{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=2582700&ordering=airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=2582660&ordering=airdate","results":[{"id":356489,"uri":"https://api.kexp.org/v2/plays/356489/?format=json","airdate":"2019-07-19T14:20:24-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Power in the Blood","track_id":"4ca262c8-149c-46e7-be71-3ee47cf72f1d","recording_id":null,"artist":"Buffy Sainte-Marie","artist_ids":["7b1a3022-6f4d-4c6b-acb3-bfa8919222b9"],"album":"Power in the Blood","release_id":"deda2ebb-83bb-478d-99ba-cf74451c1369","release_group_id":null,"labels":["True North Records"],"label_ids":[],"release_date":"2015-05-12","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Buffy Sainte-Marie, OC (born Beverly Sainte-Marie, c. February 20, 1941) is a Canadian-American singer-songwriter, musician, composer, visual artist, educator, pacifist, and social activist. Throughout her career in all of these areas, her work has focused on issues of indigenous peoples of the Americas. Her singing and writing repertoire also includes subjects of love, war, religion, and mysticism.  In 1997, she founded the Cradleboard Teaching Project, an educational curriculum devoted to better understanding Native Americans. She has won recognition and many awards and honours for both her music and her work in education and social activism. She won the Academy Award for Best Original Song at the 55th Academy Awards for co-writing the song \"Up Where We Belong\" from the film, An Officer and a Gentleman. She was the first and still is the only indigenous person to have won an Academy Award.  https://en.wikipedia.org/wiki/Buffy_Sainte-Marie","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356490,"uri":"https://api.kexp.org/v2/plays/356490/?format=json","airdate":"2019-07-19T14:24:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"The Virus","track_id":"1d59a903-f4e2-4f75-94dc-d809b84835ea","recording_id":null,"artist":"A Tribe Called Red","artist_ids":["284ee768-2c9a-440a-be37-db926e90fc1c"],"album":"We Are the Halluci Nation","release_id":"c3c72a07-91f8-41bc-8905-1c4f206c0b4a","release_group_id":null,"labels":["Radicalized Records"],"label_ids":[],"release_date":"2016-09-16","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"A Tribe Called Red will be playing CHBP 2019 tomorrow, Saturday, at 11pm on the Vera Stage.  Inspired by parties for Korean and South Asian youth in Ottawa, Ontario, DJ NDN (Ian Campeau), a nightclub bouncer-turned DJ, became interested in a similar event for Aboriginal youth. After discussing the idea with his friend, Bear Witness (Thomas Ehren Ramon), and fellow disc jockey Dee Jay Frame (Jon Limoges), they began the first night at Ottawa’s Babylon nightclub in 2007, calling it Electric Pow Wow.  Encouraged by the overwhelmingly positive response, the DJs began holding the event on the second weekend of every month — a schedule that was lasted until December 2017.  The parties featured a mixture of traditional powwow recordings from Campeau’s youth, when he performed as a drummer, and mixed them with electronic music rhythms and genres such as dubstep, moombahton and dancehall.  Bear Witness explained that the group was formed because its members wanted to throw parties for their community, and he also pointed out ATCR's political connotation: \"To take over and Indigenize the club space is a really political act [...] As First Nations people everything we do is political.\" (Ehren \"Bear Witness\" Thomas)  https://bit.ly/2JOgrMO","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356491,"uri":"https://api.kexp.org/v2/plays/356491/?format=json","airdate":"2019-07-19T14:27:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Venus Fly","track_id":"09ab538c-b28f-4df6-bbe3-6b0c2c792cd7","recording_id":null,"artist":"Grimes","artist_ids":["7e5a2a59-6d9f-4a17-b7c2-e1eedb7bd222"],"album":"Art Angels","release_id":"04cd7071-8236-4d09-95b4-20dc8ded36fe","release_group_id":null,"labels":["4AD"],"label_ids":[],"release_date":"2015-12-11","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"\"I’m Canadian, so I’m constantly making self-deprecating comments – I think a lot of Canadians do that. But, I mean, I do give a lot of soundbites; I should probably cut down on the soundbites. But I don’t know if it’s a gender thing – I’m just really bad at editing myself. I speak before I think.  It’s tricky. People just take everything you say out of context. I’ve kind of given up on it now, it doesn’t make me sad or depressed, and it’s a lot easier to just exist.”  