{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=2596180&ordering=airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=2596140&ordering=airdate","results":[{"id":370896,"uri":"https://api.kexp.org/v2/plays/370896/?format=json","airdate":"2019-08-22T15:22:41-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"http://coverartarchive.org/release/c93057c3-03db-452e-b700-7e307018a737/23812253187-250.jpg","thumbnail_uri":"","song":"Teenage Birdsong","track_id":"c0e016d1-238f-471c-9200-cbfaac3b660a","recording_id":null,"artist":"Four Tet","artist_ids":["3bcff06f-675a-451f-9075-99e8657047e8"],"album":"Teenage Birdsong","release_id":"c93057c3-03db-452e-b700-7e307018a737","release_group_id":null,"labels":["Text Records"],"label_ids":["b6cda36e-510e-4bca-a655-3db6dd324d8e"],"release_date":"2019-04-17","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"English Musician/Producer Four Tet will be playing at Showbox SoDo on October 10th!","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370897,"uri":"https://api.kexp.org/v2/plays/370897/?format=json","airdate":"2019-08-22T15:25:43-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Afilando los Cuchillos","track_id":"d9eea6d9-ffb5-45c6-ac39-c6b1eae92819","recording_id":null,"artist":"Residente, iLe & Bad Bunny","artist_ids":["b38a00f2-3746-4e9e-93de-8257ca5b1680"],"album":"Afilando los Cuchillos","release_id":"85af5f7c-ba52-4401-b2a0-4e922fc71171","release_group_id":null,"labels":["[no label]"],"label_ids":["157afde4-4bf5-4039-8ad2-5a15acc85176"],"release_date":"2019-07-17","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"\"Afilando los cuchillos\" transl. \"Sharpening the Knives\" is a song by Puerto Rican musicians Bad Bunny, Residente, and iLE. It was released on July 17, 2019, in response to Ricardo Rosselló and the Telegramgate. The beat was produced by Trooko","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370900,"uri":"https://api.kexp.org/v2/plays/370900/?format=json","airdate":"2019-08-22T15:31:04-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"http://coverartarchive.org/release/18e2b05b-937a-3c25-ac78-07267e6411a0/10430250580-250.jpg","thumbnail_uri":"","song":"Idioteque","track_id":"e30870d3-aced-34c6-a1ec-8b12c2a94e5c","recording_id":null,"artist":"Radiohead","artist_ids":["a74b1b7f-71a5-4011-9441-d0b5e4122711"],"album":"Kid A","release_id":"18e2b05b-937a-3c25-ac78-07267e6411a0","release_group_id":null,"labels":["Capitol Records"],"label_ids":["abea2d3e-eabf-4480-ab24-9382dd642c73"],"release_date":"2000-10-03","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Primarily electronic and dance-oriented in style, 'Idioteque' was hailed as a radical departure from the band's earlier guitar-driven music. Although (as with all other songs on the album) it was never released as a single, it has become one of the band's most popular songs, and played at nearly every concert since 2000.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370902,"uri":"https://api.kexp.org/v2/plays/370902/?format=json","airdate":"2019-08-22T15:35:58-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"http://coverartarchive.org/release/d32952a7-e1ad-4b1e-93da-08b7608c4993/23299929133-250.jpg","thumbnail_uri":"","song":"Reach Out","track_id":"fceb7d66-3b9d-48ea-a7ea-80e90a4b88bc","recording_id":null,"artist":"Sleater‐Kinney","artist_ids":["e36e78eb-3ace-4acd-882c-16789e700ab7"],"album":"The Center Won’t Hold","release_id":"d32952a7-e1ad-4b1e-93da-08b7608c4993","release_group_id":null,"labels":["Mom + Pop Music"],"label_ids":["e30c6170-fcd5-4c30-9b89-bd1bdcbcaa5f"],"release_date":"2019-08-16","rotation_status":"Heavy","is_local":true,"is_request":false,"is_live":false,"comment":"Sleater-Kinney's new album, produced by Annie Clark AKA St. Vincent, dropped last week! You can catch Sleater-Kinney at the Paramount Theatre on both November 23rd and 24th!","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370903,"uri":"https://api.kexp.org/v2/plays/370903/?format=json","airdate":"2019-08-22T15:39:15-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"http://coverartarchive.org/release/1f3d7165-bdb8-4a04-aec4-2dadc82f6856/23833837747-250.jpg","thumbnail_uri":"","song":"Nothing Is Safe","track_id":"40c28b3e-d06d-4ac2-a202-88e16c8b339f","recording_id":null,"artist":"clipping. feat.","artist_ids":["84ca8fa4-7cca-4948-a90a-cb44db29853d"],"album":"There Existed an Addiction to