Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=640
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=660", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=620", "results": [ { "id": 3635741, "uri": "https://api.kexp.org/v2/plays/3635741/?format=api", "airdate": "2026-03-30T22:08:01-07:00", "show": 66325, "show_uri": "https://api.kexp.org/v2/shows/66325/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Zombie", "track_id": null, "recording_id": null, "artist": "Vital Disorder", "artist_ids": [], "album": "Luke Una Presents É Soul Cultura Vol. 3", "release_id": null, "release_group_id": null, "labels": [ "Mr Bongo" ], "label_ids": [], "release_date": "2026-01-01", "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "Third entry in this globetrotting compilation series compiled by Luke Una - https://mrbongo.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635740, "uri": "https://api.kexp.org/v2/plays/3635740/?format=api", "airdate": "2026-03-30T22:04:01-07:00", "show": 66325, "show_uri": "https://api.kexp.org/v2/shows/66325/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Threads (feat. Patrice Rushen)", "track_id": null, "recording_id": null, "artist": "Nubiyan Twist", "artist_ids": [], "album": "Chasing Shadows", "release_id": null, "release_group_id": null, "labels": [ "Strut" ], "label_ids": [], "release_date": "2026-01-01", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Latest from the London collective, featuring the legendary Patrice \"Forget Me Nots\" Rushen on this one! - https://nubiyantwist.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635738, "uri": "https://api.kexp.org/v2/plays/3635738/?format=api", "airdate": "2026-03-30T22:00:50-07:00", "show": 66325, "show_uri": "https://api.kexp.org/v2/shows/66325/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "La Vida Es Un Baile", "track_id": null, "recording_id": null, "artist": "Nuevos Rios", "artist_ids": [], "album": "Nuevos Rios", "release_id": null, "release_group_id": null, "labels": [ "ZZK" ], "label_ids": [], "release_date": "2026-01-01", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Hi pals, welcome to the show! - https://nuevosrios.bandcamp.com/album/nuevos-rios", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635737, "uri": "https://api.kexp.org/v2/plays/3635737/?format=api", "airdate": "2026-03-30T22:00:05-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3635735, "uri": "https://api.kexp.org/v2/plays/3635735/?format=api", "airdate": "2026-03-30T21:56:16-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "La Nave del Olvido", "track_id": null, "recording_id": null, "artist": "José José", "artist_ids": [ "4f4a0d43-75d4-4c31-8d0d-c48e4c0efbf9" ], "album": "Jose Jose", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“La Nave del Olvido” by José José is one of the definitive ballads in his career, released in 1970 on the album José José (his self-titled second studio album). The song helped solidify his status as El Príncipe de la Canción, showcasing his gift for transforming heartbreak into transcendent vocal art.\n\nMusically, the track is anchored by a sweeping orchestral arrangement: strings and piano provide a lush backdrop, allowing José José’s voice to float effortlessly over the instrumentation. His phrasing captures both vulnerability and restrained anguish, turning each lyric into a deeply personal confession. The melody is melancholic yet memorable, balancing dramatic intensity with melodic elegance.\n\nLyrically, “La Nave del Olvido” uses the metaphor of a ship sailing into oblivion to explore the pain of lost love. It conveys a universal sense of longing and resignation, which, paired with José José’s impeccable delivery, makes the song timeless. This combination of storytelling, orchestration, and emotive singing is why the track remains a staple in Latin ballad repertoire.\n\nEven decades later, “La Nave del Olvido” endures as a masterclass in emotional expression, a song that moves listeners as much through the subtlety of performance as through its poetic lyrics.