Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=73840&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=73860&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=73820&ordering=-airdate", "results": [ { "id": 3574783, "uri": "https://api.kexp.org/v2/plays/3574783/?format=api", "airdate": "2025-11-06T16:11:43-08:00", "show": 65039, "show_uri": "https://api.kexp.org/v2/shows/65039/?format=api", "image_uri": "https://ia800804.us.archive.org/34/items/mbid-804b7f78-0bbc-3479-887a-ab28390357d4/mbid-804b7f78-0bbc-3479-887a-ab28390357d4-4507123240_thumb500.jpg", "thumbnail_uri": "https://ia800804.us.archive.org/34/items/mbid-804b7f78-0bbc-3479-887a-ab28390357d4/mbid-804b7f78-0bbc-3479-887a-ab28390357d4-4507123240_thumb250.jpg", "song": "The New Pollution", "track_id": "c477e229-2655-3555-a495-780ac8483961", "recording_id": "aa9135c4-0499-4d75-9caf-4e2025caf388", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Odelay", "release_id": "804b7f78-0bbc-3479-887a-ab28390357d4", "release_group_id": "df0bfd42-78a9-40c3-a45f-a12e10d446f8", "labels": [ "Geffen Records", "Bong Load Custom Records" ], "label_ids": [ "0fadc2ce-f7de-4e27-bbe6-612b317e716b", "b41ac8e4-c575-44df-a544-40ad84723ff3" ], "release_date": "1996-06-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The bluesy sax riff is from Joe Thomas' \"Venus\" (1976).\nhttps://wbssmedia.com/artists/detail/1289\n--\nReleased as the third single from Beck's fifth album, Odelay in 1996, \"The New Pollution\" samples the drumbeat from Gus Poole's \"Hallelujah, Alright, Amen,\" a funky disco soul track from 1970, and the bluesy sax riff is from Joe Thomas' \"Venus\" (1976).\n--\nBeck was once asked what the new pollution was. His reply, \"Human radios, sex with machines, mad eunuchs.\"\n\nhttps://www.beck.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574782, "uri": "https://api.kexp.org/v2/plays/3574782/?format=api", "airdate": "2025-11-06T16:07:28-08:00", "show": 65039, "show_uri": "https://api.kexp.org/v2/shows/65039/?format=api", "image_uri": "https://dn710202.ca.archive.org/0/items/mbid-da976a96-c18a-464b-8d7e-8382a3a498a7/mbid-da976a96-c18a-464b-8d7e-8382a3a498a7-8526429826_thumb500.jpg", "thumbnail_uri": "https://dn710202.ca.archive.org/0/items/mbid-da976a96-c18a-464b-8d7e-8382a3a498a7/mbid-da976a96-c18a-464b-8d7e-8382a3a498a7-8526429826_thumb250.jpg", "song": "Dog It", "track_id": "38c8b30b-b96a-3efc-bec9-4f31e59b4095", "recording_id": "ce9fd619-1925-430a-b4e6-b8cf6c848af5", "artist": "Digable Planets", "artist_ids": [ "ff44f779-74ab-48f8-aac3-39ebe8f7c18e" ], "album": "Blowout Comb", "release_id": "23943394-4ef1-436a-bd6c-74e0e5bdd29f", "release_group_id": "ee79e536-de20-3af0-9ae8-b529503a8c3e", "labels": [ "Capitol Records" ], "label_ids": [ "abea2d3e-eabf-4480-ab24-9382dd642c73" ], "release_date": "1994-10-18", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "Donald \"Duck\" Harrison plays sax for this Digable Planets track!\n--\nFeaturing a sample from \"God Make Me Funky\" by The Headhunters, the album also features guest appearances from Guru of Gang Starr, Jeru the Damaja, and DJ Jazzy Joyce.\n--\nLarry Mizell, Jr. interviewed Ishmael Butler of Digable Planets for our award-winning podcast series, \"Fresh Off The Spaceship.\" Listen here: https://www.kexp.org/podcasts/fresh-off-the-spaceship/2022/3/18/ishmael-butler-shines-light/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574781, "uri": "https://api.kexp.org/v2/plays/3574781/?format=api", "airdate": "2025-11-06T16:00:37-08:00", "show": 65039, "show_uri": "https://api.kexp.org/v2/shows/65039/?format=api", "image_uri": "https://ia600505.us.archive.org/26/items/mbid-1d8a544e-14b6-3415-89f8-d5084307e9cb/mbid-1d8a544e-14b6-3415-89f8-d5084307e9cb-27681160600_thumb500.jpg", "thumbnail_uri": "https://ia600505.us.archive.org/26/items/mbid-1d8a544e-14b6-3415-89f8-d5084307e9cb/mbid-1d8a544e-14b6-3415-89f8-d5084307e9cb-27681160600_thumb250.jpg", "song": "Rose