{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=2642720&ordering=airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=2642680&ordering=airdate","results":[{"id":2675980,"uri":"https://api.kexp.org/v2/plays/2675980/?format=json","airdate":"2019-12-20T15:59:00-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","song":"You Make Me Feel (Mighty Real)","track_id":"e51373e2-8ec1-3dac-8954-51802c74346c","recording_id":null,"artist":"Sylvester","artist_ids":["4d3b710b-a5f0-4772-97db-f09e47fbc6d8"],"album":"Step II","release_id":"eedf263a-089e-4824-b913-bb9e2e4b2a2a","release_group_id":null,"labels":["Fantasy"],"label_ids":[],"release_date":"1978-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"The song was written by James Wirrick and Sylvester, and was originally recorded as a mid-tempo piano driven gospel song, however after producer Patrick Cowley saw a rehearsal of the song at San Francisco's city disco, he offered to remix the song.  The result was one of the pioneering disco records using some electronic instrumentation and effects, following closely on \"I Feel Love\" by Donna Summer which heavily used electronic instrumentation ahead of its time. These 1970s songs using electronic instrumentation would have an influence on 1980s and 1990s dance music, which in turn, would have an influence on dance music in the next century.   https://bit.ly/2QbvD9Q","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2675982,"uri":"https://api.kexp.org/v2/plays/2675982/?format=json","airdate":"2019-12-20T16:03:43-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":2675983,"uri":"https://api.kexp.org/v2/plays/2675983/?format=json","airdate":"2019-12-20T16:06:35-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","song":"Keep on Going","track_id":"c0136089-a491-4d18-a935-7194402f79de","recording_id":null,"artist":"Sons","artist_ids":["e1196139-f0d6-4794-b396-7d17802d536e"],"album":"Family Dinner","release_id":"c770e3fe-35fd-47d5-9099-dd327074e429","release_group_id":null,"labels":[],"label_ids":[],"release_date":"2019-04-19","rotation_status":"Heavy","is_local":false,"is_request":false,"is_live":false,"comment":"\"The four of us are in line with what we want with our music.  You know each other so well, you can feel each other immediately. When we write songs, we only do that if everyone is there. The four of us are in a certain world, a different world, that matches really well. And that is something we already had from the beginning. From the first rehearsal, actually super cliché, it looked like a movie. We started playing together and it worked. From that moment it started and it still feels good.\"  https://bit.ly/2ECzaJ2","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2675987,"uri":"https://api.kexp.org/v2/plays/2675987/?format=json","airdate":"2019-12-20T16:08:43-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"https://coverartarchive.org/release/26a75c55-00de-4de3-b419-3bb7bd3a2982/22859902189-250.jpg","thumbnail_uri":"","song":"Shake Ya","track_id":"d839239a-ce85-413d-b85e-aec2f6059edc","recording_id":null,"artist":"Amyl and The Sniffers","artist_ids":["0f74b263-65bf-4027-9708-45aadf40122d"],"album":"Amyl and The Sniffers","release_id":"26a75c55-00de-4de3-b419-3bb7bd3a2982","release_group_id":null,"labels":["ATO Records"],"label_ids":["b63922e9-da3c-4e41-9eda-ae1b11d33a1a"],"release_date":"2019-05-24","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Amyl and the Sniffers are a grimy pub rock band from Melbourne, Australia. Amy Taylor (vocals), Bryce Wilson (drums) and Declan Martens (guitar) are former housemates who formed the band, wrote a handful of tunes and released their debut EP, Giddy Up, all in a span of twelve hours. Completing their line up with Gus Romer on bass, Amyl and the Sniffers took their cues from a diverse mix of genres including pub rock, Aussie punk and country. They set out to have as much fun as possible and scared up a whole lot of fans along the way. https://bit.ly/2TCEOS2","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2675990,"uri":"https://api.kexp.org/v2/plays/2675990/?format=json","airdate":"2019-12-20T16:11:50-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"https://coverartarchive.org/release/038d3b87-705d-3a2c-8f4a-e8cee042b9ea/12577884235-250.jpg","thumbnail_uri":"","song":"Holiday in Cambodia","track_id":"5825ac42-ef4d-3c52-921f-d4ddef5b79f2","recording_id":null,"artist":"Dead