{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=4540&ordering=-airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=4500&ordering=-airdate","results":[{"id":3638757,"uri":"https://api.kexp.org/v2/plays/3638757/?format=json","airdate":"2026-04-06T20:00:13-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","song":"Tren al sur","track_id":null,"recording_id":"344a3096-6646-45b5-8885-12ef0365cd9c","artist":"Los Prisioneros","artist_ids":["a1d044b9-76c9-46d7-a5a6-0f52421e1ed7"],"album":"Corazones","release_id":null,"release_group_id":"c50ba999-f67f-39da-ab4a-c77a618ddb37","labels":["EMI Odeón Chilena S.A."],"label_ids":["7ed00449-8e57-47df-be7a-9d9911fc17a8"],"release_date":"1990-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n“Tren Al Sur” turns a simple departure into a full-body memory: the early morning, the seat by the window, the steady pull of rails as the city loosens its grip. The song moves with the calm insistence of travel—those repeating patterns that feel like wheels on track—while the melody opens outward like landscape. It’s pop built with restraint, but the emotion is enormous: a longing for air, for distance, for the kind of place that feels like home even if you only reach it in your head. The chorus lands like a collective chant, the kind that lives in stadiums and living rooms at the same time, because it names something shared—escape, return, and the complicated relief of going “south.” There’s tenderness in the details and steel in the momentum. You can hear a whole era of Latin American songwriting here: social reality carried inside a hook, poetry that never abandons rhythm. “Tren Al Sur” doesn’t romanticize leaving; it honors the need to move, even when what you carry can’t be put down.\u2028\n***\n*El Sonido Edición Especial: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n«Tren Al Sur» convierte una simple partida en un recuerdo que lo envuelve todo: la madrugada, el asiento junto a la ventana, el suave traqueteo de los raíles mientras la ciudad va quedando atrás. La canción avanza con la tranquila insistencia del viaje —esos patrones repetitivos que parecen ruedas sobre las vías— mientras la melodía se abre hacia el exterior como un paisaje. Es pop construido con moderación, pero la emoción es enorme: un anhelo de aire, de distancia, de ese tipo de lugar que se siente como un hogar aunque solo se alcance en la mente. El estribillo aterriza como un canto colectivo, de esos que resuenan al mismo tiempo en estadios y salones, porque nombra algo compartido: la huida, el regreso y el complicado alivio de ir «hacia el sur». Hay ternura en los detalles y firmeza en el impulso. Aquí se puede escuchar toda una era de la composición latinoamericana: la realidad social llevada dentro de un estribillo, poesía que nunca abandona el ritmo. «Tren Al Sur» no idealiza la partida; honra la necesidad de moverse, incluso cuando lo que llevas contigo no se puede dejar atrás.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638756,"uri":"https://api.kexp.org/v2/plays/3638756/?format=json","airdate":"2026-04-06T19:56:19-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","song":"Viento","track_id":null,"recording_id":null,"artist":"Caifanes","artist_ids":["77814bfb-f1b0-47fd-8492-65d6f72c246d"],"album":"Caifanes","release_id":null,"release_group_id":null,"labels":["RCA Records"],"label_ids":[],"release_date":"1988-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Caifanes is a Mexican rock band formed in Mexico City in 1986, achieving fame in the late '80s and early '90s. The original lineup included Saúl Hernández (vocals/guitar), Sabo Romo (bass), Alfonso André (drums), and Diego Herrera (keyboards/saxophone), with Alejandro Marcovich later joining as lead guitarist. Their music mixes British new wave, progressive rock, and Latin rhythms, with lyrics influenced by Mexican Spanish. Influences include The Cure, The Beatles, and King Crimson. Adrian Belew produced their album El Silencio and appeared on the track \"Piedra\".