Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=68080&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=68100&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=68060&ordering=-airdate", "results": [ { "id": 3583297, "uri": "https://api.kexp.org/v2/plays/3583297/?format=api", "airdate": "2025-11-26T17:12:03-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "House of Dead Memories", "track_id": "b88ac024-7714-4daa-b6ab-2405ddf35b80", "recording_id": "866d97ea-83ca-4623-8e16-8fd86ef915dc", "artist": "Sugar", "artist_ids": [ "e3347fbd-2595-480e-926d-278566debf9d" ], "album": "House Of Dead Memories", "release_id": "dbb0ba5b-a8db-435d-b18c-86a2ed39cb69", "release_group_id": "ebac80b1-5efb-4fe4-b2e5-b09e5a9f76b7", "labels": [ "BMG" ], "label_ids": [ "29d7c88f-5200-4418-a683-5c94ea032e38" ], "release_date": "2025-10-15", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "New music from Sugar!!!\n\nBob Mould plays this year's SMOOCH benefit at the Showbox on 12/13 w/ Blondshell. Get tickets here: https://tinyurl.com/5n865vpv\n\nSugar-–the iconic alternative rock trio led by Bob Mould alongside bassist David Barbe and drummer Malcolm Travis--returns with their first new music together in over three decades.\n\nOf their reunion, Mould reveals, \"SUGAR was a meteorite. I spent all of 1991 writing and performing new material at solo shows. David and Malcolm had never met but I was certain we three would work well together.\n\n\"SUGAR was a workhorse. After weeks of rehearsal in early 1992, we spent three months recording Copper Blue and Beaster. By summer 1992, the musical climate was perfect for what we created. \n\n\"SUGAR was a phenomena. No one could have predicted the results. We held onto the wheel and did our best to enjoy the wild ride. SUGAR was part of a pivotal era in popular music, and a special time in my life.\" https://tinyurl.com/4a6xktnj", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583293, "uri": "https://api.kexp.org/v2/plays/3583293/?format=api", "airdate": "2025-11-26T17:08:27-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "No Puedo Dormir", "track_id": "9424d452-03af-46ae-b148-964a594e3e32", "recording_id": "1d6f8cc9-9968-4c21-aa70-1d211117eb02", "artist": "Emi Pop", "artist_ids": [ "88308ff1-6cd2-4d83-b349-a7be01c3d2f4" ], "album": "No Te Voy a Extrañar", "release_id": "de74365d-76d6-470c-88b1-9859ba1f3e33", "release_group_id": "3a9c43a5-4dc2-445a-b882-fe09d92b29dd", "labels": [ "Fink City" ], "label_ids": [ "aa846f84-92c8-4576-89e3-96c07e0db264" ], "release_date": "2025-11-05", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "\"The debut full-length album from Puerto Rican-born, Seattle-based Emi Pop is a lively and catchy-as-hell blend of punk, indie-rock, and power-pop. With scrappy guitars, explosive drums, bright synths, and anthemic choruses, No Te Voy a Extrañar (which translates to “I’m Not Going to Miss You”) showcases her distinctive sound that feels equal parts fresh and familiar. After emerging in the local scene in the summer of 2023, these ten tracks perfectly capture her irresistible vision and vibe, setting the stage for more Puerto Rican rocanrol goodness to come.\" - Chris Sanley (KEXP's Music Director)\n\nhttps://www.kexp.org/read/2025/11/10/new-music-reviews-1110/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583291, "uri": "https://api.kexp.org/v2/plays/3583291/?format=api", "airdate": "2025-11-26T17:05:25-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "https://ia601406.us.archive.org/4/items/mbid-b6b4c2bf-0d62-4373-bbcf-3b93893ada3e/mbid-b6b4c2bf-0d62-4373-bbcf-3b93893ada3e-10058374473_thumb500.jpg", "thumbnail_uri": "https://ia601406.us.archive.org/4/items/mbid-b6b4c2bf-0d62-4373-bbcf-3b93893ada3e/mbid-b6b4c2bf-0d62-4373-bbcf-3b93893ada3e-10058374473_thumb250.jpg", "song": "California über alles", "track_id": "467fb69c-dac3-4654-9452-552d40f3220e", "recording_id": "e734120c-aab0-475f-a70a-af4814ed2a10", "artist": "Dead Kennedys", "artist_ids": [ "37c78aeb-d196-42b5-b991-6afb4fc9bc2e" ], "album": "Fresh Fruit for Rotting Vegetables", "release_id": "b6b4c2bf-0d62-4373-bbcf-3b93893ada3e", "release_group_id": "3495fca0-ce60-3342-93f2-23fd525d8069", "labels": [ "Manifesto" ], "label_ids": [ "04f8fe8c-83da-4912-9c6c-295923fd48dd" ], "release_date": "2005-01-01", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "This track is the band's debut single, and the group's first recording, released in June 1979 on the Optional Music label, with \"The Man with the Dogs\" appearing as its B-side. The title track was re-recorded in 1980 for the band's first album, Fresh Fruit for Rotting Vegetables, and the original recording as well as the B-side were later included on the 1987 compilation Give Me Convenience or Give Me Death.