https://bit.ly/2O3cNE1","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356492,"uri":"https://api.kexp.org/v2/plays/356492/?format=json","airdate":"2019-07-19T14:31:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":356493,"uri":"https://api.kexp.org/v2/plays/356493/?format=json","airdate":"2019-07-19T14:35:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"The House That Heaven Built","track_id":"4bae1821-8887-3af9-9963-a4a8d1230447","recording_id":null,"artist":"Japandroids","artist_ids":["2008d65c-31ee-4382-8960-5188523568d5"],"album":"Celebration Rock","release_id":"9f04e967-02e4-42f1-986c-855197bb7de0","release_group_id":null,"labels":["Pod"],"label_ids":[],"release_date":"2012-01-01","rotation_status":"Library","is_local":true,"is_request":false,"is_live":false,"comment":"Recorded in Vancouver with Post-Nothing engineer Jesse Gander, the band aspired to capture the spirit and energy of their live shows, thus forgoing standard studio techniques such as double tracking and overdubbing, while consciously taking into account the perceived reaction of their audience to hearing the songs live in concert.  On recording the album, guitarist Brian King said, \"Technically speaking, the process for recording Celebration Rock was almost identical to that of our previous records: same studio, same engineer, same equipment, same techniques, etc. To me, the progression lies in the songwriting, the captured performances, and the mixing/production of the album, all of which are simply reflections of our shared knowledge and experience since recording Post-Nothing.\"  https://bit.ly/2B2kcx8","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356494,"uri":"https://api.kexp.org/v2/plays/356494/?format=json","airdate":"2019-07-19T14:37:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Whisper to a Scream (Birds Fly) (single version)","track_id":"6fa2a6bb-4546-4130-a4c3-f4570f05e794","recording_id":null,"artist":"The Icicle Works","artist_ids":["03143cba-d359-4bd9-8ab3-5ba6590f9933"],"album":"Whisper to a Scream (Birds Fly)","release_id":"b1519dda-997f-4b03-b4ed-e098ad677f37","release_group_id":null,"labels":["Arista"],"label_ids":[],"release_date":"1983-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"This song was released in 1983 as the first single from the band's 1984 debut eponymous album, and was written by Ian McNabb, the band's lead singer, and produced by Hugh Jones.  The group's U.S. label Arista Records refused to release the record unless some changes were made. The track was remixed slightly in order to remove a brief spoken-word overdub on the opening bars of music. (The woman performing this intro was identified only as \"Mariella\" on the original Situation Two single sleeve.) Also the song title was reversed, becoming \"Whisper to a Scream (Birds Fly)\". Finally, Arista shortened the band's name to Icicle Works. With changes, the song reached #37 on the U.S. Billboard Hot 100 chart and #34 on Cashbox's singles chart in the summer of 1984.  https://bit.ly/2GjPHCY","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356495,"uri":"https://api.kexp.org/v2/plays/356495/?format=json","airdate":"2019-07-19T14:41:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Hurry On Home","track_id":null,"recording_id":null,"artist":"Sleater-Kinney","artist_ids":[],"album":"Center Won't Hold","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1950-01-01","rotation_status":"Heavy","is_local":false,"is_request":false,"is_live":false,"comment":"“Instead of just going into the studio to document what we’d done, we were going in to explore and to find the essence of something,\" Carrie Brownstein said of the band's new album. \"To dig in deeper.” Corin Tucker added that working on the new music “was like this manic energy of empowerment.”  https://bit.ly/2JJGExr","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356496,"uri":"https://api.kexp.org/v2/plays/356496/?format=json","airdate":"2019-07-19T14:43:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"the one","track_id":"d7b32150-6cea-4258-86db-bc0258b50113","recording_id":null,"artist":"Marika Hackman","artist_ids":["2b4f0c59-bd42-4d5c-9f14-e2a86550b0a8"],"album":"Any Human Friend","release_id":"9557e1a7-d012-43e5-986e-990046016d52","release_group_id":null,"labels":["Sub Pop Records"],"label_ids":[],"release_date":"2019-08-09","rotation_status":"Heavy","is_local":false,"is_request":false,"is_live":false,"comment":"Speaking of the song, Hackman stated: “I loved the idea of inhabiting this ridiculous arrogant rock star character who has totally fucked their career by writing too many sad songs.”  The musician announced details of her follow up to 2017’s I’m Not Your Man in May and released its first single in April. Out Aug. 9 via Sub Pop Records, the album finds Hackman—grievous and inspired after a painful break-up with a longtime girlfriend—wading into darker and greater experimental territory.  “This whole record is me diving into myself and peeling back the skin further and further, exposing myself in quite a big way,” Hackman said of the forthcoming album. “It can be quite sexual. It’s blunt, but not offensive. It’s mischievous.”  Any Human Friend is set for release on Aug. 9.  