night, it acquired some other dimensions,\" Beck explained.\n--\nHere's Beck in a live performance of \"Debra\" on Dutch television back in 1999: https://youtu.be/OuvR9d73OlI https://www.beck.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639918, "uri": "https://api.kexp.org/v2/plays/3639918/?format=api", "airdate": "2026-04-09T14:35:37-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3639916, "uri": "https://api.kexp.org/v2/plays/3639916/?format=api", "airdate": "2026-04-09T14:26:52-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "https://dn711004.ca.archive.org/0/items/mbid-36aa4fbb-776d-445a-a2f8-065f2fb012a0/mbid-36aa4fbb-776d-445a-a2f8-065f2fb012a0-989663639_thumb500.jpg", "thumbnail_uri": "https://dn711004.ca.archive.org/0/items/mbid-36aa4fbb-776d-445a-a2f8-065f2fb012a0/mbid-36aa4fbb-776d-445a-a2f8-065f2fb012a0-989663639_thumb250.jpg", "song": "Novacane", "track_id": "d4cab083-f95a-3df5-b926-a7cb251515cc", "recording_id": "4d08a37a-6e71-401c-ad54-dbe5a8ae919c", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Odelay", "release_id": "36aa4fbb-776d-445a-a2f8-065f2fb012a0", "release_group_id": "f2466d20-9a29-3baa-bfac-c245410e925f", "labels": [ "Geffen Records" ], "label_ids": [ "0fadc2ce-f7de-4e27-bbe6-612b317e716b" ], "release_date": "1996-06-24", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Beck explained to Rolling Stone that the lyrical inspiration for this song came from the film and video director Spike Jonze. Said Beck: \"Spike and I talked about doing a video together for ten years before we actually ever did one. One of our first conversations was about the movie Convoy - he was obsessed with it. He wanted to do a video where I was in a convoy, so I wrote all this truckers-going-into-oblivion imagery.\"\n--\n\"Odelay\" was produced by the Dust Brothers, Michael Simpson and John King. They said, \"With Beck it was like you couldn't throw something too crazy at him. He'd push us. He was like, 'What can we do to this song to make it more f--ked up?' and I feel like we achieved it on 'Novacane.'\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639915, "uri": "https://api.kexp.org/v2/plays/3639915/?format=api", "airdate": "2026-04-09T14:25:30-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Medley: Tell Me How You Feel / (Don't Want No) Woman / My Friends", "track_id": null, "recording_id": "14c96460-fdc2-41b0-94fa-4508163202d1", "artist": "Lee Michaels", "artist_ids": [ "5c601227-87b5-4c65-ad99-84f0eb9008ca" ], "album": "Hello: The Very Best of Lee Michaels", "release_id": null, "release_group_id": "65fb2a11-44ea-463d-a013-7a5efa83c9e1", "labels": [ "Shout! Factory" ], "label_ids": [ "004762a8-6905-4270-b5f8-ceef5fc5bc73" ], "release_date": "2004-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The drums in this song were sampled by Beck for \"Novacane.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639914, "uri": "https://api.kexp.org/v2/plays/3639914/?format=api", "airdate": "2026-04-09T14:23:12-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Caught You Lying Again", "track_id": null, "recording_id": "466aa003-5434-4504-9395-60068bca0445", "artist": "Joe Thomas", "artist_ids": [ "9ff469e2-43f5-43d6-aaac-63c6c00b7db2" ], "album": "Make Your Move", "release_id": null, "release_group_id": "6daf3796-c8c6-4926-b75e-fcad65d67e25", "labels": [ "Lester Radio Corporation" ], "label_ids": [ "94598f70-915e-4720-bf83-4f5611774eef" ], "release_date": "1979-02-26", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Beck sampled multiple elements of this song for 1996's \"Novacane.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639912, "uri": "https://api.kexp.org/v2/plays/3639912/?format=api", "airdate": "2026-04-09T14:18:34-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "https://dn710800.ca.archive.org/0/items/mbid-c3619bbc-887b-4012-9024-0b7806333c4d/mbid-c3619bbc-887b-4012-9024-0b7806333c4d-38534240640_thumb500.jpg", "thumbnail_uri": "https://dn710800.ca.archive.org/0/items/mbid-c3619bbc-887b-4012-9024-0b7806333c4d/mbid-c3619bbc-887b-4012-9024-0b7806333c4d-38534240640_thumb250.jpg", "song": "Earthquake Weather", "track_id": "965ca6d7-8444-3d61-85c2-e44eacaa9ec7", "recording_id": "ca0aa35c-f828-4958-938f-cc67e66a769d", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Guero", "release_id": "c3619bbc-887b-4012-9024-0b7806333c4d", "release_group_id": "e49e2f8a-94c0-3dcf-8ce6-9bc52a1a7867", "labels": [ "Interscope Records" ], "label_ids": [ "2182a316-c4bd-4605-936a-5e2fac52bdd2" ], "release_date": "2005-03-29", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Earthquake Weather\" contains samples of \"What It Is?\" by The Temptations and \"Coming Soon\" by Slave.\n--\nMoney Mark, keyboardist for The Beastie Boys, plays organ on this track \n--\n Beck explained the concept of \"earthquake weather,\" an expression to describe \"the kind of weather in LA where it's dry, exceptionally hot, feels like the pavement's gonna start cracking and there's no wind.