\n\nListen:\nYouTube: https://www.youtube.com/results?search_query=Jose+Jose+La+Nave+del+Olvido", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635734, "uri": "https://api.kexp.org/v2/plays/3635734/?format=api", "airdate": "2026-03-30T21:54:00-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3635733, "uri": "https://api.kexp.org/v2/plays/3635733/?format=api", "airdate": "2026-03-30T21:50:02-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "https://coverartarchive.org/release/f6e802e7-d91d-401b-b3d4-1d7c0696b4ba/24199434217-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/f6e802e7-d91d-401b-b3d4-1d7c0696b4ba/24199434217-250.jpg", "song": "Beber Tu Sangre", "track_id": null, "recording_id": null, "artist": "Los Amantes de Lola", "artist_ids": [ "86281616-342e-4dc0-ab7f-0d7a9e464f74" ], "album": "La era del terror", "release_id": null, "release_group_id": "408d761d-0528-3704-9450-569a3072b609", "labels": [], "label_ids": [], "release_date": "2014-03-25", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Beber de tu sangre” by Los Amantes de Lola is one of the group’s most enduring anthems from the early ’90s Mexican rock en español movement. Released as a single in 1991 and featured on their second studio album La era del terror (1991), the song helped solidify the band’s place as key players in the era’s alternative scene.\n\nMusically, the track balances driving rock rhythms with melodic hooks that feel both urgent and expansive. Guitars and bass propel the song forward with a raw edge, yet there’s a clear sense of craft in the arrangement—each part locked in a groove that invites listeners into its emotional current. Lyrically, the song uses vivid imagery to explore intense longing and emotional vulnerability, with the chorus’s metaphor of wanting to “drink of your blood” expressing a kind of obsessive connection that risks blurring the line between passion and pain.\n\nWhat makes “Beber de tu sangre” resonate decades later is its blend of visceral expression and melodic strength. It encapsulates a moment when Mexican rock was pushing beyond traditional pop forms, embracing themes of desire and inner conflict with both grit and sincerity.\n\nListen:\nYouTube: https://www.youtube.com/results?search_query=Los+Amantes+de+Lola+Beber+de+tu+sangre", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635732, "uri": "https://api.kexp.org/v2/plays/3635732/?format=api", "airdate": "2026-03-30T21:47:53-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3635731, "uri": "https://api.kexp.org/v2/plays/3635731/?format=api", "airdate": "2026-03-30T21:44:35-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "No Puedo", "track_id": null, "recording_id": null, "artist": "Los Vampis", "artist_ids": [], "album": "Los Vampis", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-05-30", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“No Puedo” is a phrase of refusal, exhaustion, or emotional limit, and Los Vampis make it feel immediate. Publicly available information on the group is still fairly thin, but the song appears as a 2025 single and sits alongside other recent releases such as “Lo Siento,” suggesting a project drawn toward direct emotional language rather than abstraction. That directness is one of the track’s virtues. “No Puedo” does not need an elaborate concept to land. The title alone opens a whole field of meanings: I can’t continue, I can’t hide it, I can’t return, I can’t bear it. The song lives in that productive uncertainty.\nBecause verifiable background on the band is limited, the safest and clearest way to approach “No Puedo” is through the emotional pressure contained in its name and sound. The phrase carries a blunt honesty that many songs spend several verses trying to reach. In three syllables, it offers collapse and resistance at once. That gives the track a certain economy: it can move quickly because its central feeling is already exposed. Whether heard as heartbreak, frustration, or self-protective boundary, “No Puedo” belongs to the durable tradition of songs that turn a simple statement into an atmosphere. Los Vampis understand that emotional immediacy can be a style in itself, and this track uses that principle well.\nListen: https://open.spotify.com/track/6AGWxtzCjpb1nFK5xzJpeo", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635730, "uri": "https://api.kexp.org/v2/plays/3635730/?format=api", "airdate": "2026-03-30T21:40:02-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "https://coverartarchive.org/release/bcb340d6-dd5b-4701-b1e9-5e06babed3f5/31346890914-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/bcb340d6-dd5b-4701-b1e9-5e06babed3f5/31346890914-250.jpg", "song": "Fotografía", "track_id": null, "recording_id": "3d531534-3de8-45ad-a060-11ace216486f", "artist": "Jumbo", "artist_ids": [ "6aebc222-b12a-4ea6-ac98-cc74ecebcea5" ], "album": "Restaurant", "release_id": null, "release_group_id": "dcf6dd7c-2d14-3d75-8472-f3471336a646", "labels": [ "RCA" ], "label_ids": [ "1ca5ed29-e00b-4ea5-b817-0bcca0e04946" ], "release_date": "1999-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Fotografía” by Jumbo is one of the signature tracks from the Monterrey group’s 1999 debut album Restaurant—a record that helped establish them as a central voice in the Avanzada Regia rock scene of the late ’90s.