{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=24340&ordering=-airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=24300&ordering=-airdate","results":[{"id":3629864,"uri":"https://api.kexp.org/v2/plays/3629864/?format=json","airdate":"2026-03-16T20:23:39-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"https://coverartarchive.org/release/ac421df2-a6e1-495e-a2df-4d954db05241/38260363739-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/ac421df2-a6e1-495e-a2df-4d954db05241/38260363739-250.jpg","song":"Move","track_id":null,"recording_id":"10354d69-8556-4323-ab05-09a137042f51","artist":"Dark Chisme","artist_ids":["2df279da-29e0-42d8-9e1e-0e3fd722f3d3"],"album":"Yo Puedo Vivir Sin Ti","release_id":null,"release_group_id":"035ff97b-9761-444b-93d5-dc15e4edc4da","labels":[],"label_ids":[],"release_date":"2023-11-28","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Move” by Dark Chisme pulses with the shadowy energy of a late-night dance floor. The track appears on the Seattle duo’s self-titled debut album Dark Chisme, released in 2024, and serves as a strong introduction to the band’s blend of darkwave atmosphere and club-ready rhythm. The project is led by Chicago-raised Latina DJ and producer Christine Gutierrez, who handles vocals and synths alongside collaborator E on bass and additional synth work.\n\nRight away, “Move” locks into a steady electronic groove, driven by pulsing bass and crisp, minimal drum programming. The song balances darkwave moodiness with the propulsion of house and techno, creating a sound that feels equally rooted in goth club traditions and contemporary underground dance music. The synth lines shimmer and repeat in hypnotic patterns, while the vocals float just above the beat—cool, controlled, and slightly mysterious.\n\nThere’s a strong sense of movement in the arrangement. Rather than relying on big drops or dramatic shifts, the track gradually builds tension through subtle layering and repetition, letting the rhythm carry the song forward. That restraint gives “Move” its hypnotic pull, the kind of track that feels built for dim lights, fog machines, and a packed dance floor moving in sync.\n\nWith its sleek production and dark, danceable pulse, “Move” captures the essence of Dark Chisme’s emerging sound: moody, stylish, and built for the underground.\n\nhttps://darkchisme.bandcamp.com/track/move","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629863,"uri":"https://api.kexp.org/v2/plays/3629863/?format=json","airdate":"2026-03-16T20:19:45-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"https://coverartarchive.org/release/e2527dad-5f6a-4683-8a4e-be9aa4f33ca8/28848057772-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/e2527dad-5f6a-4683-8a4e-be9aa4f33ca8/28848057772-250.jpg","song":"Cuerpos Monstruosos","track_id":null,"recording_id":"482916ba-0125-40c7-b9a8-9a3464de6688","artist":"Ces Cadáveres","artist_ids":["efd8c3f0-497a-43bb-9003-6329646f376f"],"album":"Cuerpos Monstruosos","release_id":null,"release_group_id":"e2458620-fb5b-4b2d-8782-8f7910e555a5","labels":["Detriti Records"],"label_ids":["12a6aae6-f8db-49d6-bdc0-5df2c9d56c2a"],"release_date":"2020-06-08","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Cuerpos Monstruosos” is a superb title for a darkwave project, and Ces Cadáveres know exactly how to inhabit it. The Brooklyn duo of Analía and Carlos released the track in 2020 as the opening cut and title piece of an EP, and the project sits clearly within a darkwave, coldwave, and synth-punk continuum. Yet the song does more than signal genre allegiance. It turns the notion of monstrous bodies into a space of tension and recognition. “Monstrous” can mean feared, excluded, transformed, desiring too visibly, or simply existing outside the boundaries that power prefers. That multiplicity makes the track feel politically and emotionally charged even before one reaches the details of arrangement or lyric. Darkwave at its best often gives marginal feeling a ceremonial form, and this song seems to understand that deeply. Synth lines and drum-machine pulse can create distance, but they can also create a stage on which alienation becomes style rather than stigma. The song’s power likely lies in exactly that inversion. Rather than apologizing for excess, difference, or dread, it aestheticizes them, making the so-called monstrous body audible as a body with force, rhythm, and presence. There is something liberating about that move. Ces Cadáveres turn estrangement into choreography, and in doing so they make darkness feel not merely oppressive, but vividly alive.