{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=25640&ordering=-airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=25600&ordering=-airdate","results":[{"id":3628085,"uri":"https://api.kexp.org/v2/plays/3628085/?format=json","airdate":"2026-03-12T11:01:44-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"https://dn721905.ca.archive.org/0/items/mbid-a4ec34fc-699b-4c70-a077-658f9fa126a5/mbid-a4ec34fc-699b-4c70-a077-658f9fa126a5-36580652490_thumb500.jpg","thumbnail_uri":"https://dn721905.ca.archive.org/0/items/mbid-a4ec34fc-699b-4c70-a077-658f9fa126a5/mbid-a4ec34fc-699b-4c70-a077-658f9fa126a5-36580652490_thumb250.jpg","song":"Slippery People","track_id":"4e971611-418d-44b3-b7b4-e110aea8b481","recording_id":"b6e77459-c68d-438f-8ba5-f1f2522bf884","artist":"Talking Heads","artist_ids":["a94a7155-c79d-4409-9fcf-220cb0e4dc3a"],"album":"Stop Making Sense","release_id":"a4ec34fc-699b-4c70-a077-658f9fa126a5","release_group_id":"2b85ba4e-53bf-4473-87f5-59d0b53020ad","labels":["Rhino"],"label_ids":["c4f2cf49-b57c-4cc1-8061-f54400704ac4"],"release_date":"2023-08-18","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Did you know that The Staples Singers covered this Talking Heads classic? Byrne stole moves from the Staples’ world and then they stole some back:\n\nByrne’s Gumby-like dance moves for Stop Making Sense had been in part inspired by the way worshippers in Southern sanctified churches responded when filled with the Holy Spirit, their bodies writhing and undulating while speaking in tongues. “David’s inspiration was seeing people in church, and that’s what I connected with,” Mavis Staples says. “My head went off into the Bible.”\nhttps://austinkleon.com/2018/12/03/slippery-people/\n\nHere they are performing \"Slippery People\" live on Soul Train in 1984:\n\nhttps://www.youtube.com/watch?v=89Ee4WKYr-0&list=RD89Ee4WKYr-0&start_radio=1","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628084,"uri":"https://api.kexp.org/v2/plays/3628084/?format=json","airdate":"2026-03-12T10:50:15-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3628083,"uri":"https://api.kexp.org/v2/plays/3628083/?format=json","airdate":"2026-03-12T10:46:41-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"https://dn721604.ca.archive.org/0/items/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c-43096301269_thumb500.jpg","thumbnail_uri":"https://dn721604.ca.archive.org/0/items/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c-43096301269_thumb250.jpg","song":"Sexx Laws","track_id":"37f99c46-9ee0-361a-b2e6-9ab5770123c1","recording_id":"30583afb-ce5b-4dac-9d22-ef2928b70bd5","artist":"Beck","artist_ids":["309c62ba-7a22-4277-9f67-4a162526d18a"],"album":"Midnite Vultures","release_id":"53014f5f-355a-4bf3-aeab-70be7b6bb97c","release_group_id":"4c5cd9dc-31b5-32b1-bd11-57081e83f8bb","labels":["DGC Records"],"label_ids":["68803e28-86fe-4a95-985f-8e493795ab31"],"release_date":"1999-11-23","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Beck said of the song's lyrics: \"It's me playing with the ridiculousness of those entrenched ideas about what a man does and what a woman can do. [..] I wanted to have fun with that, turn up that contrast a little bit without getting bogged down into preciousness and psychobabble.