Rouge", "track_id": "bfec71db-f86f-3fa7-9f2e-d57a91d21446", "recording_id": "57072609-4bbc-4d0f-b1f4-64fb54382451", "artist": "St Germain", "artist_ids": [ "9a04dc8c-82f1-457a-a25a-3ff19e1b471e" ], "album": "Tourist", "release_id": "1d8a544e-14b6-3415-89f8-d5084307e9cb", "release_group_id": "0f8ce4c1-f224-37bc-8a2c-8c930082aebd", "labels": [ "Blue Note" ], "label_ids": [ "713c4a95-6616-442b-9cf6-14e1ddfd5946" ], "release_date": "2000-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "It's National Saxophone Day which commemorates the birth of the woodwind's inventor, Adolphe Sax, on November 6th! \nThe saxophone is one of the main instruments in jazz music.\n--\nOpening track from St. Germain's 2000 release \"Tourist\", featuring a sample of Marlena Shaw's \"Woman of the Ghetto\" from her 1973 album \"Live at Montreaux\". http://www.stgermain-music.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574779, "uri": "https://api.kexp.org/v2/plays/3574779/?format=api", "airdate": "2025-11-06T15:58:35-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://coverartarchive.org/release/b9ab0e78-40be-4106-8a9d-d647b5acb1b8/14459678302-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/b9ab0e78-40be-4106-8a9d-d647b5acb1b8/14459678302-250.jpg", "song": "Ponta de Areia", "track_id": null, "recording_id": "31ec806d-7a90-4484-b290-4a6538738394", "artist": "Wayne Shorter & Milton Nascimento", "artist_ids": [ "2379937f-6e0d-46a2-b8ff-633fafd72002", "1bfa27e3-0376-4206-a772-4586e25a64f5" ], "album": "Native Dancer", "release_id": null, "release_group_id": "9861d108-d00f-3dfd-9623-bb2270363bf1", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1975-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "One of the most beautiful songs in jazz is the melancholic farewell to a lost railway in the Brazil of the 60s. Ponta de Areia was a station on the Bahia-Minas steam train line, which connected the state of Minas Gerais in the interior with the coastal state of Bahia. This song laments the destruction of this by the military dictatorship of the 1964-1985, which left small towns abandoned.: https://midnightoilstudios.org/2024/06/30/ponta-de-areia/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574780, "uri": "https://api.kexp.org/v2/plays/3574780/?format=api", "airdate": "2025-11-06T15:57:51-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "To me, a song is not finished. To me, there's no such thing as a finished anything. All of Beethoven's nine symphonies, to me, are one. I think of it as having no beginning and no end. --Wayne Shorter", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3574778, "uri": "https://api.kexp.org/v2/plays/3574778/?format=api", "airdate": "2025-11-06T15:53:14-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "502 Blues (Drinkin’ and Drivin’)", "track_id": null, "recording_id": "282ca6b4-04c4-49a2-b5b4-f991e8fb87d1", "artist": "Wayne Shorter", "artist_ids": [ "2379937f-6e0d-46a2-b8ff-633fafd72002" ], "album": "Adam’s Apple", "release_id": null, "release_group_id": "6d538c40-c616-32e3-96cf-3d5e3d96c5ad", "labels": [ "Blue Note" ], "label_ids": [ "713c4a95-6616-442b-9cf6-14e1ddfd5946" ], "release_date": "1967-10-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“502 Blues” was written in 1958 by pianist Jimmy Rowles who was a notoriously hard drinker, as was Wayne Shorter at the time this record was recorded. “502” denotes the police code for drinking and driving.\n--\nShorter quit drinking in 1967.