\n***\nCaifanes es una banda de rock mexicana formada en la Ciudad de México en 1986, que alcanzó la fama a finales de los años 80 y principios de los 90. La formación original estaba compuesta por Saúl Hernández (voz y guitarra), Sabo Romo (bajo), Alfonso André (batería) y Diego Herrera (teclados y saxofón), a los que más tarde se unió Alejandro Marcovich como guitarrista principal. Su música mezcla new wave británico, rock progresivo y ritmos latinos, con letras influenciadas por el español mexicano. Entre sus influencias se encuentran The Cure, The Beatles y King Crimson. Adrian Belew produjo su álbum El Silencio y participó en el tema «Piedra».","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638754,"uri":"https://api.kexp.org/v2/plays/3638754/?format=json","airdate":"2026-04-06T19:52:30-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://www.kexp.org/filer/canonical/1588181844/22496/","thumbnail_uri":"https://www.kexp.org/filer/canonical/1588181847/22497/","song":"Domingo Quimico","track_id":null,"recording_id":null,"artist":"Depresión Sonora","artist_ids":["f4aba5a0-c003-4686-af78-8beafdb3e6a3"],"album":"Live on KEXP","release_id":null,"release_group_id":null,"labels":["KEXP"],"label_ids":["89e0503e-96f0-41b4-835f-2c542b7fcb44"],"release_date":"2026-04-06","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Marcos Crespo’s project emerged during lockdown with raw post-punk hymns for a restless generation. With sold-out tours and acclaimed albums, he’s become a defining voice of Spain’s underground.\n\nEl proyecto de Marcos Crespo surgió durante el confinamiento con himnos de post-punk crudo para una generación inquieta. Con giras agotadas y álbumes aclamados, se ha convertido en una de las voces más representativas del underground español.\nhttps://www.youtube.com/watch?v=UFNNxvNevv0\nhttps://depresionsonora.com/tour/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638753,"uri":"https://api.kexp.org/v2/plays/3638753/?format=json","airdate":"2026-04-06T19:47:58-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3638752,"uri":"https://api.kexp.org/v2/plays/3638752/?format=json","airdate":"2026-04-06T19:43:56-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/9d23e59d-4830-483d-947c-f5ce50fb4f07/23086893925-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/9d23e59d-4830-483d-947c-f5ce50fb4f07/23086893925-250.jpg","song":"Amor Prohibido II","track_id":null,"recording_id":"1df00c91-4146-4480-a8c0-feaf234c30cd","artist":"Los Blenders","artist_ids":["e643680b-3cda-4553-a53c-dcf9ca87f073"],"album":"Ha Sido","release_id":null,"release_group_id":"73e1009e-ef39-4758-be0a-aecf57385dde","labels":[],"label_ids":[],"release_date":"2017-10-31","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nHailing from Mexico, Los Blenders cemented their place in the Latin surf rock/garage pop scene with “Ha Sido,” a track from *Amor Prohibido II* (2017). With sparkling guitars and a lo-fi sensibility, the band captured the heartbreak of love in a simple, direct, and ironic way.\n\nHere is the latest Live on KEXP session they recorded in Seattle:\nhttps://www.youtube.com/watch?v=UByF5rJS8ZQ\n***\n*El Sonido Edición Especial: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nOriginarios de México, Los Blenders se consolidaron en la escena del surf rock y el garage pop latino con «Ha Sido», un tema de *Amor Prohibido II* (2017). Con guitarras brillantes y un estilo lo-fi, la banda plasmó el desamor de una forma sencilla, directa e irónica.\n\nAquí está la última sesión de Live on KEXP que grabaron en Seattle:\nhttps://www.youtube.com/watch?v=UByF5rJS8ZQ","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638751,"uri":"https://api.kexp.org/v2/plays/3638751/?format=json","airdate":"2026-04-06T19:39:44-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://www.kexp.org/filer/canonical/1588181844/22496/","thumbnail_uri":"https://www.kexp.org/filer/canonical/1588181847/22497/","song":"Un día nos vamos a morir","track_id":null,"recording_id":null,"artist":"Luisa Almaguer","artist_ids":["4619405a-b168-4548-a56b-e4587466c382"],"album":"Live on KEXP","release_id":null,"release_group_id":null,"labels":["KEXP"],"label_ids":["89e0503e-96f0-41b4-835f-2c542b7fcb44"],"release_date":"2026-04-06","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: The Best of Latin American and Ibero-American Rock of All Time*\nLuisa’s career has flourished in every way, establishing her as one of the most authentic voices on the current Mexican music scene. From becoming the first trans woman to create a podcast about the trans community in Latin America, *La Hora Trans*, to being one of the artists selected by Damon Albarn for the *Africa Express* show (which lasted over five hours) on the Bahidorá stage in February 2024, her career has been remarkable.\nLuisa releases Weyes after a four-year hiatus, an album produced by Santiago Mijares, in which she shares her personal experiences and explores how sexual dissidents—especially trans women—seek to be loved. Among the nine songs on this follow-up to MATARONOMATAR (2019), “Wey,” “Un día nos vamos a morir,” and “Tío Hugo” stand out.