\"\n\nhttps://genius.com/Beck-sexx-laws-lyrics","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628082,"uri":"https://api.kexp.org/v2/plays/3628082/?format=json","airdate":"2026-03-12T10:43:54-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"https://dn721609.ca.archive.org/0/items/mbid-f2bb6238-3179-4a39-aa80-6b55258de0a1/mbid-f2bb6238-3179-4a39-aa80-6b55258de0a1-9031200709_thumb500.jpg","thumbnail_uri":"https://ia600308.us.archive.org/23/items/mbid-f2bb6238-3179-4a39-aa80-6b55258de0a1/mbid-f2bb6238-3179-4a39-aa80-6b55258de0a1-9031200709_thumb250.jpg","song":"Bridge to Hawaii","track_id":"d237234b-cbae-4b26-9ab0-930291af3a7a","recording_id":"02189681-4fb1-49db-83f8-a2f7573320a2","artist":"Tacocat","artist_ids":["b0635f14-7d93-4276-8943-6bc251aea033"],"album":"NVM","release_id":"f2bb6238-3179-4a39-aa80-6b55258de0a1","release_group_id":"75b639bc-fb8a-4000-9438-6a6ee28a7f00","labels":["Hardly Art"],"label_ids":["0cf56645-50ec-4411-aeb6-c9f4ce0f8edb"],"release_date":"2014-02-25","rotation_status":"Library","is_local":true,"is_request":false,"is_live":false,"comment":"Tacocat is a Seattle-based feminist pop-punk band formed in 2007 by Emily Nokes (vocals), Bree McKenna (bass), Eric Randall (guitar), and Lelah Maupin (drums). Rooted in DIY culture, they gained prominence with witty, social-commentary-driven lyrics. Their latest album, 'This Place Is A Mess' was released in 2019 on Sub Pop.\n\nhttps://www.subpop.com/artists/tacocat","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628081,"uri":"https://api.kexp.org/v2/plays/3628081/?format=json","airdate":"2026-03-12T10:41:02-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"https://dn710607.ca.archive.org/0/items/mbid-b59298f4-7131-48e7-9cdc-f5ad8cff3e89/mbid-b59298f4-7131-48e7-9cdc-f5ad8cff3e89-9071560563_thumb500.jpg","thumbnail_uri":"https://dn710607.ca.archive.org/0/items/mbid-b59298f4-7131-48e7-9cdc-f5ad8cff3e89/mbid-b59298f4-7131-48e7-9cdc-f5ad8cff3e89-9071560563_thumb250.jpg","song":"Dance to the Music","track_id":"3fd1330b-3825-395c-8d1b-4762f88da49e","recording_id":"fe76d5f8-dc3b-4b8c-89cc-9f4d810150e8","artist":"Sly & the Family Stone","artist_ids":["b7ec4c54-1f93-4bf2-957f-7b9921ab84ea"],"album":"Dance to the Music","release_id":"b59298f4-7131-48e7-9cdc-f5ad8cff3e89","release_group_id":"0e3c99d0-cd2a-3fa0-a874-fd9ff97cd72b","labels":["Epic"],"label_ids":["8f638ddb-131a-4cc3-b3d4-7ebdac201b55"],"release_date":"1968-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Sly Stone kept the focus on the groove of this tune by making the lyrics simple and repetitive. He also used vocals as a percussion element, breaking it down to sing, \"boom boom, boom boom boom\" at two points in the song. He did something similar on their 1969 track \"I Want To Take You Higher,\" where he repeats, \"Boom shaka-laka-laka.\"\n\nhttps://www.songfacts.com/facts/sly-the-family-stone/dance-to-the-music","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628080,"uri":"https://api.kexp.org/v2/plays/3628080/?format=json","airdate":"2026-03-12T10:33:11-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3628079,"uri":"https://api.kexp.org/v2/plays/3628079/?format=json","airdate":"2026-03-12T10:29:27-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"https://ia800206.us.archive.org/16/items/mbid-d9d40c9d-fb53-404f-8a21-6c67ba73f614/mbid-d9d40c9d-fb53-404f-8a21-6c67ba73f614-33607579144_thumb500.jpg","thumbnail_uri":"https://dn710801.ca.archive.org/0/items/mbid-d9d40c9d-fb53-404f-8a21-6c67ba73f614/mbid-d9d40c9d-fb53-404f-8a21-6c67ba73f614-33607579144_thumb250.jpg","song":"One