Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=98360&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=98380&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=98340&ordering=-airdate", "results": [ { "id": 3548140, "uri": "https://api.kexp.org/v2/plays/3548140/?format=api", "airdate": "2025-09-02T21:21:24-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://coverartarchive.org/release/9ffd1f0a-b24d-4b6f-b9da-1049820d3528/37024220680-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/9ffd1f0a-b24d-4b6f-b9da-1049820d3528/37024220680-250.jpg", "song": "Lori", "track_id": null, "recording_id": null, "artist": "SHQ", "artist_ids": [ "80ba8255-08f2-46d6-a697-b3ec43a5f983" ], "album": "Behind the Iron Curtain", "release_id": null, "release_group_id": "d195dfea-b32e-4f87-a42c-bbd163b1f445", "labels": [ "Ichiban International" ], "label_ids": [ "7af4d55a-e4e0-4152-974c-f52d4914390c" ], "release_date": "1996-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The iron curtain was a metaphor for political and cultural division. This album showcases what was going on behind that iron curtain in the aftermath of the second World War.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548139, "uri": "https://api.kexp.org/v2/plays/3548139/?format=api", "airdate": "2025-09-02T21:12:34-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://coverartarchive.org/release/9ffd1f0a-b24d-4b6f-b9da-1049820d3528/37024220680-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/9ffd1f0a-b24d-4b6f-b9da-1049820d3528/37024220680-250.jpg", "song": "Podzimní nálada", "track_id": null, "recording_id": null, "artist": "Václav Zahradník", "artist_ids": [ "ba5bdee8-8de0-465b-8668-41add893fb61" ], "album": "Behind the Iron Curtain", "release_id": null, "release_group_id": "d195dfea-b32e-4f87-a42c-bbd163b1f445", "labels": [ "Jazzman Records Ltd" ], "label_ids": [], "release_date": "1996-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "After bans of jazz throughout Europe in the 20th century, jazz made its way through the cracks through Western scores and the selling of sheet music and records on the black market from overseas visitors. Once equated with \"gas in the stomach\" at a UN meeting, jazz eventually took Europe by storm.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548138, "uri": "https://api.kexp.org/v2/plays/3548138/?format=api", "airdate": "2025-09-02T21:03:11-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Canción del Adiós", "track_id": null, "recording_id": null, "artist": "Morgan Szymanksi and Tommy Perman", "artist_ids": [], "album": "Songs for the Mist Forest", "release_id": null, "release_group_id": null, "labels": [ "Blackford Hill" ], "label_ids": [], "release_date": "2025-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "'Music for the Moon and the Trees' by classical guitarist Morgan Szymanski and experimental musician Tommy Perman is the result of a long-held wish that the two childhood friends would get the chance to create an album together. It’s a meditative album; a gentle thing of serene beauty and quiet innovation.\n\nThe duo took to a woodland cottage in rural Scotland to record the album over five days in midsummer 2019, using solar and wind power generated entirely on-site.\n\nhttps://blackfordhill.bandcamp.com/album/music-for-the-moon-and-the-trees", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548137, "uri": "https://api.kexp.org/v2/plays/3548137/?format=api", "airdate": "2025-09-02T20:57:45-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://coverartarchive.org/release/977129c1-7e33-43b4-8fe1-adb5a15df999/40392118960-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/977129c1-7e33-43b4-8fe1-adb5a15df999/40392118960-250.jpg", "song": "River", "track_id": null, "recording_id": "304abb4d-e3a5-4f4b-b234-4ab94355166f", "artist": "Hiroki Tamaki", "artist_ids": [ "b7776cc1-fec2-40c8-b3e9-3dd157e9016d" ], "album": "Bhagwan Shree Rajneesh", "release_id": null, "release_group_id": "1887f836-5a57-40cf-bf53-8ef89301f0ce", "labels": [ "Columbia Music Entertainment" ], "label_ids": [ "31f1a6ee-dfec-44aa-8aec-21da571709df" ], "release_date": "2009-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Hiroki Tamaki’s career has been defined by a resistance against traditional form. Born in Kobe and raised in a Zen temple, the young violinist found his first professional engagement with the Tokyo Symphony Orchestra and immediately rebelled against the 12-tone temperament on which Western classical music was built. After four years of musical soul searching, he ended up with another orchestra, but this time with a synth in hand.\n\nhttps://timecapsulespace.bandcamp.com/track/kawa-river", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548135, "uri": "https://api.kexp.org/v2/plays/3548135/?format=api", "airdate": "2025-09-02T20:52:50-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://ia902306.us.archive.org/17/items/mbid-faec87ef-d446-40aa-819b-aae2613b7845/mbid-faec87ef-d446-40aa-819b-aae2613b7845-21369727504_thumb500.jpg", "thumbnail_uri": "https://ia902306.us.archive.org/17/items/mbid-faec87ef-d446-40aa-819b-aae2613b7845/mbid-faec87ef-d446-40aa-819b-aae2613b7845-21369727504_thumb250.jpg", "song": "Extremely Bad Man", "track_id": "829119ea-317b-4c17-847a-154dd455e88e", "recording_id": "61ca01c5-f5bb-43c0-a75b-46d0d34635d7", "artist": "坂本慎太郎", "artist_ids": [ "b713fb44-7a24-41d0-827a-cc8777b1ce89" ], "album": "Let's Dance Raw", "release_id": "049a1234-70df-43ce-bb5f-94a60b97a09f", "release_group_id": "9875e4dc-d4a2-48d9-944e-60806c9cafb2", "labels": [ "Other Music Recording Co." ], "label_ids": [ "b081a16a-af68-482f-96e7-36d3efb62808" ], "release_date": "2014-05-28", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Shintaro Sakamoto is a Japanese musician based in Tokyo. He began his career in 1989 as the founding member and frontman of Yura Yura Teikoku. https://shintarosakamotoofficial.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548136, "uri": "https://api.kexp.org/v2/plays/3548136/?format=api", "airdate": "2025-09-02T20:48:12-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3548133, "uri": "https://api.kexp.org/v2/plays/3548133/?format=api", "airdate": "2025-09-02T20:45:54-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://coverartarchive.org/release/5635946e-fdba-4c7f-91eb-f0378f882001/36062805036-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/5635946e-fdba-4c7f-91eb-f0378f882001/36062805036-250.jpg", "song": "Reste Un Oiseau", "track_id": null, "recording_id": "359fc585-0ad1-4057-b818-6d98359dd6bb", "artist": "Anne Paceo", "artist_ids": [ "b5c48c33-77e7-40e8-ae75-e8e562a6e5bb" ], "album": "S.H.A.M.A.N.E.S", "release_id": null, "release_group_id": "049ad9a9-6829-455a-966d-c1e5f5e66f1d", "labels": [ "Jusqu'à la nuit" ], "label_ids": [ "8066f205-af87-4d3e-a8bb-5882bfbbf1c4" ], "release_date": "2022-03-25", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "For the first time in her career, drummer & composer Anne Paceo is handing over the keys to her stems to carefully selected artists for the release of a remix EP of her latest album, S.H.A.M.A.N.E.S, praised by critics and embraced by the public.\n\nShe invites renowned musicians from very diverse backgrounds and further pushes the boundaries of her musical universe — leaning even more towards pop, folk, house, electro-pop, and even a wild lo-fi opera. Fully trusting the selected artists, she gave them complete freedom to take ownership of S.H.A.M.A.N.E.S and offer their own interpretation.