Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=79540&ordering=-airdate
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=79560&ordering=-airdate",
    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=79520&ordering=-airdate",
    "results": [
        {
            "id": 3562064,
            "uri": "https://api.kexp.org/v2/plays/3562064/?format=api",
            "airdate": "2025-10-06T16:37:28-07:00",
            "show": 64765,
            "show_uri": "https://api.kexp.org/v2/shows/64765/?format=api",
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            "song": "Track C — Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries",
            "track_id": null,
            "recording_id": "dd3b74f3-9c64-4390-b0d9-3fe418890b11",
            "artist": "Charles Mingus",
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            "release_id": null,
            "release_group_id": "48070ee2-1865-3b11-ba36-360b1453a37a",
            "labels": [
                "MCA Records"
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            "release_date": "1963-07-01",
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            "is_local": false,
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            "comment": "#525\n\nCount down with KEXP listener's favorite albums of all time.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3562063,
            "uri": "https://api.kexp.org/v2/plays/3562063/?format=api",
            "airdate": "2025-10-06T16:33:10-07:00",
            "show": 64765,
            "show_uri": "https://api.kexp.org/v2/shows/64765/?format=api",
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            "thumbnail_uri": "https://coverartarchive.org/release/d7695765-5d64-485d-a170-07cb7881dc8f/22530898055-250.jpg",
            "song": "Into the Woods",
            "track_id": null,
            "recording_id": "41c21a15-4f92-48b3-97d8-210bb88053ba",
            "artist": "My Morning Jacket",
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            "album": "Z",
            "release_id": null,
            "release_group_id": "3e3d75c0-48a4-3def-8dc3-b417b2d6e5e7",
            "labels": [
                "ATO Records"
            ],
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            ],
            "release_date": "2005-10-04",
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            "is_local": false,
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            "comment": "#526 on the list of KEXP listener's favorite albums of all time. \n\nwww.kexp.org/donate",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3562062,
            "uri": "https://api.kexp.org/v2/plays/3562062/?format=api",
            "airdate": "2025-10-06T16:26:59-07:00",
            "show": 64765,
            "show_uri": "https://api.kexp.org/v2/shows/64765/?format=api",
            "image_uri": "https://coverartarchive.org/release/b4a3781c-7d54-4a84-b434-1b7ad43fe7df/33195754834-500.jpg",
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            "song": "The Last Goodbye",
            "track_id": null,
            "recording_id": "24c24d53-c7b9-47bc-a0c9-6bae83398a85",
            "artist": "ODESZA feat. Bettye LaVette",
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            "album": "The Last Goodbye",
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            "release_group_id": "3a5d4174-1a4f-4840-93b4-0330052ee03f",
            "labels": [
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            "release_date": "2022-07-22",
            "rotation_status": null,
            "is_local": true,
            "is_request": false,
            "is_live": false,
            "comment": "#527\n\nCheck out this Live on KEXP performance from ODESZA in 2017! \nhttps://www.youtube.com/watch?v=aGVU_1Udhrs\n\n“This song was born out of the concept of trying to bring these lasting, defining musical pieces like the 1965 release of ‘Let Me Down Easy’ by Bettye LaVette into a modern and contemporary electronic setting,” Odesza explained. “The idea of bringing two worlds together, that at first seem distant, has always been something we’ve been drawn to. It was an absolute honor to be able to work with Bettye’s voice over the course of writing the track. She’s able to convey emotion with her vocal work unlike any other. To date, this has been one of the more fulfilling songs we’ve had the chance to work on as artists. We hope everyone who listens enjoys the track as much as we did making it.”\n\nhttps://pitchfork.com/news/odesza-and-bettye-lavette-share-new-song-the-last-goodbye-listen/\n\nhttps://odesza.com/",
            "location": 1,
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        },
        {
            "id": 3562061,
            "uri": "https://api.kexp.org/v2/plays/3562061/?format=api",
            "airdate": "2025-10-06T16:20:50-07:00",
            "show": 64765,
            "show_uri": "https://api.kexp.org/v2/shows/64765/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "https://www.kexp.org/donate/",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3562060,
            "uri": "https://api.kexp.org/v2/plays/3562060/?format=api",
            "airdate": "2025-10-06T16:12:34-07:00",
            "show": 64765,
