Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=82740&ordering=-airdate
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=82760&ordering=-airdate",
    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=82720&ordering=-airdate",
    "results": [
        {
            "id": 3551735,
            "uri": "https://api.kexp.org/v2/plays/3551735/?format=api",
            "airdate": "2025-09-11T14:32:42-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://coverartarchive.org/release/ba1eef15-f8a8-45da-a213-ee52bfeba331/4135627509-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/ba1eef15-f8a8-45da-a213-ee52bfeba331/4135627509-250.jpg",
            "song": "I Don’t Believe You Want to Get Up and Dance (Oops)",
            "track_id": null,
            "recording_id": "e4e5c614-4681-4c99-8bb5-4889b58579ab",
            "artist": "The Gap Band",
            "artist_ids": [
                "00aab979-da36-4efd-9086-e409cda07f9c"
            ],
            "album": "The Gap Band II",
            "release_id": null,
            "release_group_id": "80cd5dd9-4e87-35f1-a2a7-b76816e143e0",
            "labels": [
                "Mercury Records"
            ],
            "label_ids": [
                "995428e7-81b6-41dd-bd38-5a7a0ece8ad6"
            ],
            "release_date": "1979-11-19",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The Gap Band sampled the hook from the previous \"Disco to Go\" and also the vocals from Parliament's 1975 \"Dr. Funkenstein.\"",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551733,
            "uri": "https://api.kexp.org/v2/plays/3551733/?format=api",
            "airdate": "2025-09-11T14:30:19-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://coverartarchive.org/release/9b050617-364a-4fb1-87c7-a5a1f0feccf3/28562645265-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/9b050617-364a-4fb1-87c7-a5a1f0feccf3/28562645265-250.jpg",
            "song": "Disco to Go",
            "track_id": null,
            "recording_id": "9c4dea56-cdb5-4558-b628-e6bcb4f03095",
            "artist": "The Brides of Funkenstein",
            "artist_ids": [
                "e48cbe61-1bf5-4af4-aca7-70f9f0f74f1c"
            ],
            "album": "Funk or Walk",
            "release_id": null,
            "release_group_id": "64d2199a-d9af-36f4-b5ee-28a0035afaa8",
            "labels": [
                "Atlantic"
            ],
            "label_ids": [
                "50c384a2-0b44-401b-b893-8181173339c7"
            ],
            "release_date": "1978-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The Brides of Funkenstein was a funk musical group originally composed of singers Dawn Silva and Lynn Mabry.\n\nPreviously background singers for Sly Stone, Mabry and Silva joined the P-Funk collective in 1977. George Clinton named the group (based on the scenario and characters from the Parliament album \"The Clones of Dr. Funkenstein)\" and produced their first album, \"Funk Or Walk,\" for Atlantic Records in 1978. Their debut album skyrocketed to success, selling over three hundred thousand copies within the first week as well as winning a record world award for best new female group.\n--\nEnjoy this 2016 interview with Dawn Silva: https://www.indiedisco.com/interview/2016/12/from-the-archives-interview-with-bride-of-funkenstein-dawn-silva/",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551732,
            "uri": "https://api.kexp.org/v2/plays/3551732/?format=api",
            "airdate": "2025-09-11T14:27:28-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://coverartarchive.org/release/c2c8d2a9-53a8-4280-85e6-1843a434da92/18900628374-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/c2c8d2a9-53a8-4280-85e6-1843a434da92/18900628374-250.jpg",
            "song": "Pimps (Free Stylin' at the Fortune 500 Club)",
            "track_id": null,
            "recording_id": "827696a4-6f5b-44e6-b780-54ab841c8e84",
            "artist": "The Coup",
            "artist_ids": [
                "846e89f6-6257-4371-a26d-de960a60bec5"
            ],
            "album": "Genocide & Juice",
            "release_id": null,
            "release_group_id": "7f45d4d4-80dd-3b9b-ad50-0aefb55fb8c8",
            "labels": [
                "Wild Pitch Records"
            ],
            "label_ids": [
                "af76b781-e8e1-49d5-afb7-52f7839b9812"
            ],