\n***\n*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\nLa carrera de Luisa ha crecido en todos los sentidos, posicionándola como una de las voces más auténticas de la escena mexicana actual. Desde convertirse en la primera mujer trans en crear un podcast sobre la comunidad trans en América Latina, La Hora Trans, hasta ser una de las artistas seleccionadas por Damon Albarn para el espectáculo de Africa Express (que duró más de cinco horas) en el escenario de Bahidorá en febrero de 2024, su trayectoria ha sido notable.\nLuisa lanza Weyes después de cuatro años de silencio, un álbum producido por Santiago Mijares, en el que comparte sus experiencias personales y explora cómo la disidencia sexual, en especial las mujeres trans, buscan ser amadas. Entre las nueve canciones de esta continuación de MATARONOMATAR (2019), destacan \"Wey,\" \"Un día nos vamos a morir\" y \"Tío Hugo.\"","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638750,"uri":"https://api.kexp.org/v2/plays/3638750/?format=json","airdate":"2026-04-06T19:35:06-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/43500162-0628-431f-90e4-8417eec3b6b5/43315476126-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/43500162-0628-431f-90e4-8417eec3b6b5/43315476126-250.jpg","song":"Sueles dejarme solo","track_id":null,"recording_id":"10a5695d-9831-4418-93d3-fb4a4c1eabfe","artist":"Soda Stereo","artist_ids":["3f8a5e5b-c24b-4068-9f1c-afad8829e06b"],"album":"Canción animal","release_id":null,"release_group_id":"fdf231ee-2d2b-3238-8adc-352475606e6a","labels":["Columbia"],"label_ids":["011d1192-6f65-45bd-85c4-0400dd45693e"],"release_date":"1990-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n“Sueles dejarme solo” emerged from the rehearsals of Tango 3, the collaborative project between Charly García, Pedro Aznar, and Gustavo Cerati. Due to scheduling conflicts among the various parties, the project fell through, but the album *Tango 4* and the song “Sueles dejarme solo”—which emerged from a meeting between Cerati and Aznar—remain as a legacy of that experience.\n***\n*El Sonido Edición Especial: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n«Sueles dejarme solo» surgió de los ensayos de Tango 3, el proyecto colaborativo entre Charly García, Pedro Aznar y Gustavo Cerati. Debido a conflictos de agenda entre las distintas partes, el proyecto no llegó a buen puerto, pero el álbum *Tango 4* y la canción «Sueles dejarme solo» —que surgió de un encuentro entre Cerati y Aznar— permanecen como legado de aquella experiencia.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638748,"uri":"https://api.kexp.org/v2/plays/3638748/?format=json","airdate":"2026-04-06T19:32:05-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/fe3e5217-ed60-4710-bb11-1723c7aeffde/10969268661-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/fe3e5217-ed60-4710-bb11-1723c7aeffde/10969268661-250.jpg","song":"El peor dragón","track_id":null,"recording_id":"9ee8e135-a44c-45c8-a7a4-d14794f9da84","artist":"Adicta","artist_ids":["a99154e2-e8e6-41a8-a2ce-38aaa1d19dba"],"album":"Día de la fiebre","release_id":null,"release_group_id":"3c34f3fd-c70c-3f88-9cda-2d891b1b4d78","labels":["ISOPO DISCOS"],"label_ids":["f1bc6cde-44a0-4398-a272-3dbdd7fc10e0"],"release_date":"2005-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nArgentine indie pop classic that I listened to a lot on my trip to Buenos Aires back in December. Only for connoisseurs and those curious about the early 2000s.\n***\n*El Sonido Special Edition: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nUn clásico del indie pop argentino que escuché mucho durante mi viaje a Buenos Aires el pasado diciembre. Solo para entendidos y para quienes sientan curiosidad por los primeros años de la década de 2000.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638747,"uri":"https://api.kexp.org/v2/plays/3638747/?format=json","airdate":"2026-04-06T19:29:29-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://www.kexp.org/filer/canonical/1588181844/22496/","thumbnail_uri":"https://www.kexp.org/filer/canonical/1588181847/22497/","song":"Enemigo","track_id":null,"recording_id":null,"artist":"Ejambre","artist_ids":[],"album":"Live on KEXP","release_id":null,"release_group_id":null,"labels":["KEXP"],"label_ids":["89e0503e-96f0-41b4-835f-2c542b7fcb44"],"release_date":"2026-04-06","rotation_status":null,"is_local":false,"is_request":true,"is_live":false,"comment":"This is for you, Liz!","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638746,"uri":"https://api.kexp.org/v2/plays/3638746/?format=json","airdate":"2026-04-06T19:25:03-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3638745,"uri":"https://api.kexp.org/v2/plays/3638745/?format=json","airdate":"2026-04-06T19:21:47-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","song":"Davila 