            "show_uri": "https://api.kexp.org/v2/shows/64765/?format=api",
            "image_uri": "https://coverartarchive.org/release/5d911849-e50f-4639-a363-01c971386adb/17353615093-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/5d911849-e50f-4639-a363-01c971386adb/17353615093-250.jpg",
            "song": "Combat Rock",
            "track_id": null,
            "recording_id": "8b9c6102-f30b-48fd-a720-b865018fbd36",
            "artist": "Sleater‐Kinney",
            "artist_ids": [
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            ],
            "album": "One Beat",
            "release_id": null,
            "release_group_id": "55f3d073-ec82-3cb2-a1d8-0f47aa639ad2",
            "labels": [
                "Sub Pop Records"
            ],
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            "release_date": "2002-08-10",
            "rotation_status": null,
            "is_local": true,
            "is_request": false,
            "is_live": false,
            "comment": "#528 on KEXP listener's favorite albums of all time list. \n\nSupport KEXP's Fall Fundraising Drive and support independent radio.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3562059,
            "uri": "https://api.kexp.org/v2/plays/3562059/?format=api",
            "airdate": "2025-10-06T16:08:25-07:00",
            "show": 64765,
            "show_uri": "https://api.kexp.org/v2/shows/64765/?format=api",
            "image_uri": "https://coverartarchive.org/release/5aeceb5c-aa75-4cc6-916e-1737bd31e990/7018102287-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/5aeceb5c-aa75-4cc6-916e-1737bd31e990/7018102287-250.jpg",
            "song": "Peace Signs",
            "track_id": null,
            "recording_id": "61884c21-f5b5-46c6-abb4-263f88f90fdf",
            "artist": "Sharon Van Etten",
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            "album": "Epic",
            "release_id": null,
            "release_group_id": "a9c4e7f3-94a9-4451-b195-b235a9eff5b1",
            "labels": [
                "Ba Da Bing!"
            ],
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            ],
            "release_date": "2010-09-07",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "#529!!\nhttps://www.kexp.org/countdowns/2025-all-time-favorite-albums/\n\n\n\n\"'Epic', Van Etten's second album, lays a romantic melancholy lining over the gravel and dirt of heartbreak, without one honest thought or feeling spared. She sings of betrayal, obsession, egotism and all the other emotions we hate in others and recognize in ourselves. Van Etten's grounded and clenched vocals convey the sense of hope--the notion that beauty can come out of the worst of circumstances.\" https://badabingrecords.bandcamp.com/album/epic",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3562058,
            "uri": "https://api.kexp.org/v2/plays/3562058/?format=api",
            "airdate": "2025-10-06T16:06:42-07:00",
            "show": 64765,
            "show_uri": "https://api.kexp.org/v2/shows/64765/?format=api",
            "image_uri": "https://coverartarchive.org/release/e77083ea-06e5-4589-9964-10eef29d0709/42076451856-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/e77083ea-06e5-4589-9964-10eef29d0709/42076451856-250.jpg",
            "song": "The Man Who Took My Sunglasses",
            "track_id": null,
            "recording_id": "e9442a23-c42c-49dd-b028-505b5bf3a2ad",
            "artist": "Khruangbin",
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                "aea4c9b9-9f8d-49dc-b2ca-57d6f26e8634"
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            "album": "The Universe Smiles Upon You",
            "release_id": null,
            "release_group_id": "312457e5-660b-4a7f-b3a0-89cb94bd4458",
            "labels": [
                "Night Time Stories"
            ],
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                "8e3b743b-3db1-48da-98fc-dce8d648b161"
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            "release_date": "2015-11-06",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "#530 on KEXP listeners fav albums list.\n\nThis Texas trio were live on KEXP in 2018: https://www.youtube.com/watch?v=DyWhFB9ijzA",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3562057,
            "uri": "https://api.kexp.org/v2/plays/3562057/?format=api",
            "airdate": "2025-10-06T16:03:08-07:00",
            "show": 64765,
            "show_uri": "https://api.kexp.org/v2/shows/64765/?format=api",
            "image_uri": "https://coverartarchive.org/release/7abffdf6-46f9-4657-80a9-7851850391cf/39171064586-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/7abffdf6-46f9-4657-80a9-7851850391cf/39171064586-250.jpg",
            "song": "You Don’t Know the Shape I’m In",
            "track_id": null,
            "recording_id": "427cb938-eaa8-4b78-aa38-a75c01a63706",
            "artist": "MJ Lenderman",
            "artist_ids": [
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            "album": "Manning Fireworks",
            "release_id": null,
            "release_group_id": "0c308741-7b98-4a36-b44e-1ba437b4e2c4",
            "labels": [
