{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=2602020&ordering=airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=2601980&ordering=airdate","results":[{"id":377539,"uri":"https://api.kexp.org/v2/plays/377539/?format=json","airdate":"2019-09-06T15:44:53-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"http://coverartarchive.org/release/71b19909-8463-422b-abad-5718d37888b9/3112709631-250.jpg","thumbnail_uri":"","song":"Another Sunny Day","track_id":"a5ea551a-21f8-3709-9272-2e11ce84549d","recording_id":null,"artist":"Belle and Sebastian","artist_ids":["e5c7b94f-e264-473c-bb0f-37c85d4d5c70"],"album":"The Life Pursuit","release_id":"71b19909-8463-422b-abad-5718d37888b9","release_group_id":null,"labels":["Matador"],"label_ids":["229bd4be-8cd7-442c-85b0-5007ea353abc"],"release_date":"2006-02-07","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Proving that the comeback of 2003's Dear Catastrophe Waitress was no fluke, Belle & Sebastian's sixth full-length album, The Life Pursuit, is a sleek, stylish affair that finds the group quietly pursuing new ground without forsaking its trademark witty, literary, tuneful pop.   Here, Belle & Sebastian dabble in glam rock, lazy lounge jazz, and ersatz blues, enhancing their swinging '60s pop fixation with horn charts, the occasional flute, and Motown rhythms, while even rocking harder than ever before (but that's on a relative scale, of course). This results in a fresh, lively listen, but a rich one too, since there's more to hear in the music as well as the words upon repeated listens.  https://bit.ly/2kxmxZm","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377543,"uri":"https://api.kexp.org/v2/plays/377543/?format=json","airdate":"2019-09-06T15:48:49-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"Felicity","track_id":"9cf550e9-c5ca-305c-97e7-41244869cd1c","recording_id":null,"artist":"Orange Juice","artist_ids":["e598d30e-4ce1-402e-94a7-6f44779da6b7"],"album":"You Can't Hide Your Love Forever","release_id":"acedc7ee-3ca7-4d4c-8d81-fcc6d19e624d","release_group_id":null,"labels":["Polydor"],"label_ids":["adde0cb6-4535-47b8-9b10-f18cc0b466ae"],"release_date":"1998-03-25","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Music journalist Robin Tripp notes, \"On the whole, the songs written by lead guitarist James Kirk (Wan Light, Three Cheers For Our Side) are more complex pieces, with female backing vocals and dexterous guitar arrangements merging with horns and keyboards, with the exception of his best song on the album, the anthemic Felicity, which remains one of The OJ's most iconic tracks and is a great piece of guitar pop in the classic, early 80's sense. Edwyn Collins' songs on the other hand, which are really the main bulk of the album, are the more personal, slightly melancholic pieces that you can imagine being the main inspiration by the aforementioned Belle & Sebastian, in particular, their albums Tigermilk and If You're Feeling Sinister.\"  https://bit.ly/2kwIcRi","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377547,"uri":"https://api.kexp.org/v2/plays/377547/?format=json","airdate":"2019-09-06T15:51:21-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"The Music Next Door","track_id":"c46d465e-01e2-3f8b-9ca7-a2e4a2c7dd5b","recording_id":null,"artist":"The Lucksmiths","artist_ids":["0181f745-7f48-4065-9089-f42810b52149"],"album":"Warmer Corners","release_id":"5462970b-1933-4c01-a1ce-a123ec1727dc","release_group_id":null,"labels":["Candle Records"],"label_ids":["5fe794e1-427b-4a94-8df5-0ae62d9c3bfc"],"release_date":"2005-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Of this album, the band share on their bandcamp, \"The seventh Lucksmiths studio album and follow-up to the excellent 'Naturaliste' is, dare we say it, the best Lucksmiths release yet! As always, there are lots of guitars, some soothing basslines, and a singing drummer who's far better than Phil Collins, but this time there's also a horn section having a party, some fiery organs, a string section who dig Phil Spector, and a lazy pedal steel. Featuring the “Hiccup” and “San Francisco” singles as well as live favourites “Sunlight in a Jar”, “The Music Next Door” and “Young and Dumb”, this album topped many end-of-year lists.