\n--\nHere's a final interview with Wayne Shorter in May, 2023: https://downbeat.com/news/detail/wayne-shorter-the-final-interview", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574777, "uri": "https://api.kexp.org/v2/plays/3574777/?format=api", "airdate": "2025-11-06T15:51:57-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://coverartarchive.org/release/055f24e9-3842-4a2d-81d2-27dfc9c9f901/5262114683-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/055f24e9-3842-4a2d-81d2-27dfc9c9f901/5262114683-250.jpg", "song": "Raise Up", "track_id": null, "recording_id": "ab83edb9-f393-4e1d-9e2d-cf5f7832d6e3", "artist": "DJ Cam Quartet", "artist_ids": [ "68b28a39-0966-42b8-b9e9-af6115c9fd77" ], "album": "Rebirth of Cool", "release_id": null, "release_group_id": "54cf8a0a-e50e-45bd-9c0f-ffcc1d7aefde", "labels": [ "Inflamable" ], "label_ids": [ "88324cb7-68a8-414b-89d7-447ac5ee79d3" ], "release_date": "2008-10-08", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "DJ Cam Quartet is a jazzy hip-hop collaboration led by French DJ Laurent Daumail. The quartet consists of DJ Cam on scratches, strings, drums, and programming, Alexandre Tassel on bugle, Christian Brun on guitar, Jerome Regard on bass, and Eric Legnini on keyboard.\n--\n\"Raise Up\" contains samples of \"502 Blues\" by Wayne Shorter and \"Sucker D.J.'s (I Will Survive)\" by Dimples D.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574776, "uri": "https://api.kexp.org/v2/plays/3574776/?format=api", "airdate": "2025-11-06T15:49:12-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://coverartarchive.org/release/2ddfb4b2-7e54-4277-93cd-641acdca9328/28722391194-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2ddfb4b2-7e54-4277-93cd-641acdca9328/28722391194-250.jpg", "song": "The Machine and TEK", "track_id": null, "recording_id": "6ac79d15-8469-42b2-8682-5852bec5f705", "artist": "Tek, Conway", "artist_ids": [], "album": "Pricele$$", "release_id": null, "release_group_id": "a27ffb88-8b14-4808-9617-92d52481121c", "labels": [ "D4D Records" ], "label_ids": [ "00d36f98-36b1-46d7-9192-c662d2527a95" ], "release_date": "2021-03-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This song, written by Tek, Daringer, and Conway the Machine directly samples Wayne Shorter's \"Calm.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574775, "uri": "https://api.kexp.org/v2/plays/3574775/?format=api", "airdate": "2025-11-06T15:47:36-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "No Pain No Gain (Salaam Remi Remix) (Live)", "track_id": null, "recording_id": "481f7886-731d-4e3a-aa3d-1b2aedcff4bd", "artist": "Buckshot LeFonque", "artist_ids": [ "c1085917-1048-4f49-91d8-f7f7625e3545" ], "album": "Straight For The Positive (Live '95)", "release_id": null, "release_group_id": "01f01f7e-c151-4897-92bd-6cca87768fb5", "labels": [ "Carnival Records" ], "label_ids": [ "b237784f-af29-484f-a8de-0da7a26dbd6d" ], "release_date": "2021-07-16", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This Salaam Remi remix of \"No Pain No Gain\" samples Wayne Shorter's \"Calm.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574774, "uri": "https://api.kexp.org/v2/plays/3574774/?format=api", "airdate": "2025-11-06T15:44:51-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://ia802903.us.archive.org/21/items/mbid-fdee51cc-40b2-46bd-bbd9-c2c8682ae9d3/mbid-fdee51cc-40b2-46bd-bbd9-c2c8682ae9d3-29816128330_thumb500.jpg", "thumbnail_uri": "https://dn721808.ca.archive.org/0/items/mbid-fdee51cc-40b2-46bd-bbd9-c2c8682ae9d3/mbid-fdee51cc-40b2-46bd-bbd9-c2c8682ae9d3-29816128330_thumb250.jpg", "song": "Bronx Theme", "track_id": "c2330d76-9f72-315f-99e4-c985b53d5da3", "recording_id": "39e91c09-1a82-423a-abe5-7367faeec0c5", "artist": "DJ Cam", "artist_ids": [ "d2e123d0-c53e-4444-a52a-efeff44953c7" ], "album": "Offering 2: The Past, Present & Future of !K7", "release_id": "fdee51cc-40b2-46bd-bbd9-c2c8682ae9d3", "release_group_id": "3352d183-7f0e-30c4-b9f7-c8d64858c29d", "labels": [ "!K7" ], "label_ids": [ "893364ff-1830-4694-833d-93751f14f984" ], "release_date": "1998-06-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Bronx Theme\" contains samples of 8 songs, including multiple elements of Wayne Shorter's \"Calm.