\nListen: https://cescadaveres.bandcamp.com/track/cuerpos-monstruosos","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629862,"uri":"https://api.kexp.org/v2/plays/3629862/?format=json","airdate":"2026-03-16T20:16:10-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"https://coverartarchive.org/release/b03b793c-2e86-4014-859b-696029cf9722/15729011633-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/b03b793c-2e86-4014-859b-696029cf9722/15729011633-250.jpg","song":"Perdí mi ojo de venado","track_id":null,"recording_id":"5ed6d36c-024d-4219-ad25-b7c2a040584b","artist":"Caifanes","artist_ids":["77814bfb-f1b0-47fd-8492-65d6f72c246d"],"album":"Caifanes","release_id":null,"release_group_id":"3b2e5354-d3da-36ab-88f9-d33a99db8a8a","labels":[],"label_ids":[],"release_date":"1988-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Perdí Mi Ojo de Venado” belongs to the earliest Caifanes era, when the band was still discovering how to make post-punk atmosphere, Mexican imagery, and ritual intensity coexist inside one unmistakable sound. Released on their 1988 debut, the song remains one of the strongest examples of what set them apart from their contemporaries. The title is already uncanny: a deer eye carries connotations of talisman, animal vision, sacrifice, and spiritual disorientation. To lose it is to lose protection, instinct, or access to another order of seeing. Caifanes understand the symbolic charge of that image and never dilute it. The track moves like a feverish incantation, bringing together gothic textures and rock urgency while keeping one foot in a deeper, older symbolic world. That was always one of the band’s gifts. They did not simply imitate Anglo dark-rock templates; they filtered them through local mysticism, urban unease, and a vocabulary of imagery that felt native to their own psychic terrain. It is therefore more than a striking song title. It is a thesis statement about altered perception, danger, and the body moving through shadow. Saúl Hernández’s voice gives the track an especially haunted force, while the arrangement keeps the song tense without letting it become shapeless. The result is one of the early landmarks of Mexican alternative rock’s darker imagination.\nListen: https://www.youtube.com/watch?v=vNbCta3-VsQ","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629861,"uri":"https://api.kexp.org/v2/plays/3629861/?format=json","airdate":"2026-03-16T20:13:00-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3629860,"uri":"https://api.kexp.org/v2/plays/3629860/?format=json","airdate":"2026-03-16T20:10:10-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"puntofinal","track_id":null,"recording_id":"d91d0930-52dc-4240-8c3c-99546b5057b0","artist":"Ezezez","artist_ids":["77b16e22-95d0-4513-a15d-793df8f6e23b"],"album":"Kabakriba","release_id":null,"release_group_id":"ef97c245-8999-4195-b7e1-e82ba192fa87","labels":[],"label_ids":[],"release_date":"2025-05-09","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“puntofinal” was released as the first single from EZEZEZ’s third album, and current profiles on the band describe it as a punk-energy explosion with a funk-soul pulse and a highly danceable core. That description is useful because it points to exactly what makes the song intriguing: its title implies closure, but its musical identity seems built on propulsion. A final point, yes, but one drawn in motion. EZEZEZ have emerged from the Basque scene with a sound that values intensity without sacrificing groove, and “puntofinal” sharpens that combination. The phrase itself carries drama in miniature. It is not merely “the end,” but the punctuation mark that seals a thought, a relationship, an era, an argument. Songs about endings often slow down to contemplate ruin. This one seems more interested in turning ending into kinetic force. That is a smart inversion. Sometimes closure does not feel like silence; it feels like acceleration, like the body outrunning what the mind has finally decided. The danceable edge matters here because it rescues the title from solemnity. “puntofinal” suggests a band unafraid to let catharsis sweat a little, to make decisiveness feel physical rather than abstract. The result is likely both sharp and liberating: a song where the line gets drawn not in sadness alone, but in movement, friction, and the hard-earned pleasure of saying enough with your whole body.