Blood","release_id":"1f3d7165-bdb8-4a04-aec4-2dadc82f6856","release_group_id":null,"labels":["Sub Pop Records"],"label_ids":["38dc88de-7720-4100-9d5b-3cdc41b0c474"],"release_date":"2019-10-18","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"clipping.'s new album \"There Existed an Addiction to Blood\" is set to drop on \nOctober 18th! According to a press release, the album draws influence from the horrorcore subgenre, and “Nothing Is Safe” is inspired by John Carpenter’s film scores. Guests on the record include Benny the Butcher, La Chat, Ed Balloon, Pedestrian Deposit, and others","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370904,"uri":"https://api.kexp.org/v2/plays/370904/?format=json","airdate":"2019-08-22T15:44:11-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":370905,"uri":"https://api.kexp.org/v2/plays/370905/?format=json","airdate":"2019-08-22T15:47:00-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Equipment and live show","track_id":null,"recording_id":null,"artist":"Portishead","artist_ids":["8f6bd1e4-fbe1-4f50-aa9b-94c450ec0f11"],"album":"Rev105 Portishead interview with Shawn Stewart","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1950-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Portishead’s debut album, Dummy was released on this day in 1994! It’s an album that was truly groundbreaking, as the band made use of non-traditional instruments like hammond organs and theremins, as well as synths and samples. Back in 1994, I worked at a Minneapolis radio station called Rev105 - one of the first stations to spin Dummy in the States. Rev 105 music director Shawn Stewart spoke with Geoff Barrow just after the release of the record, and was curious about the instrumentation for their upcoming tour","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370906,"uri":"https://api.kexp.org/v2/plays/370906/?format=json","airdate":"2019-08-22T15:50:00-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Numb (Revenge of the Number Remix)","track_id":null,"recording_id":null,"artist":"Portishead","artist_ids":["8f6bd1e4-fbe1-4f50-aa9b-94c450ec0f11"],"album":"Dummy","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1950-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Portishead's \"Dummy\" turns 25 today! We're celebrating by playing the album in it's entirety, one track every hour, from 6 AM-6 PM!","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370907,"uri":"https://api.kexp.org/v2/plays/370907/?format=json","airdate":"2019-08-22T15:54:00-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Expansions","track_id":null,"recording_id":null,"artist":"Lonnie Liston Smith","artist_ids":["b7eb7b38-7f51-45e9-b583-64303b24eabe"],"album":"Watercolors","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1991-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Lonnie Liston Smith, Jr. is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370910,"uri":"https://api.kexp.org/v2/plays/370910/?format=json","airdate":"2019-08-22T15:58:53-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Hammer Into Anvil","track_id":"db931f36-d7d1-4bb2-8edd-bd7c08ff5aed","recording_id":null,"artist":"Ikebe Shakedown","artist_ids":["55008116-f7aa-4f68-b713-b6c947f7d43c"],"album":"Kings Left Behind","release_id":"3add5642-bc4b-46df-b444-096bdbf49293","release_group_id":null,"labels":[],"label_ids":[],"release_date":"2019-08-16","rotation_status":"Medium","is_local":false,"is_request":false,"is_live":false,"comment":"en years ago, Ikebe Shakedown began pushing the boundaries of instrumental music. Each new track and live set has sent them deeper into combining the foundational elements of ’70s soul, raw psychedelic style, and cinematic Western soundtracks with powerful grooves and soaring melodies. <br/><br/>https://ikebeshakedown.com/pages/about","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370912,"uri":"https://api.kexp.org/v2/plays/370912/?format=json","airdate":"2019-08-22T16:03:00-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Bustin' Loose","track_id":null,"recording_id":null,"artist":"Chuck Brown","artist_ids":["3a9d80e7-564a-418f-91d4-0cb7fee9965e"],"album":"Bustin' Loose","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1979-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Happy Birthday Chuck Brown!  (August 22, 1936 – May 16, 2012 - aged 75) an American guitarist and singer who is affectionately called \"the Godfather of Go-go.