\n\nThe lyrics were written by Jello Biafra and John Greenway for their band The Healers. Biafra composed the music in one of his rare attempts at composing on bass. The title is an allusion to the first stanza of the national anthem of Germany, which begins with the words \"Deutschland, Deutschland über alles\" (\"Germany, Germany above everything\").\n\nAfter the end of the Third Reich in 1945, this passage was removed and is no longer sung, as it is sometimes associated with Nazism and the passage in question claimed a large area of land that is no longer contained within the current borders of Germany.\n\nThe lyrics are a pointed, satirical attack on Jerry Brown, the Governor of California from 1975–1983 (and later 2011–2019), and are sung from his perspective, as an imaginary version of Brown outlines a hippie-fascist vision of America. https://tinyurl.com/24y6y8tp", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583287, "uri": "https://api.kexp.org/v2/plays/3583287/?format=api", "airdate": "2025-11-26T17:01:54-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Always Calling", "track_id": "b9cf85b2-4560-4423-b23c-27114543ff91", "recording_id": "975fa155-711f-4080-a854-931a870caa59", "artist": "Packaging", "artist_ids": [ "310ac711-027b-4eea-833b-0b04d72f82ea" ], "album": "Packaging", "release_id": "ba08eedb-ac44-4a4d-9c24-14a85e95684e", "release_group_id": "3945d4aa-a342-42c4-bacb-9385b51e1c98", "labels": [ "Share It Music" ], "label_ids": [ "019f6f42-4804-4cd4-bdc5-9388c416c7c4" ], "release_date": "2025-10-10", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Packaging will be live at Easy Street Records in West Seattle on 12/14 and Live on KEXP on 12/15! \n\nhttps://www.kexp.org/events/kexp-events/packaging-live-on-kexp-kexp_451465/ \n\n---\nPackaging is the duo of Seattle's Daniel Lyon (Spirit Award) and Denver's Daniel \"Connor\" Birch (Flaural).\n\nThe eponymous album fuses psychedelic textures, krautrock chug, electronic grandeur, tuneful accessibility, and just a little bit of bristling self-awareness. \n\nhttps://tinyurl.com/3mt8eryh | https://packagingmusic.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583285, "uri": "https://api.kexp.org/v2/plays/3583285/?format=api", "airdate": "2025-11-26T16:58:09-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "What Do I Know", "track_id": "b381ea6d-3dc0-4a90-8d88-f439c48a7f4f", "recording_id": "8d61f088-922d-41ee-96f9-c72c0401fd15", "artist": "Deep Sea Diver", "artist_ids": [ "18a627eb-c6e8-4175-b947-9322d8deb938" ], "album": "Billboard Heart", "release_id": "573ecbc7-4ffb-4494-ae97-611fb50a43c8", "release_group_id": "7a1a9a88-2202-4f8d-8b61-a7a1bf797c18", "labels": [ "Sub Pop Records" ], "label_ids": [ "38dc88de-7720-4100-9d5b-3cdc41b0c474" ], "release_date": "2025-02-28", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "Playing at the Paramount on Friday, November 28! \nhttps://www.thisisdeepseadiver.com/ \n\n---\n\n\nOf this song and video, Jessica Dobson reveals, \"'What Do I Know' holds a special place on the record. It is the first song that I engineered all of the instruments myself at my home studio.\n\n\"At the time, I thought I was recording a demo and most of the parts are first takes. We kept all of the imperfections, and nothing was overthought.\n\n\"For the music video, we wanted to lean into that same spirit and gave ourselves only a few hours to film in a very small space. The song is equally existential as it is tongue in cheek, and we wanted the video to reflect more of the raw elements of who we are as a band.