Kennedys","artist_ids":["37c78aeb-d196-42b5-b991-6afb4fc9bc2e"],"album":"Fresh Fruit for Rotting Vegetables","release_id":"038d3b87-705d-3a2c-8f4a-e8cee042b9ea","release_group_id":null,"labels":["Alternative Tentacles"],"label_ids":["f1273178-651b-4d02-8f21-4ab1ec5a689a"],"release_date":"1993-02-05","rotation_status":"Library","is_local":true,"is_request":false,"is_live":false,"comment":"This song is an attack on stereotypical, moralizing, privileged American college students. Its lyrics offer a satirical view of young, well-to-do and self-righteous Americans, contrasting such a lifestyle with the genocidal dictatorship of the Khmer Rouge, led by Pol Pot and his Communist Party of Kampuchea (mentioned in the lyrics), which is estimated to have been responsible for the deaths of roughly a quarter of Cambodian population between 1975 and 1979.\n\nThe re-recording of this song that appears on Fresh Fruit for Rotting Vegetables is different from the single version, being fifty-five seconds longer, at a higher tempo and featuring an extended, surf-influenced intro, as well as an extended bridge and guitar solo. The song also mentions the Dr. Seuss short story \"The Sneetches.\"  https://bit.ly/2PKLqgM","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2675993,"uri":"https://api.kexp.org/v2/plays/2675993/?format=json","airdate":"2019-12-20T16:16:32-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"https://coverartarchive.org/release/cf9ccaf9-3b92-4372-9ea0-9044951710fd/22759015784-250.jpg","thumbnail_uri":"","song":"Television Screens","track_id":"65be5688-9145-434c-86f4-e2a2b0f37524","recording_id":null,"artist":"Fontaines D.C.","artist_ids":["fd87acc7-e0a0-4a45-bc2a-d2ab5c10be68"],"album":"Dogrel","release_id":"cf9ccaf9-3b92-4372-9ea0-9044951710fd","release_group_id":null,"labels":["Partisan Records"],"label_ids":["d4ec5bb3-1d64-40fe-9629-ee1e452e251e"],"release_date":"2019-04-12","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Fontaines D.C. have been pigeonholed as the British Isles’ next great post-punk export a la Shame or Idles, but this Irish five-piece deserve more than that reductive framing. Fontaines D.C. are more poetic than the bands they’re lumped in with, and their debut album Dogrel is a testament to a different set of concerns. Dogrel takes on the degradation of urban cities as lively cultural hubs and launching pads for people to make something of themselves—or at least put some change in their pockets. Frontman Grian Chatten and his bandmates share a love of literature and poetry (the Beats, James Joyce, Patrick Kavanagh, etc.), and they write songs together in Irish pubs, resulting in a brazen-faced, romantic portrait of Dublin and its vast characters.  Chatten’s speak-sing delivery in a distinct Dublin tongue is another thing that sets them apart.  https://bit.ly/2ZlcKWt","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2675994,"uri":"https://api.kexp.org/v2/plays/2675994/?format=json","airdate":"2019-12-20T16:20:26-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":2675995,"uri":"https://api.kexp.org/v2/plays/2675995/?format=json","airdate":"2019-12-20T16:23:00-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","song":"Lonely Man of Winter","track_id":null,"recording_id":null,"artist":"Sufjan Stevens","artist_ids":["01d3c51b-9b98-418a-8d8e-37f6fab59d8c"],"album":"single","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Back in 2007, Sufjan wrote “Lonely Man of Winter” for the winner of his “Xmas Song Xchange Contest.” As the sole recipient of the song, winner Alec Duffy played it for fans at exclusive listening parties around the world, and it has been unavailable publicly ever since—until now, that is.  The full single of the track comes with a brand new version (produced by Doveman and featuring Melissa Mary Ahern). The single also includes Duffy’s contest-winning song “Every Day Is Christmas.” It was made available on vinyl via Asthmatic Kitty. All proceeds go to JACK, the Brooklyn non-profit venue for which Duffy serves as founder and artistic director.  