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            "release_date": "2024-09-06",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Manning Fireworks is KEXP listener's 531st fav album of all time!\n\n\n\nfantastic record from Asheville, North Carolina artist MJ Lenderman who also plays in the band Wednesday.\n\nhttps://mjlenderman.bandcamp.com",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3562056,
            "uri": "https://api.kexp.org/v2/plays/3562056/?format=api",
            "airdate": "2025-10-06T15:58:17-07:00",
            "show": 64764,
            "show_uri": "https://api.kexp.org/v2/shows/64764/?format=api",
            "image_uri": "https://ia801909.us.archive.org/25/items/mbid-2529f558-970b-33d2-a42c-41ab15a970c6/mbid-2529f558-970b-33d2-a42c-41ab15a970c6-32140973641_thumb500.jpg",
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            "song": "The Unforgiven",
            "track_id": "746511f7-d602-357d-814e-e81b735e9e43",
            "recording_id": "c535fd18-6076-4fde-ab62-0251ce50d6ce",
            "artist": "Metallica",
            "artist_ids": [
                "65f4f0c5-ef9e-490c-aee3-909e7ae6b2ab"
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            "album": "Metallica",
            "release_id": "2529f558-970b-33d2-a42c-41ab15a970c6",
            "release_group_id": "e8f70201-8899-3f0c-9e07-5d6495bc8046",
            "labels": [
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            "release_date": "1991-08-12",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "#532 on YOUR countdown of the greatest albums of all-time.\n\nDrummer Lars Ulrich and bassist Jason Newsted were undergoing divorces during the Metallica's “Black Album” creation, a period of intense personal turmoil that may have influenced the band's dark and emotionally resonant music. The album's stark, all-black cover was a deliberate statement by Ulrich to stand out from typical metal imagery, and its immense success, coupled with the band's difficult recording sessions with producer Bob Rock, solidified their mainstream status.\n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3562055,
            "uri": "https://api.kexp.org/v2/plays/3562055/?format=api",
            "airdate": "2025-10-06T15:56:08-07:00",
            "show": 64764,
            "show_uri": "https://api.kexp.org/v2/shows/64764/?format=api",
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            "song": "Boys in the Better Land",
            "track_id": "22c08790-d101-4a94-b19b-862266abcae5",
            "recording_id": "74066237-d237-4097-9c9e-320b7d4667d7",
            "artist": "Fontaines D.C.",
            "artist_ids": [
                "fd87acc7-e0a0-4a45-bc2a-d2ab5c10be68"
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            "album": "Dogrel",
            "release_id": "cf9ccaf9-3b92-4372-9ea0-9044951710fd",
            "release_group_id": "84c01ae7-82e5-4965-a5b6-7aeaf539f85c",
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            "release_date": "2019-04-12",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "#533 on YOUR countdown of the greatest albums of all-time.\n\nThe title of Fontaines D.C.'s debut album “Dogrel” refers to a type of working-class Irish poetry, and the album was recorded live on tape to capture its raw, authentic sound, reflecting the band's desire to blend Irish identity and rock and roll. The album was also nominated for the prestigious 2019 Mercury Prize and the Choice Music Prize. \n\nCheck out this in-studio that Fontaines D.C. recorded here at KEXP back in 2022 by following the link below: https://youtu.be/qEFk5RiGf9A?si=6Fnt6RQLCOqzuvGW https://fontainesdc.com/\n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3562054,
            "uri": "https://api.kexp.org/v2/plays/3562054/?format=api",
            "airdate": "2025-10-06T15:50:10-07:00",
            "show": 64764,
            "show_uri": "https://api.kexp.org/v2/shows/64764/?format=api",
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            "song": "Feiticeira",
            "track_id": "4e910bef-914a-4bc4-a4af-e51bb35101cd",
            "recording_id": "57fd843e-dfc0-46c8-bb47-709dec4e88cb",
            "artist": "Deftones",
            "artist_ids": [
                "7527f6c2-d762-4b88-b5e2-9244f1e34c46"
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            "album": "White Pony",
            "release_id": "3e6f3668-2f0d-440e-a32b-954c7bf22679",
            "release_group_id": "a7d33e96-8e09-3aff-8629-44812a1b8489",
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            ],
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            "release_date": "2016-01-01",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "#534 on YOUR countdown of the greatest albums of all-time.\n\nDeftones’ “White Pony” had the title and artwork concept before any songs were written, using the image to represent their desire to be seen as individualistic within the nu-metal scene. The album was also noteworthy for Chino Moreno beginning to play guitar, the official inclusion of turntablist Frank Delgado, and the band's playful approach to recording, which included playing video games like Tony Hawk's Pro Skater.\n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3562053,
            "uri": "https://api.kexp.org/v2/plays/3562053/?format=api",