https://bit.ly/2JHCq9m","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356497,"uri":"https://api.kexp.org/v2/plays/356497/?format=json","airdate":"2019-07-19T14:47:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":356498,"uri":"https://api.kexp.org/v2/plays/356498/?format=json","airdate":"2019-07-19T14:49:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Go Outside","track_id":"0536118c-5c32-3cbf-952a-7d620287c612","recording_id":null,"artist":"Cults","artist_ids":["4c671d5a-7027-4398-8055-03e61d1a3967"],"album":"Go Outside","release_id":"e8aee426-d551-4f89-a2b8-9485fd3ab60d","release_group_id":null,"labels":["Columbia"],"label_ids":[],"release_date":"2011-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Cults formed in 2010 while guitarist Brian Oblivion and singer Madeline Follin, both from San Diego, were students in New York City. Oblivion went to NYU to study documentary cinema, Follin went to The New School.  Madeline had previously recorded with punk band Youth Gone Mad on the album, Touching Cloth. Cults released an EP on Forrest Family Records, Cults 7\", with the track \"Go Outside\" recorded by Paul Kostabi at Thunderdome Studios, named \"Best New Music\" by Pitchfork Media.  https://bit.ly/2M0S9Sw","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356500,"uri":"https://api.kexp.org/v2/plays/356500/?format=json","airdate":"2019-07-19T14:52:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Waves","track_id":null,"recording_id":null,"artist":"Linn Koch-Emmery","artist_ids":["6f1e2c46-8db9-480a-8c54-4795af288ebf"],"album":"Waves","release_id":null,"release_group_id":null,"labels":["Welfare Sounds & Records"],"label_ids":[],"release_date":"2018-11-09","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Thirteen years ago, Linn Koch-Emmery bought her first electric guitar, and with it came visions of sharing her music with the rest of the world. Throughout high school and into her twenties, she played in a host of bands, but she found her voice and sound in 2016 when she went solo. Her debut single, “Come Back”, opened eyes while her debut EP, Boys, entrenched her as one of Sweden’s most promising, young singer-songwriters and one of indie’s emerging guitar-pop mavens. The Norrköping native continues the momentum with the soaring Waves.\n\nKoch-Emmery’s sophomore EP is a memorable and highly contagious affair. The record, however, isn’t just four, crowd-pleasing songs, but it reads like a young woman’s journal and her grappling with the pitfalls of life and love. It is, in other words, like the movie Singles set in 2018.  https://bit.ly/2O927DW","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356501,"uri":"https://api.kexp.org/v2/plays/356501/?format=json","airdate":"2019-07-19T14:56:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Heels","track_id":"c39b536f-2399-4482-a3fe-6914221c001d","recording_id":null,"artist":"Sir Babygirl","artist_ids":["d2254a15-adf3-4e70-889c-c158d092e773"],"album":"Crush on Me","release_id":"aa16a48e-0b0c-45c3-9f93-96f9281f7323","release_group_id":null,"labels":["Father/Daughter Records"],"label_ids":[],"release_date":"2019-02-15","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"The pseudonymme of DIY pop diva/producer Kelsie Hogue, Sir Babygirl was born in Silicon Valley and raised in Hanover, New Hampshire, and after attending Boston University’s School of Theater, she began to synthesize all her interests in the local Allston scene—fronting a hardcore bubblegum band, collaborating with local musicians, and tinkering with self-production on demos that would lead her to Sir Babygirl project.  https://bit.ly/2G2SnWU","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356502,"uri":"https://api.kexp.org/v2/plays/356502/?format=json","airdate":"2019-07-19T14:59:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":356503,"uri":"https://api.kexp.org/v2/plays/356503/?format=json","airdate":"2019-07-19T15:01:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"I Drive","track_id":"4976b0fc-cde6-4f4b-a8b3-0a5dcc06c7e6","recording_id":null,"artist":"Lower Dens","artist_ids":["3dee0ca7-99ae-4421-9c3b-f42d8caf4c88"],"album":"The Competition","release_id":"77536527-bfb0-45fc-bb52-850a36e1dc87","release_group_id":null,"labels":["Ribbon Music"],"label_ids":[],"release_date":"2019-07-26","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Of this track, frontwoman Jana Hunter notes, \"Like a lot of queer and trans people, I've learned that real family is made, and it isn't necessarily blood. Even my blood relatives, we work for that familial connection and trust. This song is about leaving behind obligations to people who don't love or care about you, being with and about people who do. It's a feeling so strong it's driving me. That's the driving I'm doing.