Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=78780&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=78800&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=78760&ordering=-airdate", "results": [ { "id": 3564672, "uri": "https://api.kexp.org/v2/plays/3564672/?format=api", "airdate": "2025-10-13T19:36:42-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "https://coverartarchive.org/release/c720df64-fc76-481a-86bc-f3a68fd239f0/18029941057-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/c720df64-fc76-481a-86bc-f3a68fd239f0/18029941057-250.jpg", "song": "Somos más americanos", "track_id": null, "recording_id": "e6122d41-588e-4cf6-8094-efb510ba0500", "artist": "Zack de la Rocha", "artist_ids": [ "aa659468-db56-41c9-b6fe-61f4bb2ef1a6" ], "album": "MTV Unplugged: Los Tigres del Norte & Friends", "release_id": null, "release_group_id": "cdfdc0a0-b810-4100-af12-e3ad80cdab62", "labels": [], "label_ids": [], "release_date": "2011-05-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Somos Más Americanos,” released in 2001, is a corrido that challenges anti-immigrant sentiment and asserts Latin American identity. The song declares that Latinos belong to the Americas as much as anyone else. With Los Tigres del Norte’s signature accordion sound and direct lyrics, it became an anthem for migrant pride and borderland resistance. The band’s socially conscious songwriting and storytelling have made them one of the most respected norteño groups in history.\u2028Listen: https://open.spotify.com/track/1x2TbvAZhkwW0srZCJtMcm", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564671, "uri": "https://api.kexp.org/v2/plays/3564671/?format=api", "airdate": "2025-10-13T19:32:56-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3564670, "uri": "https://api.kexp.org/v2/plays/3564670/?format=api", "airdate": "2025-10-13T19:31:00-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "https://coverartarchive.org/release/3de5d9e1-8ad3-4937-b0cc-42fbf1e93fe1/8251752071-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/3de5d9e1-8ad3-4937-b0cc-42fbf1e93fe1/8251752071-250.jpg", "song": "People of The Sun", "track_id": null, "recording_id": null, "artist": "Rage Against the Machine", "artist_ids": [ "3798b104-01cb-484c-a3b0-56adc6399b80" ], "album": "Evil Empire", "release_id": null, "release_group_id": "15dc62d4-9c86-432c-92fd-c469808f24bc", "labels": [], "label_ids": [], "release_date": "2016-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "People of the Sun is a blistering two-minute blast of resistance, raw energy, and revolutionary urgency. Rage Against The Machine fuse militant lyrics with a stripped-down, funk-metal groove, led by Tom Morello’s signature guitar scratches and Zack de la Rocha’s fiery vocal delivery. The song spotlights the plight of Indigenous peoples and critiques U.S. imperialism, especially in Latin America, making it both politically charged and emotionally resonant. It’s concise yet uncompromising, with each beat and word pushing against complacency. A standout track from Evil Empire, it remains a fierce anthem of rebellion that still punches hard decades later.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564669, "uri": "https://api.kexp.org/v2/plays/3564669/?format=api", "airdate": "2025-10-13T19:26:52-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Transgresores de la ley", "track_id": null, "recording_id": "d56d2793-6574-4828-a910-05b50514d961", "artist": "Tijuana No!", "artist_ids": [], "album": "Transgresores de la ley", "release_id": null, "release_group_id": "e526bc3a-f981-3749-8dde-b614e999acd6", "labels": [], "label_ids": [], "release_date": "1994-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Tijuana No! emerged in the late 1980s blending ska, punk, and reggae with activist themes. “Transgresores de la Ley” is their defining track, confronting discrimination against immigrants and the criminalization of poverty. The song’s lively horns and rapid rhythm contrast with lyrics about survival and injustice. It became an anthem in Mexican alternative music and a symbol of borderland identity. The collaboration of Julieta Venegas early in the band’s career helped bring attention to their politically conscious sound.