\n\nWhere Restaurant offers a blend of melodic hooks and alt‑rock grit, “Fotografía” stands out for its contemplative balance of introspection and chorus‑driven energy. Anchored by a warm, mid‑tempo groove and chiming guitars, the song leans into nostalgia, using the metaphor of photographs to explore memory, time, and emotional weight in everyday life. Lines that compare life’s flow to ocean waves capture that sense of universal up‑and‑down feeling—the melancholic and the uplifting woven together in equal measure.\n\nVocally and instrumentally, the track strikes a bittersweet chord. The delivery feels intimate yet expansive, with expressive melodic lines that make it both personal and universal. It’s the kind of song that can feel like a soundtrack to reflection on past connections or moments that defined coming‑of‑age experiences for many Mexicans and rock en español fans at the turn of the millennium.\n\nListen:\nYouTube: https://www.youtube.com/results?search_query=Jumbo+Fotografia", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635729, "uri": "https://api.kexp.org/v2/plays/3635729/?format=api", "airdate": "2026-03-30T21:36:58-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Élfica conurbana", "track_id": null, "recording_id": "bd1c0f62-0c28-4fa7-9288-1f175c7b8190", "artist": "Marina Fages", "artist_ids": [ "0c2a530a-695b-463b-b8b6-c8d8b35f80cf" ], "album": "Atalaya avalancha", "release_id": null, "release_group_id": "c98767c8-eab3-4afc-9473-ec757948b927", "labels": [ "Psyched! Records" ], "label_ids": [], "release_date": "2026-03-26", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Élfica Conurbana” is a beautiful title because it fuses two apparently incompatible worlds: the fairy-tale and the suburban-industrial fringe, enchantment and the outer neighborhoods of the metropolis. Marina Fages has long excelled at that kind of fusion. The Buenos Aires artist moves across punk, experimental rock, folk textures, and visual art with a voice that can carry both tenderness and abrasion, and this new song from her 2026 album ATALAYA AVALANCHA feels perfectly aligned with that sensibility. Fages has spent years making music that is earthy and mythic at once, rooted in territory while still reaching for visions, and the title alone suggests one of her central gifts: turning place into spell.\nThere is also something politically and emotionally resonant in the phrase “Élfica Conurbana.” It refuses the old hierarchy that treats the urban periphery as merely degraded or mundane. Instead, it imagines magic in the margins, fantasy growing in concrete, wildness surviving where infrastructure and precarity meet. That feels deeply consistent with Marina Fages’s body of work, which often treats landscape as a living force rather than a backdrop. Even without extensive track-by-track commentary available yet, the song reads as part of her ongoing project of re-enchanting the everyday without denying its scars. It is a title, and by all evidence a song, that makes room for wonder without abandoning the city that produced it.\nListen: https://open.spotify.com/track/3avEhuwPo1ICVfDyQfjIoT", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635728, "uri": "https://api.kexp.org/v2/plays/3635728/?format=api", "airdate": "2026-03-30T21:33:50-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3635727, "uri": "https://api.kexp.org/v2/plays/3635727/?format=api", "airdate": "2026-03-30T21:29:25-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "https://coverartarchive.org/release/bd9c4514-cdb8-37d8-9ade-7cf5354bf0ec/43303518493-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/bd9c4514-cdb8-37d8-9ade-7cf5354bf0ec/43303518493-250.jpg", "song": "Me colé en una fiesta", "track_id": null, "recording_id": "dc01c314-78a1-430d-a254-6d0a63900df1", "artist": "Mecano", "artist_ids": [ "3be5dee4-5fa6-45a5-97c2-98914580bafa" ], "album": "Mecano", "release_id": null, "release_group_id": "4ac2d58d-0518-3127-b78a-f52188e13998", "labels": [], "label_ids": [], "release_date": "1982-04-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Me colé en una fiesta” by Mecano is one of the standout tracks from their 1982 album Mecano, capturing the playful, melodic inventiveness that would define the band’s early sound. With its upbeat synth lines, bouncy rhythm, and irresistible hooks, the song perfectly blends new wave energy with the storytelling sensibility of Spanish pop.