\"  Go-go is a subgenre of funk developed in and around Washington, D.C. in the 1970s. In the 1950s, Brown was convicted of murder and served eight years. In prison, he traded cigarettes for a guitar, which was how his love for the instrument began. When Brown completed his sentence, he moved back to D.C. and worked as a truck driver, a bricklayer, and a sparring partner at boxing gyms. He also started to perform at parties; but he couldn’t play at venues that served liquor, because of the terms of his probation.\nIn the mid-1970s, with disco luring dancers away from live bands, Mr. Brown drew on James Brown’s funk, Latin rhythms and the crowd-pleasing good humor of Cab Calloway-era big bands to create go-go.\nPlaying bluesy guitar and leading call-and-response chants in a grainy baritone, Brown wove the beat seamlessly from one song to the next, keeping people on their feet all night. Brown said that the style got its name because “the music just goes and goes.”\n“Bustin’ Loose” was Brown’s only single to reach Billboard’s Top 40, in 1979, and it held at No. 1 on the R&B chart for four weeks.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370915,"uri":"https://api.kexp.org/v2/plays/370915/?format=json","airdate":"2019-08-22T16:10:46-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":370916,"uri":"https://api.kexp.org/v2/plays/370916/?format=json","airdate":"2019-08-22T16:14:00-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Biscuit- Commentary","track_id":null,"recording_id":null,"artist":"Portishead","artist_ids":["8f6bd1e4-fbe1-4f50-aa9b-94c450ec0f11"],"album":"Interview with DJ Morgan KEXP","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1950-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Considered the launch of the “trip hop” genre, the album contains a number of incredible samples, including Johnnie Ray’s “I’ll Never Fall in Love Again” on the song “Biscuit.” Here’s Barrow and Adrien reflecting on why they needed that sample in particular in order to tie the song together. <br/><br/> https://www.kexp.org/read/2019/8/22/portisheads-geoff-barrow-and-adrian-utley-breakdown-dummy-25-years-later/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370917,"uri":"https://api.kexp.org/v2/plays/370917/?format=json","airdate":"2019-08-22T16:18:15-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"http://coverartarchive.org/release/76df3287-6cda-33eb-8e9a-044b5e15ffdd/829521842-250.jpg","thumbnail_uri":"","song":"Biscuit","track_id":"2d2c3253-8b61-3c02-b5e1-83be8ade482c","recording_id":null,"artist":"Portishead","artist_ids":["8f6bd1e4-fbe1-4f50-aa9b-94c450ec0f11"],"album":"Dummy","release_id":"76df3287-6cda-33eb-8e9a-044b5e15ffdd","release_group_id":null,"labels":["Go! Beat"],"label_ids":["cd275ac6-9af0-4465-895b-462208cb716e"],"release_date":"1994-08-22","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"\"Barrow: The worlds collided. I really like the idea of bit of slowing it down and feeling it be really rough over the top of it because it's a rough sounding track.\" Check out the full interview here: <br/><br/> https://www.kexp.org/read/2019/8/22/portisheads-geoff-barrow-and-adrian-utley-breakdown-dummy-25-years-later/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370923,"uri":"https://api.kexp.org/v2/plays/370923/?format=json","airdate":"2019-08-22T16:23:04-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"http://coverartarchive.org/release/844eb096-2b84-4c8f-9922-7f287126b39e/12723136519-250.jpg","thumbnail_uri":"","song":"The Bird","track_id":"71409222-d83c-45d7-a459-0e5cc0c5b854","recording_id":null,"artist":"Anderson .Paak","artist_ids":["d02dd67e-f655-4600-bc47-f789f59e7367"],"album":"Malibu","release_id":"844eb096-2b84-4c8f-9922-7f287126b39e","release_group_id":null,"labels":["Steel Wool Records"],"label_ids":["f6b674ac-8c4f-4d83-b6a7-32a6b97e52a3"],"release_date":"2016-01-15","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"\"Malibu\"  is described as the beginning of Anderson .Paak's potential commercial breakthrough, following his prominent role on Dr. Dre's album Compton (2015). Paak is featured on six songs on \"Compton\", including 'Animals'. The track was produced by DJ Premier. Although, the track was initially slated for his 2016 album, Malibu. Dr. Dre later approved to have the track featured on his album \"Compton\"","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370925,"uri":"https://api.kexp.org/v2/plays/370925/?format=json","airdate":"2019-08-22T16:26:40-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"http://coverartarchive.org/release/f29f0569-552d-4ac8-b783-4cf8048eea7e/3112628916-250.jpg","thumbnail_uri":"","song":"Pretty Good Year","track_id":"35eedde4-9dd5-30b9-9c34-d9ba99e9897a","recording_id":null,"artist":"Tori Amos","artist_ids":["c0b2500e-0cef-4130-869d-732b23ed9df5"],"album":"Under the Pink","release_id":"f29f0569-552d-4ac8-b783-4cf8048eea7e","release_group_id":null,"labels":["Atlantic"],"label_ids":["50c384a2-0b44-401b-b893-8181173339c7"],"release_date":"1994-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Happy Birthday Tori Amos! (August 22, 1963 - age 56) an American singer-songwriter and pianist. She is a classically trained musician with a mezzo-soprano vocal range.\n\nAmos has described seeing music as structures of light since early childhood, an experience consistent with chromesthesia\nBy the age of five, Amos had already begun composing instrumental pieces on piano and won a full scholarship to the Peabody Institute at Johns Hopkins University. She was the youngest person ever to have been admitted. At the age of eleven, Amos was expelled from the university for what was described as “musical insubordination,” due to her taste for pop and rock music and distaste for reading music.Amos has received five MTV VMA nominations, eight Grammy Award nominations, and won an Echo Klassik award for her classical crossover album. She is listed on VH1's 1999 \"100 Greatest Women of Rock and Roll\" list.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370927,"uri":"https://api.kexp.org/v2/plays/370927/?format=json","airdate":"2019-08-22T16:30:01-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Random Rules","track_id":"8c1ac2ee-9267-4aa1-af45-fb9f6e023510","recording_id":null,"artist":"First Aid Kit","artist_ids":["373faa02-74d7-4b1d-9b47-7574ad510f8d"],"album":"Strange Beauty","release_id":"c95079cb-042e-4585-9097-bca4d166a82f","release_group_id":null,"labels":["Columbia"],"label_ids":["011d1192-6f65-45bd-85c4-0400dd45693e"],"release_date":"2019-08-22","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"First Aid Kit released this cover of Silver Jews' song 'Random Rules' as a tribute to David Berman  who died by suicide at the age of 52 earlier this month.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370928,"uri":"https://api.kexp.org/v2/plays/370928/?format=json","airdate":"2019-08-22T16:33:53-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":370929,"uri":"https://api.kexp.org/v2/plays/370929/?format=json","airdate":"2019-08-22T16:35:12-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Empires","track_id":"406226e0-64e1-4ff3-95c6-c285aa3666ab","recording_id":null,"artist":"Elbow","artist_ids":["3cb3928a-526c-4a3d-93c5-53315fa9bde0"],"album":"Giants of All Sizes","release_id":"03238b74-931e-4dd6-af40-ca19aebc1ab3","release_group_id":null,"labels":["Polydor"],"label_ids":["ce24ab18-1bd6-4293-a486-546d13d6a5e2"],"release_date":"2019-10-11","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Elbow's new album \"Giants of All Sizes\" is set to drop on October 11th!","location":1,"location_name":"Default","play_type":"trackplay"},{"id":370930,"uri":"https://api.kexp.org/v2/plays/370930/?format=json","airdate":"2019-08-22T16:40:00-07:00","show":6179,"show_uri":"https://api.kexp.org/v2/shows/6179/?format=json","image_uri":"","thumbnail_uri":"","song":"Ashes to Ashes","track_id":"df12822d-2630-4339-8918-5c611a51bb1f","recording_id":null,"artist":"David Bowie","artist_ids":["5441c29d-3602-4898-b1a1-b77fa23b8e50"],"album":"Scary Monsters... and Super Creeps","release_id":"d09af2f1-6880-4e8c-a357-a74052d5c02e","release_group_id":null,"labels":["RCA"],"label_ids":[],"release_date":"1984-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"'Ashes to Ashes' was the lead single from the 1980 album Scary Monsters (And Super Creeps) and became Bowie's second UK No. 1 single. It is also known for its innovative video, directed by Bowie and David Mallet, which at the time was the most expensive music video ever made.\n\nThe lyrics revisit Bowie's Major Tom character from 1969's \"Space Oddity\" in a darker theme, which he referenced once again in 1995 with \"Hallo Spaceboy\". The song's melody was sampled in a remix of his 2013 single \"Love Is Lost\". The song's original title was \"People Are Turning to Gold\".","location":1,"location_name":"Default","play_type":"trackplay"}]}