\u2028Listen: https://open.spotify.com/track/68fXT2nYFJfw6hNsxJGTiX", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564668, "uri": "https://api.kexp.org/v2/plays/3564668/?format=api", "airdate": "2025-10-13T19:20:40-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "https://coverartarchive.org/release/2c41ac3b-6b67-4039-abb2-9d9b7093ed72/9659189429-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2c41ac3b-6b67-4039-abb2-9d9b7093ed72/9659189429-250.jpg", "song": "Nada Pasó", "track_id": null, "recording_id": null, "artist": "Panteón Rococó", "artist_ids": [ "8536d91f-d976-4578-9776-9376a004e4f0" ], "album": "A la izquierda de la Tierra", "release_id": null, "release_group_id": "0a312cb3-2fac-3333-b764-e4142a7bf13e", "labels": [], "label_ids": [], "release_date": "1999-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Panteón Rococó fuse ska, rock, and reggae with social themes, and “Nada Pasó” captures their blend of activism and optimism. The song contrasts upbeat brass sections and danceable rhythm with lyrics about apathy and social inaction. Its message—calling out indifference to injustice—has kept it relevant since its release in the early 2000s. The track exemplifies the band’s energetic live sound and their commitment to blending party music with political substance. A staple of Mexico’s ska-punk movement.\u2028Listen: https://open.spotify.com/track/4eMfSPRCUws1y7ON1zY0sE", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564667, "uri": "https://api.kexp.org/v2/plays/3564667/?format=api", "airdate": "2025-10-13T19:15:49-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Desapariciones – Remasterizado 2008", "track_id": null, "recording_id": null, "artist": "Los Fabulosos Cadillacs", "artist_ids": [ "cfe85625-10af-46c1-99fb-765ed3a4f1ad" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Originally written by Panamanian songwriter Rubén Blades, “Desapariciones” was reinterpreted by Los Fabulosos Cadillacs in 1992 on Rey Azúcar. Their version preserves the song’s haunting theme—the forced disappearances that marked Latin America’s dictatorships—while infusing it with the band’s signature ska-rock sound. Vicentico’s urgent vocals and the horn section’s rhythmic tension highlight the song’s emotional gravity. The 2008 remaster enhances its depth and clarity, reaffirming it as one of the band’s most powerful political statements.\u2028Listen: https://open.spotify.com/track/3otBywYq8Orqkz9XqRzQf7", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564666, "uri": "https://api.kexp.org/v2/plays/3564666/?format=api", "airdate": "2025-10-13T19:13:50-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3564665, "uri": "https://api.kexp.org/v2/plays/3564665/?format=api", "airdate": "2025-10-13T19:09:03-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "La crecida", "track_id": null, "recording_id": "92498cdd-0239-4f88-8dd9-60765a15f792", "artist": "Los Espíritus", "artist_ids": [ "7e31bb02-301c-4568-80f1-e63d7a2c277a" ], "album": "Gratitud", "release_id": null, "release_group_id": "31ecaeb2-7ea6-43b9-9aee-09c550488db5", "labels": [], "label_ids": [], "release_date": "2015-10-13", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Los Espíritus are an Argentine rock band blending blues, psychedelia, and Latin rhythms. “La Crecida,” from their 2017 album Agua Ardiente, features hypnotic percussion, bluesy guitar lines, and socially aware lyrics. The song reflects on social and environmental imbalance, using natural imagery as metaphor. The band’s earthy, groove-based sound has made them a standout in South America’s contemporary rock scene. “La Crecida” exemplifies their mix of rhythmic exploration and grounded songwriting.