\" https://tinyurl.com/muzwaysa\n\nYou can check out the cheeky video here: https://tinyurl.com/4r7xad4x", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583284, "uri": "https://api.kexp.org/v2/plays/3583284/?format=api", "airdate": "2025-11-26T16:54:43-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3583283, "uri": "https://api.kexp.org/v2/plays/3583283/?format=api", "airdate": "2025-11-26T16:50:36-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Warning Sign", "track_id": null, "recording_id": null, "artist": "Talking Heads", "artist_ids": [], "album": "Tentative Decisions: Demos & Live", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Record Store Day: Black Friday\n\nTalking Heads members Chris Frantz and David Byrne met as students at Rhode Island School of Design, and made music in a college band called The Artistics. In spring semester 1974, the band gathered in Frantz’s Benefit Street apartment to record a demo tape. The cassette featured tracks soon to be classics in the Talking Heads discography: “Warning Sign” and “Psycho Killer.”\nThis collection for RSD Black Friday includes this newly discovered material alongside an additional eleven demo and live tracks recorded by the original trio lineup of the band (Bassist Tina Weymouth alongside Frantz and Byrne) in 1975 and 1976.\n\n\nTracklist\nA1. PSYCHO KILLER (SEPTEMBER 1975 DEMO)\nA2. TENTATIVE DECISIONS (SEPTEMBER 1975 DEMO)\nA3. NO COMPASSION (SEPTEMBER 1975 DEMO)\nA4. WARNING SIGN (SEPTEMBER 1975 DEMO)\nA5. I’M NOT IN LOVE (1976 DEMO)\nB1. THANK YOU FOR SENDING ME AN ANGEL (1976 DEMO)\nB2. THE BOOK I READ (1976 DEMO)\nB3. I WISH YOU WOULDN’T SAY THAT (1976 DEMO)\nB4. LOVE GOES TO A BUILDING ON FIRE (1976 DEMO)\nB5. HAPPY DAY (1976 DEMO)\nB6. ARTISTS ONLY (LIVE AT THE OCEAN CLUB, NEW YORK, NY, AUGUST 17, 1976)\nA1. PSYCHO KILLER - THE ARTISTICS\nB1. WARNING SIGN - THE ARTISTICS", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583282, "uri": "https://api.kexp.org/v2/plays/3583282/?format=api", "airdate": "2025-11-26T16:42:21-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "This Must Be The Place (Talking Heads Cover) w/ Naked Giants", "track_id": "47e1def2-4449-4b35-a5df-edb3302c2d96", "recording_id": "d07ecbcb-8faa-43c6-9e9e-e661117a4d2c", "artist": "Car Seat Headrest", "artist_ids": [ "0fabbc1d-8d94-4a61-bd1d-1099ad1e4559" ], "album": "This Must Be The Place (Talking Heads Cover) w/ Naked Giants", "release_id": "268581d0-2295-4128-bdd3-966a6a16171c", "release_group_id": "24d8633b-8dfe-4f06-aa80-1ab7db05ea8d", "labels": [ "[no label]" ], "label_ids": [ "157afde4-4bf5-4039-8ad2-5a15acc85176" ], "release_date": "2016-11-26", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "Seattle bands Car Seat Headrest and Naked Giants covered Talking Heads at The Neptune Theater during their 2016 tour.\n\nhttps://www.stereogum.com/1917546/car-seat-headrest-naked-giants-this-must-be-the-place-naive-melody-talking-heads-cover/music/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583280, "uri": "https://api.kexp.org/v2/plays/3583280/?format=api", "airdate": "2025-11-26T16:38:36-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "100 Horses", "track_id": "7c9667be-9c5b-496d-bfa8-6d4ffeb0050e", "recording_id": "211c18d7-1836-4814-9230-b746cee7bba5", "artist": "Geese", "artist_ids": [ "e0c97a4d-c392-41a9-a374-57af3e3eeab3" ], "album": "Getting Killed", "release_id": "0bf006ce-45a5-4963-89cb-cd285fd768bb", "release_group_id": "3c18308c-9072-4810-b26e-0c573e46fb07", "labels": [ "Partisan Records" ], "label_ids": [ "d4ec5bb3-1d64-40fe-9629-ee1e452e251e" ], "release_date": "2025-09-26", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Is \"Getting Killed\" in your top ten for 2025? Vote for your favorite albums of the year right here: https://www.kexp.org/countdowns/best-of-2025/\n\n--- \n\"100 Horses\" comes from the new Geese album, Getting Killed. On this record, \"garage riffs are layered upon Ukrainian choir samples; hissing drum machines pulse softly behind screeching guitars; strange, lullaby-esque songs are interspersed with furious, repetitive experiments.