Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=88340&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=88360&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=88320&ordering=-airdate", "results": [ { "id": 3544157, "uri": "https://api.kexp.org/v2/plays/3544157/?format=api", "airdate": "2025-08-24T10:14:14-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/2a127ede-11b4-4f48-9ca3-ae2ceb2e7256/33917804352-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2a127ede-11b4-4f48-9ca3-ae2ceb2e7256/33917804352-250.jpg", "song": "Smokin’ in the Boys Room", "track_id": null, "recording_id": "2bc14b6b-2764-481c-80f0-2ace0a2ea71f", "artist": "Brownsville Station", "artist_ids": [ "eda386f2-d8b5-4b8d-a692-3461a12eba07" ], "album": "Yeah!", "release_id": null, "release_group_id": "633c37c7-ae1c-3a11-83b8-0f7ddd0332b9", "labels": [ "Big Tree Records" ], "label_ids": [ "1144ad63-23c1-4a99-ab21-56c580004e8f" ], "release_date": "1973-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Co-songwriter Mike Lutz didn’t smoke in his school’s bathrooms, but he did go to the same school as Iggy Pop and Bob Seger in Michigan. The band weren’t super confident in the song but a DJ in Maine gave it a chance and it went on to be covered by Motley Crue.\nhttps://www.loudersound.com/features/how-brownsville-station-station-made-the-goofy-hit-that-gave-motley-crue-a-goofy-hit", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544156, "uri": "https://api.kexp.org/v2/plays/3544156/?format=api", "airdate": "2025-08-24T10:10:58-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544155, "uri": "https://api.kexp.org/v2/plays/3544155/?format=api", "airdate": "2025-08-24T10:06:28-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/78e6a3f9-919c-48af-abcb-d9cbe5b6b3ac/33838487950-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/78e6a3f9-919c-48af-abcb-d9cbe5b6b3ac/33838487950-250.jpg", "song": "I’ve Got the Music in Me", "track_id": null, "recording_id": "9df294ab-ee5d-4b38-9c6b-a44da3ca76df", "artist": "The Kiki Dee Band", "artist_ids": [ "b9ac19b1-a88d-4303-bd8f-e32dac2ae6da" ], "album": "I’ve Got the Music in Me", "release_id": null, "release_group_id": "5d96aa3d-b4c4-38e8-a7d8-dd0e7061d496", "labels": [ "The Rocket Record Company" ], "label_ids": [ "a0a1c747-ce94-4fc9-bba6-3fef4ff7a788" ], "release_date": "1974-11-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "In 1970, Dee became the first white British artist signed to Motown Records, but after her success with Elton John, she released this album on his label.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544154, "uri": "https://api.kexp.org/v2/plays/3544154/?format=api", "airdate": "2025-08-24T09:59:18-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "More, More, More", "track_id": null, "recording_id": null, "artist": "The Andrea True Connection", "artist_ids": [], "album": "Andrea True", "release_id": null, "release_group_id": null, "labels": [ "Buddah" ], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "When former adult film star True finished a TV commercial in Jamaica she was unable to return to the US with the money earned from the gig, so she invested it into recording this song on the island.\nhttps://www.bbc.com/news/entertainment-arts-15908790", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544152, "uri": "https://api.kexp.org/v2/plays/3544152/?format=api", "airdate": "2025-08-24T09:56:38-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/56f918d2-e905-42e4-bcf5-72f98afd8503/4277907532-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/56f918d2-e905-42e4-bcf5-72f98afd8503/4277907532-250.jpg", "song": "Machine Gun", "track_id": null, "recording_id": "9ae0996b-6e92-443b-8382-bb59314b6f98", "artist": "Commodores", "artist_ids": [ "900ab237-327b-44e2-87e4-73250bbe025a" ], "album": "Machine Gun", "release_id": null, "release_group_id": "c9bc4912-c69f-3b7d-b3b4-ef283db2bcee", "labels": [ "Motown" ], "label_ids": [], "release_date": "1974-07-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Motown founder Berry Gordy thought Milan Williams’ clavinet part sounded like a machine gun and that’s how they found a title for the song.