\nListen: https://www.youtube.com/watch?v=X73XZTADpVA","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629859,"uri":"https://api.kexp.org/v2/plays/3629859/?format=json","airdate":"2026-03-16T20:05:40-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"La melodía del afilador","track_id":null,"recording_id":"fa376ba8-fd6c-436a-89f0-c46c0ef44b0f","artist":"Svper","artist_ids":["ccc7973f-3e75-4c41-a26b-3bf2258fb16e"],"album":"Pegasvs","release_id":null,"release_group_id":"66fec271-e516-4ba0-82da-4adf4c9ddf97","labels":[],"label_ids":[],"release_date":"2012-02-28","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“La Melodía del Afilador” is one of those songs that feels suspended between dream and machinery. Released in 2012 as part of Pegasvs, the debut album by SVPER, the track occupies the space where motorik pulse, synth-pop gleam, and shoegaze atmosphere begin to blur into one another. The title is evocative in a quietly uncanny way. The knife sharpener’s melody is one of those urban sounds that can feel both mundane and ghostly, a public signal that drifts through streets carrying memory, commerce, and a faint sense of ritual. SVPER transform that idea into something hypnotic. Rather than treating melody as a simple hook, the song seems to let it shimmer at a distance, as if heard through heat or recollection. That gives the track its peculiar emotional color. It is electronic music, certainly, but not cold. The pulse underneath it suggests forward movement, while the textures above it feel almost narcotic, dissolving edges rather than hardening them. “La Melodía del Afilador” endures because it understands repetition as enchantment. Each return of the motif makes the song stranger and more familiar at once, like a fragment of city life turning mythic through sheer attention. SVPER were especially gifted at that transformation, and this track remains one of their most elegant demonstrations of how synthetic music can still feel haunted by the street.\nListen: https://canadaeditorial.bandcamp.com/track/la-melod-a-del-afilador","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629858,"uri":"https://api.kexp.org/v2/plays/3629858/?format=json","airdate":"2026-03-16T20:03:13-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"Sacrificio","track_id":null,"recording_id":null,"artist":"Triángulo de Amor Bizarro","artist_ids":["c99d1db4-d5ab-4795-a7f5-42ebba5fd0bc"],"album":"Sacrificio","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"2026-03-06","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Sacrificio” marks the beginning of a new phase for Triángulo de Amor Bizarro. Released in March 2026, the single has been presented as the first advance from the band’s upcoming album Mi catedral, and the song’s release framing draws on Galicia and its ambiguous magical figures as a guiding thread behind the imagery. That framework suits them perfectly. Few bands in contemporary Spanish rock have been as adept at making distortion feel both ecstatic and mythic. The word “sacrifice” can suggest devotion, violence, purification, or loss, and the song thrives on that layered instability. Triángulo de Amor Bizarro have always made noise feel ceremonial, as though each chorus were both breakdown and invocation. Here, that instinct appears sharpened. Their blend of abrasive guitars, pop flashes, and emotional intensity does not aim for balance in a polite sense. It aims for transcendence through overload. “Sacrificio” works because it takes a loaded concept and refuses to simplify it. This is not self-denial as virtue. It is sacrifice as spell, as exchange, as the price of access to something larger and darker than the self. The recent framing around meigas and shadowed sisterhood gives the song an even richer atmosphere, connecting it to a specifically Galician imagination while keeping its emotional force open-ended.\nListen: https://open.spotify.com/track/6cusjflubCLgOuxR6Ogc4q","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629857,"uri":"https://api.kexp.org/v2/plays/3629857/?format=json","airdate":"2026-03-16T20:00:30-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3629855,"uri":"https://api.kexp.org/v2/plays/3629855/?format=json","airdate":"2026-03-16T19:55:30-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"Ballenas muertas en San Sebastián","track_id":null,"recording_id":"d15e704d-6625-4358-a5a9-09216ea9ee63","artist":"El Columpio Asesino","artist_ids":["da8614a9-f604-4757-9964-c4dd65139944"],"album":"Ballenas muertas en San Sebastián","release_id":null,"release_group_id":"156e9b4a-8d0e-4b30-9c0b-f4f7cbe20436","labels":[],"label_ids":[],"release_date":"2014-04-28","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Ballenas Muertas” by El Columpio Asesino delivers the dark, hypnotic tension the Spanish band has become known for. The track appears on their 2011 album Diamantes, a record that marked a turning point for the group, refining their mix of post-punk, krautrock repetition, and electronic textures into something sleek and ominous.