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548132, "uri": "https://api.kexp.org/v2/plays/3548132/?format=api", "airdate": "2025-09-02T20:40:17-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://coverartarchive.org/release/7bf6e653-848a-447d-83fc-2716946f76d1/9588503246-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/7bf6e653-848a-447d-83fc-2716946f76d1/9588503246-250.jpg", "song": "Anchi Bale Game", "track_id": null, "recording_id": "4c9fd8c8-54b6-402c-ad5c-50e22749c68d", "artist": "Admas", "artist_ids": [ "203fa511-5748-4c22-bd55-29aa55e41c18" ], "album": "Sons of Ethiopia", "release_id": null, "release_group_id": "5ae24a2f-e1d6-4d9f-a5e7-a4cf2b99579b", "labels": [ "African Heritage Records" ], "label_ids": [ "f267331a-8f45-4770-a3ae-fff1ea368904" ], "release_date": "1984-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Sons of Ethiopia\" is one of the few recordings to be produced outside Ethiopia in the early 1980s. It is a key document of the Washington DC exile scene. The core members of Admas – Tewodros ‘Teddy’ Aklilu, Henock Temesgen, and Abegasu Shiota – had previously played in a group called Gasha, one of the few local Ethiopian bands. Admas was born from Gasha, as an outlet for their more experimental instincts. \"In 1984, these D.C. Ethiopian expats made a truly rare record. Now the world can hear it.\" Read the incredible story behind this reissue here: https://www.washingtonian.com/2020/08/12/admass-sons-of-ethiopia-how-a-great-lost-album-is-finding-new-fans/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548131, "uri": "https://api.kexp.org/v2/plays/3548131/?format=api", "airdate": "2025-09-02T20:36:24-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://ia600809.us.archive.org/32/items/mbid-6a1722db-43e9-4698-bfef-7c9e228a1df0/mbid-6a1722db-43e9-4698-bfef-7c9e228a1df0-38282575459_thumb500.jpg", "thumbnail_uri": "https://dn721607.ca.archive.org/0/items/mbid-6a1722db-43e9-4698-bfef-7c9e228a1df0/mbid-6a1722db-43e9-4698-bfef-7c9e228a1df0-38282575459_thumb250.jpg", "song": "Agya", "track_id": "8f8f1635-1bac-45ff-823a-9dd572f3a7e5", "recording_id": "87f107d3-0b5c-49ed-a639-9002774e60c6", "artist": "Jembaa Groove feat. Gyedu-Blay Ambolley", "artist_ids": [ "9a6737a8-13f4-4f1d-8ec9-d1f5d597e2f5", "ad93763f-9bab-4a3f-a476-22fc9504bef3" ], "album": "Ye Ankasa We Ourselves", "release_id": "6a1722db-43e9-4698-bfef-7c9e228a1df0", "release_group_id": "ad8296d2-cb59-485e-9d6d-28c04b6de1d0", "labels": [ "Agogo Records" ], "label_ids": [ "b327e574-982a-4000-9beb-51e0ceae5dda" ], "release_date": "2024-04-05", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Oct 3rd at Baba Yaga Seattle, Oct 5 in Portland\n\nThe second album from this Berlin-based collaborative project between Ghana-born percussionist/vocalist Eric Owusu and Germany-born bassist/composer Yannick Nolting is another groovy blend of traditional West African and highlife rhythms infused with classic jazz and soul touchpoints that's all complemented beautifully by Owusu's vocals that are sung in Twi, Ga, and Pidgin English. –Alex Ruder", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548129, "uri": "https://api.kexp.org/v2/plays/3548129/?format=api", "airdate": "2025-09-02T20:34:02-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://ia600406.us.archive.org/8/items/mbid-4eaf8fd9-a51b-423e-b7a7-abfc00bb4925/mbid-4eaf8fd9-a51b-423e-b7a7-abfc00bb4925-32667861223_thumb500.jpg", "thumbnail_uri": "https://ia800406.us.archive.org/8/items/mbid-4eaf8fd9-a51b-423e-b7a7-abfc00bb4925/mbid-4eaf8fd9-a51b-423e-b7a7-abfc00bb4925-32667861223_thumb250.jpg", "song": "Gostar do mundo", "track_id": "309bcbec-f4ba-4ca3-873b-2fff5d152c34", "recording_id": "530425e9-1215-4253-ba4e-279df2010606", "artist": "Sessa", "artist_ids": [ "53d61df0-7de0-4bb8-b73c-94758ae02466" ], "album": "Estrela Acesa", "release_id": "4eaf8fd9-a51b-423e-b7a7-abfc00bb4925", "release_group_id": "2f4e8214-9634-4b4b-b168-9c7d7d7f92ea", "labels": [ "Mexican Summer" ], "label_ids": [ "2c6049c6-7335-4d03-b264-234b314b03b5" ], "release_date": "2022-06-24", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Sessa's