            "airdate": "2025-10-06T15:47:37-07:00",
            "show": 64764,
            "show_uri": "https://api.kexp.org/v2/shows/64764/?format=api",
            "image_uri": "https://dn721808.ca.archive.org/0/items/mbid-a1421e35-7d26-4a51-ad49-b94c9a6ae996/mbid-a1421e35-7d26-4a51-ad49-b94c9a6ae996-23703719870_thumb500.jpg",
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            "song": "Summer",
            "track_id": "707cdee1-a6ac-4327-b256-7892472a0c50",
            "recording_id": "98688d57-513a-4a11-b24e-0ce9c6b4d7d9",
            "artist": "Angel Olsen",
            "artist_ids": [
                "185527bf-c293-4c24-8213-ed98fb8976be"
            ],
            "album": "All Mirrors",
            "release_id": "a1421e35-7d26-4a51-ad49-b94c9a6ae996",
            "release_group_id": "4262c677-2646-461a-93f2-80526ae2bb1a",
            "labels": [
                "Jagjaguwar"
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            ],
            "release_date": "2019-10-04",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "#535 on YOUR countdown of the greatest albums of all-time.\n\nAngel Olsen's album All Mirrors began as a collection of stripped-down, solo-recorded songs, similar to her first album, Strange Cacti, but the songs were so powerful that Olsen decided to make a second, much more elaborate version with a 14-piece string section, synths, and production by John Congleton, which became the acclaimed All Mirrors we know today. The original, sparser versions were also planned for release as a separate album. \n\nWatch Angel Olsen performing live in the KEXP studio with Troy Nelson on December 11, 2019:\nhttps://www.youtube.com/watch?v=5n4K0weEJoI\n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
            "location": 1,
            "location_name": "Default",
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            "song": "Surfing on a Rocket",
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            "comment": "#536 on YOUR countdown of the greatest albums of all-time.\n\nBand members, Nicolas Godin and Jean-Benoît Dunckel, chose the title \"Talkie Walkie\" because the phrase \"talkie walkie\" is a simple, French play on words for the actual device, according to Fatherly. The title was also deliberately kept that way despite being slightly lost in translation to English, adding to its cool, unique sound, notes Fatherly. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
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            "comment": "#537 on YOUR countdown of the greatest albums of all-time.\n\nKing Crimson's In the Court of the Crimson King’s iconic, scary cover art was painted by Barry Godber, a computer programmer and friend of lyricist Peter Sinfield, using his own face in a mirror as the model. Godber died shortly after the album's release from a heart attack at age 24, and this was his only painting; it was the original artwork for the album. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
            "location": 1,
            "location_name": "Default",
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            "comment": "#538 on YOUR countdown of the greatest albums of all-time.\n\nJason Isbell's album Southeastern is named after a tool-and-die shop where his father worked, a \"dungeon\" of a place he wanted to reclaim to find light. The album was a personal milestone, marking his journey out of addiction and into a new relationship, and features themes of recovery, grief, love, and humor. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
            "location": 1,
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            "show": 64764,
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            "comment": "#539 on YOUR countdown of the greatest albums of all-time.\n\nMannequin Pussy is the punk-rock 4-piece from Philadelphia! Here’s a video of Mannequin Pussy performing live in the KEXP studio. Recorded July 11, 2024:\nhttps://www.youtube.com/watch?v=TJnEH0c-WLs\n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
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            "location": 1,
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            "comment": "#541 on YOUR countdown of the greatest albums of all-time.\n\nMany songs on “Antisocialites” are inspired by the band singer Molly Rankin's dark dreams, and the album's title itself is a direct reference to the dream-like themes in their song \"Dreams Tonite\". The album also features Norman Blake of Teenage Fanclub on backing vocals for the track \"In Undertow\". \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
            "location": 1,
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            "comment": "#542 on YOUR countdown of the greatest albums of all-time.\n\nArctic Monkeys' AM album was heavily inspired by the hip-hop sound of Dr. Dre and Black Sabbath, incorporating a focus on groove, bass, and drums. This influence is a departure from their earlier work and was a key factor in the album's breakout success in the United States. \nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/",
            "location": 1,
            "location_name": "Default",
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    ]
}