Way or Another","track_id":"52c322d1-1b09-3720-a7b8-fdd28864d4d4","recording_id":"a8d7415e-c129-47d7-ba01-b4d253af8d6d","artist":"Blondie","artist_ids":["4d2956d1-a3f7-44bb-9a41-67563e1a0c94"],"album":"Parallel Lines","release_id":"d9d40c9d-fb53-404f-8a21-6c67ba73f614","release_group_id":"0c1a4d70-5926-3ae8-aa25-466fe65639fe","labels":["Chrysalis"],"label_ids":["ed5601e5-7c54-426e-982a-1a208dd0b0ad"],"release_date":"1978-09-23","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Despite the upbeat tone of this track and the never say die attitude that permeates each note, the song wasn’t inspired by attitude or desire but an obsession. The song was written by Deborah Harry and Nigel Harrison and inspired by an ex-boyfriend of Harry’s who, after their relationship ended, stalked the singer.\n\nShe later told Entertainment Weekly, “I was actually stalked by a nutjob, so it came out of a not-so-friendly personal event. But I tried to inject a little bit of levity into it to make it more lighthearted. I think, in a way, that’s a normal kind of survival mechanism. You know, just shake it off, say one way or another, and get on with your life. Everyone can relate to that, and I think that’s the beauty of it.”\n\nhttps://faroutmagazine.co.uk/blondie-debbie-harry-one-way-or-another-truth-behind-the-song/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628078,"uri":"https://api.kexp.org/v2/plays/3628078/?format=json","airdate":"2026-03-12T10:27:08-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"https://ia800802.us.archive.org/7/items/mbid-f588fe96-243a-4f1d-b2d6-cca0b29e6d93/mbid-f588fe96-243a-4f1d-b2d6-cca0b29e6d93-16295343404_thumb500.jpg","thumbnail_uri":"https://dn710607.ca.archive.org/0/items/mbid-f588fe96-243a-4f1d-b2d6-cca0b29e6d93/mbid-f588fe96-243a-4f1d-b2d6-cca0b29e6d93-16295343404_thumb250.jpg","song":"Connection","track_id":"ae39cd77-dfd4-3c4c-8cf7-4d1bc9cfde25","recording_id":"1ad11b47-7106-4ac8-85cb-9b31e9f62ae2","artist":"Elastica","artist_ids":["46693641-1e2e-4aae-80ed-6b28170de63a"],"album":"Elastica","release_id":"f588fe96-243a-4f1d-b2d6-cca0b29e6d93","release_group_id":"f1cbf448-c205-3642-a4c5-6042989d8ed4","labels":["DGC Records"],"label_ids":["68803e28-86fe-4a95-985f-8e493795ab31"],"release_date":"1995-03-14","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"This hit from Elastica's debut record reached an out-of-court settlement for lifting (and elevating?) a riff from Wire's 1977 song, \"Three Girl Rhumba.\" That band was a huge influence on Elastica, whose song \"Line Up\" also borrowed their sound.\n\nhttps://elasticamerch.com/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628077,"uri":"https://api.kexp.org/v2/plays/3628077/?format=json","airdate":"2026-03-12T10:24:57-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"https://dn711007.ca.archive.org/0/items/mbid-86dad1ce-3f63-44c7-bbbc-653e43f0162d/mbid-86dad1ce-3f63-44c7-bbbc-653e43f0162d-9176496802_thumb500.jpg","thumbnail_uri":"https://dn711007.ca.archive.org/0/items/mbid-86dad1ce-3f63-44c7-bbbc-653e43f0162d/mbid-86dad1ce-3f63-44c7-bbbc-653e43f0162d-9176496802_thumb250.jpg","song":"Think","track_id":"901a9176-72c2-3747-87e5-78228ea2fa77","recording_id":"24c5a173-c85e-4904-be7e-009cb1cd0ee0","artist":"Aretha