666","track_id":null,"recording_id":null,"artist":"Dávila 666","artist_ids":["25785e18-50f4-4a59-a14e-d62bd40dc7db"],"album":"Juracan","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"2025-06-20","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\nWe weren’t expecting new music from Dávila 666, but their return came right when it was needed most—delivering the perfect closing act to their trilogy. Chloë Sevigny was Act I: Illusion, where street fantasy took shape through seductive riffs and pop attitude. Then came Secretos (Act II: Confession), an introspective, psychedelic journey. Act III: Confrontation marks the rawest, most political and cathartic chapter in their narrative, opening with “Juracán,” where the sound of rain sets the exact tone of fear every Boricua feels when a storm approaches.\nIn this new EP, the Puerto Rican band boldly covers “Demolición” by Los Saicos, pioneers of Peruvian garage punk.\n\nhttps://www.youtube.com/watch?v=f5uWEnK5WDg&t=1s \n\nNo esperábamos nueva música de Dávila 666, pero su regreso llegó justo cuando más se necesitaba, entregando el acto final perfecto para completar su trilogía. Chloë Sevigny fue el Acto I: Ilusión, donde la fantasía callejera tomó forma a través de riffs seductores y una actitud pop. Luego llegó Secretos (Acto II: Confesión), un viaje introspectivo y psicodélico. El Acto III: Confrontación marca el capítulo más crudo, político y catártico de su narrativa, abriendo con “Juracán”, donde el sonido de la lluvia establece exactamente ese tono de miedo que todo boricua siente cuando se acerca una tormenta.\nEn este nuevo EP, la banda puertorriqueña se atreve a versionar “Demolición” de Los Saicos, pioneros del garage punk peruano.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638743,"uri":"https://api.kexp.org/v2/plays/3638743/?format=json","airdate":"2026-04-06T19:17:52-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/9938df88-dcf6-4266-b2c1-25860b030366/43490926488-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/9938df88-dcf6-4266-b2c1-25860b030366/43490926488-250.jpg","song":"Porque te vas","track_id":null,"recording_id":null,"artist":"Attaque 77","artist_ids":["f74e2126-0bbf-4a3a-8e91-ec23d8d63921"],"album":"Ángeles caídos","release_id":null,"release_group_id":"23914d68-b5d7-3985-ad6c-351956fa8658","labels":["Sony Music"],"label_ids":["9e6b4d7f-4958-4db7-8504-d89e315836af"],"release_date":"1992-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nAttaque 77, one of the key bands of Argentine punk rock in the 1990s and early 2000s, included their cover of “Porque te vas”—originally a ballad by Jeanette—in their repertoire, giving this pop classic a rawer, more direct edge. The reinterpretation retains the song’s melancholic tone, but with the distinctive pulse of Argentine rock.\n***\n*El Sonido Edición Especial: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nAttaque 77, una de las bandas clave del punk rock argentino de los años noventa y principios de los 2000, incluyó en su repertorio su versión de «Porque te vas» —originalmente una balada de Jeanette—, dotando a este clásico del pop de un toque más crudo y directo. La reinterpretación conserva el tono melancólico de la canción, pero con el ritmo característico del rock argentino.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638742,"uri":"https://api.kexp.org/v2/plays/3638742/?format=json","airdate":"2026-04-06T19:15:41-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","song":"¡Viva!","track_id":null,"recording_id":null,"artist":"Los Punsetes","artist_ids":["e8ecd214-1ff2-4e4f-ba01-fc6d24555852"],"album":null,"release_id":null,"release_group_id":null,"labels":["Sonido Muchacho S.L.U."],"label_ids":[],"release_date":"1905-07-16","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nThis song and its eponymous album, *¡Viva!*, are essential works of Spanish indie rock and of Los Punsetes’ discography. This is a cover performed by another great band from Spain’s current music scene, Shego. *¡Viva!* was part of Los Punsetes’ *Live on KEXP* setlist, which will be released in a few weeks.\n***\n*El Sonido Edición Especial: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nEsta canción y su álbum homónimo, *¡Viva!*, son obras imprescindibles del indie rock español y de la discografía de Los Punsetes. Se trata de una versión interpretada por otra gran banda del panorama musical actual español, Shego. *¡Viva!