Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=660
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=680", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=640", "results": [ { "id": 3635693, "uri": "https://api.kexp.org/v2/plays/3635693/?format=api", "airdate": "2026-03-30T19:41:00-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Japon", "track_id": null, "recording_id": null, "artist": "YoungKidz", "artist_ids": [], "album": "YK Season 1", "release_id": null, "release_group_id": null, "labels": [ "YoungKidz" ], "label_ids": [], "release_date": "2026-03-20", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Japón” arrives with the quicksilver confidence of contemporary Mexican rap that is fluent in collaboration, immediacy, and atmosphere. Credited to YoungKidz alongside Ksas, Mike Lamadrid, Kevis, and Maykyy, the track appears on YK Season 1, released in 2026, and it carries the energy of a crew cut from the same late-night fabric: compact, melodic, and built for repeat listens. Public biographical detail on YoungKidz is still developing, but available profiles place him within Mexico’s current hip-hop movement, and the song itself makes that context legible through style rather than exposition.\nThe title gives the track a cinematic hook before the music even begins. “Japón” suggests distance, projection, fantasy, maybe coded aspiration, and the song uses that suggestion well. It does not unfold like a narrative in the traditional sense. Instead, it works through mood, flex, and momentum, with each featured voice contributing to a shared sense of motion. The production is clean and contemporary, sitting in that zone where rap and melodic urbano cross paths without either one losing definition. What holds it together is the feeling of collective presence: multiple artists, one atmosphere, one fast-moving idea. “Japón” feels made for the present tense, for headphones and cars and rooms where a hook has to land in seconds. It is streamlined music, but not empty music. Its appeal lies in its speed, its polish, and its instinct for immediacy.\nListen: https://open.spotify.com/track/0beTQlaEv6l1qzjkNDptb9", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635692, "uri": "https://api.kexp.org/v2/plays/3635692/?format=api", "airdate": "2026-03-30T19:38:20-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "https://coverartarchive.org/release/0c8a3275-259a-4c0d-9e27-714972e12212/44641219601-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/0c8a3275-259a-4c0d-9e27-714972e12212/44641219601-250.jpg", "song": "01-800", "track_id": null, "recording_id": "e99fc724-a924-4a24-ad56-e0759ee12c59", "artist": "Sayuri & Sopholov & Ezya", "artist_ids": [ "7786584f-13de-4d13-b177-a90244e2bc03", "4567568f-975f-4f01-bb67-e85b668a5b01" ], "album": "01-800", "release_id": null, "release_group_id": "382def1f-0f01-414c-8539-5ab91f8c591c", "labels": [ "Obsesion Factory" ], "label_ids": [ "cd7f814c-f9ef-41a5-96c4-94eaae81fed1" ], "release_date": "2025-06-20", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“01-800” is built like a transmission coming through neon fog: quick, catchy, intimate, and shaped for replay. Public information on Sayuri & Sopholov remains limited in standard sources, but the available release data places the single in 2025, with Ezya credited in the release. That partial frame is enough to hear the song clearly on its own terms. The title evokes a hotline, an open line, an access code to desire or confession, and the track leans into that atmosphere of instant contact. It moves with contemporary urbano fluency, but there is also something airy and synthetic in the way it presents itself, as though the song were less a confession than a message left glowing on a screen.\nWhat stands out most is its sense of economy. “01-800” does not overexplain itself. It uses brevity as style, turning compression into allure. The production is light on its feet, the vocal presence intimate but polished, and the overall feel suggests a pop instinct shaped by digital nightlife: flirtation, speed, and emotional signals delivered in shorthand. Because so little verified biographical detail is widely available, the song’s own design becomes the most trustworthy guide. It is sleek, modern, and emotionally coded, the kind of track that understands how contemporary pop often speaks in fragments while still leaving a strong afterimage.