\nhttps://theboombox.com/40-years-ago-commodores-release-machine-gun/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544151, "uri": "https://api.kexp.org/v2/plays/3544151/?format=api", "airdate": "2025-08-24T09:52:51-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/6ab1df5d-39f2-49c8-a7b9-19639b21c2f6/11889591756-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/6ab1df5d-39f2-49c8-a7b9-19639b21c2f6/11889591756-250.jpg", "song": "Get Dancin’", "track_id": null, "recording_id": "10742f8f-aadf-4b71-9386-3bd36db6d917", "artist": "Disco Tex and His Sex‐O‐Lettes", "artist_ids": [ "3cf294ed-9ec6-42bf-9c98-6d186310217d" ], "album": "Disco Tex & the Sex‐O‐Lettes Review", "release_id": null, "release_group_id": "dd601228-5b89-43dc-9cf7-647654e8c8aa", "labels": [ "Chelsea Records" ], "label_ids": [ "79b35f59-eaf3-4a5a-acca-282b52154ca3" ], "release_date": "1975-04-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Perhaps the only recorded song that features a staged encore scene.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544150, "uri": "https://api.kexp.org/v2/plays/3544150/?format=api", "airdate": "2025-08-24T09:48:27-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/7b051a24-2e96-4e7f-8a13-23fa1df3c4d8/37078825900-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/7b051a24-2e96-4e7f-8a13-23fa1df3c4d8/37078825900-250.jpg", "song": "Ballroom Blitz", "track_id": null, "recording_id": "96d333f9-0248-4dc8-8de9-e3f2ab86c623", "artist": "Sweet", "artist_ids": [ "dc73bb40-b697-4df9-a2ec-0555bebdba75" ], "album": "Desolation Boulevard", "release_id": null, "release_group_id": "82993041-b4e7-3d33-aa84-cdd20461da53", "labels": [ "Capitol" ], "label_ids": [], "release_date": "1974-11-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The British band wrote this song about the time in Scotland where they got a “bottling” from an angry crowd that drove them offstage.\nhttps://americansongwriter.com/the-meaning-behind-the-ballroom-blitz-by-the-sweet/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544149, "uri": "https://api.kexp.org/v2/plays/3544149/?format=api", "airdate": "2025-08-24T09:44:49-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/2e778d53-5187-4d53-9ec9-2fb8ae1a85c8/11819020454-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2e778d53-5187-4d53-9ec9-2fb8ae1a85c8/11819020454-250.jpg", "song": "Jeepster", "track_id": null, "recording_id": "923f569e-0783-4d4b-a86f-4cea6826a973", "artist": "T. Rex", "artist_ids": [ "c842d29f-a297-48cd-bb71-4f77fd672b16" ], "album": "Electric Warrior", "release_id": null, "release_group_id": "e53310bf-8ccc-3d7f-a0b7-5ca4dbababcb", "labels": [ "Fly" ], "label_ids": [ "93067944-3ff9-4f35-93fa-a9e9d85e84f2" ], "release_date": "1971-09-24", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Band leader Marc Bolan admitted he “lifted it from a Howlin’ Wolf song,” which was \"You'll Be Mine,\" written by Willie Dixon.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544148, "uri": "https://api.kexp.org/v2/plays/3544148/?format=api", "airdate": "2025-08-24T09:43:07-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544147, "uri": "https://api.kexp.org/v2/plays/3544147/?format=api", "airdate": "2025-08-24T09:38:18-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/53e4761d-024a-415f-833c-01b47e11c8c3/11781535870-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/53e4761d-024a-415f-833c-01b47e11c8c3/11781535870-250.jpg", "song": "Mozambique", "track_id": null, "recording_id": "1b612fd2-1f2f-4080-822c-5b01f9b23494", "artist": "Bob Dylan", "artist_ids": [ "72c536dc-7137-4477-a521-567eeb840fa8" ], "album": "Desire", "release_id": null, "release_group_id": "fc325dd3-73ed-36aa-9c77-6b65a958e3cf", "labels": [ "Columbia" ], "label_ids": [], "release_date": "1976-01-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Featuring Emmylou Harris on backing vocals. While some think this song is nodding to the, at the time, recent independence of Mozambique, there’s no evidence or acknowledgement from Dylan about its meaning, but that doesn’t stop Dylan scholars from trying to understand the mysterious songwriter.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544146, "uri": "https://api.kexp.org/v2/plays/3544146/?format=api", "airdate": "2025-08-24T09:34:58-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/cfbc501c-6f41-4618-8bb1-90bb8ebd936f/2065403356-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/cfbc501c-6f41-4618-8bb1-90bb8ebd936f/2065403356-250.jpg", "song": "Stuck in the Middle With You", "track_id": null, "recording_id": "6d934feb-2ed3-4516-9bef-ff53eb7fe4b1", "artist": "Stealers Wheel", "artist_ids": [ "63200203-e2c6-4081-8e0d-00c9732c6b6f" ], "album": "Stealers Wheel", "release_id": null, "release_group_id": "5300d93f-8c4e-3a24-ac0f-d2a72fa7489f", "labels": [ "A&M Records" ], "label_ids": [ "35515729-1f2c-4cc9-9390-9af2764bc56c" ], "release_date": "1972-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "In 1992 director Quentin Tarantino used \"Stuck in the Middle With You\" in the soundtrack of his debut film Reservoir Dogs, in the infamous Michael Madsen ear-cutting scene, bringing new attention to the song.