\"  https://bit.ly/2k8RAdU","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377549,"uri":"https://api.kexp.org/v2/plays/377549/?format=json","airdate":"2019-09-06T15:55:43-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"Take My Mind","track_id":"431847e5-9a18-4063-865c-92fd0d126471","recording_id":null,"artist":"Guards","artist_ids":["98f8e048-f14f-4ef9-a958-5a79f2f6b542"],"album":"Modern Hymns","release_id":"abe1bc00-7c51-454e-a077-a3acc27c2b6d","release_group_id":null,"labels":[],"label_ids":[],"release_date":"2019-05-22","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Guards' second full-length album Modern Hymns was recorded over the span of the past 5 years. After touring extensively for their first album “In Guards We Trust”, they retreated to the isolation of Sagaponack, New York to write a new album. After six months of writing and what seemed to be a never-ending battle to be released from their label, the group decided to head out west. They rented a house in the Valley of Los Angeles that had a studio attached to it, and began recording what would become Modern Hymns.\n<br><br>\nSonically, the album is more synth and bass-heavy than the Guards have ever gone before. Lyrically, the group delves deeper into the spectrum of human emotion. Follin welcomed his first child while recording the album which contributes to a vast array of new themes. Recording the album over such a lengthy period of time gives the album a wide mix of moods.\n<br><br>\nThe album was produced by Follin and mixed at The Notch in Los Angeles by Sean O’Brien. It features contributions from Mike Shuman (Queens of the Stone Age), Money Mark (Beastie Boys), Patrick Keeler (Raconteurs, Greenhornes), Benji Lysaght (Father John Misty, Beck), James Richardson (MGMT), Matt Schaeffer (Kendrick Lamar), and Brian Oblivion (Cults).  https://bit.ly/2Yim6QF","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377550,"uri":"https://api.kexp.org/v2/plays/377550/?format=json","airdate":"2019-09-06T15:59:00-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":377551,"uri":"https://api.kexp.org/v2/plays/377551/?format=json","airdate":"2019-09-06T16:01:00-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"Hallelujah","track_id":"b5e47b7d-35c9-4211-808d-4117c226799c","recording_id":null,"artist":"Leonard Cohen","artist_ids":["65314b12-0e08-43fa-ba33-baaa7b874c15"],"album":"Various Positions","release_id":"3e453fcc-2759-4d8e-844b-3f0e0c35092f","release_group_id":null,"labels":["Columbia"],"label_ids":[],"release_date":"1984-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"This song is for listener Jonathan in Hawaii and loved ones of Lindy, who passed away earlier this week.  Sending love and support.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377554,"uri":"https://api.kexp.org/v2/plays/377554/?format=json","airdate":"2019-09-06T16:04:46-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"http://coverartarchive.org/release/f8df90a3-6ba1-41e0-85ff-794f938eab69/23543881614-250.jpg","thumbnail_uri":"","song":"Into Happiness","track_id":"5c61f265-86a4-44d4-a33e-17a68f362878","recording_id":null,"artist":"Phantogram","artist_ids":["dfe78af2-779e-4137-826a-3073a16e3278"],"album":"Into Happiness","release_id":"f8df90a3-6ba1-41e0-85ff-794f938eab69","release_group_id":null,"labels":["Republic Records"],"label_ids":["e0ecd909-0477-485f-80dc-3c27ea4837ca"],"release_date":"2019-05-31","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"This track was released as part of a mental health initiative, with proceeds from sales and streams of the track benefitting the American Foundation for Suicide Prevention. The cause is close to Phantogram as Barthel’s sister died by suicide while the band was making Three.  