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574773, "uri": "https://api.kexp.org/v2/plays/3574773/?format=api", "airdate": "2025-11-06T15:41:55-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Calm", "track_id": null, "recording_id": "32e0d212-e7f7-4073-abdf-0e547c3702a0", "artist": "Wayne Shorter", "artist_ids": [ "2379937f-6e0d-46a2-b8ff-633fafd72002" ], "album": "Odyssey of Iska", "release_id": null, "release_group_id": "33e28cab-e5df-31c9-8e7e-3d437205c183", "labels": [ "Blue Note" ], "label_ids": [ "713c4a95-6616-442b-9cf6-14e1ddfd5946" ], "release_date": "1971-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Iska\" is the Hausa (Nigerian people) word for \"wind.\"\n--\nWayne Shorter was a practicing Buddhist for more than 50 years. Here's The Buddhist Review's remembrance of the artist, who died in 2023: https://tricycle.org/article/wayne-shorter/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574772, "uri": "https://api.kexp.org/v2/plays/3574772/?format=api", "airdate": "2025-11-06T15:38:16-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://coverartarchive.org/release/a4274c33-cf5e-4e7d-8d35-e80340c5d8c1/5142947056-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/a4274c33-cf5e-4e7d-8d35-e80340c5d8c1/5142947056-250.jpg", "song": "Jezzebel", "track_id": null, "recording_id": "74a06f06-19b7-495a-b6a1-e019a87d5441", "artist": "Boyz II Men", "artist_ids": [ "b42eca0f-9381-43db-badb-1cba080a7dc2" ], "album": "II", "release_id": null, "release_group_id": "6eaebb45-8911-3d0b-8ef3-914726356144", "labels": [ "Motown" ], "label_ids": [ "8e479e57-ef44-490c-b75d-cd28df89bf1b" ], "release_date": "1994-08-30", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Jezzebel\" sampled Wayne Shorter's \"Speak No Evil.\"\n--\nCharles Farrar and Troy Taylor (The Characters) produced this album, Boyz II Men's third.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574771, "uri": "https://api.kexp.org/v2/plays/3574771/?format=api", "airdate": "2025-11-06T15:36:03-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://coverartarchive.org/release/2e2833d1-a6b0-48a4-aba0-4d5fc1a0c436/1042413435-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2e2833d1-a6b0-48a4-aba0-4d5fc1a0c436/1042413435-250.jpg", "song": "Speak No Evil", "track_id": null, "recording_id": "52f5dd01-050e-4db2-b85f-a4775a321292", "artist": "Wayne Shorter", "artist_ids": [ "2379937f-6e0d-46a2-b8ff-633fafd72002" ], "album": "Speak No Evil", "release_id": null, "release_group_id": "eae0c18f-f2fd-3b97-8631-3f682a2f3957", "labels": [ "Blue Note" ], "label_ids": [ "713c4a95-6616-442b-9cf6-14e1ddfd5946" ], "release_date": "1965-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "That's Herbie Hancock on piano, Ron Carter on bass, Elvin Jones on drums, Freddie Hubbard on trumpet, and the incomparable Wayne Shorter on saxophone on his composition.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574770, "uri": "https://api.kexp.org/v2/plays/3574770/?format=api", "airdate": "2025-11-06T15:30:54-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://coverartarchive.org/release/f26c8603-01dd-45cb-9c3e-84054e13bd28/933636070-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/f26c8603-01dd-45cb-9c3e-84054e13bd28/933636070-250.jpg", "song": "Footprints", "track_id": null, "recording_id": "3f5bc90e-55a9-4254-9943-fc0d012e8e31", "artist": "Miles Davis Quintet", "artist_ids": [ "fe7245e7-d734-4ca1-8e26-691883f58201" ], "album": "Miles Smiles", "release_id": null, "release_group_id": "60fa4ab0-bf92-3184-80ca-6dcadbb5c748", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1966-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "On October 24, 1966, trumpeter Miles Davis began the recording session for Miles Smiles, his sophomore album with his now-famous Second Great Quintet, which featured saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. The album was famous for its captivating repertoire, with several of the tracks going on to become essentials of the Miles Davis canon. “Footprints,” a tune originally composed by Shorter and included on the saxophonist’s album Adam’s Apple, was an immediate standout.