\" \n\nhttps://geesebandnyc.bandcamp.com/album/getting-killed", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583278, "uri": "https://api.kexp.org/v2/plays/3583278/?format=api", "airdate": "2025-11-26T16:31:25-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sayōnara", "track_id": "16dcd448-df4e-493a-825a-6b46c7da5f3c", "recording_id": "2e236a46-89d6-4d3b-ba04-f3905f086417", "artist": "KNEECAP & Paul Hartnoll", "artist_ids": [ "6ac275dd-eb37-42cf-9a60-6b147320c7be", "2c7c8ec1-b18e-40a2-8ce9-53c3fc4f70fd" ], "album": "Sayōnara", "release_id": "fc1a9b4c-b4e6-4f0d-9b23-7e3226a77b39", "release_group_id": "0a7ed919-7f52-48f5-b95f-1956be619d3e", "labels": [ "Heavenly Recordings" ], "label_ids": [ "696ee2f4-c486-4e7a-80f4-cfd85193677a" ], "release_date": "2025-09-02", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Kneecap had it in their heads that they wanted to make a proper 100% rave festival banger. A few days in the studio with one of the masters of that art form - Orbital's Paul Hartnoll - and the Belfast (and Derry) three piece emerge with an absolute classic of the genre - a mind pounding, drum heavy, relentless club monster of a single.\n\n\"Having worked on the Orbital track Belfast for the fantastic Kneecap film, I was delighted to be asked by the lads to help them make a rave festival banger. They loved the track and did it proud with their lyrics - it was all so easy and natural, just as a good collaboration should be. Hopefully, you’ll be lucky enough to be in a field this summer and hear it in its natural habitat , big , loud, and unashamed!\" https://tinyurl.com/4vm6rfae", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583277, "uri": "https://api.kexp.org/v2/plays/3583277/?format=api", "airdate": "2025-11-26T16:27:13-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Time to Get Away", "track_id": "db851b0d-e61f-37e1-ab3d-873bcfbcb96d", "recording_id": "3f68c333-e3e4-4fa8-81c8-0dbb04b15676", "artist": "LCD Soundsystem", "artist_ids": [ "2aaf7396-6ab8-40f3-9776-a41c42c8e26b" ], "album": "Sound of Silver", "release_id": "21d098df-8327-3503-97e6-22bea515520e", "release_group_id": "5cbcdd9f-4b7d-3b3c-b9f2-6b0e75971157", "labels": [ "DFA Records" ], "label_ids": [ "32d02635-98fc-4405-94e1-e5b06f9d2025" ], "release_date": "2007-03-12", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Of the creation of this Grammy-nominated album, James Murphy reveals, \"Making the record to me didn’t seem that much more pressured than making the first record, and the first twelves, everything seemed to be filled with as much pressure and expectation. I don’t see more bodies as more pressure. I felt just as much pressure trying out our first show. I felt just as much pressure putting out the first twelve-inch that no one cared about. All I know is there’s more bodies and more opinions, but there’s nothing more valid or more terrifying to me. \n\n\"Saying that, making music to be is often a horrible experience. I mean it’s not horrible like working in a diamond mine or something, but emotionally it can be pretty horrible. It’s very intuitive and visceral and physical and euphoric for me, not always positive but very emotional. \n\n\"Being creative is work though. It’s a massive effort that I never thought it would be. I always envisaged making things as a freedom from all that work stuff that you had do in school, when in fact work is very simple. Every job I’ve ever had has been very easy. People tell you what to do, you get most of it done and they kind of get off your back.\n\n\"Making things is terrifying. You have to have so much more discipline, which I never had till later in my life. Which is why I was a failure.\" https://bit.ly/3qmqL1M", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583273, "uri": "https://api.kexp.org/v2/plays/3583273/?format=api", "airdate": "2025-11-26T16:21:36-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Energy Flash", "track_id": null, "recording_id": null, "artist": "Joey Beltram", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Joey Beltram was only 18-19 years old when he made Energy Flash. \n\nhttps://joeybeltram-rs.bandcamp.com/track/energy-flash", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583272, "uri": "https://api.kexp.org/v2/plays/3583272/?format=api", "airdate": "2025-11-26T16:16:32-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "The Orb, Tx", "track_id": "e433e9c5-10e1-402f-b2c8-f8aa225d96f1", "recording_id": "070d99f4-07db-4721-b4d9-0332f5d89d97", "artist": "Kerala Dust", "artist_ids": [ "6a8f332b-a26d-48c3-afd9-b167abfb4562" ], "album": "An Echo of Love", "release_id": "12625ee1-3717-4429-897e-ffc99c11a84c", "release_group_id": "fa37972d-133c-4c5d-bcdb-6959446aa595", "labels": [ "Play It Again Sam" ], "label_ids": [ "3ccd1270-99d3-4b83-a311-6c60e127c866" ], "release_date": "2025-08-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Kerala Dust's single, \"The Orb, TX,\" was recorded in Austin, Texas, during a solar eclipse.