\n\nThe track’s narrative is mischievous and vivid, following the tale of sneaking into a party and the social adventures that unfold. Vocally, Ana Torroja delivers the lyrics with charm and cheekiness, giving the song a sense of immediacy and personality that resonates decades later. The instrumentation—synths, guitar accents, and electronic percussion—feels both retro and timeless, highlighting Mecano’s ability to craft pop that is playful yet musically sophisticated.\n\n“Me colé en una fiesta” exemplifies the band’s knack for marrying narrative wit with infectious hooks. Its sense of fun, melodic clarity, and synth-driven energy make it one of the defining tracks of early ’80s Spanish pop, a song that still feels lively and relatable today.\n\nListen:\nYouTube: https://www.youtube.com/results?search_query=Mecano+Me+Cole+en+una+fiesta", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635726, "uri": "https://api.kexp.org/v2/plays/3635726/?format=api", "airdate": "2026-03-30T21:26:17-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Horas", "track_id": null, "recording_id": "c14d0df8-8e0d-44ec-90aa-fcb110a71e3e", "artist": "Aurora y la Academia", "artist_ids": [ "37eb03ea-07f5-4c3f-a899-2d934413b355" ], "album": "Horas", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Horas” by Aurora y la Academia moves with a quiet, introspective pulse, favoring atmosphere over immediacy. The track leans into a dreamlike blend of indie pop and soft electronic textures, where shimmering synths and understated guitar lines create a sense of suspended time—fitting for a song so preoccupied with its passage.\n\nThe arrangement is patient and carefully layered. Rather than building toward a dramatic peak, “Horas” unfolds gradually, letting subtle shifts in tone and rhythm do the emotional work. There’s a delicate balance between warmth and melancholy here; the melodies feel inviting, but there’s an undercurrent of longing that gives the song its depth.\n\nVocally, the delivery is intimate and close, drawing the listener inward. The phrasing feels conversational, almost confessional, as if the song is capturing fleeting thoughts rather than fixed statements. That immediacy reinforces the central theme: time not as something measured, but something felt—elastic, subjective, and often elusive.\n\n“Horas” stands out for its restraint. It resists the urge to overstate, instead trusting its textures and mood to carry meaning. The result is a track that lingers quietly, revealing more with each listen.\n\nListen:\nYouTube: https://www.youtube.com/results?search_query=Aurora+y+la+Academia+Horas", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635725, "uri": "https://api.kexp.org/v2/plays/3635725/?format=api", "airdate": "2026-03-30T21:22:35-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Carreola", "track_id": null, "recording_id": null, "artist": "Caro Valenzuela", "artist_ids": [ "078a4003-5ea0-4f04-bfd6-fe1abfc8db9b" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Carreola” is one of those titles that immediately pulls an everyday object into emotional focus and asks it to carry more than its literal weight. Caro Valenzuela, an alternative and indie-pop artist from Hermosillo, Sonora, released the song in October 2023, with composition credited to Valenzuela and production by David Sánchez. That grounding matters, because the track feels intimate in a handcrafted way, as if built to preserve fragility rather than overwhelm it.\nWhat makes “Carreola” compelling is the tension between domestic imagery and emotional drift. A stroller suggests care, dependence, movement, and responsibility, but in song form it can also imply memory, family history, tenderness, and the strange vulnerability of carrying or being carried. Valenzuela’s broader work sits comfortably in the zone where indie pop becomes emotionally porous, and “Carreola” fits that instinct. The song feels small in the best way: observant, close to the body, attentive to detail. Rather than overstate its meaning, it lets the title resonate outward. That restraint gives it a quiet poetic force. “Carreola” sounds like a song that understands how ordinary objects become archives for feeling, and how pop can hold private life without flattening it into cliché.