{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=4520&ordering=-airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=4480&ordering=-airdate","results":[{"id":3638752,"uri":"https://api.kexp.org/v2/plays/3638752/?format=json","airdate":"2026-04-06T19:43:56-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/9d23e59d-4830-483d-947c-f5ce50fb4f07/23086893925-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/9d23e59d-4830-483d-947c-f5ce50fb4f07/23086893925-250.jpg","song":"Amor Prohibido II","track_id":null,"recording_id":"1df00c91-4146-4480-a8c0-feaf234c30cd","artist":"Los Blenders","artist_ids":["e643680b-3cda-4553-a53c-dcf9ca87f073"],"album":"Ha Sido","release_id":null,"release_group_id":"73e1009e-ef39-4758-be0a-aecf57385dde","labels":[],"label_ids":[],"release_date":"2017-10-31","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nHailing from Mexico, Los Blenders cemented their place in the Latin surf rock/garage pop scene with “Ha Sido,” a track from *Amor Prohibido II* (2017). With sparkling guitars and a lo-fi sensibility, the band captured the heartbreak of love in a simple, direct, and ironic way.\n\nHere is the latest Live on KEXP session they recorded in Seattle:\nhttps://www.youtube.com/watch?v=UByF5rJS8ZQ\n***\n*El Sonido Edición Especial: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nOriginarios de México, Los Blenders se consolidaron en la escena del surf rock y el garage pop latino con «Ha Sido», un tema de *Amor Prohibido II* (2017). Con guitarras brillantes y un estilo lo-fi, la banda plasmó el desamor de una forma sencilla, directa e irónica.\n\nAquí está la última sesión de Live on KEXP que grabaron en Seattle:\nhttps://www.youtube.com/watch?v=UByF5rJS8ZQ","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638751,"uri":"https://api.kexp.org/v2/plays/3638751/?format=json","airdate":"2026-04-06T19:39:44-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://www.kexp.org/filer/canonical/1588181844/22496/","thumbnail_uri":"https://www.kexp.org/filer/canonical/1588181847/22497/","song":"Un día nos vamos a morir","track_id":null,"recording_id":null,"artist":"Luisa Almaguer","artist_ids":["4619405a-b168-4548-a56b-e4587466c382"],"album":"Live on KEXP","release_id":null,"release_group_id":null,"labels":["KEXP"],"label_ids":["89e0503e-96f0-41b4-835f-2c542b7fcb44"],"release_date":"2026-04-06","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: The Best of Latin American and Ibero-American Rock of All Time*\nLuisa’s career has flourished in every way, establishing her as one of the most authentic voices on the current Mexican music scene. From becoming the first trans woman to create a podcast about the trans community in Latin America, *La Hora Trans*, to being one of the artists selected by Damon Albarn for the *Africa Express* show (which lasted over five hours) on the Bahidorá stage in February 2024, her career has been remarkable.\nLuisa releases Weyes after a four-year hiatus, an album produced by Santiago Mijares, in which she shares her personal experiences and explores how sexual dissidents—especially trans women—seek to be loved. Among the nine songs on this follow-up to MATARONOMATAR (2019), “Wey,” “Un día nos vamos a morir,” and “Tío Hugo” stand out.\n***\n*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\nLa carrera de Luisa ha crecido en todos los sentidos, posicionándola como una de las voces más auténticas de la escena mexicana actual. Desde convertirse en la primera mujer trans en crear un podcast sobre la comunidad trans en América Latina, La Hora Trans, hasta ser una de las artistas seleccionadas por Damon Albarn para el espectáculo de Africa Express (que duró más de cinco horas) en el escenario de Bahidorá en febrero de 2024, su trayectoria ha sido notable.\nLuisa lanza Weyes después de cuatro años de silencio, un álbum producido por Santiago Mijares, en el que comparte sus experiencias personales y explora cómo la disidencia sexual, en especial las mujeres trans, buscan ser amadas. Entre las nueve canciones de esta continuación de MATARONOMATAR (2019), destacan \"Wey,\" \"Un día nos vamos a morir\" y \"Tío Hugo.