\nListen: https://www.youtube.com/watch?v=6Fata1Q7dyI", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635691, "uri": "https://api.kexp.org/v2/plays/3635691/?format=api", "airdate": "2026-03-30T19:35:50-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "https://coverartarchive.org/release/1d61a591-d9c4-4c22-b7cc-42590a9dab49/38246108919-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/1d61a591-d9c4-4c22-b7cc-42590a9dab49/38246108919-250.jpg", "song": "4 noviosS", "track_id": null, "recording_id": "6f2afac9-2e8a-4a68-bb2d-f12bb5086a32", "artist": "Six Sex & King Doudou", "artist_ids": [ "78871594-2fc1-4a4d-bd78-4c67cddcaf1c", "70fc0850-5cb5-4c8c-8d90-2b59d812e065" ], "album": "Satisfire", "release_id": null, "release_group_id": "1ac986f6-8ae1-4e59-8946-320ed8f1ae23", "labels": [ "Dale Play Records" ], "label_ids": [ "7b3e8dbe-6489-40b0-b271-02814dcfd2b4" ], "release_date": "2024-03-29", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“4 noviosS” shows exactly why Six Sex has become such a striking force in contemporary club-pop from Argentina. Born Francisca Agustina Cuello and associated with Buenos Aires, Six Sex has been widely described as an artist working across reggaetón, electronic music, and rave-inflected urbano forms. On this track, produced by King Doudou, she turns that hybrid sensibility into something compact and unruly. The song is playful, brazen, and sonically engineered to provoke reaction. It does not ask permission to occupy space. Instead, it announces itself with a kind of synthetic glamour that feels both confrontational and funny, fully aware of performance as part of the music’s impact.\nWhat makes “4 noviosS” land is its refusal to smooth itself out. The beat has a clipped, propulsive edge, and Six Sex rides it with a persona that is exaggerated but controlled. That balance matters. The track feels chaotic at first blush, but its effect comes from precision: the right vocal inflection, the right rhythmic emphasis, the right degree of excess. It belongs to a lineage of club music that treats sexuality, style, and parody not as separate elements but as one vocabulary. In Six Sex’s hands, that vocabulary becomes vivid and immediate. “4 noviosS” is not merely catchy; it is performative sound, nightlife condensed into a sharp, bright, unruly spark.\nListen: https://www.youtube.com/watch?v=ucrvnu5a8NQ", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635690, "uri": "https://api.kexp.org/v2/plays/3635690/?format=api", "airdate": "2026-03-30T19:33:34-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "DEDO", "track_id": null, "recording_id": null, "artist": "Cachirula", "artist_ids": [ "7d152132-d134-4171-9401-27ed7a7df4ae" ], "album": "SEXOLANDIA 2", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-08-21", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“DEDO” captures the sharp, immediate charge that has helped push reggaetón mexa into a louder public conversation. Cachirula, working here with LOOJAN, approaches the track with the kind of directness that makes the song hit fast and stay in motion. Publicly available profiles around the song are still relatively thin, so the clearest way into “DEDO” is through the record itself: compact, high-impact, and built for repetition, attitude, and bodily response. The title is blunt, playful, and provocative, and the music matches that energy with a beat that wastes no time establishing its purpose. This is not a song interested in subtle entrances. It lands already alive.\nWhat gives “DEDO” its appeal is the confidence of its construction. The track is lean, rhythmic, and memorable, designed with a feel for chant, tension, and release. It belongs to a current wave of Mexican urban music that values immediacy without sacrificing identity. Even in its brevity, it creates a world: flirtatious, unruly, unserious in the most strategic way, and fully aware of its own hook. Cachirula’s presence in that space is significant because the performance carries both charisma and command. “DEDO” feels like a song made for movement, but also for atmosphere, for social context, for the pleasure of hearing a scene define itself in real time.