            "release_date": "1994-10-13",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The Coup sampled the hook from Bernie Worrell's \"Woo Together.\"",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551731,
            "uri": "https://api.kexp.org/v2/plays/3551731/?format=api",
            "airdate": "2025-09-11T14:23:44-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://coverartarchive.org/release/abe4b052-2f6d-319f-899a-df9d2b3eaac5/22505099859-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/abe4b052-2f6d-319f-899a-df9d2b3eaac5/22505099859-250.jpg",
            "song": "Woo Together",
            "track_id": null,
            "recording_id": "107e65fa-3103-4bea-9e1a-cd9a8309424a",
            "artist": "Bernie Worrell",
            "artist_ids": [
                "e68abd50-e5ec-4b5c-87dd-0fd0437cafd1"
            ],
            "album": "All the Woo in the World",
            "release_id": null,
            "release_group_id": "1d71a942-2c69-3a46-afa2-fcbe0efcb110",
            "labels": [
                "Get On Down"
            ],
            "label_ids": [
                "700ae57b-cb63-41d2-a86c-1656db7f37cd"
            ],
            "release_date": "1978-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Bernie trades lines with Junie Morrison, who had an unusual, captivating voice. Junie leans into the weirdness; his lines are alternately snarled, squeaked and abruptly finished. Bernie’s voice is a little more consistent, but no less charming. As was often the case in this period of P-Funk, many of the lyrics are unintelligible.\n--\nThe chorus is clearer: “We are to Woo together / Why can’t we Woo as one?” Dawn Silva, Sheila Horne, Jeanette MacGruder (The Brides of Funkenstein) and Linda Shider (wife of Garry) handle the chorus, : https://www.edgeoftheline.co/articles/woo",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551730,
            "uri": "https://api.kexp.org/v2/plays/3551730/?format=api",
            "airdate": "2025-09-11T14:19:38-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://ia800502.us.archive.org/15/items/mbid-3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb/mbid-3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb-14763601258_thumb500.jpg",
            "thumbnail_uri": "https://ia800502.us.archive.org/15/items/mbid-3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb/mbid-3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb-14763601258_thumb250.jpg",
            "song": "Junie",
            "track_id": "d22c0a50-a64a-44fa-9221-fe0c213db9ad",
            "recording_id": "c99355c8-50e5-491c-8d36-57405e0dc3ef",
            "artist": "Solange",
            "artist_ids": [
                "410e7fd3-b865-4fa0-bb18-1b7fd53382ca"
            ],
            "album": "A Seat at the Table",
            "release_id": "3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb",
            "release_group_id": "331a7ba1-fae2-4881-b434-554f46c13746",
            "labels": [
                "Saint Records",
                "Columbia"
            ],
            "label_ids": [
                "b1b1a18a-888a-4d3d-b13b-1b3c5e845bfc",
                "011d1192-6f65-45bd-85c4-0400dd45693e"
            ],
            "release_date": "2016-09-30",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "This song was a tribute to the great Junie Morrison. \n\n“I remember the first time I heard Junie Morrison‘s “Super Spirit“…Q-Tip played it for me one night in his studio in Jersey,” she began her post with. “No song had ever made me feel quite like it. It tapped into places and spiritual frequencies that I couldn’t even put into words. I listened to it on loop for an hour, each listen hitting me deeper and deeper.” She later wrote that she immediately ran home and dove deep into Morrison’s discography.: https://www.vibe.com/music/music-news/solange-junie-morrison-tribute-488895/",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551729,
            "uri": "https://api.kexp.org/v2/plays/3551729/?format=api",
            "airdate": "2025-09-11T14:13:59-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "Super Spirit",
            "track_id": null,
            "recording_id": "3731bccc-4df1-4256-a616-64de9e80ed92",
            "artist": "Junie Morrison",
            "artist_ids": [
                "39d895fa-c8e1-4dfe-ae14-9a1a302e64aa"
            ],
            "album": "George Clinton Family Series, Part 3: Plush Funk",
            "release_id": null,
            "release_group_id": "006ef332-fbb7-4d11-a349-a6037590ee90",