\u2028Listen: https://open.spotify.com/track/2RPviFbcjzLqebkH91kvPy", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564664, "uri": "https://api.kexp.org/v2/plays/3564664/?format=api", "airdate": "2025-10-13T19:07:12-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "https://coverartarchive.org/release/0eb8896a-8c3e-418d-ac86-159e41757599/4799862055-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/0eb8896a-8c3e-418d-ac86-159e41757599/4799862055-250.jpg", "song": "Clandestino", "track_id": null, "recording_id": "943fb8ef-1147-49c0-bf49-8f721f83775a", "artist": "Manu Chao", "artist_ids": [ "7570a0dd-5a67-401b-b19a-261eee01a284" ], "album": "Radio Bemba Sound System", "release_id": null, "release_group_id": "cfc916d3-e6dd-3d2f-a89d-7657f08e85ab", "labels": [], "label_ids": [], "release_date": "2002-09-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The title track of Manu Chao’s 1998 debut album is an anthem for migration and displacement. “Clandestino” combines Spanish, French, and Arabic lyrics over a looping acoustic rhythm influenced by reggae and Latin folk. The song humanizes undocumented people, repeating “Soy clandestino” as both lament and statement of solidarity. Its simple structure and intimate production helped define Chao’s global, borderless sound. The track remains one of the most recognized songs in world music, bridging activism and accessibility.\u2028Listen: https://open.spotify.com/track/6uwfVkaOM1mcMkA4NPv1ZV", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564663, "uri": "https://api.kexp.org/v2/plays/3564663/?format=api", "airdate": "2025-10-13T19:02:15-07:00", "show": 64828, "show_uri": "https://api.kexp.org/v2/shows/64828/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Danza de Sol", "track_id": null, "recording_id": null, "artist": "Los Cogelones", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Los Cogelones, from Ciudad Nezahualcóyotl, Mexico, combine punk energy with pre-Hispanic instrumentation and indigenous philosophy. “Danza de Sol” fuses heavy guitars, traditional drums, and chants to honor the Mexica (Aztec) Sun Dance ceremony. The band’s performances often incorporate ritual elements, linking rock rebellion with ancestral identity. This track encapsulates their message of cultural pride and resistance, representing a unique intersection between punk and indigenous revivalism in contemporary Mexican music.\u2028Listen: https://loscogelones.bandcamp.com/track/danza-de-sol", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564662, "uri": "https://api.kexp.org/v2/plays/3564662/?format=api", "airdate": "2025-10-13T18:57:37-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "https://dn721908.ca.archive.org/0/items/mbid-9c2597ea-97d9-41df-a1dc-c87d6a38e04f/mbid-9c2597ea-97d9-41df-a1dc-c87d6a38e04f-42990076831_thumb500.jpg", "thumbnail_uri": "https://dn721908.ca.archive.org/0/items/mbid-9c2597ea-97d9-41df-a1dc-c87d6a38e04f/mbid-9c2597ea-97d9-41df-a1dc-c87d6a38e04f-42990076831_thumb250.jpg", "song": "COMMA,", "track_id": "8bb3a400-2175-450a-a774-3a95f2afa671", "recording_id": "31904fd1-10f0-4473-903b-c4fc3143093f", "artist": "Ribbon Skirt", "artist_ids": [ "6824d820-be15-421f-acd1-f3353ddd2c57" ], "album": "PENSACOLA", "release_id": "9c2597ea-97d9-41df-a1dc-c87d6a38e04f", "release_group_id": "18170466-0fe2-4755-b161-a52ac1ed7bf3", "labels": [], "label_ids": [], "release_date": "2025-10-03", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Ribbon Skirt will be LIVE on KEXP tomorrow! The show is open to the public!