songs are sung in Portuguese, with visceral, sensual lyrics in the vein of Caetano Veloso, and the melodic flourishes of Jobim. However, the music gets a deliberate minimalist treatment rarely found in contemporary Brazilian music, more reminiscent of the bareness of Leonard Cohen, with touches of tropicalia and free jazz\n\nhttps://sessa.bandcamp.com/track/gostar-do-mundo", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548130, "uri": "https://api.kexp.org/v2/plays/3548130/?format=api", "airdate": "2025-09-02T20:31:02-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Es una veneno", "track_id": null, "recording_id": "5634f30c-cd16-4c95-87f0-73ef59fafbe2", "artist": "Clara Serra López", "artist_ids": [ "bb1e5f7c-f6f4-4b60-99ee-6d89e6e7d3dc" ], "album": "Lengua Materna (Part I)", "release_id": null, "release_group_id": null, "labels": [ "Real World X" ], "label_ids": [ "ff495384-920a-4ea4-b4e7-8f7652dfceeb" ], "release_date": "2025-07-25", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Clara Serra López is a Spanish born vocalist, composer, songwriter and keys player based in London with Catalan and Cuban heritage. Today, Friday 25 July, she releases her debut EP ‘Lengua Materna (Part I)’ via Real World X.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548128, "uri": "https://api.kexp.org/v2/plays/3548128/?format=api", "airdate": "2025-09-02T20:29:22-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3548127, "uri": "https://api.kexp.org/v2/plays/3548127/?format=api", "airdate": "2025-09-02T20:23:59-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Baba Mimoun", "track_id": null, "recording_id": "68885e3a-fd6c-4973-a65c-d30a1823e00a", "artist": "Saha Gnawa", "artist_ids": [], "album": "Saha Gnawa", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-10-10", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Saha Gnawa’s self-titled debut pairs Moroccan Gnawa with NYC jazz and groove, channeling North African futurism through cross-cultural improvisation. Building off centuries-old practices, traditional song forms dissolve into psychedelic outer-space explorations.\n\nhttps://sahagnawa.bandcamp.com/album/saha-gnawa", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548126, "uri": "https://api.kexp.org/v2/plays/3548126/?format=api", "airdate": "2025-09-02T20:23:26-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3548125, "uri": "https://api.kexp.org/v2/plays/3548125/?format=api", "airdate": "2025-09-02T20:19:44-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://coverartarchive.org/release/0be84498-594d-470b-916f-c39b6f3e74bb/38177882566-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/0be84498-594d-470b-916f-c39b6f3e74bb/38177882566-250.jpg", "song": "Takahashi Timing", "track_id": null, "recording_id": "14df18ff-0d3c-4708-97a4-e0dc637c9b4e", "artist": "YĪN YĪN", "artist_ids": [ "0b336c55-c3e9-4dab-9c96-bc10d7a54ef3" ], "album": "Mount Matsu", "release_id": null, "release_group_id": "d14c1c43-e9cd-4159-94bd-8a4621442a6d", "labels": [ "Glitterbeat" ], "label_ids": [ "2b63cc99-f955-427a-828d-440635381748" ], "release_date": "2024-01-19", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Catch yīn yīn at the Tractor Tavern on Oct 1st\n\nhttps://yinyinternet.com/shows\n\nLots of other places to catch their shows too -- they'll be in Portland on Sept 30th and all over the Bay Area, October 3rd, 4th, and 6th", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548124, "uri": "https://api.kexp.org/v2/plays/3548124/?format=api", "airdate": "2025-09-02T20:15:58-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Donde Estás Tú (Chong the Nomad Remix)", "track_id": null, "recording_id": null, "artist": "Chong the Nomad, Terror/Cactus, Pahua", "artist_ids": [ "f8bc2114-691d-48c7-bc19-41c7126896a8", "67c42332-de6c-46a7-b36a-2db0ae9fe2f3", "91ac4b69-025f-4343-a40a-4f0703daf576" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-07-18", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Catch Terror Cactus at Madame Lous in Seattle on Sep 10th\n\nhttps://www.terrorcactus.com/\n\nThey've also got a show in Leavenworth on the 12th of September and in Portland on the 13th!