\nListen: https://www.youtube.com/watch?v=Y9OLoOb5EUk", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635689, "uri": "https://api.kexp.org/v2/plays/3635689/?format=api", "airdate": "2026-03-30T19:31:10-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3635688, "uri": "https://api.kexp.org/v2/plays/3635688/?format=api", "airdate": "2026-03-30T19:27:54-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "El iluminado", "track_id": null, "recording_id": "2e44e901-65a7-4cfc-9d6b-2c065aa9ee6b", "artist": "Silverio", "artist_ids": [ "bac80309-34f3-46b1-aeea-e9ddefa4141d" ], "album": "Esclavo", "release_id": null, "release_group_id": "b9757048-ac29-4d90-9c15-a09aa87652ba", "labels": [], "label_ids": [], "release_date": "2010-11-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“El Iluminado” belongs to the unruly universe of Silverio, the project of Mexican electro-punk provocateur Julián Lede. Release pages date the song to the 2008 album Silverio, later anthologized on Silverio Greatest Hits, and official YouTube uploads confirm the track’s long public life across formats. That chronology matters because Silverio’s work has always thrived on excess, persona, and confrontation, making each song feel less like an isolated composition than a flashpoint in a broader performance world. “El Iluminado,” by title alone, suggests revelation, ego, charlatanism, cult energy, and feverish self-belief.\nIn Silverio’s hands, enlightenment is never serene. It becomes grotesque, ecstatic, vulgar, and theatrical. That is part of the project’s brilliance: it takes archetypes that might otherwise sound mystical or pompous and drags them through distortion, sleaze, and electronic abrasion. “El Iluminado” can be heard as the portrait of a visionary, a fraud, or both simultaneously, which is exactly the unstable territory Silverio has always inhabited. His music often turns performance itself into satire, with the body, the ego, and the spectacle all exaggerated until they become inseparable. This song fits that method beautifully. It sounds like revelation after too many lights, prophecy shouted through nightclub speakers, transcendence recast as electro-punk delirium.\nListen: https://www.youtube.com/watch?v=0rdEU4slF9w", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635686, "uri": "https://api.kexp.org/v2/plays/3635686/?format=api", "airdate": "2026-03-30T19:21:40-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Pobre Estúpida (Amigas y Rivales Mix)", "track_id": null, "recording_id": null, "artist": "María Daniela y su Sonido Lasser", "artist_ids": [ "1425af32-a2b8-465f-8185-5ba68d1226d9" ], "album": "Mosca Muerta (Ulises Arrieta Remix)", "release_id": null, "release_group_id": "2a91a449-eddb-46f0-ab50-86d2659985ec", "labels": [], "label_ids": [], "release_date": "2026-03-27", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Pobre Estúpida (Amigas y Rivales Mix)” takes a song already steeped in cult electropop attitude and refracts it through fresh spectacle. María Daniela y Su Sonido Lasser, the Mexican electronic duo of María Daniela Azpiazu and Emilio Acevedo, have long worked in a lane where irony, melodrama, glossy synth design, and pop provocation meet. This 2026 version adds Denisse Guerrero of Belanova, turning the track into something more than a remix or update. It becomes a collision of two major sensibilities from Mexican pop’s electronic underground and mainstream-adjacent orbit: one arch and theatrical, the other sleek and melancholic. The result is knowingly excessive in the best way.\nWhat makes this version compelling is how it leans into the song’s title and premise without flattening them into novelty. “Pobre Estúpida” has always thrived on exaggeration, but exaggeration here is craft, not gimmick. The “Amigas y Rivales” framing sharpens the soap-opera electricity already present in the material, giving the song a playful, cutting, self-aware charge. There is humor in it, but also precision. The vocals ride the production with a sense of performance that feels central to the track’s identity. It is bright, acidic, and theatrical music that knows pop can be delicious precisely because it is a little cruel, a little camp, and fully committed to its own drama.