\n--\nLed by Anishinaabe musician Tashiina Buswa, Ribbon Skirt (formerly known as Love Language) is an alternative indie-rock band from Montreal.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564661, "uri": "https://api.kexp.org/v2/plays/3564661/?format=api", "airdate": "2025-10-13T18:53:08-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Same Faces", "track_id": "b5b629c8-c231-44a1-95af-88e3de05f6d7", "recording_id": "eda6a669-cad4-493a-b5d2-0e5358a1ee18", "artist": "Bloqueador Solar", "artist_ids": [ "3434d131-1032-4ffb-8a57-af6d2d48fac1" ], "album": "Same Faces", "release_id": "0c3801fa-0947-437e-b8d7-0fbd3fd5eafa", "release_group_id": "a4217718-2113-4fef-a0ba-486de98950bd", "labels": [], "label_ids": [], "release_date": "2025-02-21", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Bloqueador Solar is the solo project of Seattle based Otomi musician, Ulises Mariscal who is also a member of the band Tres Leches.\n--\nThe Otomi are an Indigenous people of the Americas who inhabit a discontinuous territory in central Mexico. They are linguistically related to the rest of the Otomanguean-speaking peoples.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564660, "uri": "https://api.kexp.org/v2/plays/3564660/?format=api", "airdate": "2025-10-13T18:48:37-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "https://ia801903.us.archive.org/18/items/mbid-baeaec34-96f2-40bb-abf7-def7b12490ce/mbid-baeaec34-96f2-40bb-abf7-def7b12490ce-3265351461_thumb500.jpg", "thumbnail_uri": "https://ia801903.us.archive.org/18/items/mbid-baeaec34-96f2-40bb-abf7-def7b12490ce/mbid-baeaec34-96f2-40bb-abf7-def7b12490ce-3265351461_thumb250.jpg", "song": "Crisis de un mc", "track_id": "9701c525-b9e2-33a5-9f60-ee83b4a0cdf9", "recording_id": "8dd638a3-f19d-42d8-bf7b-4738f90613df", "artist": "Ana Tijoux", "artist_ids": [ "3ac6b6fc-05e9-456f-a7d8-6ddf69756d3f" ], "album": "1977", "release_id": "baeaec34-96f2-40bb-abf7-def7b12490ce", "release_group_id": "ed1ece25-e930-4249-a8c6-5e538efce858", "labels": [ "Nacional Records" ], "label_ids": [ "c5d75925-ded1-448e-aa02-06ea4b8250d6" ], "release_date": "2009-03-09", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Chilean born artist Ana Tijoux is a survivor of the brutal Pinochet regime who uses her music to explore her Mapuche roots.\n--\nThe Aymara or Aimara, people are an indigenous people in the Andes and Altiplano regions of South America.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564659, "uri": "https://api.kexp.org/v2/plays/3564659/?format=api", "airdate": "2025-10-13T18:45:25-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "https://ia800307.us.archive.org/31/items/mbid-2e971bf3-97c6-4520-a1ad-aaacd80d9dda/mbid-2e971bf3-97c6-4520-a1ad-aaacd80d9dda-38700994876_thumb500.jpg", "thumbnail_uri": "https://dn710204.ca.archive.org/0/items/mbid-2e971bf3-97c6-4520-a1ad-aaacd80d9dda/mbid-2e971bf3-97c6-4520-a1ad-aaacd80d9dda-38700994876_thumb250.jpg", "song": "Lost In Healing", "track_id": "7833a336-3286-4ce0-86c9-764257916cdf", "recording_id": "4f3a3494-ec6b-464b-bb58-fa9953dc1df3", "artist": "Liv Rion", "artist_ids": [ "154c7ee9-0c8b-427b-a7d8-c31719065d8b" ], "album": "WRLD CRY", "release_id": "2e971bf3-97c6-4520-a1ad-aaacd80d9dda", "release_group_id": "da6ef4e8-a128-4013-9125-7127e2c3a301", "labels": [ "Desert Oasis" ], "label_ids": [ "3546b1dc-4e74-4077-aa05-7b332f9c6ca8" ], "release_date": "2024-04-29", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The debut mini-album from Seattle-based vocalist, Quinault Nation citizen, and Hupa descendant Olivia Colegrove-Martinez (aka Liv Rion) is a stunning set of earthy R&B that serves up a stellar showcase for her gorgeous voice and warm, organic, introspective style that quickly recalls Cleo Sol. \n\nWith its filler-free 7-track, 21-minute running time, 'WRLD CRY' is a