https://bit.ly/2m4BBhy","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377558,"uri":"https://api.kexp.org/v2/plays/377558/?format=json","airdate":"2019-09-06T16:08:08-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"We Are the Sun","track_id":"e86f7fde-6e3e-40fa-a715-70a379f62857","recording_id":null,"artist":"SAULT","artist_ids":["23b19bc5-813e-4456-bbae-ac3ca118f535"],"album":"5","release_id":"42306580-ccf0-4e50-917d-762fe5507701","release_group_id":null,"labels":[],"label_ids":[],"release_date":"2019-05-05","rotation_status":"Heavy","is_local":false,"is_request":false,"is_live":false,"comment":"Throughout the years, founding member Riggs was the vocalist or guitarist for several bands, most notably, the nationally touring metal band he co-founded called Arcanium. Releasing two albums and touring with bands such as Megadeth, Machine Head, Bullet for My Valentine, Otep, Ill Niño, and One-Eyed Doll, Arcanium started together national attention. <br><br>One of Riggs’ closest friends turned out to be his tour-mate Kimberly Freeman of One-Eyed Doll. Sean Tibbetts, of Kamelot fame, was also a mutual friend of Kimberly Freeman and confided in her that he was putting together his own band and was seeking a lead vocalist. Kimberly immediately thought of her friend Riggs and introduced the two. Riggs, combined with bassist Sean Tibbetts, guitarist Curtis Jay, and Drummer Casey Grillo,formed Sault and began writing and recording what is to become their first full length album debut.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377560,"uri":"https://api.kexp.org/v2/plays/377560/?format=json","airdate":"2019-09-06T16:12:03-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"Linked","track_id":"6d0440b0-037b-4bad-995b-a980b0a3079a","recording_id":null,"artist":"Bonobo","artist_ids":["9a709693-b4f8-4da9-8cc1-038c911a61be"],"album":"Linked","release_id":"2c8ceefe-8df6-43f7-b025-235b0e10df76","release_group_id":null,"labels":["Ninja Tune"],"label_ids":["dc940013-b8a8-4362-a465-291026c04b42"],"release_date":"2019-07-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Bonobo returns with new single ‘Linked’. The dance floor-ready new release from the LA-based producer (aka Simon Green) is an atmospheric slow-builder, perfectly tuned for festivals this summer. It follows his compiling of the inaugural “fabric Presents” compilation, which featured a new song ‘Ibrik’ (picked as Annie Mac’s Hottest Record in the World on BBC Radio 1), and comes after the career-defining 2017 album Migration, which reached the UK Top 5, received two GRAMMY nominations and saw him headline festivals and sell out multiple global tours with an expanded live show.  https://bit.ly/2YruaiE","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377562,"uri":"https://api.kexp.org/v2/plays/377562/?format=json","airdate":"2019-09-06T16:15:48-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":377563,"uri":"https://api.kexp.org/v2/plays/377563/?format=json","airdate":"2019-09-06T16:17:41-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"We Can Be Free","track_id":"41fa1ccb-c6b6-4648-a1ca-732770ecb7cc","recording_id":null,"artist":"Ceremony","artist_ids":["c13da818-d566-4f2a-aaaf-1c68301ddc43"],"album":"In the Spirit World Now","release_id":"a9744966-fb47-4583-9299-07970c4e9d0d","release_group_id":null,"labels":["Relapse Records"],"label_ids":["4189cc4f-fb38-4d62-8271-dbd247585117"],"release_date":"2019-08-23","rotation_status":"Medium","is_local":false,"is_request":false,"is_live":false,"comment":"Six albums and over a decade in, California quintet Ceremony made jarring change the only constant in their ever-shifting approach. They began in the mid-2000s as a seethingly violent hardcore band, complete with screamed vocals, blastbeats, and 30-second songs. By the next decade, Ceremony's power violence beginnings were largely unrecognizable from the Wire-modeled post-punk of 2011's Zoo and the Factory Records-steeped goth rock of 2015's The L-Shaped Man. Four years later, sixth album In the Spirit World Now finds Ceremony reinventing their sound yet again, with ambitious arrangements and dense upbeat rock songs that lean more towards synths and sleaze than anything the band has done before. Dance-forward tunes like \"Further I Was\" and \"Years of Love\" prominently