\n\nAn Echo of Love is the third studio album from London-formed, Berlin-based Kerala Dust.\n\nBlending blues, post-punk, electronica, and Krautrock, the quartet—now featuring new members Tim Gardner and Pascal Karier alongside founding members Edmund Kenny and Lawrence Howarth—weaves sinister guitar lines and captivating grooves into a distinct, moody art-rock sound. https://tinyurl.com/bdw5nx6b", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583270, "uri": "https://api.kexp.org/v2/plays/3583270/?format=api", "airdate": "2025-11-26T16:05:31-08:00", "show": 65217, "show_uri": "https://api.kexp.org/v2/shows/65217/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "She's Always in My Hair", "track_id": null, "recording_id": null, "artist": "Prince", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Record Store Day: Black Friday\n\nPrince Around the World 7\" singles box set!\n\nTo celebrate the 40th anniversary of the album, the Prince Estate in partnership with Warner Records and Legacy Recordings, will release Around The World In A Day: The Singles, exclusively for RSD Black Friday. With audio newly remastered by original mastering engineer Bernie Grundman, with additional mastering by Chris James, the limited edition 7” box set features all four singles from the album (“Raspberry Beret”, “Paisley Park”, “Pop Life”, and “America”), plus a brand new exclusive 7” single of the 1985 track “4 The Tears In Your Eyes”, which Prince originally contributed to the We Are The World album. Each 7” is presented on a unique vinyl color and presented in their original 7” sleeves, in a clamshell box, all featuring elements of the Around The World In A Day LP sleeve, originally designed by Doug Henders.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583269, "uri": "https://api.kexp.org/v2/plays/3583269/?format=api", "airdate": "2025-11-26T16:00:34-08:00", "show": 65216, "show_uri": "https://api.kexp.org/v2/shows/65216/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Concussion", "track_id": "74e73bff-04e2-46a8-af71-fd172b4dc7f6", "recording_id": "9c76aa95-14c7-492e-b430-cbc6fa196e47", "artist": "Delvon Lamarr Organ Trio", "artist_ids": [ "d70f3879-b92c-4948-a430-fc25d2e3c52d" ], "album": "Concussion / Memphis", "release_id": "d924c1e7-eedb-4ee5-90f4-14b3e27b48b2", "release_group_id": "f4b77097-8f31-4ea3-89f3-648e1d45180d", "labels": [], "label_ids": [], "release_date": "2017-11-24", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Also known as DLO3, this Seattle-based soul jazz group consists of keyboardist Delvon Lamarr (Dumas) on Hammond B-3, guitarist Colin Higgins and drummer David McGraw.\n\nhttps://delvonlamarrorgantrio.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583268, "uri": "https://api.kexp.org/v2/plays/3583268/?format=api", "airdate": "2025-11-26T15:52:55-08:00", "show": 65216, "show_uri": "https://api.kexp.org/v2/shows/65216/?format=api", "image_uri": "https://coverartarchive.org/release/d18fa01a-dc57-413c-8039-b3cad07384ed/1306249096-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/d18fa01a-dc57-413c-8039-b3cad07384ed/1306249096-250.jpg", "song": "Get Up, Get Into It and Get Involved (mono)", "track_id": null, "recording_id": "934f29b7-7874-4ded-b32d-80656545a367", "artist": "James Brown", "artist_ids": [ "20ff3303-4fe2-4a47-a1b6-291e26aa3438" ], "album": "In the Jungle Groove", "release_id": null, "release_group_id": "3ca21b19-b33a-3fba-b4ac-205dcace771d", "labels": [ "Universal Records" ], "label_ids": [ "590538e9-b183-4163-ab5a-171fb021ed12" ], "release_date": "1986-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This song was co-written with Bobby Byrd and Ron Lenhoff. Byrd shares the vocals with James Brown. That's Clyde Stubblefield on drums and the great Phelphs \" \"Catfish\" Collins on guitar (His younger brother, Bootsy, is on bass.)