\n\nAccording to rumor, the Scottish rock band Stealers Wheel wrote Stuck in the Middle as a parody of Dylan’s vocal delivery and absurd, sometimes paranoiac imagery. Much to the band’s chagrin, the song caught on (probably because everybody — including Dylan — assumed this was a new Bob Dylan tune) becoming the band’s biggest (read: only) hit. - https://bit.ly/34d36LN", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544145, "uri": "https://api.kexp.org/v2/plays/3544145/?format=api", "airdate": "2025-08-24T09:30:54-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/6c169002-f982-4df4-b695-10964f45f549/6539654788-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/6c169002-f982-4df4-b695-10964f45f549/6539654788-250.jpg", "song": "I Can Help", "track_id": null, "recording_id": "06d3ae2c-2844-4f4e-9fa2-c03227c9d5e5", "artist": "Billy Swan", "artist_ids": [ "fa1a5b71-965b-4f4f-bc93-d7920889e335" ], "album": "I Can Help", "release_id": null, "release_group_id": "588303e2-feb9-3055-9e58-2b881625bcce", "labels": [ "Monument" ], "label_ids": [ "8f5e33fd-2e2f-42ca-922c-e47fb62601e1" ], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Swan wrote this song using a drum machine preset titled, “Rock” in his converted closet in his Nashville home.\nhttps://www.soundonsound.com/techniques/classic-tracks-billy-swan-can-help", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544144, "uri": "https://api.kexp.org/v2/plays/3544144/?format=api", "airdate": "2025-08-24T09:26:13-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/e64733d2-f142-4493-9b93-4713e714c70c/12381841033-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/e64733d2-f142-4493-9b93-4713e714c70c/12381841033-250.jpg", "song": "Clap for the Wolfman", "track_id": null, "recording_id": "9fbfdbd9-fbe3-4be6-a1da-d087007613be", "artist": "The Guess Who", "artist_ids": [ "4c567499-3a26-40e3-9471-20feb6c73767" ], "album": "Road Food", "release_id": null, "release_group_id": "32e60abd-d7bb-31c1-8beb-5e3eb6db0480", "labels": [ "RCA" ], "label_ids": [], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "A tribute to and featuring the gravelly voice of the DJ Wolfman Jack. \n\nLed by Burton Cummings who formed the band with Randy Bachman, Bachman left in 1970 after falling in love with a Mormon woman and renouncing the rock and roll lifestyle.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544143, "uri": "https://api.kexp.org/v2/plays/3544143/?format=api", "airdate": "2025-08-24T09:23:21-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/8afc29f6-5af0-350f-9c0d-5a6bf44db7ad/6563532333-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/8afc29f6-5af0-350f-9c0d-5a6bf44db7ad/6563532333-250.jpg", "song": "The Cover of the Rolling Stone", "track_id": null, "recording_id": "0b96f081-7602-4176-9c61-f8822c2866af", "artist": "Dr. Hook", "artist_ids": [ "1c893468-37a9-4fb7-909f-929751a8ebed" ], "album": "Sloppy Seconds", "release_id": null, "release_group_id": "cdc3c81d-a114-3a26-b400-289f2411b73d", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1972-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Written by cartoonist, veteran, and author Shel Silverstein, the band eventually…sort of…got their wish to be on the cover of the legendary magazine, when the publishers featured caricatures of some of the band later the same year.\nhttps://www.rollingstone.com/music/music-lists/1973-rolling-stone-covers-208781/rs131-dr-hook-the-medicine-show-whats-their-2-141151/\n\nThis song live in 1980 https://youtu.be/gUjcjUF-urU?si=NAUBFP4m5uDOT7R6", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544142, "uri": "https://api.kexp.org/v2/plays/3544142/?format=api", "airdate": "2025-08-24T09:20:56-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544141, "uri": "https://api.kexp.org/v2/plays/3544141/?format=api", "airdate": "2025-08-24T09:17:35-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/eb86a8b5-ca48-49ae-b787-7e9224fffab7/9107067065-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/eb86a8b5-ca48-49ae-b787-7e9224fffab7/9107067065-250.jpg", "song": "Shambala", "track_id": null, "recording_id": "54666304-35d1-43f0-8b3e-7955840d3379", "artist": "Three Dog Night", "artist_ids": [ "1a48176d-1414-4a18-9792-50ba585d4d59" ], "album": "Cyan", "release_id": null, "release_group_id": "0cc45d28-3ede-363f-825f-b8e556ee0b8e", "labels": [ "Dunhill ABC" ], "label_ids": [ "bbba24ff-aa3a-454b-8754-3fe691b84fb8" ], "release_date": "1973-10-09", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The LA band imagined a world where kindness and cooperation are universal, inspired by the mythical kingdom mentioned in various ancient texts, including the Kalachakra Tantra and ancient texts of Tibetan Buddhism. The original location was a mystic temple in Peru.