wonderful record that's easy to hit repeat on and introduces a new artist in the local scene worth taking immediate note of. \n\nCheck out the video for Wrld Cry: \n\nhttps://www.instagram.com/reel/C6cR66RSw0j/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA\n\nhttps://soundcloud.com/livrion/tracks", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564658, "uri": "https://api.kexp.org/v2/plays/3564658/?format=api", "airdate": "2025-10-13T18:42:04-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "https://ia803205.us.archive.org/1/items/mbid-5b981be9-9fb2-4c68-836b-814839d6865c/mbid-5b981be9-9fb2-4c68-836b-814839d6865c-17996531462_thumb500.jpg", "thumbnail_uri": "https://ia903205.us.archive.org/1/items/mbid-5b981be9-9fb2-4c68-836b-814839d6865c/mbid-5b981be9-9fb2-4c68-836b-814839d6865c-17996531462_thumb250.jpg", "song": "Inner City Blues", "track_id": "bd08a670-9e4c-395a-9b3e-3089b48c5aef", "recording_id": "193b0620-e2fe-4751-90f4-6b6d63679247", "artist": "Rodriguez", "artist_ids": [ "8898cd01-b0c5-41bd-9699-0845fc73efc1" ], "album": "Cold Fact", "release_id": "5b981be9-9fb2-4c68-836b-814839d6865c", "release_group_id": "25d9f5f8-ece0-311c-bf2a-092f26315e0e", "labels": [ "Light in the Attic Records" ], "label_ids": [ "d277da0d-1d64-4256-90f5-ced940fb9b77" ], "release_date": "2008-08-19", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Sixto Diaz Rodríguez, mononymously known as Rodríguez, was a Native American and Mexican American musician from Detroit, Michigan. Though his career was initially met with little fanfare in the United States, he found success in South Africa, Australia, and New Zealand.\n--\nNative American / Mexican underground folk hero Sixto Rodriguez was interviewed by Jake Uitti in 2018 for KEXP. Read the full interview here: https://kexp.org/read/2018/8/13/still-searching-sugar-man-chat-w-sixto-rodriguez/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564657, "uri": "https://api.kexp.org/v2/plays/3564657/?format=api", "airdate": "2025-10-13T18:39:11-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3564656, "uri": "https://api.kexp.org/v2/plays/3564656/?format=api", "airdate": "2025-10-13T18:34:01-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "https://ia804504.us.archive.org/3/items/mbid-de674cbf-9983-49f2-aca8-3abd791c5c2d/mbid-de674cbf-9983-49f2-aca8-3abd791c5c2d-41118380836_thumb500.jpg", "thumbnail_uri": "https://ia904504.us.archive.org/3/items/mbid-de674cbf-9983-49f2-aca8-3abd791c5c2d/mbid-de674cbf-9983-49f2-aca8-3abd791c5c2d-41118380836_thumb250.jpg", "song": "The Caucasity", "track_id": "64f9d7ab-8e12-4346-abcd-085efaa9b438", "recording_id": "4824fc1c-cf6c-46e9-aade-e53a80987b28", "artist": "Dead Pioneers", "artist_ids": [ "a9747313-da0d-414c-ad81-5fe89a5245d4" ], "album": "PO$T AMERICAN", "release_id": "de674cbf-9983-49f2-aca8-3abd791c5c2d", "release_group_id": "9880abbf-a887-47c4-a131-625af3a619b8", "labels": [ "Hassle Records" ], "label_ids": [ "75c31799-eddd-461b-a7f0-dc69a31e972e" ], "release_date": "2025-04-11", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Thank you, Gregg Deal, for the special set!\n--\nA culmination of the words Caucasian and Audacity, Caucasity is a word created in activist corners denoting a special level of being shamelessly bold. It’s credited to writer and comedian Joel Martinez, known professionally as The Kid Mero. His first mainstream use of the term was in a music review he wrote for Vice in 2012. \n--\nGregg Deal (Dead Pioneers) said of this song, \"This piece is the true story of an interaction with a shamelessly bold white college student that turns into a perfect example of the word while also showcasing the hurdles put in front of professional People of Color despite age, education or perceived authority. These are everyday occurrences in public spaces, academia and throughout our lives.