\nListen: https://music.apple.com/us/song/carreola/1752049136", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635724, "uri": "https://api.kexp.org/v2/plays/3635724/?format=api", "airdate": "2026-03-30T21:19:19-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3635723, "uri": "https://api.kexp.org/v2/plays/3635723/?format=api", "airdate": "2026-03-30T21:16:35-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "https://coverartarchive.org/release/c0c5bcf2-8057-4c48-b393-c7058798ec82/43320351347-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/c0c5bcf2-8057-4c48-b393-c7058798ec82/43320351347-250.jpg", "song": "Women Respond to Bass", "track_id": null, "recording_id": "1089cefe-7fb4-45e9-ac1f-67c385afb010", "artist": "Sextile", "artist_ids": [ "1789b5dc-e2ea-47aa-9ca0-48596dbb5091" ], "album": "yes, please.", "release_id": null, "release_group_id": "d95cb4e8-a24f-4870-b191-93cf0b53a160", "labels": [ "Sacred Bones Records" ], "label_ids": [ "dba6e089-932a-4442-9ebe-fbbceb9476ef" ], "release_date": "2025-05-02", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Women Respond to Bass” by Sextile is a stark, driving piece of post-punk minimalism that thrives on repetition and physicality. Built around a relentless bassline and stripped-down drum machine pulse, the track locks into a groove that feels both mechanical and hypnotic, echoing the lineage of early industrial and synth-punk without feeling overly nostalgic.\n\nThe production is intentionally bare. Every element—bass, percussion, and sparse synth accents—has room to breathe, creating a sense of tension that never fully resolves. That restraint is what gives the track its power; instead of building toward a conventional climax, it sustains a steady intensity that pulls the listener deeper with each cycle.\n\nVocally, the delivery is cool and detached, functioning more as rhythmic punctuation than narrative centerpiece. The repetition of phrases reinforces the song’s focus on movement and response—less about storytelling, more about the relationship between sound and body.\n\n“Women Respond to Bass” ultimately operates as both statement and experiment. It distills dancefloor energy down to its core elements, exploring how minimal inputs can generate maximum impact. The result is a track that feels immediate and physical, yet conceptually precise—designed as much for the body as for the mind.\n\nListen:\nYouTube: https://www.youtube.com/results?search_query=Sextile+Women+Respond+To+Bass", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635721, "uri": "https://api.kexp.org/v2/plays/3635721/?format=api", "airdate": "2026-03-30T21:13:17-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "La Musica Oscura", "track_id": null, "recording_id": "55aaf4c5-ee74-4245-8b03-35b35167a889", "artist": "Dark Chisme", "artist_ids": [ "2df279da-29e0-42d8-9e1e-0e3fd722f3d3" ], "album": "Yo Puedo Vivir Sin Ti", "release_id": null, "release_group_id": "035ff97b-9761-444b-93d5-dc15e4edc4da", "labels": [], "label_ids": [], "release_date": "2023-11-28", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“La Música Oscura” by Dark Chisme drifts through shadowy corners of the underground, where atmosphere takes precedence over structure. The track unfolds slowly, built on murky synth layers, minimal percussion, and a sense of restraint that gives every sound extra weight. Rather than chasing immediacy, it invites listeners to sit בתוך its darkness and let the textures reveal themselves over time.\n\nThere’s a clear nod to darkwave and lo-fi electronic traditions, but the approach feels distinctly personal—less polished, more intimate. The production leans into repetition, creating a hypnotic loop that feels almost ritualistic. Subtle shifts in tone and rhythm keep the track from stagnating, rewarding close listening with small but deliberate changes.\n\nVocally, if present, the treatment is distant and spectral, functioning more as another layer than a focal point. This choice reinforces the track’s immersive quality, blurring the line between voice and instrumentation.\n\n“La Música Oscura” ultimately succeeds as a mood piece. It’s less about narrative and more about sensation—an exploration of tone, space, and emotional undercurrents that linger well after the track fades. For listeners drawn to the edges of electronic music, it offers a compelling, if understated, pull.