\"","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638750,"uri":"https://api.kexp.org/v2/plays/3638750/?format=json","airdate":"2026-04-06T19:35:06-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/43500162-0628-431f-90e4-8417eec3b6b5/43315476126-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/43500162-0628-431f-90e4-8417eec3b6b5/43315476126-250.jpg","song":"Sueles dejarme solo","track_id":null,"recording_id":"10a5695d-9831-4418-93d3-fb4a4c1eabfe","artist":"Soda Stereo","artist_ids":["3f8a5e5b-c24b-4068-9f1c-afad8829e06b"],"album":"Canción animal","release_id":null,"release_group_id":"fdf231ee-2d2b-3238-8adc-352475606e6a","labels":["Columbia"],"label_ids":["011d1192-6f65-45bd-85c4-0400dd45693e"],"release_date":"1990-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n“Sueles dejarme solo” emerged from the rehearsals of Tango 3, the collaborative project between Charly García, Pedro Aznar, and Gustavo Cerati. Due to scheduling conflicts among the various parties, the project fell through, but the album *Tango 4* and the song “Sueles dejarme solo”—which emerged from a meeting between Cerati and Aznar—remain as a legacy of that experience.\n***\n*El Sonido Edición Especial: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n«Sueles dejarme solo» surgió de los ensayos de Tango 3, el proyecto colaborativo entre Charly García, Pedro Aznar y Gustavo Cerati. Debido a conflictos de agenda entre las distintas partes, el proyecto no llegó a buen puerto, pero el álbum *Tango 4* y la canción «Sueles dejarme solo» —que surgió de un encuentro entre Cerati y Aznar— permanecen como legado de aquella experiencia.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638748,"uri":"https://api.kexp.org/v2/plays/3638748/?format=json","airdate":"2026-04-06T19:32:05-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/fe3e5217-ed60-4710-bb11-1723c7aeffde/10969268661-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/fe3e5217-ed60-4710-bb11-1723c7aeffde/10969268661-250.jpg","song":"El peor dragón","track_id":null,"recording_id":"9ee8e135-a44c-45c8-a7a4-d14794f9da84","artist":"Adicta","artist_ids":["a99154e2-e8e6-41a8-a2ce-38aaa1d19dba"],"album":"Día de la fiebre","release_id":null,"release_group_id":"3c34f3fd-c70c-3f88-9cda-2d891b1b4d78","labels":["ISOPO DISCOS"],"label_ids":["f1bc6cde-44a0-4398-a272-3dbdd7fc10e0"],"release_date":"2005-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nArgentine indie pop classic that I listened to a lot on my trip to Buenos Aires back in December. Only for connoisseurs and those curious about the early 2000s.\n***\n*El Sonido Special Edition: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nUn clásico del indie pop argentino que escuché mucho durante mi viaje a Buenos Aires el pasado diciembre. Solo para entendidos y para quienes sientan curiosidad por los primeros años de la década de 2000.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638747,"uri":"https://api.kexp.org/v2/plays/3638747/?format=json","airdate":"2026-04-06T19:29:29-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://www.kexp.org/filer/canonical/1588181844/22496/","thumbnail_uri":"https://www.kexp.org/filer/canonical/1588181847/22497/","song":"Enemigo","track_id":null,"recording_id":null,"artist":"Ejambre","artist_ids":[],"album":"Live on KEXP","release_id":null,"release_group_id":null,"labels":["KEXP"],"label_ids":["89e0503e-96f0-41b4-835f-2c542b7fcb44"],"release_date":"2026-04-06","rotation_status":null,"is_local":false,"is_request":true,"is_live":false,"comment":"This is for you, Liz!","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638746,"uri":"https://api.kexp.org/v2/plays/3638746/?format=json","airdate":"2026-04-06T19:25:03-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3638745,"uri":"https://api.kexp.org/v2/plays/3638745/?format=json","airdate":"2026-04-06T19:21:47-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","song":"Davila 666","track_id":null,"recording_id":null,"artist":"Dávila 666","artist_ids":["25785e18-50f4-4a59-a14e-d62bd40dc7db"],"album":"Juracan","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"2025-06-20","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\nWe weren’t expecting new music from Dávila 666, but their return came right when it was needed most—delivering the perfect closing act to their trilogy. Chloë Sevigny was Act I: Illusion, where street fantasy took shape through seductive riffs and pop attitude. Then came Secretos (Act II: Confession), an introspective, psychedelic journey. Act III: Confrontation marks the rawest, most political and cathartic chapter in their narrative, opening with “Juracán,” where the sound of rain sets the exact tone of fear every Boricua feels when a storm approaches.\nIn this new EP, the Puerto Rican band boldly covers “Demolición” by Los Saicos, pioneers of Peruvian garage punk.