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564655, "uri": "https://api.kexp.org/v2/plays/3564655/?format=api", "airdate": "2025-10-13T18:31:30-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "https://ia800808.us.archive.org/27/items/mbid-6a24cedb-bf44-49af-a3d1-874c96310167/mbid-6a24cedb-bf44-49af-a3d1-874c96310167-21525881885_thumb500.jpg", "thumbnail_uri": "https://ia800808.us.archive.org/27/items/mbid-6a24cedb-bf44-49af-a3d1-874c96310167/mbid-6a24cedb-bf44-49af-a3d1-874c96310167-21525881885_thumb250.jpg", "song": "Becomes Apparent", "track_id": "e00180be-5c90-433b-98b5-7bf56acc3e7a", "recording_id": "62bc7a74-4ee6-4a69-9b35-d82d8fadb5ed", "artist": "John Trudell & Kwest", "artist_ids": [ "fd7e9544-2904-4525-b39c-9ec2bd5e2f7d", "8a4cbda4-2cdc-4d02-a22e-fb3ac3496f74" ], "album": "Through The Dust", "release_id": "6a24cedb-bf44-49af-a3d1-874c96310167", "release_group_id": "b5b394e6-86a6-446e-9dfd-a577c72b6b0f", "labels": [ "Mundartisten Records" ], "label_ids": [ "0748c4fd-ec84-449d-9067-0b706be8e014" ], "release_date": "2014-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "John Trudell (Santee Dakota), was an American author, poet, actor, musician, and political activist.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564654, "uri": "https://api.kexp.org/v2/plays/3564654/?format=api", "airdate": "2025-10-13T18:28:21-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "https://ia804504.us.archive.org/3/items/mbid-de674cbf-9983-49f2-aca8-3abd791c5c2d/mbid-de674cbf-9983-49f2-aca8-3abd791c5c2d-41118380836_thumb500.jpg", "thumbnail_uri": "https://ia904504.us.archive.org/3/items/mbid-de674cbf-9983-49f2-aca8-3abd791c5c2d/mbid-de674cbf-9983-49f2-aca8-3abd791c5c2d-41118380836_thumb250.jpg", "song": "Dead Pioneers", "track_id": "83eb471c-06db-4763-bf67-55041df2ec85", "recording_id": "fccc418c-ce40-4bcf-8cb6-22146652c28c", "artist": "Dead Pioneers", "artist_ids": [ "a9747313-da0d-414c-ad81-5fe89a5245d4" ], "album": "PO$T AMERICAN", "release_id": "de674cbf-9983-49f2-aca8-3abd791c5c2d", "release_group_id": "9880abbf-a887-47c4-a131-625af3a619b8", "labels": [ "Hassle Records" ], "label_ids": [ "75c31799-eddd-461b-a7f0-dc69a31e972e" ], "release_date": "2025-04-11", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Gregg Deal of Dead Pioneers wants you to hear this!\nhttps://www.deadpioneers.band/\nhttps://deadpioneers.bandcamp.com\n\nDead Pioneers recently played a Live at KEXP session; check it out here! https://tinyurl.com/ys5u4nm4", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3564653, "uri": "https://api.kexp.org/v2/plays/3564653/?format=api", "airdate": "2025-10-13T18:25:23-07:00", "show": 64827, "show_uri": "https://api.kexp.org/v2/shows/64827/?format=api", "image_uri": "https://ia600806.us.archive.org/31/items/mbid-6d034ec4-ae79-408f-9d66-e4fdb20f6e84/mbid-6d034ec4-ae79-408f-9d66-e4fdb20f6e84-41659473526_thumb500.jpg", "thumbnail_uri": "https://ia800806.us.archive.org/31/items/mbid-6d034ec4-ae79-408f-9d66-e4fdb20f6e84/mbid-6d034ec4-ae79-408f-9d66-e4fdb20f6e84-41659473526_thumb250.jpg", "song": "BIRDS", "track_id": "247cb7bf-a8ab-4c02-9d52-b61d3f8b772f", "recording_id": "a3acffd5-fb75-4e26-9ae2-fdd095c1a90d", "artist": "Turnstile", "artist_ids": [ "7b748dac-f5ce-45a7-9b95-c1d8b5b013ed" ], "album": "NEVER ENOUGH", "release_id": "6d034ec4-ae79-408f-9d66-e4fdb20f6e84", "release_group_id": "58310aac-65aa-492e-83fb-ec50c58e5a1d", "labels": [ "Roadrunner Records" ], "label_ids": [ "5899271b-a77a-4081-93a9-0bd05b9b4180" ], "release_date": "2025-06-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "What is Dead Pioneers' Gregg Deal listening to? Turnstile! \n--\nTurnstile just announced an upcoming tour! \nCities and dates here: \nhttps://turnstilehardcore.com/pages/tour", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