\n\nListen:\nYouTube: https://www.youtube.com/results?search_query=Dark+Chisme+La+Musica+Oscura", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635720, "uri": "https://api.kexp.org/v2/plays/3635720/?format=api", "airdate": "2026-03-30T21:11:07-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "https://coverartarchive.org/release/e2527dad-5f6a-4683-8a4e-be9aa4f33ca8/28848057772-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/e2527dad-5f6a-4683-8a4e-be9aa4f33ca8/28848057772-250.jpg", "song": "Euforia", "track_id": null, "recording_id": null, "artist": "Ces Cadáveres", "artist_ids": [ "efd8c3f0-497a-43bb-9003-6329646f376f" ], "album": "Cuerpos Monstruosos", "release_id": null, "release_group_id": "e2458620-fb5b-4b2d-8782-8f7910e555a5", "labels": [ "Detriti Records" ], "label_ids": [ "12a6aae6-f8db-49d6-bdc0-5df2c9d56c2a" ], "release_date": "2020-06-08", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Euforia” by Ces Cadáveres taps into the restless energy of Latin American post-punk, channeling tension and release in equal measure. The track feels immediate and unpolished in the best way—driven by a pulsing rhythm section and sharp, angular guitars that create a sense of forward motion without ever fully resolving.\n\nThere’s a rawness to the production that works in its favor. Rather than smoothing out the edges, “Euforia” leans into them, letting distortion and repetition build an atmosphere that feels both hypnotic and slightly claustrophobic. The groove locks in early and rarely lets go, giving the song a physical urgency that mirrors its emotional core.\n\nVocally, the delivery sits somewhere between detached and intense, reinforcing the ambiguity suggested by the title. The idea of “euphoria” here isn’t purely celebratory—it feels unstable, fleeting, maybe even illusory. That tension between exhilaration and unease gives the track its depth, suggesting a more complicated emotional landscape beneath the surface.\n\n“Euforia” stands out for its ability to sustain mood. It doesn’t rely on big shifts or dramatic turns; instead, it builds its impact through consistency and tone, drawing listeners into a space where rhythm and feeling blur together.\n\nListen:\nYouTube: https://www.youtube.com/results?search_query=Ces+Cadaveres+Euforia", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635719, "uri": "https://api.kexp.org/v2/plays/3635719/?format=api", "airdate": "2026-03-30T21:08:30-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sobredosis Electoral", "track_id": null, "recording_id": null, "artist": "Señora Biónica", "artist_ids": [], "album": "La Señora Biónica tiene razón", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2026-03-20", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Sobredosis Electoral” is a title with built-in static. It suggests saturation, fatigue, frenzy, and the surreal excess that electoral culture can produce when every message arrives already amplified. Señora Biónica released the song on March 20, 2026 as part of the album La Señora Biónica tiene razón, issued by Subterfuge and distributed by Altafonte, and that placement gives it the feel of a highly deliberate contemporary statement rather than a stray topical single. The artist’s recent release trail also shows a fast-building catalog around similarly charged, pop-literate titles, which makes “Sobredosis Electoral” feel like part of a wider sensibility tuned to media overload and modern anxiety.\nThe song’s strength is in how vividly the title frames the emotional condition it names. An overdose is not just excess but the point where excess becomes bodily, where public noise enters the nervous system. That image gives the track its force. Even without overreading the song as literal commentary, “Sobredosis Electoral” feels like it belongs to the atmosphere of permanent campaigning, algorithmic argument, and political exhaustion. The phrasing is sharp, almost darkly comic, but the underlying feeling is real. It is a smart title for a pop-leaning alternative song because it turns a broad social condition into something immediate and visceral. The result is music that sounds contemporary not because it chases novelty, but because it understands the emotional texture of the present tense.\nListen: https://open.spotify.com/track/6NWt0s3NHkWxbjImkR5pdz", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