\" It is quiet, dead and hot, a stillness before something's gonna happen.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639913, "uri": "https://api.kexp.org/v2/plays/3639913/?format=api", "airdate": "2026-04-09T14:17:54-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "What It Is?", "track_id": null, "recording_id": "335bf578-eece-44b7-b1c8-6626ed12c686", "artist": "The Temptations", "artist_ids": [ "d8df96ae-8fcf-4997-b3e6-e5d1aaf0f69e" ], "album": "Solid Rock", "release_id": null, "release_group_id": "6832c180-2005-3462-aca1-5040bc281e30", "labels": [ "Gordy" ], "label_ids": [ "9b6dec85-599a-481f-9642-62fd1d3999fe" ], "release_date": "1972-01-11", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Beck sampled this one for \"Earthquake Weather.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639909, "uri": "https://api.kexp.org/v2/plays/3639909/?format=api", "airdate": "2026-04-09T14:15:57-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "https://coverartarchive.org/release/270a34f8-8f5f-4941-91b9-420524c59c5b/29238378095-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/270a34f8-8f5f-4941-91b9-420524c59c5b/29238378095-250.jpg", "song": "Coming Soon", "track_id": null, "recording_id": "2e979c32-43fb-4a63-9576-b724e06353d6", "artist": "Slave", "artist_ids": [ "29da6ed6-2501-40bf-83e9-9f22d872dd5a" ], "album": "The Concept", "release_id": null, "release_group_id": "7d90ee4d-2000-32af-8907-96172c735173", "labels": [ "Cotillion" ], "label_ids": [ "d97da6f0-c0ba-4a60-8fd5-fb8edab24d32" ], "release_date": "1978-07-20", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Sampled by Beck for \"Earthquake Weather.\"\n-\n Slave formed in Ohio in 1976 around a nucleus of guitarist Mark Hicks, singer/brass man Floyd Miller, bassist Mark Adams.: https://iconoclassicrecords.com/artist/slave/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639910, "uri": "https://api.kexp.org/v2/plays/3639910/?format=api", "airdate": "2026-04-09T14:15:12-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3639907, "uri": "https://api.kexp.org/v2/plays/3639907/?format=api", "airdate": "2026-04-09T14:10:40-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Everlasting Nothing", "track_id": null, "recording_id": "91f9d984-aec0-4da4-9c66-e5cb165abe4d", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Hyperspace", "release_id": null, "release_group_id": "67ad5df9-bd8c-45d9-aa1b-14a3ff2cb2ee", "labels": [ "Universal Music" ], "label_ids": [ "13a464dc-b9fd-4d16-a4f4-d4316f6a46c7" ], "release_date": "2019-11-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Pharrell Williams co-wrote and co-produced the song; he also played drums and keyboards while Beck sang and played guitar and piano.\n--\nSomeone wrote, \"Play this at my funeral please ... amen.\" Here's the lyric video: https://www.youtube.com/watch?v=U3PR2iJbLUE", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639911, "uri": "https://api.kexp.org/v2/plays/3639911/?format=api", "airdate": "2026-04-09T14:09:21-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3639906, "uri": "https://api.kexp.org/v2/plays/3639906/?format=api", "airdate": "2026-04-09T14:05:16-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "https://coverartarchive.org/release/c0aa6423-06eb-483a-825a-423806151a7e/43229031528-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/c0aa6423-06eb-483a-825a-423806151a7e/43229031528-250.jpg", "song": "Everybody’s Gotta Learn Sometime", "track_id": null, "recording_id": "05adb225-a182-4bcb-95db-d094b0034e0f", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Eternal Sunshine of the Spotless Mind: Original Soundtrack", "release_id": null, "release_group_id": "a251946a-2fbe-3ce0-9d79-d77d5e8825a3", "labels": [ "Hollywood Records" ], "label_ids": [ "6bb7c1b2-cb06-4381-9c59-02b1ae4aa96d" ], "release_date": "2004-03-16", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Beck cut this cover with Jon Brion for 2004’s 'Eternal Sunshine of the Spotless Mind.' It starts out with him alone at the electric piano, singing in his deepest, most mournful register. The bass and electric guitars slide in almost unnoticed, joined by a drummer at the first chorus. The drums are muffled, damped, it’s very seventies. All the bells and whistles of the Korgis’ version (the delays and echoes on the piano and voice, the electric sitar playing the riff at the end of the chorus, the icy synths that play the three-note hook in the chorus) are gone: we get strings instead. The prankster Beck of 10 years before is nowhere to be seen. He’s playing the straightest of bats. He sounds invested in what he’s singing.