\n\nFrom the opening moments, “Ballenas Muertas” locks into a steady, motorik-style rhythm that slowly builds pressure rather than exploding outright. The drums move with mechanical precision while pulsing bass and minimalist synth lines create an atmosphere that feels both cold and strangely seductive. Vocals drift through the mix with a detached calm, adding to the song’s uneasy mood.\n\nEl Columpio Asesino often thrives on restraint, and that approach is key here. Instead of relying on dramatic shifts, the band lets the groove tighten gradually, drawing the listener deeper into its shadowy atmosphere. The result feels cinematic—like a slow nighttime drive through empty streets, where every passing sound seems slightly amplified.\n\n“Ballenas Muertas” stands as one of the standout cuts from Diamantes, showcasing the band’s talent for transforming minimal ingredients into something hypnotic, tense, and quietly electrifying.\n\nhttps://www.youtube.com/watch?v=YB0QqYz9G0A","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629856,"uri":"https://api.kexp.org/v2/plays/3629856/?format=json","airdate":"2026-03-16T19:50:05-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"https://coverartarchive.org/release/2a231430-7eb9-42f5-a9c4-d8267112049c/38886296048-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/2a231430-7eb9-42f5-a9c4-d8267112049c/38886296048-250.jpg","song":"La Tormenta De Arena","track_id":null,"recording_id":"68f600ca-7a43-4e47-8e73-6da3254a73f6","artist":"Dorian","artist_ids":["77826b4f-a3fc-4d7a-97dc-df4b43c23902"],"album":"La ciudad subterránea","release_id":null,"release_group_id":"f86b09fa-7c5b-44f6-888f-8ce075d745a9","labels":["[PIAS] America"],"label_ids":["909a6c83-c3cf-449c-a284-60f913b96b40"],"release_date":"2009-09-13","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“La Tormenta de Arena” remains one of the defining songs of Dorian’s catalog. Released on La Ciudad Subterránea in 2009, the track helped cement the Barcelona band’s status as masters of emotionally charged electronic pop that could feel both intimate and widescreen at once. Over time it has become one of their signature songs. The reason it lasts is simple: the metaphor is perfect. A sandstorm is motion, blindness, abrasion, beauty, and disorientation all together. Dorian use that image to describe emotional upheaval in a way that never feels overstated. Their sound has always excelled at pairing pulse with melancholy, and this may be their clearest example of that gift. Synth-pop structure gives the song lift, but the feeling inside it is not light. It swirls. It obscures. It carries the sensation of being overtaken by something larger than intention, whether that something is memory, grief, love, or the accumulated debris of urban life. Marc Gili’s writing often turns modern alienation into something luminous, and this track does so with unusual elegance. It remains danceable, but never frivolous. It remains sad, but never defeated. It survives because it understands that beauty can arrive through disarray, and that sometimes the most accurate image for the inner life is weather you cannot walk around.\nListen: https://www.youtube.com/watch?v=AYzz0Xln4ls","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629854,"uri":"https://api.kexp.org/v2/plays/3629854/?format=json","airdate":"2026-03-16T19:47:12-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"Historia del Arte","track_id":null,"recording_id":"01091546-cfbb-4738-8005-d5d5c0d52453","artist":"Las Bistecs","artist_ids":["2f77364f-0900-49b8-be68-8be2c57c99cc"],"album":"Oferta","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"2016-09-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“HDA (Historia del Arte)” is one of the sharpest, funniest, and most conceptually mischievous songs to come out of Spain’s 2010s underground pop sphere. Las Bistecs, the Barcelona duo formed by Alba Rihe and Carla Moreno, described their own style as “electro-disgusting,” a performance-music practice meant to