\n\nhttps://www.youtube.com/watch?v=f5uWEnK5WDg&t=1s \n\nNo esperábamos nueva música de Dávila 666, pero su regreso llegó justo cuando más se necesitaba, entregando el acto final perfecto para completar su trilogía. Chloë Sevigny fue el Acto I: Ilusión, donde la fantasía callejera tomó forma a través de riffs seductores y una actitud pop. Luego llegó Secretos (Acto II: Confesión), un viaje introspectivo y psicodélico. El Acto III: Confrontación marca el capítulo más crudo, político y catártico de su narrativa, abriendo con “Juracán”, donde el sonido de la lluvia establece exactamente ese tono de miedo que todo boricua siente cuando se acerca una tormenta.\nEn este nuevo EP, la banda puertorriqueña se atreve a versionar “Demolición” de Los Saicos, pioneros del garage punk peruano.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638743,"uri":"https://api.kexp.org/v2/plays/3638743/?format=json","airdate":"2026-04-06T19:17:52-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/9938df88-dcf6-4266-b2c1-25860b030366/43490926488-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/9938df88-dcf6-4266-b2c1-25860b030366/43490926488-250.jpg","song":"Porque te vas","track_id":null,"recording_id":null,"artist":"Attaque 77","artist_ids":["f74e2126-0bbf-4a3a-8e91-ec23d8d63921"],"album":"Ángeles caídos","release_id":null,"release_group_id":"23914d68-b5d7-3985-ad6c-351956fa8658","labels":["Sony Music"],"label_ids":["9e6b4d7f-4958-4db7-8504-d89e315836af"],"release_date":"1992-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nAttaque 77, one of the key bands of Argentine punk rock in the 1990s and early 2000s, included their cover of “Porque te vas”—originally a ballad by Jeanette—in their repertoire, giving this pop classic a rawer, more direct edge. The reinterpretation retains the song’s melancholic tone, but with the distinctive pulse of Argentine rock.\n***\n*El Sonido Edición Especial: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nAttaque 77, una de las bandas clave del punk rock argentino de los años noventa y principios de los 2000, incluyó en su repertorio su versión de «Porque te vas» —originalmente una balada de Jeanette—, dotando a este clásico del pop de un toque más crudo y directo. La reinterpretación conserva el tono melancólico de la canción, pero con el ritmo característico del rock argentino.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638742,"uri":"https://api.kexp.org/v2/plays/3638742/?format=json","airdate":"2026-04-06T19:15:41-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","song":"¡Viva!","track_id":null,"recording_id":null,"artist":"Los Punsetes","artist_ids":["e8ecd214-1ff2-4e4f-ba01-fc6d24555852"],"album":null,"release_id":null,"release_group_id":null,"labels":["Sonido Muchacho S.L.U."],"label_ids":[],"release_date":"1905-07-16","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nThis song and its eponymous album, *¡Viva!*, are essential works of Spanish indie rock and of Los Punsetes’ discography. This is a cover performed by another great band from Spain’s current music scene, Shego. *¡Viva!* was part of Los Punsetes’ *Live on KEXP* setlist, which will be released in a few weeks.\n***\n*El Sonido Edición Especial: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nEsta canción y su álbum homónimo, *¡Viva!*, son obras imprescindibles del indie rock español y de la discografía de Los Punsetes. Se trata de una versión interpretada por otra gran banda del panorama musical actual español, Shego. *¡Viva!* formó parte del repertorio de *Live on KEXP* de Los Punsetes, que se publicará en unas semanas.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638741,"uri":"https://api.kexp.org/v2/plays/3638741/?format=json","airdate":"2026-04-06T19:12:33-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","song":"\" ME PORTO BONITO (POST-PUNK) COVER\"","track_id":null,"recording_id":null,"artist":"FRIOLENTO","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: The Best of Latin American and Ibero-American Rock of All Time*\n\nThe Chilean band FrioLento offers a mix that is as unexpected as it is effective: the melancholic darkness of post-punk with the energy of reggaeton. With an experimental approach, they began by reinterpreting hits by artists like Karol G and Bad Bunny in a somber key, eventually establishing a sound of their own that challenges the boundaries of contemporary Latin rock. Their style, dubbed “post-punk perreo.