\nListen: https://open.spotify.com/track/4gwxRPxY7MdRwknpNkZ9L8", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635685, "uri": "https://api.kexp.org/v2/plays/3635685/?format=api", "airdate": "2026-03-30T19:19:37-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3635684, "uri": "https://api.kexp.org/v2/plays/3635684/?format=api", "airdate": "2026-03-30T19:13:50-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "PARÍS", "track_id": null, "recording_id": null, "artist": "Technicism", "artist_ids": [ "40dc8e30-4dc0-4561-82c0-fac54a833b98" ], "album": "PARÍS", "release_id": null, "release_group_id": null, "labels": [ "Controlla" ], "label_ids": [], "release_date": "2024-05-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“PARÍS” arrives from Technicism as a polished piece of electronic storytelling, sleek in design but driven by emotion rather than abstraction. Released through Controlla in 2024, the track carries the long afterglow of melodic house and progressive electronics, but what gives it shape is not simply its genre grammar. It is the tension between glide and longing, between metropolitan sophistication and the ache implied by the title itself. “PARÍS” does not rush to its destination. It unfolds with patience, building its atmosphere through measured progression, careful layering, and a sense of scale that feels architectural. The city in the title becomes more than a place; it becomes a mood of distance, romance, illusion, and motion.\nThe track’s strength lies in its restraint. Technicism does not overload the arrangement with unnecessary drama. Instead, the song leans on momentum, detail, and clean emotional contour. That makes it particularly effective: it invites immersion rather than demanding attention. The result is music that works in multiple registers at once, from late-night introspection to dance-floor release. Even without extensive publicly available background on the artist, “PARÍS” communicates clearly on its own terms. It evokes light on wet pavement, the inward cinema of travel, and the private melancholy that often hides inside electronic euphoria.\nListen: https://www.youtube.com/watch?v=3yeD7iyOYlM", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635683, "uri": "https://api.kexp.org/v2/plays/3635683/?format=api", "airdate": "2026-03-30T19:08:51-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Horsepower", "track_id": null, "recording_id": null, "artist": "Bufi", "artist_ids": [ "4a8014bf-5333-4a25-8b99-213c7b92bdc1" ], "album": "Mexico 70", "release_id": null, "release_group_id": null, "labels": [ "Duro" ], "label_ids": [], "release_date": "2019-04-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Bufi’s “Horsepower” lives at the intersection of machine precision and sensuous groove. The Mexico-based producer, identified in artist materials as Mateo González Bufi, has built a reputation from a broad range of influences that stretch from acid house and Detroit techno to nu-disco, post-punk, and krautrock. That breadth is audible in “Horsepower,” a track that does not merely reference club history but reanimates it with style. The title points toward velocity, torque, and engineered force, and the song honors that image by moving with mechanical confidence. Yet it never feels cold. Beneath its propulsion is a sly warmth, a pleasure in repetition, and a taste for atmosphere that keeps the track from becoming purely functional.\nWhat makes “Horsepower” memorable is its balance of discipline and swagger. Bufi understands how to make a groove feel aerodynamic, how to let a beat press forward while small textures flicker around it like dashboard lights in the dark. There is motion here, but also character. The song suggests highways, neon, and a form of nightlife that prefers elegance over excess. It draws from electronic traditions without getting trapped inside revivalism. Instead, “Horsepower” feels built for the perpetual present of the dance floor, where nostalgia becomes fuel and rhythm becomes architecture. It is stylish, tactile, and quietly intoxicating.\nListen: https://durolabel.com/track/horsepower", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635682, "uri": "https://api.kexp.org/v2/plays/3635682/?format=api", "airdate": "2026-03-30T19:04:20-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3635681, "uri": "https://api.kexp.org/v2/plays/3635681/?format=api", "airdate": "2026-03-30T19:01:12-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Veuve Noire", "track_id": null, "recording_id": null, "artist": "Los Eclipses", "artist_ids": [], "album": "Veuve Noire", "release_id": null, "release_group_id": null, "labels": [ "Los Eclipses" ], "label_ids": [], "release_date": "2026-03-13", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Los Eclipses approach “Veuve Noire” with the kind of nocturnal elegance that feels both cinematic and bodily. The Franco-Mexican duo of Eva de Marce and Dan Solo has built its identity around friction: dream and velocity, seduction and unease, sleek electronic surfaces and something darker moving beneath them. “Veuve Noire” makes that contrast its central drama. The title suggests glamour touched by mourning, and the track delivers precisely that atmosphere, moving like a shadow through a dance floor haze. Its pulse is hypnotic rather than blunt, giving the song a sense of forward motion without sacrificing mystery.