Franklin","artist_ids":["2f9ecbed-27be-40e6-abca-6de49d50299e"],"album":"The Best of Aretha Franklin","release_id":"86dad1ce-3f63-44c7-bbbc-653e43f0162d","release_group_id":"abec8db7-5489-300b-acaa-47add2710ce7","labels":["Atlantic"],"label_ids":["50c384a2-0b44-401b-b893-8181173339c7"],"release_date":"1984-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"This song was originally recorded for her 1968 album, Aretha Now, and released as a single that year. Franklin also lip-synched to a new version of the song in a musical sequence for the 1980 film \"The Blues Brothers\". Because Franklin was not used to lip-syncing, this sequence required a number of takes and considerable editing. https://bit.ly/3rDM5Bf \n\nWatch the Queen of Soul perform \"Think\" in the \"Blues Brothers\" movie: https://youtu.be/WY66elCQkYk","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628076,"uri":"https://api.kexp.org/v2/plays/3628076/?format=json","airdate":"2026-03-12T10:21:19-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"https://dn710607.ca.archive.org/0/items/mbid-7811994c-4d53-412c-aab6-3c7f4ff93fbf/mbid-7811994c-4d53-412c-aab6-3c7f4ff93fbf-19143097871_thumb500.jpg","thumbnail_uri":"https://dn710607.ca.archive.org/0/items/mbid-7811994c-4d53-412c-aab6-3c7f4ff93fbf/mbid-7811994c-4d53-412c-aab6-3c7f4ff93fbf-19143097871_thumb250.jpg","song":"Hey Ya!","track_id":"a1301bdd-f32e-4222-9ddd-fa3344aab969","recording_id":"7287aff2-f103-4602-b7c7-e96314e53461","artist":"OutKast","artist_ids":["73fdb566-a9b1-494c-9f32-51768ec9fd27"],"album":"Speakerboxxx / The Love Below (Clean)","release_id":"7811994c-4d53-412c-aab6-3c7f4ff93fbf","release_group_id":"939eccdb-dae4-4022-bb0e-810fe1700423","labels":["Arista"],"label_ids":["c62e3985-6370-446a-bfb8-f1f6122e9c33"],"release_date":"2003-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The ATL legends Outkast first met at Lenox Square Mall when they were 16 years old at students at Tri-Cities High School. They bonded over a love of hip-hop and 1970s funk. Many early rehearsals happened at Big Boi’s aunt’s house, where they practiced trading lines every few bars and building chemistry. They went on to be one of the biggest hip-hop acts of the 90's and 2000's.\n\nhttps://junoryleejournalism.com/2025/12/04/girlmusic-outkast-the-south-got-something-to-say","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628074,"uri":"https://api.kexp.org/v2/plays/3628074/?format=json","airdate":"2026-03-12T10:14:28-07:00","show":66161,"show_uri":"https://api.kexp.org/v2/shows/66161/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3628073,"uri":"https://api.kexp.org/v2/plays/3628073/?format=json","airdate":"2026-03-12T10:08:47-07:00","show":66159,"show_uri":"https://api.kexp.org/v2/shows/66159/?format=json","image_uri":"https://ia600402.us.archive.org/34/items/mbid-ceecb737-4f4e-498a-9c88-6ec123f4a3c7/mbid-ceecb737-4f4e-498a-9c88-6ec123f4a3c7-16535820552_thumb500.jpg","thumbnail_uri":"https://dn710708.ca.archive.org/0/items/mbid-ceecb737-4f4e-498a-9c88-6ec123f4a3c7/mbid-ceecb737-4f4e-498a-9c88-6ec123f4a3c7-16535820552_thumb250.jpg","song":"Give Up the Funk (Tear the Roof Off the Sucker)","track_id":"d63e38e2-9064-3e67-ac77-8aaf641046e7","recording_id":"19219445-adf7-4e23-a8bc-d01c0331be97","artist":"Parliament","artist_ids":["d1947987-9614-49ae-bd36-8000e6b6f7d0"],"album":"Mothership Connection","release_id":"ceecb737-4f4e-498a-9c88-6ec123f4a3c7","release_group_id":"cb69bfc6-a15c-34cd-b1af-76b6481bf09a","labels":["Casablanca Records"],"label_ids":["98f93684-2a6f-4d40-ac6a-41fd0cc8ecc8"],"release_date":"1990-02-21","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Originally the single was released with the title reversed, as \"Tear the Roof off the Sucker (Give Up the Funk).