https://bit.ly/34LWoXM","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2675997,"uri":"https://api.kexp.org/v2/plays/2675997/?format=json","airdate":"2019-12-20T16:33:18-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"https://coverartarchive.org/release/ee3aa2b2-afc1-4ade-a17c-b738a708f3d9/24894673370-250.jpg","thumbnail_uri":"","song":"Luminous Spaces (Edit)","track_id":"469c3998-729b-470b-91e4-ea99eba2ec26","recording_id":null,"artist":"Jon Hopkins & Kelly Lee Owens","artist_ids":["0b0c25f4-f31c-46a5-a4fb-ccbf53d663bd"],"album":"Luminous Spaces","release_id":"ee3aa2b2-afc1-4ade-a17c-b738a708f3d9","release_group_id":null,"labels":["Domino"],"label_ids":["f27235b7-7666-4d70-a2c7-9f7b1981eaa0"],"release_date":"2019-11-29","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Both Hopkins’ and Owens’ work perfectly complements each other here on “Luminous Spaces”; Hopkins’ transcendent, dancefloor-focussed electronics paired with Owens’ entrancing, often spiritual vocals and her ethereal techno production creates a euphoric electronic collaboration. The track, originally destined to be a remix of Hopkins’ “Luminous Beings” by Owens, morphed into a track in its own right following the pair working closely in the studio together on the track.   https://bit.ly/36YLO0W","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2675999,"uri":"https://api.kexp.org/v2/plays/2675999/?format=json","airdate":"2019-12-20T16:37:51-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"https://coverartarchive.org/release/a43d62c7-5dea-447f-a838-6758e3fb03f0/24475461043-250.jpg","thumbnail_uri":"","song":"It Might Be Time","track_id":"4d176dfe-10b4-47a3-8cd7-43c051a72965","recording_id":null,"artist":"Tame Impala","artist_ids":["63aa26c3-d59b-4da4-84ac-716b54f1ef4d"],"album":"It Might Be Time","release_id":"a43d62c7-5dea-447f-a838-6758e3fb03f0","release_group_id":null,"labels":[],"label_ids":[],"release_date":"2019-10-28","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"The Slow Rush, Tame Impala's upcoming album due out on Valentine's Day 2020, will feature 12 tracks recorded in Los Angeles and in Parker’s hometown of Fremantle, Australia. \n Parker elaborated on the album’s stylistic themes: “The way I’ve dabbled in influences in the past? I’ve been unafraid to go there all the way this time. To challenge what Tame Impala is in terms of how wide it can go…I’ve been embracing my love of weird Seventies stadium rock – like, epic Meat Loaf stuff.”  https://bit.ly/390aKXR","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2676000,"uri":"https://api.kexp.org/v2/plays/2676000/?format=json","airdate":"2019-12-20T16:43:29-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":2676001,"uri":"https://api.kexp.org/v2/plays/2676001/?format=json","airdate":"2019-12-20T16:45:00-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","song":"More Mess on My Thing","track_id":null,"recording_id":null,"artist":"Bootsy Collins","artist_ids":["b0ca0d85-24a8-4a00-860d-357ff688b69c"],"album":"More Mess on My Thing","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1969-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"A Record Store Day release, this is the demo18-year-old  Bootsy Collins and his band recorded for James Brown in 1969 that won them the title \"The J.B.'s\" -- and changed the course of music.  All tracks mixed by Mario Caldato, directly from Brown’s original multi-track masters. Contains extensive booklet with full annotation, liner notes by Brown historian Alan Leeds and never-before-published photos. https://bit.ly/34KiqKC","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2676004,"uri":"https://api.kexp.org/v2/plays/2676004/?format=json","airdate":"2019-12-20T16:51:00-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":2676005,"uri":"https://api.kexp.org/v2/plays/2676005/?format=json","airdate":"2019-12-20T16:51:19-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"https://coverartarchive.org/release/ef780572-2aac-4767-b13a-c0f466aa2fc0/22829647227-250.jpg","thumbnail_uri":"","song":"Juice","track_id":"db833f6e-f1fb-48f2-a969-07c623d822f8","recording_id":null,"artist":"Lizzo","artist_ids":["8fb5370b-9568-4b61-9da5-2aa12c9928db"],"album":"Cuz I Love You","release_id":"ef780572-2aac-4767-b13a-c0f466aa2fc0","release_group_id":null,"labels":[],"label_ids":[],"release_date":"2019-04-19","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"The single was written by Lizzo, Theron Thomas, Sam Sumser, Sean Small and Ricky Reed; the latter also handled the song's production. Musically, it is a retro-inspired funk and funk-pop song that is based on a throwback groove. Lyrically, the song discusses self-love, and has been described as a self-esteem anthem.  