            "labels": [
                "AEM Record Group"
            ],
            "label_ids": [
                "18349a29-122d-4f7d-bb4a-b661dc9c78dd"
            ],
            "release_date": "1993-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Walter \"Junie\" Morrison was a producer, writer, keyboardist and vocalist for the funk band the Ohio Players in the early 70s, where he wrote and produced their first major hit, “Funky Worm” (1971). He left the band in 1974 to release three solo albums on Westbound Records (When We Do, Freeze, and Suzie Supergroupie).\nIn 1977 Morrison joined George Clinton’s P-Funk (Parliament-Funkadelic) where he became musical director. He brought a unique sound to P-Funk and played a key role during the time of their greatest popularity from 1978 through 1980. In particular, he made prominent contributions to the platinum-selling Funkadelic album \"One Nation Under a Groove,\"\n--\nSurprise!! That is, of course, Junie Morrison on vocals on \"Super Spirit.\" The song is a solo effort that he wrote, sang, played all the instruments and co-produced with Clinton.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551727,
            "uri": "https://api.kexp.org/v2/plays/3551727/?format=api",
            "airdate": "2025-09-11T14:06:04-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://ia601903.us.archive.org/12/items/mbid-5c4b42bf-3fd8-43eb-bb64-ecb4259b68fe/mbid-5c4b42bf-3fd8-43eb-bb64-ecb4259b68fe-4410543364_thumb500.jpg",
            "thumbnail_uri": "https://ia801903.us.archive.org/12/items/mbid-5c4b42bf-3fd8-43eb-bb64-ecb4259b68fe/mbid-5c4b42bf-3fd8-43eb-bb64-ecb4259b68fe-4410543364_thumb250.jpg",
            "song": "Dr. Bombay",
            "track_id": "95321e4c-d39a-3127-87c3-e3f05f2a879d",
            "recording_id": "832a2d0b-b940-4111-b2ce-98fedcf9f31c",
            "artist": "Del the Funky Homosapien",
            "artist_ids": [
                "a31a5e0c-d37a-41a8-90d5-9e256a47d83b"
            ],
            "album": "I Wish My Brother George Was Here",
            "release_id": "5c4b42bf-3fd8-43eb-bb64-ecb4259b68fe",
            "release_group_id": "719890ae-5409-3cdc-9f7d-2550a8dbae8b",
            "labels": [
                "Elektra Entertainment"
            ],
            "label_ids": [
                "745f3292-03fe-44b5-babe-bc7eaa46a15d"
            ],
            "release_date": "1991-10-22",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "\"Dr. Bombay\" sampled multiple elements  Parlet's \"Help From My Friends.\"\n--\nWatch a live performance by Deltron 3000 (Del the Funky Homosapien and DJ Kid Koala) from Seattle's Triple Door for KEXP VIP Club members in 2013: https://www.youtube.com/watch?v=s7FxVSDLonY",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551728,
            "uri": "https://api.kexp.org/v2/plays/3551728/?format=api",
            "airdate": "2025-09-11T14:05:49-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "Here's info about Larry's appearance at Valencia Live tonight: https://www.kexp.org/events/bayarea/larry-mizell-jr-dj-set-at-valencia-live/",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3551726,
            "uri": "https://api.kexp.org/v2/plays/3551726/?format=api",
            "airdate": "2025-09-11T14:00:56-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://coverartarchive.org/release/4cf3b4d4-1328-4350-9b45-f79a66cedf43/19845668009-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/4cf3b4d4-1328-4350-9b45-f79a66cedf43/19845668009-250.jpg",
            "song": "Help From My Friends",
            "track_id": null,
            "recording_id": "d1acf3e2-a3f6-4770-a4a1-d0b4467c5874",
            "artist": "Parlet",
            "artist_ids": [
                "b30e29a4-be9c-4eaa-a91f-fa075b8b46a0"
            ],
            "album": "Play Me or Trade Me",
            "release_id": null,
            "release_group_id": "52407f04-1f68-439d-bfe2-664d3bf5fee8",
            "labels": [
                "Casablanca Records"
            ],
            "label_ids": [
                "98f93684-2a6f-4d40-ac6a-41fd0cc8ecc8"
            ],
            "release_date": "1980-07-21",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Parlet was a female spinoff group from P-Funk formed by veteran background vocalists Mallia Franklin, Jeanette Washington and Debbie Wright. Washington and Wright were the first female members in Parliament-Funkadelic in 1975.\n--\nThis song was produced by George Clinton and Ron Dunbar.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551725,