\" It was written by Parliament members Jerome Brailey, George Clinton, and Bootsy Collins.\n\nIt is certainly one of the most famous songs from, if not the definitive example of, the P-Funk genre. In fact, we get the term \"p-funk\" from the collective Parliament-Funkadelic, managed by George Clinton. A few dozen other groups have since followed suit within this genre they invented.\n\n\"Give Up The Funk\" uses a jazz construction, beginning with three themes introduced and explored separately which are then woven together. Ray Davis raps \"tear the roof off the sucker\" at the beginning. Throughout the song, interaction is heard between bass, drums, vocals, and synthesizers. An ensemble sound is achieved with only a few parts. \n\nhttps://tinyurl.com/8p8wc2sr","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628072,"uri":"https://api.kexp.org/v2/plays/3628072/?format=json","airdate":"2026-03-12T10:04:34-07:00","show":66159,"show_uri":"https://api.kexp.org/v2/shows/66159/?format=json","image_uri":"https://dn711207.ca.archive.org/0/items/mbid-7067a316-e449-468b-ae74-1a0c0037b853/mbid-7067a316-e449-468b-ae74-1a0c0037b853-11178589038_thumb500.jpg","thumbnail_uri":"https://dn711207.ca.archive.org/0/items/mbid-7067a316-e449-468b-ae74-1a0c0037b853/mbid-7067a316-e449-468b-ae74-1a0c0037b853-11178589038_thumb250.jpg","song":"Flash Light","track_id":"0b5077a9-7c17-3b00-be2c-8be970d7daab","recording_id":"5cc7904e-2ac2-4e07-bc5d-f6febbf85145","artist":"Parliament","artist_ids":["d1947987-9614-49ae-bd36-8000e6b6f7d0"],"album":"Flash Light","release_id":"7067a316-e449-468b-ae74-1a0c0037b853","release_group_id":"c1e24091-6e8a-4f71-b964-dc6d932d97f8","labels":["Casablanca Records"],"label_ids":["98f93684-2a6f-4d40-ac6a-41fd0cc8ecc8"],"release_date":"1977-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Thanks for tuning into The Midday Show with Cheryl Waters and DJ Kennady! We're on the second to last day of the spring drive - hope you're ready to dance and donate!!\nhttp://kexp.org/donate\n--\nBernie Worrell was one of the earliest users of the Minimoog monophonic synth which you hear prominently featured on this track. Besides the repeating wordless vocal motif, the bassline is probably the most easily identifiable element of the tune.  https://bit.ly/3kjS9jX","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628071,"uri":"https://api.kexp.org/v2/plays/3628071/?format=json","airdate":"2026-03-12T10:01:18-07:00","show":66159,"show_uri":"https://api.kexp.org/v2/shows/66159/?format=json","image_uri":"https://dn711206.ca.archive.org/0/items/mbid-99512dd6-99fe-44f5-aaa5-38b79c8b0e47/mbid-99512dd6-99fe-44f5-aaa5-38b79c8b0e47-11928667218_thumb500.jpg","thumbnail_uri":"https://dn711206.ca.archive.org/0/items/mbid-99512dd6-99fe-44f5-aaa5-38b79c8b0e47/mbid-99512dd6-99fe-44f5-aaa5-38b79c8b0e47-11928667218_thumb250.jpg","song":"Notorious","track_id":"0d1feb27-46ad-4899-baec-57d0f5a4cb13","recording_id":"e5eb3826-bca2-48f0-b2b8-ff1dc9b9392e","artist":"Duran