\nWhat stands out is how deliberately the duo shapes mood. Rather than crowding the arrangement, they let space become part of the song’s emotional architecture. The voice feels suspended in that space, drawing the listener inward while the production keeps the ground shifting underfoot. There is a distinctly continental cool to the sound, but it is never sterile. Instead, “Veuve Noire” lives in the fertile zone where club music becomes narrative, where rhythm suggests not just movement but character. It is the sort of track that can feel intimate in headphones and expansive in a room, holding its drama close while still inviting surrender.\nListen: https://open.spotify.com/track/0L2spSuBr4bfV9wComFLqA", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635680, "uri": "https://api.kexp.org/v2/plays/3635680/?format=api", "airdate": "2026-03-30T18:53:19-07:00", "show": 66323, "show_uri": "https://api.kexp.org/v2/shows/66323/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Question (magnums extended mix)", "track_id": null, "recording_id": null, "artist": "The Moody Blues", "artist_ids": [ "774666d2-2064-4d6c-856c-f8cda0aaf9f0" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Graeme Edge, drummer for Moody Blues was born on this day in 1941.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635679, "uri": "https://api.kexp.org/v2/plays/3635679/?format=api", "airdate": "2026-03-30T18:49:15-07:00", "show": 66323, "show_uri": "https://api.kexp.org/v2/shows/66323/?format=api", "image_uri": "https://coverartarchive.org/release/d83c46f0-e370-43e1-8e99-1396f5961c0b/6224721997-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/d83c46f0-e370-43e1-8e99-1396f5961c0b/6224721997-250.jpg", "song": "What Am I Missing?", "track_id": null, "recording_id": "88c90650-f786-45a7-aef8-77828647a19e", "artist": "Rufus & Chaka", "artist_ids": [ "ec6b11b5-d6a6-4c77-af55-8076a160cc94", "900e9144-019d-4043-86cb-ec0e127c39d0" ], "album": "Masterjam", "release_id": null, "release_group_id": "ec0bd65d-7013-4b9c-9903-4b2f4b40bb34", "labels": [ "MCA Records" ], "label_ids": [ "46a3941a-c810-47a1-974f-955effec4d09" ], "release_date": "1979-10-26", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "produced by Quincy Jones.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635678, "uri": "https://api.kexp.org/v2/plays/3635678/?format=api", "airdate": "2026-03-30T18:46:16-07:00", "show": 66323, "show_uri": "https://api.kexp.org/v2/shows/66323/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3635677, "uri": "https://api.kexp.org/v2/plays/3635677/?format=api", "airdate": "2026-03-30T18:38:02-07:00", "show": 66323, "show_uri": "https://api.kexp.org/v2/shows/66323/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "I Don’t Remember The Last Time I Saw Stars", "track_id": null, "recording_id": "2bdc5155-474d-4274-942b-d2584c4b5d10", "artist": "musclecars", "artist_ids": [ "7b0838c7-61fa-4fce-b835-c87c1eb04085" ], "album": "Sugar Honey Iced Tea!", "release_id": null, "release_group_id": "b503f761-fa00-42b9-87f1-0fe7f25a5f4c", "labels": [ "BBE" ], "label_ids": [ "d85e09a6-2401-42aa-943f-50ff940d6583" ], "release_date": "2024-05-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "https://musclecars.bandcamp.com/album/sugar-honey-iced-tea", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635676, "uri": "https://api.kexp.org/v2/plays/3635676/?format=api", "airdate": "2026-03-30T18:31:12-07:00", "show": 66323, "show_uri": "https://api.kexp.org/v2/shows/66323/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sign of the Times (Rays Rework)", "track_id": null, "recording_id": null, "artist": "Prince", "artist_ids": [ "070d193a-845c-479f-980e-bef15710653e" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3635675, "uri": "https://api.kexp.org/v2/plays/3635675/?format=api", "airdate": "2026-03-30T18:27:18-07:00", "show": 66323, "show_uri": "https://api.kexp.org/v2/shows/66323/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Andromeda (Purple Disco Machine remix)", "track_id": null, "recording_id": "6f097a56-e9bb-44ce-a901-58f41258b3df", "artist": "Gorillaz feat. 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