            "uri": "https://api.kexp.org/v2/plays/3551725/?format=api",
            "airdate": "2025-09-11T13:56:33-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://ia802907.us.archive.org/0/items/mbid-66c6ad67-a384-4633-8744-f2bbfae835b3/mbid-66c6ad67-a384-4633-8744-f2bbfae835b3-42868641727_thumb500.jpg",
            "thumbnail_uri": "https://dn721908.ca.archive.org/0/items/mbid-66c6ad67-a384-4633-8744-f2bbfae835b3/mbid-66c6ad67-a384-4633-8744-f2bbfae835b3-42868641727_thumb250.jpg",
            "song": "Smiling Faces Sometimes",
            "track_id": "35e541e5-a0c8-3e20-aab3-ab065f6509bd",
            "recording_id": "30a8d55b-eba0-4e8e-bba4-98c8d8319b9c",
            "artist": "The Undisputed Truth",
            "artist_ids": [
                "5e676b63-5c50-4c86-88d8-54243bba76d9"
            ],
            "album": "Soul Hits of the '70s: Didn't It Blow Your Mind! Volume 5",
            "release_id": "66c6ad67-a384-4633-8744-f2bbfae835b3",
            "release_group_id": "d9f052d7-08a6-34eb-8797-eb52f278708a",
            "labels": [
                "Rhino"
            ],
            "label_ids": [
                "c4f2cf49-b57c-4cc1-8061-f54400704ac4"
            ],
            "release_date": "1991-01-29",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "This song was written by Norman Whitfield and Barrett Strong and recorded by The Temptations in 1971. Whitfield had The Undisputed Truth release this version that same year. \n--\nGeorge Clinton sampled the bass for \"Paint the White House Black.\"",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551724,
            "uri": "https://api.kexp.org/v2/plays/3551724/?format=api",
            "airdate": "2025-09-11T13:48:52-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://coverartarchive.org/release/5206c95f-07bf-41ae-8754-1730206936c7/41539550133-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/5206c95f-07bf-41ae-8754-1730206936c7/41539550133-250.jpg",
            "song": "Paint the White House Black (album version)",
            "track_id": null,
            "recording_id": "d009efce-c165-4721-9a87-ff42a5682e73",
            "artist": "George Clinton",
            "artist_ids": [
                "84683370-5eae-418b-acd8-883ac028a8a0"
            ],
            "album": "Paint the White House Black",
            "release_id": null,
            "release_group_id": "828248eb-2644-4e0c-908a-416282c860e4",
            "labels": [
                "Warner Bros. Records"
            ],
            "label_ids": [
                "c595c289-47ce-4fba-b999-b87503e8cb71"
            ],
            "release_date": "1993-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "When Bill Clinton was elected, George Clinton enjoyed the coincidence of having a president with the same last name. When Chelsea Clinton came backstage with a coterie of Secret Service agents, she joked with the funkmaster about having a food fight. He dissuaded her, not wanting to get shot down by an overeager fed. While posing for a photo with Chelsea, George realized at the last moment that he should probably conceal the crack pipe he was holding, so he just made a fist around it: “It was hot as a motherf**ker, burning my hand up, but it worked – the picture, without a crack pipe in sight, was in People magazine.”\n--\nThis song features Pupa Curley, MC Breed, Kam, Yo-Yo, Public Enemy, Ice Cube & Dr. Dre!: https://genius.com/George-clinton-paint-the-white-house-black-lyrics",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551723,
            "uri": "https://api.kexp.org/v2/plays/3551723/?format=api",
            "airdate": "2025-09-11T13:47:57-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
            "image_uri": "https://coverartarchive.org/release/809f6070-4338-4670-b5a1-ea11fa7f12af/4508341870-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/809f6070-4338-4670-b5a1-ea11fa7f12af/4508341870-250.jpg",
            "song": "You've Made Me So Very Happy",
            "track_id": null,
            "recording_id": "7727e287-4d5c-4988-b9e8-ac526c24a94b",
            "artist": "Lou Rawls",
            "artist_ids": [
                "c8bd802a-6e4a-41a4-95fa-2c1ee33f65a5"
            ],
            "album": "You've Made Me So Very Happy",
            "release_id": null,
            "release_group_id": "87a8190b-d46e-3602-a4fd-499769b4bda5",
            "labels": [],
            "label_ids": [],