\"  https://bit.ly/2YdRIuA  |  Watch the accompanying video here: https://www.youtube.com/watch?v=swMCMcud2L4","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356504,"uri":"https://api.kexp.org/v2/plays/356504/?format=json","airdate":"2019-07-19T15:05:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Insignificant","track_id":"56d17e15-a2c5-4104-b5da-0f2f55ccb178","recording_id":null,"artist":"Lust for Youth","artist_ids":["887d9ae7-583c-424e-bd29-a4f63b04f9f5"],"album":"Lust for Youth","release_id":"e8e97ec9-e517-4002-980e-d9e2848906fe","release_group_id":null,"labels":["Sacred Bones Records"],"label_ids":[],"release_date":"2019-06-07","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"This new album from the Copenhagen-based band is driven by a dance-pop agenda, hustling its way through upbeat peaks that level out into reflective ballads. While still taking clear cues from a crop of austere synth-pop, Lust for Youth sound brighter than they ever have before, taking tips from some of the flirtiest Eurobeat to aid their new direction.  Playing Chop Suey on October 29th, 2019!","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356505,"uri":"https://api.kexp.org/v2/plays/356505/?format=json","airdate":"2019-07-19T15:10:03-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":356506,"uri":"https://api.kexp.org/v2/plays/356506/?format=json","airdate":"2019-07-19T15:12:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Compare","track_id":null,"recording_id":null,"artist":"FRANKIIE","artist_ids":["5f3164ec-9f4f-485c-9b8a-50813fd6fa80"],"album":"Forget Your Head","release_id":null,"release_group_id":null,"labels":["Paper Bag"],"label_ids":[],"release_date":"2019-09-20","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Vancouver-based FRANKIIE made a trip to one of the most beautiful places in the world to play their first music festival. Here's a glimpse at their adventures on Haida Gwaii summer of 2014. Shot and edited by Michael Henry. Features original music by FRANKIIE at their first festival ever - Edge of the World Music Festival (www.edgefestival.ca): www.youtube.com/watch?v=nd-FQkC9YoM","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356507,"uri":"https://api.kexp.org/v2/plays/356507/?format=json","airdate":"2019-07-19T15:17:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Nervous Young Inhumans","track_id":"907dc876-f507-455b-9d57-bf5c7e483452","recording_id":null,"artist":"Car Seat Headrest","artist_ids":["0fabbc1d-8d94-4a61-bd1d-1099ad1e4559"],"album":"Twin Fantasy","release_id":"5637ea6c-8089-4923-ba98-72a3b724f3f3","release_group_id":null,"labels":["Matador"],"label_ids":[],"release_date":"2018-02-16","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Writing for Twin Fantasy began after Toledo transferred from Virginia Commonwealth University to the College of William and Mary in mid-2011, largely due to feelings of isolation and anxiety. He specified in an interview with Uproxx that it would be the first Car Seat Headrest album to be conceived of and written as a full album, rather than a collection of songs. The album was performed entirely by Toledo, and features a prominent use of lo-fi production, largely due to Toledo's lack of resources. The artwork for Twin Fantasy was created by Toledo, with booklet art provided by independent comic artist Cate Wurtz.\n\nTwin Fantasy was initially released on November 2, 2011, via the online music platform Bandcamp. Upon its release, Toledo estimates the album was downloaded by around 100 people, but has since gone on to be downloaded over 33,000 times.  https://bit.ly/2JMIL0Y","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356508,"uri":"https://api.kexp.org/v2/plays/356508/?format=json","airdate":"2019-07-19T15:19:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","song":"Scream","track_id":"d21a789d-63cf-4a4a-aad6-cd83fdb89ec0","recording_id":null,"artist":"Stef Chura","artist_ids":["e86c1345-25e1-46cc-94c7-7056d301a7ab"],"album":"Midnight","release_id":"be34969c-12b0-471a-9a0e-9fd25b163b90","release_group_id":null,"labels":["Saddle Creek Records"],"label_ids":[],"release_date":"2019-06-07","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Stef Chura will be playing LIVE at KEXP on Thursday, August 1st, as well as at Barboza the evening before (Wednesday, July 31st)!  Chura explains in a statement that the song is “about the dual self: a person who thinks of themselves in one way vs. how they actually are and treat others … a reflection of their loneliness and anger.” The video reflects the lyrical alienation, placing Chura in an abandoned high school gym as she plays to no one. Throwing back to the days of overhead projectors, apple pipes and bathroom makeouts, Chura places herself as the indie-rock outcast in a cheerleader’s outfit.  Catch that video here: www.youtube.com/watch?v=s0X5tCHTJvg","location":1,"location_name":"Default","play_type":"trackplay"},{"id":356509,"uri":"https://api.kexp.org/v2/plays/356509/?format=json","airdate":"2019-07-19T15:22:00-07:00","show":5940,"show_uri":"https://api.kexp.org/v2/shows/5940/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"}]}