Duran","artist_ids":["1a1cd7f3-e5df-4eca-bae2-2757c9e656b5"],"album":"Notorious","release_id":"99512dd6-99fe-44f5-aaa5-38b79c8b0e47","release_group_id":"c59da6f6-779e-35ff-8828-7149f7bff411","labels":["EMI"],"label_ids":["c029628b-6633-439e-bcee-ed02e8a338f7"],"release_date":"1986-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"https://kexp.org/donate/\n--\nOn this day in 1986, Duran Duran released 'Notorious.'\n\nThe music video is a classic. \nhttps://www.youtube.com/watch?v=Z9z0e1Wm64M\n\nDonnie Darko, anyone? \nhttps://www.youtube.com/watch?app=desktop&v=jacBGC7JxKo","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628069,"uri":"https://api.kexp.org/v2/plays/3628069/?format=json","airdate":"2026-03-12T09:50:08-07:00","show":66159,"show_uri":"https://api.kexp.org/v2/shows/66159/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3628068,"uri":"https://api.kexp.org/v2/plays/3628068/?format=json","airdate":"2026-03-12T09:46:53-07:00","show":66159,"show_uri":"https://api.kexp.org/v2/shows/66159/?format=json","image_uri":"https://dn721906.ca.archive.org/0/items/mbid-c1a5382f-9a25-4747-84f1-d01fe6b959c1/mbid-c1a5382f-9a25-4747-84f1-d01fe6b959c1-26887556732_thumb500.jpg","thumbnail_uri":"https://dn721906.ca.archive.org/0/items/mbid-c1a5382f-9a25-4747-84f1-d01fe6b959c1/mbid-c1a5382f-9a25-4747-84f1-d01fe6b959c1-26887556732_thumb250.jpg","song":"Always Something There to Remind Me","track_id":"009ae805-5e3b-3630-ad6f-1ccc1faf910b","recording_id":"0e9aecc8-49d5-4efc-95fc-a6365bd6d00a","artist":"Naked Eyes","artist_ids":["d5d477bc-97c5-410c-983b-ff541580566f"],"album":"Burning Bridges","release_id":"c1a5382f-9a25-4747-84f1-d01fe6b959c1","release_group_id":"abac5c22-0720-3f7f-953b-12111c9604af","labels":["EMI"],"label_ids":["c029628b-6633-439e-bcee-ed02e8a338f7"],"release_date":"1983-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"KEXP is always there to remind YOU that community MATTERS. Show your support today:\nhttps://kexp.org/donate/\n--\nHere's the official music video for Naked Eyes' version of this Burt Bacharach tune.: https://www.youtube.com/watch?v=lVrELhxOFnM","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628067,"uri":"https://api.kexp.org/v2/plays/3628067/?format=json","airdate":"2026-03-12T09:43:50-07:00","show":66159,"show_uri":"https://api.kexp.org/v2/shows/66159/?format=json","image_uri":"https://coverartarchive.org/release/1d9261fd-5133-4ce0-98fc-cceea6eb38a4/12264197000-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/1d9261fd-5133-4ce0-98fc-cceea6eb38a4/12264197000-250.jpg","song":"The Look of Love","track_id":null,"recording_id":"991257e8-8bf2-4059-8cb9-0da6d5bdc598","artist":"ABC","artist_ids":["87199477-b0df-4ead-84ee-9b54b4abfc3d"],"album":"The Look of Love","release_id":null,"release_group_id":"98a2de43-9352-41da-9e80-94ef26050e6c","labels":["Mercury Records"],"label_ids":["995428e7-81b6-41dd-bd38-5a7a0ece8ad6"],"release_date":"1982-05-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"https://kexp.org/donate/\n\n ABC, led by the charismatic Martin Fry, was formed in Sheffield in the 1980’s . Wanting to fuse the world of disco funk with their own unique new romantic, post punk vision, ABC’s debut ‘The Lexicon Of Love’ went to #1 and sold over a