            "release_date": "1970-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Lou Rawls was an award-winning singer and songwriter famous for his luxurious baritone singing voice and four-octave vocal range. Here's a biography: https://blackpast.org/african-american-history/lou-rawls-1933-2006/\n--\nThis is his cover of the 1969 Blood, Sweat, & Tears song.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3551721,
            "uri": "https://api.kexp.org/v2/plays/3551721/?format=api",
            "airdate": "2025-09-11T13:40:22-07:00",
            "show": 64534,
            "show_uri": "https://api.kexp.org/v2/shows/64534/?format=api",
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            "comment": "Saxophonist Maceo Parker steals the show with his soul-penetrating sax on \"I Be Blowin'.\" He flows smoothly and freely over a rhythm of the David Axelrod-produced “You've Made Me So Very Happy” by Lou Rawls. This great song also samples  multiple elements of \"The Next Band - Music: Brother Soul Pt. 1\" by Eddie Harris, and the hook from Earl Klugh's 1984 \"Nature Boy.\"",
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            "location": 1,
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            "song": "Ye",
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            "comment": "\"Ye\" contains samples of the vocals from  \"Sorrow Tears and Blood\" by Fela Kuti and The Afrika 70 and the drums from \"Four Play\" by Fred Wesley and The Horny Horns.\n--\n Burna Boy, aka Damini Ogulu, started making his own music growing up in Southern Nigeria, using FruityLoops. He won best international artist at the 2019 BET awards.",
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            "comment": "Triple OG!!!\n\nR.I.P., Sylvester Stewart.  Sly Stone died earlier this year at age 82.: https://www.npr.org/2025/06/09/1209525990/sly-stone-obituary",
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            "airdate": "2025-09-11T13:28:12-07:00",
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            "comment": "This second single from Arrested Development's debut is based heavily on the music and lyrics of  1989's “Everyday People” from Sly & The Family Stone. It also samples the drums (played by Jerome Brailey) from  \"Four Play\" by Fred Wesley and The Horny Horns,",
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            "airdate": "2025-09-11T13:24:42-07:00",
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            "comment": "\"Step in the Arena\" contains samples of  the hook from \"Never Let 'Em Say\" by Ballin' Jack, multiple elements of  \"Four Play\" by Fred Wesley and The Horny Horns, and vocals from \"Bumpin' Bus Stop\" by Thunder and Lightning, and Big Daddy Kane's \"The Day You're Mine.\"",
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            "id": 3551715,
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            "airdate": "2025-09-11T13:23:38-07:00",
            "show": 64534,
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            "artist": "Digital Underground",
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            "comment": "\"Packet Man\" directly sampled Fred Wesley & The Horny Horns' \"Four Play.\" \n--\nR.I.P., Gregory Edward Jacobs, known as Shock G, who died in 2021 at age 57: https://www.nytimes.com/2021/04/23/arts/music/shock-g-dead.html",
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            "airdate": "2025-09-11T13:18:52-07:00",
            "show": 64534,
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            "song": "Four Play",
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            "artist": "Fred Wesley, The Horny Horns",
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            "comment": "The Horny Horns were a horn section associated with Parliament-Funkadelic and Bootsy's Rubber Band led by trombonist Fred Wesley. The group also featured saxophonist Maceo Parker and Rick Gardner and Richard 'Kush\" Griffith on trumpets. While they are best-known for their contributions to other P-Funk projects, The Horny Horns also recorded two albums under their own name, A Blow for Me, A Toot for You (1977) and Say Blow by Blow Backwards (1979).\n-- \nThis song, written by George Clinton, Bootsy Collins, and Glenn Goins, was used by Gang Starr in \"Step in the Arena.\"",
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}