feature interplay between synth and guitar, with ferocious vocal shouts and a swaggering essence that make the band sound like Spoon covering Tubeway Army.  https://bit.ly/2k4BrWK","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377567,"uri":"https://api.kexp.org/v2/plays/377567/?format=json","airdate":"2019-09-06T16:20:00-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"http://coverartarchive.org/release/8a94e4db-6ae2-4ff8-968d-0ca2884e7253/17256841802-250.jpg","thumbnail_uri":"","song":"Where Have All the Rude Boys Gone?","track_id":"2cf12bec-3a1f-31a0-b3e4-0039036da8c1","recording_id":null,"artist":"Ted Leo and the Pharmacists","artist_ids":["31095622-5a1e-4f22-8ad1-b08eb6255f37"],"album":"Hearts of Oak","release_id":"8a94e4db-6ae2-4ff8-968d-0ca2884e7253","release_group_id":null,"labels":["Lookout! Records"],"label_ids":["1688db48-6fb1-43df-883d-954d39477958"],"release_date":"2003-02-11","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"The lyrics of the song pine for an older age of ska music and the \"rude boys\" who represented its most dedicated fans. Additionally, the song is thoroughly laced with references to The Specials, The Selecter, The Beat (British band) and other ska bands from the 2-Tone era. The video is based on the 1962 horror film Carnival of Souls.  https://bit.ly/2k3yGF5","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377569,"uri":"https://api.kexp.org/v2/plays/377569/?format=json","airdate":"2019-09-06T16:24:51-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"http://coverartarchive.org/release/c2dab6ed-1a4e-49a6-9abc-6be95c03dbda/4804372334-250.jpg","thumbnail_uri":"","song":"Story of My Life","track_id":"fe763243-b645-31c9-bccf-bf38f9d9ac32","recording_id":null,"artist":"Social Distortion","artist_ids":["e1e05cce-3922-44e1-8f20-015abe5e309d"],"album":"Social Distortion","release_id":"c2dab6ed-1a4e-49a6-9abc-6be95c03dbda","release_group_id":null,"labels":["Epic"],"label_ids":["8f638ddb-131a-4cc3-b3d4-7ebdac201b55"],"release_date":"1990-03-27","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":null,"location":1,"location_name":"Default","play_type":"trackplay"},{"id":377571,"uri":"https://api.kexp.org/v2/plays/377571/?format=json","airdate":"2019-09-06T16:30:41-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"Rodeo","track_id":"b31e3186-c628-41c4-abf5-c528b78b426c","recording_id":null,"artist":"Lisa Prank","artist_ids":["960d5da9-2ab3-4c2d-82ac-521caa990f59"],"album":"Perfect Love Song","release_id":"2dc525c3-ead2-41d6-bc6d-8f2cddb9015d","release_group_id":null,"labels":["Father/Daughter Records"],"label_ids":["9b8123f9-7a72-4f91-b56c-8d5c3caec71f"],"release_date":"2019-10-04","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":null,"location":1,"location_name":"Default","play_type":"trackplay"},{"id":377573,"uri":"https://api.kexp.org/v2/plays/377573/?format=json","airdate":"2019-09-06T16:33:45-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"Sick","track_id":"ca031b5a-6793-48bd-b257-8c74e80623a2","recording_id":null,"artist":"Vivian Girls","artist_ids":["d0676301-7ffc-4ff6-8b38-f8aeb8553115"],"album":"Memory","release_id":"e47e00c0-b0e9-4dcd-bf6f-90c4fad2013a","release_group_id":null,"labels":["Polyvinyl"],"label_ids":["2ad60482-164f-4e5c-ac78-1f5267d4fdc0"],"release_date":"2019-09-20","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":null,"location":1,"location_name":"Default","play_type":"trackplay"},{"id":377575,"uri":"https://api.kexp.org/v2/plays/377575/?format=json","airdate":"2019-09-06T16:35:48-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"i'll die anyway.","track_id":"a522331c-a834-4f3e-8ef8-b348d1fcb522","recording_id":null,"artist":"girl in red","artist_ids":["4ae429fe-735c-4968-8253-a591421b1bd0"],"album":"Chapter 2","release_id":"21fdb341-199c-486a-8b94-dc7dbc67a8d3","release_group_id":null,"labels":["[no label]"],"label_ids":["157afde4-4bf5-4039-8ad2-5a15acc85176"],"release_date":"2019-09-06","rotation_status":"Light","is_local":false,"is_request":false,"is_live":false,"comment":"Oslo-based Marie Ulven - aka Girl In Red - has shared her latest piece of bedroom pop perfection with her new track ‘i’ll die anyway’.