\": https://songsfromsodeep.wordpress.com/2014/05/08/everybodys-gotta-learn-sometime-beck/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639905, "uri": "https://api.kexp.org/v2/plays/3639905/?format=api", "airdate": "2026-04-09T14:03:43-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "https://coverartarchive.org/release/d95f390b-8249-498a-9e5f-3f675fda0ad6/8308265838-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/d95f390b-8249-498a-9e5f-3f675fda0ad6/8308265838-250.jpg", "song": "Everybody’s Got to Learn Sometime", "track_id": null, "recording_id": "d412ee04-364b-4ef9-9f39-55c50c05823c", "artist": "The Korgis", "artist_ids": [ "6f49184a-8757-48d7-9145-f773ea572188" ], "album": "Everybody's Got to Learn Sometime / Dirty Postcards", "release_id": null, "release_group_id": "1f936848-bb7f-4e18-a461-866bbcaae69f", "labels": [ "Rialto" ], "label_ids": [ "b9ebe19f-c626-4b43-ba7a-8e9448758f8c" ], "release_date": "1980-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Since the 1980s, the song has had a life of its own, with more than 50 cover versions to date. My favourite is the dark and brooding version Beck did for the movie Eternal Sunshine of the Spotless Mind. I have to remind myself that this was something I wrote in 20 minutes on the piano one Sunday morning 45 years ago.\" --James Warren, songwriter\n--\nLearn how The Korgis made this classic song: https://www.theguardian.com/culture/2025/jan/13/how-the-korgis-made-everybodys-got-to-learn-sometime", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639904, "uri": "https://api.kexp.org/v2/plays/3639904/?format=api", "airdate": "2026-04-09T14:00:28-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "The Party Scene", "track_id": null, "recording_id": "2cf4821e-7399-4c77-a499-17b80d42eeee", "artist": "The Russell Brothers", "artist_ids": [ "54b8ae90-41ca-4b01-8146-b0bf552a2f39" ], "album": "Electro: A Personal Selection of Electro Classics", "release_id": null, "release_group_id": "2b599832-cd72-49c2-a327-d5360a26774a", "labels": [ "Z Records" ], "label_ids": [ "c250bdb3-2215-48d6-a24d-b12fe7dd7897" ], "release_date": "2017-02-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The duo of Master Bee (Ronnie/Ronald Russell) & BuddaNinja (Roland Russell), were originally members of the Bug Dogs and as hip hop began to evolve they also became members of the Zulu Nation. Roland began creating beats in a small home studio set up and Ronnie became a member of the Jazzy 5, whose track, ‘Jazzy Sensation’, became as huge hit for Tommy Boy. As rap grew ever-popular, the pair decided to form The Russell Brothers.\n--\nDid you know that the brothers were only given five hours in the studio to create this song? Go here to learn about the importance of \"The Party Scene.\": https://hiphopbebop.com/the-russell-brothers-discography/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639908, "uri": "https://api.kexp.org/v2/plays/3639908/?format=api", "airdate": "2026-04-09T13:59:08-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3639903, "uri": "https://api.kexp.org/v2/plays/3639903/?format=api", "airdate": "2026-04-09T13:55:43-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "https://dn721604.ca.archive.org/0/items/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c-43096301269_thumb250.jpg", "song": "Hollywood Freaks", "track_id": "a2e387b9-5762-3885-a394-d34a3f249fb5", "recording_id": "93fe2401-db5b-476c-9b00-518733993edd", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Midnite Vultures", "release_id": "53014f5f-355a-4bf3-aeab-70be7b6bb97c", "release_group_id": "4c5cd9dc-31b5-32b1-bd11-57081e83f8bb", "labels": [ "DGC Records" ], "label_ids": [ "68803e28-86fe-4a95-985f-8e493795ab31" ], "release_date": "1999-11-23", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Beck directly sampled the drums from \"The Party Scene\" from the Russell Brothers, the drums from Tim Maia's \"Nobody Can Live Forever,\" and multiple elements of Gil Scott-Heron and Brian Jackson's \"We Almost Lost Detroit.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3639902, "uri": "https://api.kexp.org/v2/plays/3639902/?format=api", "airdate": "2026-04-09T13:52:12-07:00", "show": 66408, "show_uri": "https://api.kexp.org/v2/shows/66408/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Nobody Can Live for Ever", "track_id": null, "recording_id": "ff0c0042-80f2-408a-b79d-9b6d062b3ed5", "artist": "Tim Maia", "artist_ids": [ "446ac261-09ae-43f4-a7e1-2c753c0813ce" ], "album": "Tim Maia", "release_id": null, "release_group_id": "21454ecc-9ad0-3523-840d-319d265812eb", "labels": [ "Polydor" ], "label_ids": [ "ce24ab18-1bd6-4293-a486-546d13d6a5e2" ], "release_date": "1976-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Standing at a diminutive 5ft.6 (but 6ft if you count his afro) Tim Maia was a larger than life character, with the voice of an angel and the heart of a lion...\" Learn about this Brazilian artist who pioneered soul and funk music in his native country: https://www.latinolife.co.uk/articles/wonderful-world-tim-maia", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