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548123, "uri": "https://api.kexp.org/v2/plays/3548123/?format=api", "airdate": "2025-09-02T20:10:22-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3548122, "uri": "https://api.kexp.org/v2/plays/3548122/?format=api", "airdate": "2025-09-02T20:07:38-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Madagascar", "track_id": null, "recording_id": null, "artist": "Ti Fock", "artist_ids": [ "1610423c-6e2a-4eff-adf9-0a0fe90a841f" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Ti FOCK, a pioneering force in maloya fusion from Réunion Island, returns to the spotlight with the reissue of his legendary 1986 album ANiEL, originally released by Celluloid Records and now reissued by BABANI x KRÉOL ART.\n\nhttps://babani.bandcamp.com/album/aniel", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548121, "uri": "https://api.kexp.org/v2/plays/3548121/?format=api", "airdate": "2025-09-02T20:04:24-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://coverartarchive.org/release/20184084-c123-433a-affc-a1f7a7c91836/39350182762-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/20184084-c123-433a-affc-a1f7a7c91836/39350182762-250.jpg", "song": "Suba", "track_id": null, "recording_id": "b9e44ea0-9fa3-4781-9704-fed34e2d2425", "artist": "Zouratié Koné & The Astral Synth Transmitters", "artist_ids": [ "e8e65981-e22b-4702-b195-0c43196fea74", "875e77a9-4e79-4e49-843b-05246025e5d2" ], "album": "Elsewhere CC", "release_id": null, "release_group_id": "775b2017-5f08-4166-a97b-90892f857e48", "labels": [ "Bongo Joe" ], "label_ids": [ "333df535-433c-482b-9d61-87cb70979a5d" ], "release_date": "2024-07-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Zouratié Koné is a griot, hailing from Bobo Dioulasso in Burkina Faso. He is not only a composer, singer, and musician, but also a skilled craftsman in the making of traditional musical instruments such as the balafon, ngoni, kora, talking drum, and djembé. Steeped in the oral culture of the Bwaba people, this talented musician masters hundreds of rhythms and a wide repertoire of songs from the Mandingo region of West Africa.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3548120, "uri": "https://api.kexp.org/v2/plays/3548120/?format=api", "airdate": "2025-09-02T19:58:38-07:00", "show": 64457, "show_uri": "https://api.kexp.org/v2/shows/64457/?format=api", "image_uri": "https://coverartarchive.org/release/ecada176-180a-4723-8eb9-1971e14ad253/37419868606-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/ecada176-180a-4723-8eb9-1971e14ad253/37419868606-250.jpg", "song": "Fa Sol La", "track_id": null, "recording_id": "3c4b73c9-a0cd-44fe-9d69-252cfe5a6952", "artist": "Sababa 5", "artist_ids": [ "f24158d2-5095-4ecd-89e9-9e34fadd8e0a" ], "album": "Aspan", "release_id": null, "release_group_id": "38bf5457-167e-4ed7-ae39-af08d6b7348e", "labels": [ "Batov Records" ], "label_ids": [ "72500051-6183-4b30-b03c-e3ae5b0793cf" ], "release_date": "2023-11-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Aspan\" is the second full-length from Sababa 5. \"Fa Sol La\" follows suit, named simply after its bass-led melody and Middle-Eastern grooves. The lively drumbeat and catchy riffs exude an upbeat energy that's bound to induce joyous reactions from listeners. Around the two-thirds mark, a dreamy guitar interlude elevates tension before easing into a shift towards a more progressive and rhythmic direction. \n\nhttps://sababa5.bandcamp.com", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