\n\n“I think this is the most honest song I’ve written on how I perceive my life,” she exaplains. “Understanding life and what it means to be human is difficult. I’ve always questioned my existence, meaning, time and the universe. All I know is that I don’t know, and the only thing that’s guaranteed is I’ll die anyway.”\n\nHer most unfiltered song yet, the track is a part of her forthcoming EP ‘Chapter 2’ which follows last year’s debut ‘Chapter 1’. All penned in her bedroom, it’s guaranteed to offer us a further glimpse into her soul and probably bring all the #feels too.  https://bit.ly/2kn4TaQ","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377576,"uri":"https://api.kexp.org/v2/plays/377576/?format=json","airdate":"2019-09-06T16:45:00-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":377577,"uri":"https://api.kexp.org/v2/plays/377577/?format=json","airdate":"2019-09-06T16:47:00-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"Here to Stay","track_id":null,"recording_id":null,"artist":"New Order","artist_ids":["f1106b17-dcbb-45f6-b938-199ccfab50cc"],"album":"24 Hour Party People","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1950-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Here to Stay” was produced by The Chemical Brothers, released as a single in 2002, and reached number 15 in the UK Singles Chart in spite of having no major marketing behind it.  It was the closing track from the Michael Winterbottom faux-cumentary 24 Hour Party People, and was the only new song composed specifically for the film. <Br><br>\nIts music video compiled scenes from the movie in black and white, and featured John Simm (who played Bernard Sumner in the movie) and comedian/actor Steve Coogan (who played Tony Wilson) reprising their roles.  The video was dedicated to Rob Gretton (manager of Joy Division and New Order, partner and co-director of Factory Records, and founding partner of The Haçienda nightclub, Martin Hannett (Joy Division and New Order’s record producer and an original partner/director at Factory Records), and Ian Curtis; three people instrumental in the founding of the band who had since died.    www.youtube.com/watch?v=Z15DIchJw7Y","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377579,"uri":"https://api.kexp.org/v2/plays/377579/?format=json","airdate":"2019-09-06T16:50:07-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","song":"(Downtown) Dancing","track_id":"44f94d50-d5ed-4f61-86f0-37a8e4e36d57","recording_id":null,"artist":"YACHT","artist_ids":["f6a0a03f-3b2f-4d3a-b4b4-34ca4ce7f3cb"],"album":"(Downtown) Dancing","release_id":"d44a3934-e547-40f1-8cb9-95af4659fdac","release_group_id":null,"labels":["DFA Records"],"label_ids":["32d02635-98fc-4405-94e1-e5b06f9d2025"],"release_date":"2019-06-21","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"The track, which is the first from an upcoming album, was composed as part of the band’s recent work with artificial intelligence. For “(Downtown) Dancing,” the three-person group—which now includes former touring member Rob “Bobby Birdman” Kieswetter—used machine learning tools like Google Magenta’s Music VAE model and NSynth hardware synthesizer to write the lyrics, compose the melodies, and assist with the sound design.  The lyrics to the song were also written by a neural network. In a recent lecture at Google’s annual I/O conference, vocalist Claire Evans describes how she and her bandmates began experimenting with A.I. in an effort to find new material within their back catalog. “We hoped that this would result in songs that had that indefinable YACHT feeling, which we don’t know how to quantify and I don’t think the model can, either,” Evans says in the talk.  https://bit.ly/2xy0cxS","location":1,"location_name":"Default","play_type":"trackplay"},{"id":377583,"uri":"https://api.kexp.org/v2/plays/377583/?format=json","airdate":"2019-09-06T16:55:44-07:00","show":6282,"show_uri":"https://api.kexp.org/v2/shows/6282/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"}]}