million records","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628065,"uri":"https://api.kexp.org/v2/plays/3628065/?format=json","airdate":"2026-03-12T09:35:02-07:00","show":66159,"show_uri":"https://api.kexp.org/v2/shows/66159/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3628064,"uri":"https://api.kexp.org/v2/plays/3628064/?format=json","airdate":"2026-03-12T09:32:23-07:00","show":66159,"show_uri":"https://api.kexp.org/v2/shows/66159/?format=json","image_uri":"https://dn711307.ca.archive.org/0/items/mbid-b588d412-dea0-442b-94bb-322d502e3841/mbid-b588d412-dea0-442b-94bb-322d502e3841-21593467504_thumb500.jpg","thumbnail_uri":"https://dn711307.ca.archive.org/0/items/mbid-b588d412-dea0-442b-94bb-322d502e3841/mbid-b588d412-dea0-442b-94bb-322d502e3841-21593467504_thumb250.jpg","song":"Send Me an Angel","track_id":"4b43173a-adb4-4ab4-9c16-339f35b6d333","recording_id":"e0cf7924-0f40-4510-89e8-dccc21302149","artist":"Real Life","artist_ids":["dd90dbb1-296a-4675-84ae-4e1c613ca69d"],"album":"Heart Land","release_id":"b588d412-dea0-442b-94bb-322d502e3841","release_group_id":"79ec0a90-98bd-33b9-aba2-fa3cc828e41f","labels":["Intercord"],"label_ids":["7b75279e-b137-4f63-abcc-2e7b643de298"],"release_date":"1983-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"https://kexp.org/donate/\n\nAustralian new wave band Real Life achieved international success with this single from their 1983 debut album, \"Heart Land.\" The song peaked in the US at No. 29 on the Billboard Hot 100 chart. \n\nCheck out the classic video...right now:\nhttps://www.youtube.com/watch?v=Z8zjduETQLw","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3628063,"uri":"https://api.kexp.org/v2/plays/3628063/?format=json","airdate":"2026-03-12T09:28:40-07:00","show":66159,"show_uri":"https://api.kexp.org/v2/shows/66159/?format=json","image_uri":"https://dn711003.ca.archive.org/0/items/mbid-df07423a-2566-315f-bc4f-640c754bdd09/mbid-df07423a-2566-315f-bc4f-640c754bdd09-14856406127_thumb500.jpg","thumbnail_uri":"https://dn711003.ca.archive.org/0/items/mbid-df07423a-2566-315f-bc4f-640c754bdd09/mbid-df07423a-2566-315f-bc4f-640c754bdd09-14856406127_thumb250.jpg","song":"Drive","track_id":"3fcf51b2-acc6-3cd2-9cf9-32ad999e0811","recording_id":"1bd3e09a-beba-4d76-bb92-2d9c4a21d70c","artist":"The Cars","artist_ids":["092b603f-eb4c-4958-b10e-02420de5885b"],"album":"Heartbeat City","release_id":"df07423a-2566-315f-bc4f-640c754bdd09","release_group_id":"d8e2c87d-767c-3a9c-87eb-b344d1228021","labels":["Elektra"],"label_ids":["873f9f75-af68-4872-98e2-431058e4c9a9"],"release_date":"1984-07-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"https://kexp.org/donate/\nD.A.R.E. to donate $15/month to KEEP KIDS ON RADIO!\n--\n \"Hearbreak City,\" The Cars' fifth album, was produced by Mutt Lange. “It took a long time to make that record, because that’s just how Mutt likes to work,” Elliott Easton says. “He was trying to get the technical perfection, but he was also trying to make it sound like you picked up the guitar and ripped it off in one take. He was going for the perfect take technically, but also to have spontaneity. They’re such contradictory things, so difficult to achieve, that it just takes time.” https://www.loudersound.com/features/the-cars-band-history-interview-2006","location":1,"location_name":"Default","play_type":"trackplay"}]}