\n***\n*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nLa banda chilena FrioLento propone un cruce tan inesperado como efectivo: la oscuridad melancólica del post punk con la energía del reggaetón. Con un enfoque experimental, comenzaron reinterpretando hits de artistas como Karol G y Bad Bunny en clave lúgubre, hasta consolidar un sonido propio que desafía los límites del rock latino contemporáneo. Su propuesta, bautizada como perreo post-punk.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638740,"uri":"https://api.kexp.org/v2/plays/3638740/?format=json","airdate":"2026-04-06T19:08:48-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3638739,"uri":"https://api.kexp.org/v2/plays/3638739/?format=json","airdate":"2026-04-06T19:03:54-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://www.kexp.org/filer/canonical/1588181844/22496/","thumbnail_uri":"https://www.kexp.org/filer/canonical/1588181847/22497/","song":"Beautiful Obsession Killer","track_id":null,"recording_id":null,"artist":"Dark Chisme","artist_ids":[],"album":"Live on KEXP","release_id":null,"release_group_id":null,"labels":["KEXP"],"label_ids":["89e0503e-96f0-41b4-835f-2c542b7fcb44"],"release_date":"2026-04-06","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nSpeaking of Goth Day, our local Latin dark wave band, Dark Chisme, recorded this Live on KEXP session in late 2024, and we’re releasing it as one of the first gems of 2025. Christine Gutierrez’s project continues to grow, breaking down all kinds of barriers. Without a doubt, she is one of the leading figures of the new era of Latin American dark wave.\nhttps://www.youtube.com/watch?v=osASHazAWM0\n***\n*Edición especial de El Sonido: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nHablando de Goth Day, nuestra banda local de dark wave latino, Dark Chisme, grabó esta sesión en directo en KEXP a finales de 2024, y la lanzamos como una de las primeras joyas de 2025. El proyecto de Christine Gutiérrez sigue creciendo, rompiendo todo tipo de barreras. Sin duda, es una de las figuras más destacadas de la nueva era del dark wave latinoamericano.\nhttps://www.youtube.com/watch?v=osASHazAWM0","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638738,"uri":"https://api.kexp.org/v2/plays/3638738/?format=json","airdate":"2026-04-06T19:01:04-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/ceb74ebc-e154-49db-8b63-af0c4e34e4eb/44475014464-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/ceb74ebc-e154-49db-8b63-af0c4e34e4eb/44475014464-250.jpg","song":"Tu casa nueva","track_id":null,"recording_id":"39a6c946-c47d-41ab-82c8-d1c67fc008d8","artist":"El Último Vecino","artist_ids":["3e285c6a-916c-410b-ba65-2c5469653aaa"],"album":"Tu casa nueva","release_id":null,"release_group_id":"3336be7a-d3cf-4c15-a9eb-80792f935949","labels":["Canada Editorial"],"label_ids":["79ebc0d6-9003-4dfe-bce8-2326126a9c22"],"release_date":"2014-12-04","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nEl Último Vecino is the musical project of Gerard Alegre Dòria, a musician and composer from Barcelona. Gerard frames his musical proposal within the synth-pop genre, with influences ranging from post-punk to new wave. This track is one of our favorites, from their self-titled debut.\nThis song is a must-have in our Goth Day programming on KEXP.\n***\nEdición especial de El Sonido: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nEl Último Vecino es el proyecto musical de Gerard Alegre Dòria, un músico y compositor de Barcelona. Gerard enmarca su propuesta musical dentro del género synth-pop, con influencias que van desde el post-punk hasta la new wave. Este tema es uno de nuestros favoritos, extraído de su álbum debut homónimo.\nEsta canción es imprescindible en nuestra programación del Goth Day en KEXP.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638737,"uri":"https://api.kexp.org/v2/plays/3638737/?format=json","airdate":"2026-04-06T18:56:38-07:00","show":66385,"show_uri":"https://api.kexp.org/v2/shows/66385/?format=json","image_uri":"https://dn721904.ca.archive.org/0/items/mbid-5c9b9213-c85c-43fd-8522-de03df8e0b1d/mbid-5c9b9213-c85c-43fd-8522-de03df8e0b1d-15463598991_thumb500.jpg","thumbnail_uri":"https://dn721904.ca.archive.org/0/items/mbid-5c9b9213-c85c-43fd-8522-de03df8e0b1d/mbid-5c9b9213-c85c-43fd-8522-de03df8e0b1d-15463598991_thumb250.jpg","song":"People Get Ready","track_id":"919fb484-ad83-3d85-b96d-48b94a471c44","recording_id":"e1c4a8f9-8d77-4f33-b83e-e07e29accc77","artist":"Aretha Franklin","artist_ids":["2f9ecbed-27be-40e6-abca-6de49d50299e"],"album":"Lady 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