\n--\nDon't miss James Brown's (and Bobby Byrd's) live performance of this song in 1971: https://www.youtube.com/watch?v=rxoR-7I_SVE", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583267, "uri": "https://api.kexp.org/v2/plays/3583267/?format=api", "airdate": "2025-11-26T15:47:39-08:00", "show": 65216, "show_uri": "https://api.kexp.org/v2/shows/65216/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Doowutchyalike", "track_id": "038aa78f-c4ef-323e-8daf-0738f1e197a9", "recording_id": "43e669a3-d2cc-4e38-8df4-142e0ea7634e", "artist": "Digital Underground", "artist_ids": [ "ff6cb06c-a6e5-4ab9-a5ce-fa2095be45b9" ], "album": "Sex Packets", "release_id": "e0911ac8-d3f8-4a8c-b8d1-3124741458a8", "release_group_id": "84abec74-3b40-3a83-9449-46d7e420d4d7", "labels": [ "Tommy Boy", "Tommy Boy Music" ], "label_ids": [ "dd13c200-c9c9-4671-85f8-2dbff1319e3f", "25782561-07e5-453b-b2e9-6a7c39f86a3e" ], "release_date": "1990-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Going out to Dan, who suggested that this is the time of year when people \"eatwutchyalike\".\n--\n\"Just grab 'em in the biscuits...\" R.I.P., Gregory Edward Jacobs, aka Shock G,., who died in 2021 at age 57: https://www.nytimes.com/2021/04/23/arts/music/shock-g-dead.html", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583266, "uri": "https://api.kexp.org/v2/plays/3583266/?format=api", "airdate": "2025-11-26T15:44:09-08:00", "show": 65216, "show_uri": "https://api.kexp.org/v2/shows/65216/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Home Cookin’", "track_id": null, "recording_id": "af7fdfb1-103f-4a2e-ad5e-e5bcb2416fa7", "artist": "Jr. Walker & the All Stars", "artist_ids": [ "07d78001-dde0-489c-9281-d2fa98a85de4" ], "album": "The Ultimate Collection", "release_id": null, "release_group_id": "ec0aa6a3-fa6b-36d5-8175-275831dde736", "labels": [ "Motown" ], "label_ids": [ "8e479e57-ef44-490c-b75d-cd28df89bf1b" ], "release_date": "1997-10-07", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Out to Brooke!\n--\n\"Now, I like sweet candied yams\nAnd I like homemade ham-hocks\nInstead of study, how you look\nYou oughta study\nYour mama's cookbook...\"\nSaxophonist Jr. Walker has definite ideas about the way to a man's heart: https://genius.com/Junior-walker-and-the-all-stars-home-cookin-lyrics\n--\nAutry DeWalt-Mixon was born in Blythesville, Arkansas in 1931. His stepfather, whose surname is Walker, gave him the nickname “Junior,” and the youngster was inspired to take up the saxophone by the jumping jive of alto genius Louis Jordan, whose seductive music he hears while growing up. Here's a biography: https://classic.motown.com/artist/jr-walker-the-all-stars/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583264, "uri": "https://api.kexp.org/v2/plays/3583264/?format=api", "airdate": "2025-11-26T15:39:48-08:00", "show": 65216, "show_uri": "https://api.kexp.org/v2/shows/65216/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Gentle Smiles (Saxy)", "track_id": null, "recording_id": "b173eb6b-724a-4a53-ad89-b758eafb5447", "artist": "Gary Bartz", "artist_ids": [ "d2cdb3df-783b-472e-91ab-70630fc6a4ad" ], "album": "The Shadow Do", "release_id": null, "release_group_id": "51364d32-df27-30eb-bfa5-3b52c5fe0280", "labels": [ "Prestige" ], "label_ids": [ "11847c89-4b2c-4866-84c3-f72e264c0f66" ], "release_date": "1975-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Saxophonist Gary Bartz, named a 2024 Jazz Master by the National Endownment for the Arts, is a prolific recording artist with more than 45 solo albums to his credit.: https://www.oberlin.edu/gary-bartz\n--\n\"The Shadow Do\" was produced by Fonce and Larry Mizell. \"Gentle Smiles (Saxy)\" sampled William DeVaughn's \"Be Thankful for What You Got\".", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3583265, "uri": "https://api.kexp.org/v2/plays/3583265/?format=api", "airdate": "2025-11-26T15:37:33-08:00", "show": 65216, "show_uri": "https://api.kexp.org/v2/shows/65216/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" } ] }