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574769, "uri": "https://api.kexp.org/v2/plays/3574769/?format=api", "airdate": "2025-11-06T15:29:44-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://dn710205.ca.archive.org/0/items/mbid-4e304494-012a-49ea-9892-9cea2311a5a7/mbid-4e304494-012a-49ea-9892-9cea2311a5a7-36778465550_thumb500.jpg", "thumbnail_uri": "https://dn710205.ca.archive.org/0/items/mbid-4e304494-012a-49ea-9892-9cea2311a5a7/mbid-4e304494-012a-49ea-9892-9cea2311a5a7-36778465550_thumb250.jpg", "song": "Footprints", "track_id": "78450938-8e76-4cf7-bfc0-94b0cf78f259", "recording_id": "5590c31e-bdc6-4d91-b08b-b92484db4bb0", "artist": "Ezra Collective", "artist_ids": [ "d51acca9-a88b-4f5c-a2fe-f069de70ca1d" ], "album": "Blue Note Re:Imagined", "release_id": "1df59239-2ed0-45c2-9b96-9444af298368", "release_group_id": "367fd4e9-b698-4ca6-8477-aed4f0888d0c", "labels": [ "Decca Records" ], "label_ids": [ "f18f3b31-8263-4de3-966a-fda317492d3d" ], "release_date": "2020-10-16", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "London quintet Ezra Collective released their version of Wayne Shorter’s classic composition “Footprints,” which was originally recorded on the legendary saxophonist’s 1966 Blue Note album Adam’s Apple.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574768, "uri": "https://api.kexp.org/v2/plays/3574768/?format=api", "airdate": "2025-11-06T15:28:25-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://ia802309.us.archive.org/24/items/mbid-8c0935be-266f-485f-b465-c57ab13a67b3/mbid-8c0935be-266f-485f-b465-c57ab13a67b3-11056278771_thumb500.jpg", "thumbnail_uri": "https://ia802309.us.archive.org/24/items/mbid-8c0935be-266f-485f-b465-c57ab13a67b3/mbid-8c0935be-266f-485f-b465-c57ab13a67b3-11056278771_thumb250.jpg", "song": "Footprints", "track_id": "4e1afba6-c282-3213-ac43-a41ca8af54aa", "recording_id": "828d021d-e6f5-47a4-8783-7475e6840479", "artist": "Madlib", "artist_ids": [ "ea9078ef-20ca-4506-81ea-2ae5fe3a42e8" ], "album": "Shades of Blue", "release_id": "8c0935be-266f-485f-b465-c57ab13a67b3", "release_group_id": "ce569c5b-b67b-3e0c-b4c0-04d916d13891", "labels": [ "Blue Note" ], "label_ids": [ "713c4a95-6616-442b-9cf6-14e1ddfd5946" ], "release_date": "2003-06-24", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "On \"Shades of Blue,' Madlib \"invades Blue Note\" to put his own twist on compositions from the 60's and 70's.: https://www.rapreviews.com/2003/08/madlib-shades-of-blue-madlib-invades-blue-note/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574767, "uri": "https://api.kexp.org/v2/plays/3574767/?format=api", "airdate": "2025-11-06T15:27:04-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Footprints", "track_id": null, "recording_id": "45110661-e0c8-4c2c-a4ef-8cd35348838b", "artist": "Lonnie Liston Smith & The Cosmic Echoes", "artist_ids": [ "9afbdfa9-cc56-40d8-929a-4f40cc196f03" ], "album": "Cosmic Funk", "release_id": null, "release_group_id": "50daf76b-d637-34c4-abe2-bdee049da60e", "labels": [ "Flying Dutchman" ], "label_ids": [ "39960a95-f48d-4875-9d21-e017685f22e8" ], "release_date": "1974-07-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Footprints\" is a cover of \"Footprints\" by Wayne Shorter.