provoke and unsettle a society saturated with information. “HDA” later appeared on their debut Oferta and quickly became one of the project’s calling cards. What makes the song so effective is that it treats art history not as a solemn archive, but as material for satire, repetition, and dance-floor absurdity. The hook’s invocation of Greeks and Romans collapses high culture into chant, exposing how institutional art discourse often masks its own ridiculousness. Las Bistecs understood that parody can be a serious critical tool, especially when routed through pop pleasure. “HDA” is catchy by design, but the catchiness is part of the argument. Why should bodies move only to songs about glamour or heartbreak, when they could also move to a chorus that skewers cultural hierarchy? The duo’s aesthetic was always about turning discomfort into spectacle and spectacle into critique. This track does exactly that. It is irreverent, smart, trashy in the best sense, and unusually democratic in its humor. It invites listeners to laugh at the museum while dancing inside it.\nListen: https://www.youtube.com/watch?v=sENT7Ntbr-o","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629853,"uri":"https://api.kexp.org/v2/plays/3629853/?format=json","airdate":"2026-03-16T19:44:21-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3629852,"uri":"https://api.kexp.org/v2/plays/3629852/?format=json","airdate":"2026-03-16T19:41:11-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"https://coverartarchive.org/release/86da9413-04af-467a-a495-e02b9af62e57/41396347659-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/86da9413-04af-467a-a495-e02b9af62e57/41396347659-250.jpg","song":"Tócame","track_id":null,"recording_id":"8f9971a4-1e25-4846-8b48-08e283d2c7e6","artist":"Six Sex feat. Dillom","artist_ids":["78871594-2fc1-4a4d-bd78-4c67cddcaf1c","bd212fd1-abe7-47c6-9f6f-97d0330f4b74"],"album":"X-sex","release_id":null,"release_group_id":"da40cc4e-b263-4449-b7f6-2f70feea725c","labels":[],"label_ids":[],"release_date":"2025-03-06","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Six Sex has built a singular persona by treating pop, club music, provocation, and self-invention as inseparable forces, and “Tócame” captures that ethos with precision. Born Francisca Agustina Cuello and raised in Villa Tesei, in western Buenos Aires, she has described Six Sex as a character brought to life through music and video, and that theatrical framing matters here. “Tócame” is not simply seductive; it is performative, stylized, and fully aware of the gaze it attracts and redirects. The collaboration with Dillom sharpens that effect, adding a second presence from Argentina’s adventurous pop underground to a track already charged with tension. Musically, the song lives in the borderland where reggaetón impulse, rave instinct, and synthetic pop sheen meet. The beat is lean and tactile, but the surrounding textures keep shifting, giving the song the feel of a nightclub fantasy that could combust at any moment. Six Sex’s work often pushes against respectability and easy categorization, and “Tócame” continues that project by making desire sound mechanical, playful, and faintly dangerous all at once. There is humor in it, and vanity, and command. Nothing feels accidental. The track seduces while also staging seduction as spectacle. Rather than aiming for warmth, it goes for voltage.\nListen: https://open.spotify.com/track/0hrrIKyJYc5BNLOn6zsCE6","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629851,"uri":"https://api.kexp.org/v2/plays/3629851/?format=json","airdate":"2026-03-16T19:35:20-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"BEIBY - Remix","track_id":null,"recording_id":null,"artist":"Cachirula","artist_ids":[],"album":"SEXOLANDIA","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"2024-11-24","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“BEIBY - Remix” captures the unruly magnetism of reggaetón mexa at a moment when the style is expanding from neighborhood circuits to much larger stages. Cachirula and her collaborators helped shape sound in Mexico City nightlife before their breakout as recording artists, and “Beiby” became one of the key songs in that shift. The remix keeps the original’s street-level immediacy but enlarges its profile, turning the record into a sharper, more public statement. What makes the track hit is not just its hook, though the hook matters, but the way its production feels lived in. The beat carries club pressure without sounding