https://bit.ly/2sS5bKI","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2676008,"uri":"https://api.kexp.org/v2/plays/2676008/?format=json","airdate":"2019-12-20T16:54:32-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","song":"101 FM","track_id":"db06a915-97cb-4f2a-842f-7db9726382a9","recording_id":null,"artist":"Little Simz","artist_ids":["3cdb40fe-a63e-4bb9-b40d-17cda5f50979"],"album":"101 FM","release_id":"594ae72f-e219-427c-af4d-c49f5bcc2d12","release_group_id":null,"labels":[],"label_ids":[],"release_date":"2018-12-05","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Simbiatu 'Simbi' Abisola Abiola Ajikawo[1] (born 23 February 1994), better known by her stage name Little Simz, is a British rapper, singer and actress. Following the release of four mixtapes and five EPs, she released her debut album A Curious Tale of Trials + Persons on 18 September 2015 through her independent label, AGE: 101 Music. The album entered the UK R&B Albums Chart at number 20.  Her third studio album Grey Area (2019) was nominated for the Mercury Prize.  https://bit.ly/2PMdOQ1","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2676009,"uri":"https://api.kexp.org/v2/plays/2676009/?format=json","airdate":"2019-12-20T16:57:44-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"https://coverartarchive.org/release/7d375d90-cb07-4a9d-8088-c45763716928/24632839568-250.jpg","thumbnail_uri":"","song":"4ÆM","track_id":"fec6c3c9-9442-4711-b6ed-ccc763009310","recording_id":null,"artist":"Grimes","artist_ids":["7e5a2a59-6d9f-4a17-b7c2-e1eedb7bd222"],"album":"Miss Anthropocene","release_id":"7d375d90-cb07-4a9d-8088-c45763716928","release_group_id":null,"labels":["4AD"],"label_ids":["a539bb1e-f2e1-4b45-9db8-8053841e7503"],"release_date":"2020-02-21","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"This song appears on the soundtrack to the Keanu Reeves-starring game Cyberpunk 2077 (due out April 16); Grimes appears in the game as a pop star character called Lizzy Wizzy.  https://bit.ly/2PIQYbN","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2676010,"uri":"https://api.kexp.org/v2/plays/2676010/?format=json","airdate":"2019-12-20T17:02:00-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","song":"I Am the Grinch","track_id":null,"recording_id":null,"artist":"Tyler the Creator","artist_ids":[],"album":"Music Inspired by Illumination & Dr. Seuss’ The Grinch","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Tyler, the Creator has a somewhat weird relationship with Christmas. He released his debut mixtape, Bastard, on Christmas Day in 2009. He was arrested at Odd Future’s Christmas show for destroying equipment in 2011. It would be inaccurate to say he was ever Christmas averse (they were, ultimately, having Christmas shows), but he did write a song called “Fuck Santa.” Odds were likely against a rapper who once snarled, “If you’re the gift from God then I’m the Christmas wrap from Satan,” on a song called “Fuck This Christmas,” soundtracking an animated Grinch movie.\n\nMusic Inspired by Illumination & Dr. Seuss’ The Grinch, a 10-minute, six-track EP, finds him getting even deeper into the holiday spirit, after contributing two new songs for the film’s official soundtrack.   https://bit.ly/38W3Enr","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2676011,"uri":"https://api.kexp.org/v2/plays/2676011/?format=json","airdate":"2019-12-20T17:04:59-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"},{"id":2676012,"uri":"https://api.kexp.org/v2/plays/2676012/?format=json","airdate":"2019-12-20T17:11:00-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","song":"Spooky","track_id":"f309cb28-41aa-4978-9719-f11aac7c21e6","recording_id":null,"artist":"New Order","artist_ids":["f1106b17-dcbb-45f6-b938-199ccfab50cc"],"album":"Republic","release_id":"7da3d360-207a-48b0-89f8-e62d7ccb3cbb","release_group_id":null,"labels":["Qwest Records"],"label_ids":[],"release_date":"1993-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"This was the last proper single released by New Order until 2001's \"Crystal\" from Get Ready!  And prior to that, you also heard \"Rocking Carol\" and \"Ode to Joy\"/\"Song of Joy\" from a super rare flexi-disc for Hacienda.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":2676013,"uri":"https://api.kexp.org/v2/plays/2676013/?format=json","airdate":"2019-12-20T17:15:38-08:00","show":46176,"show_uri":"https://api.kexp.org/v2/shows/46176/?format=json","image_uri":"","thumbnail_uri":"","comment":null,"location":1,"location_name":"Default","play_type":"airbreak"}]}