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544140, "uri": "https://api.kexp.org/v2/plays/3544140/?format=api", "airdate": "2025-08-24T09:14:31-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/2bcbc91f-c282-3ca0-a81f-d47c11be46a3/4267560155-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2bcbc91f-c282-3ca0-a81f-d47c11be46a3/4267560155-250.jpg", "song": "No Matter What", "track_id": null, "recording_id": "829059bd-c9a6-410a-9b88-1ab787fa6955", "artist": "Badfinger", "artist_ids": [ "44632683-c340-44de-a65d-328212559f91" ], "album": "No Dice", "release_id": null, "release_group_id": "7c049c8c-0581-34ea-9c77-9aafd83d1ec4", "labels": [ "Apple Records" ], "label_ids": [ "cf7fc5cf-e011-4ef4-b511-cd0188537910" ], "release_date": "1970-11-09", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Welsh band were signed to The Beatles’ label and this song was produced by the fab four’s road manager Mal Evans who had spotted them playing around London clubs. Sadly, their manager Stan Polley mismanaged their legal and financial situation, which led to a lot of trouble for the band after Apple Records folded in 1973, leading to lead guitarist Pete Ham's suicide in 1975.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544139, "uri": "https://api.kexp.org/v2/plays/3544139/?format=api", "airdate": "2025-08-24T09:11:52-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/85455e7b-953e-404c-a8f9-061d71fc4aba/15870976012-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/85455e7b-953e-404c-a8f9-061d71fc4aba/15870976012-250.jpg", "song": "In the Street", "track_id": null, "recording_id": "930cb068-c06f-44ea-97df-c60723ebd8df", "artist": "Big Star", "artist_ids": [ "21d177ba-3d51-461e-9b3f-ad9a80b419dc" ], "album": "#1 Record", "release_id": null, "release_group_id": "18ec10a7-864f-3f1b-8d68-5cb622165b20", "labels": [ "Ardent Records" ], "label_ids": [ "6a513082-581f-4f29-a972-b6fb33355cf2" ], "release_date": "1972-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This song went on to find a new audience when it was re-recorded by Cheap Trick to be the theme song for “That 70s show.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544138, "uri": "https://api.kexp.org/v2/plays/3544138/?format=api", "airdate": "2025-08-24T09:07:44-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/7b051a24-2e96-4e7f-8a13-23fa1df3c4d8/37078825900-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/7b051a24-2e96-4e7f-8a13-23fa1df3c4d8/37078825900-250.jpg", "song": "Fox on the Run", "track_id": null, "recording_id": "16f261e6-57a7-4f9e-8801-12c8645b9edd", "artist": "Sweet", "artist_ids": [], "album": "Desolation Boulevard", "release_id": null, "release_group_id": "82993041-b4e7-3d33-aa84-cdd20461da53", "labels": [ "Capitol" ], "label_ids": [], "release_date": "1974-11-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Rumored to be about one of the British band’s female admirers.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544153, "uri": "https://api.kexp.org/v2/plays/3544153/?format=api", "airdate": "2025-08-24T09:03:31-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/82f36f8a-cbc6-425b-8f45-2ecb4381cccc/21238810502-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/82f36f8a-cbc6-425b-8f45-2ecb4381cccc/21238810502-250.jpg", "song": "Foot Stompin’ Music", "track_id": null, "recording_id": "3e44fa13-c946-4762-8f76-03437c93bd46", "artist": "Grand Funk Railroad", "artist_ids": [ "103241b0-6adf-4b4f-9cff-5c87459f61a4" ], "album": "E Pluribus Funk", "release_id": null, "release_group_id": "ccf60b32-82a7-37cc-b4cb-33d34fc5c7c9", "labels": [ "Capitol Records" ], "label_ids": [ "abea2d3e-eabf-4480-ab24-9382dd642c73" ], "release_date": "1971-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Flint, Michigan band’s name was a nod to the Western Railroad company Grand Trunk Western Railroad.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