overpolished. It sweats, rattles, teases, and pushes forward with the confidence of music that knows exactly where it comes from. That local grounding is essential. Reggaetón mexa does not merely imitate other templates; it bends dembow into something more abrasive, more playful, and more tied to Mexico City’s rave and street-party ecosystems. Cachirula’s presence is crucial to that energy. She brings charisma without smoothing out the grit, and the remix format lets the song flex as both anthem and mutation. It feels flirtatious, rowdy, and communal, the kind of track built to ricochet off walls and bodies alike while documenting a scene in real time rather than packaging it after the fact.\nListen: https://soundcloud.com/cachirula/beiby-remix","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629850,"uri":"https://api.kexp.org/v2/plays/3629850/?format=json","airdate":"2026-03-16T19:34:34-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3629849,"uri":"https://api.kexp.org/v2/plays/3629849/?format=json","airdate":"2026-03-16T19:30:25-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"Corazón de sandía","track_id":null,"recording_id":"55e97d7c-7f2b-4a85-97a1-a94bada969d6","artist":"Los Tetas","artist_ids":["3a96e243-597c-49a0-8d75-8b05e189ac1b"],"album":"Músicos, poetas y locos","release_id":null,"release_group_id":"b49272ef-28d9-3a3e-b5f5-9febda44c943","labels":[],"label_ids":[],"release_date":"1998-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Los Tetas – Corazón de Sandía is a smooth, laid-back classic from the Chilean funk collective Los Tetas, originally released in 1998 on their album La Medicina. The band emerged in the late 1990s as one of the most distinctive voices in Latin American funk, drawing heavily from 1970s soul, P-Funk, hip-hop, and psychedelic grooves while grounding their sound in a distinctly Chilean urban sensibility. Corazón de Sandía captures this identity perfectly, balancing warmth, rhythm, and melodic ease.\n\nMusically, the track is built around a deep, elastic bassline, crisp drum patterns, and relaxed guitar riffs that glide rather than strike. The groove feels sun-drenched and unhurried, inviting listeners into a reflective yet playful headspace. Vocals are delivered with a conversational intimacy, floating over the rhythm instead of dominating it, which reinforces the song’s mellow atmosphere.\n\nLyrically, Corazón de Sandía uses poetic and symbolic language to explore vulnerability, emotional openness, and tenderness. The image of a “watermelon heart” suggests something sweet, fragile, and easily bruised—an emotional core that feels deeply but risks being hurt. Rather than dramatizing heartbreak, the song leans into softness and honesty, making it quietly resonant. It remains one of Los Tetas’ most beloved tracks, emblematic of their ability to merge groove-driven music with introspective feeling.\n\nLink: https://lostetas.bandcamp.com/track/corazon-de-sandia","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629848,"uri":"https://api.kexp.org/v2/plays/3629848/?format=json","airdate":"2026-03-16T19:26:15-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"Jugo","track_id":null,"recording_id":"55a790cd-da1b-4b79-ac76-ea6f95e38cb2","artist":"Illya Kuryaki and the Valderramas","artist_ids":["8f077fa8-ffdc-44ee-8aa4-84e26a075f4b"],"album":"Versus","release_id":null,"release_group_id":"eff3240a-ae16-3ff9-bb0e-9712f00a2737","labels":[],"label_ids":[],"release_date":"1997-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Jugo” by Argentine duo Illya Kuryaki and the Valderramas is a slick, groove-heavy highlight from their 1997 album Versus. By the late ’90s, Dante Spinetta and Emmanuel Horvilleur had already built a reputation for bending genres—mixing funk, hip-hop, soul, and rock into something flashy, playful, and unmistakably their own. With Versus, the duo leaned even deeper into American funk and R&B influences while keeping the surreal humor and swagger that defined their earlier work.\n\n“Jugo” rides on a thick bassline and crisp rhythm section, giving the track a smooth but punchy groove that feels equally suited for headphones or a packed dance floor. The production is polished but still loose and funky, with layered vocals and rhythmic guitar accents that nod to classic ‘70s funk while pushing into modern alt-pop territory. Like much of IKV’s catalog, the song carries a sense of playful cool—stylish, slightly irreverent, and always rhythm-forward.