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574766, "uri": "https://api.kexp.org/v2/plays/3574766/?format=api", "airdate": "2025-11-06T15:23:01-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://coverartarchive.org/release/4edb0647-e195-4101-b496-0f949e14983b/32177355178-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/4edb0647-e195-4101-b496-0f949e14983b/32177355178-250.jpg", "song": "Footprints", "track_id": null, "recording_id": "4426e9ee-2dba-41d6-a5e9-f88c611ec547", "artist": "Wayne Shorter", "artist_ids": [ "2379937f-6e0d-46a2-b8ff-633fafd72002" ], "album": "Adam’s Apple", "release_id": null, "release_group_id": "6d538c40-c616-32e3-96cf-3d5e3d96c5ad", "labels": [ "Blue Note" ], "label_ids": [ "713c4a95-6616-442b-9cf6-14e1ddfd5946" ], "release_date": "1967-10-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Wayne Shorter's composition \"Footprints\" first appeared on the 1966 post-bop album, \"Adam’s Apple,\" on which Shorter joined pianist Herbie Hancock, bassist Reggie Workman, and drummer Joe Chambers. \n--\nAnother version of Footprints forms the third track of Miles Davis’ 1967 album, \"Miles Smiles.\" That recording features Shorter with Miles Davis (trumpet), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums).\n--\nJazz commentator Rodney Franks offers the following description:\n\"Although occasionally mistaken for a waltz, the melody alternates between simple and compound time (6 over 8 and 4 over 4), while drum rhythm goes from three-over-two to two-over-two. In this context the 4 over 4 beat is known as “tresillo” in Afro-Cuban music and correlates to the twelve-over-eight timing. “Footprints” incorporates what is possibly the first use of systemic, African-based cross-rhythm. While taking the form of a 12-bar C-minor blues, the melody is actually written in C-Dorian, using A-sharp rather than A-flat.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574764, "uri": "https://api.kexp.org/v2/plays/3574764/?format=api", "airdate": "2025-11-06T15:18:45-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://ia601604.us.archive.org/28/items/mbid-76df3287-6cda-33eb-8e9a-044b5e15ffdd/mbid-76df3287-6cda-33eb-8e9a-044b5e15ffdd-829521842_thumb500.jpg", "thumbnail_uri": "https://ia801604.us.archive.org/28/items/mbid-76df3287-6cda-33eb-8e9a-044b5e15ffdd/mbid-76df3287-6cda-33eb-8e9a-044b5e15ffdd-829521842_thumb250.jpg", "song": "Strangers", "track_id": "f280d32c-dfed-3be5-9906-91e00e348d1e", "recording_id": "e97f805a-ab48-4c52-855e-07049142113d", "artist": "Portishead", "artist_ids": [ "8f6bd1e4-fbe1-4f50-aa9b-94c450ec0f11" ], "album": "Dummy", "release_id": "76df3287-6cda-33eb-8e9a-044b5e15ffdd", "release_group_id": "48140466-cff6-3222-bd55-63c27e43190d", "labels": [ "Go! Beat" ], "label_ids": [ "cd275ac6-9af0-4465-895b-462208cb716e" ], "release_date": "1994-08-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Strangers\" contains samples of \"Elegant People\" by Weather Report, \"Wait Please\" by Eddie Harris and \"Magnificent Sanctuary Band\" by Donny Hathaway.\n--\nWatch Beth Gibbons and colleagues perform this one live: https://www.youtube.com/watch?v=HbSu2UM8kcQ", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3574765, "uri": "https://api.kexp.org/v2/plays/3574765/?format=api", "airdate": "2025-11-06T15:17:46-08:00", "show": 65038, "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api", "image_uri": "https://coverartarchive.org/release/872f474a-e58e-4bae-ac51-89faaec80036/14739703412-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/872f474a-e58e-4bae-ac51-89faaec80036/14739703412-250.jpg", "song": "Elegant People", "track_id": null, "recording_id": "0093e61d-b482-4fee-aad9-bf165da2a5dd", "artist": "Weather Report", "artist_ids": [ "0f9997bd-e079-429e-8ccd-9378c9b0c746" ], "album": "Black Market", "release_id": null, "release_group_id": "7db657be-44b2-38ea-9296-663c5446096d", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1976-04-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Wayne Shorter wrote and produced this song for Weather Report. \n\nWatch Weather Report in a live performance of \"Elegant People\" at Montreux in 1976: https://www.facebook.com/argonautadellamusica1/videos/weather-report-elegant-people-live-at-montreux-1976/2466182860171918/", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