\n\nAt the time, the band stood out in the Latin alternative scene for their fearless blending of styles and their larger-than-life aesthetic. Tracks like “Jugo” helped cement their reputation as one of the most inventive acts coming out of Argentina in the ’90s, bringing together hip-hop attitude, funk musicianship, and rock spectacle in a way that felt ahead of its time.\n\n“Jugo” remains a perfect snapshot of that era: funky, colorful, and effortlessly confident.\n\nhttps://www.youtube.com/watch?v=6hO9qP8v9Jk","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629846,"uri":"https://api.kexp.org/v2/plays/3629846/?format=json","airdate":"2026-03-16T19:20:03-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"Terraza Mantel","track_id":null,"recording_id":"4def37c8-ab22-4afd-ab95-49ab97e949dc","artist":"Wakal","artist_ids":["3ca536f0-227b-41cc-a2a7-3865307760d8"],"album":"Pop Street Sound","release_id":null,"release_group_id":"3c3d0511-d7ee-3ec3-a595-12a4638a017b","labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Terraza Mantel” is a vivid slice of urban sound collage from Mexican electronic artist Wakal, the project of musician Jorge Govea. The track appears on his debut album Pop Street Sound, released in 2003 on Konfort Records, a record that functions almost like an audio documentary of Mexico City’s streets.\n\nBuilt from a mix of electronic beats, field recordings, and found voices, “Terraza Mantel” captures the restless rhythm of the city. Govea spent years recording everyday sounds around Mexico City—buses, markets, conversations, and fragments of street life—and weaving them into electronic compositions that sit somewhere between house, trip-hop, and experimental pop. The result is music that feels alive with atmosphere, where rhythm and environment blend into a single moving texture.\n\nOn this track, the groove unfolds at a relaxed pace, with warm electronic tones and subtle percussion creating a hypnotic backdrop for the snippets of voices and environmental noise drifting through the mix. It feels like sitting at an outdoor café or balcony while the sounds of the neighborhood slowly pass by—cars, people, distant music—each element becoming part of the composition.\n\nLike much of Pop Street Sound, “Terraza Mantel” turns everyday life into music. It’s playful, observant, and quietly immersive, transforming the chaotic hum of a massive city into something rhythmic, intimate, and strangely beautiful.\n\nhttps://www.youtube.com/watch?v=L6TDkqfTG9o","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3629847,"uri":"https://api.kexp.org/v2/plays/3629847/?format=json","airdate":"2026-03-16T19:18:30-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3629844,"uri":"https://api.kexp.org/v2/plays/3629844/?format=json","airdate":"2026-03-16T19:11:39-07:00","show":66201,"show_uri":"https://api.kexp.org/v2/shows/66201/?format=json","image_uri":"","thumbnail_uri":"","song":"Flor que fuerza","track_id":null,"recording_id":null,"artist":"Ticopa","artist_ids":[],"album":"Flor que fuerza","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"2026-02-07","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Flor que fuerza” suggests a different angle on Ticopa’s world: less collision, more bloom. Even before the music is parsed in detail, the title carries a compelling contradiction, pairing fragility with insistence. Available as a recent single and described as part of the lead-up to a larger body of work, the track feels like a threshold piece, one that gathers aesthetic clues while still preserving mystery. Ticopa’s broader release history points toward electronic music shaped by club textures, indie-dance propulsion, and an appetite for atmosphere, and that framework helps explain the effect here. The song unfolds like something organic learning to move through circuitry. There is likely a floral softness in the melodic design, but the “fuerza” in the title implies pressure, survival, and motion against resistance. That tension is central to why the track resonates. It feels as though Ticopa is interested not in prettiness for its own sake, but in the strange beauty of endurance: petals in bad weather, tenderness under strobe light, desire that remains articulate even when it turns feral. As a stand-alone song, “Flor que fuerza” reads like a statement of intent from an artist building a language between introspection and physical release.\nListen: https://open.spotify.com/track/3zBlghiJ3bOlkHvx0JsAZz","location":1,"location_name":"Default","play_type":"trackplay"}]}