* formó parte del repertorio de *Live on KEXP* de Los Punsetes, que se publicará en unas semanas.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638741,"uri":"https://api.kexp.org/v2/plays/3638741/?format=json","airdate":"2026-04-06T19:12:33-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","song":"\" ME PORTO BONITO (POST-PUNK) COVER\"","track_id":null,"recording_id":null,"artist":"FRIOLENTO","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: The Best of Latin American and Ibero-American Rock of All Time*\n\nThe Chilean band FrioLento offers a mix that is as unexpected as it is effective: the melancholic darkness of post-punk with the energy of reggaeton. With an experimental approach, they began by reinterpreting hits by artists like Karol G and Bad Bunny in a somber key, eventually establishing a sound of their own that challenges the boundaries of contemporary Latin rock. Their style, dubbed “post-punk perreo.\n***\n*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nLa banda chilena FrioLento propone un cruce tan inesperado como efectivo: la oscuridad melancólica del post punk con la energía del reggaetón. Con un enfoque experimental, comenzaron reinterpretando hits de artistas como Karol G y Bad Bunny en clave lúgubre, hasta consolidar un sonido propio que desafía los límites del rock latino contemporáneo. Su propuesta, bautizada como perreo post-punk.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638740,"uri":"https://api.kexp.org/v2/plays/3638740/?format=json","airdate":"2026-04-06T19:08:48-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3638739,"uri":"https://api.kexp.org/v2/plays/3638739/?format=json","airdate":"2026-04-06T19:03:54-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://www.kexp.org/filer/canonical/1588181844/22496/","thumbnail_uri":"https://www.kexp.org/filer/canonical/1588181847/22497/","song":"Beautiful Obsession Killer","track_id":null,"recording_id":null,"artist":"Dark Chisme","artist_ids":[],"album":"Live on KEXP","release_id":null,"release_group_id":null,"labels":["KEXP"],"label_ids":["89e0503e-96f0-41b4-835f-2c542b7fcb44"],"release_date":"2026-04-06","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nSpeaking of Goth Day, our local Latin dark wave band, Dark Chisme, recorded this Live on KEXP session in late 2024, and we’re releasing it as one of the first gems of 2025. Christine Gutierrez’s project continues to grow, breaking down all kinds of barriers. Without a doubt, she is one of the leading figures of the new era of Latin American dark wave.\nhttps://www.youtube.com/watch?v=osASHazAWM0\n***\n*Edición especial de El Sonido: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nHablando de Goth Day, nuestra banda local de dark wave latino, Dark Chisme, grabó esta sesión en directo en KEXP a finales de 2024, y la lanzamos como una de las primeras joyas de 2025. El proyecto de Christine Gutiérrez sigue creciendo, rompiendo todo tipo de barreras. Sin duda, es una de las figuras más destacadas de la nueva era del dark wave latinoamericano.\nhttps://www.youtube.com/watch?v=osASHazAWM0","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638738,"uri":"https://api.kexp.org/v2/plays/3638738/?format=json","airdate":"2026-04-06T19:01:04-07:00","show":66386,"show_uri":"https://api.kexp.org/v2/shows/66386/?format=json","image_uri":"https://coverartarchive.org/release/ceb74ebc-e154-49db-8b63-af0c4e34e4eb/44475014464-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/ceb74ebc-e154-49db-8b63-af0c4e34e4eb/44475014464-250.jpg","song":"Tu casa nueva","track_id":null,"recording_id":"39a6c946-c47d-41ab-82c8-d1c67fc008d8","artist":"El Último Vecino","artist_ids":["3e285c6a-916c-410b-ba65-2c5469653aaa"],"album":"Tu casa nueva","release_id":null,"release_group_id":"3336be7a-d3cf-4c15-a9eb-80792f935949","labels":["Canada Editorial"],"label_ids":["79ebc0d6-9003-4dfe-bce8-2326126a9c22"],"release_date":"2014-12-04","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*El Sonido Special Edition: All-Time Latin American & Ibero-American Rock*\n\nEl Último Vecino is the musical project of Gerard Alegre Dòria, a musician and composer from Barcelona. Gerard frames his musical proposal within the synth-pop genre, with influences ranging from post-punk to new wave. This track is one of our favorites, from their self-titled debut.\nThis song is a must-have in our Goth Day programming on KEXP.\n***\nEdición especial de El Sonido: Lo mejor del rock latinoamericano e iberoamericano de todos los tiempos*\n\nEl Último Vecino es el proyecto musical de Gerard Alegre Dòria, un músico y compositor de Barcelona. Gerard enmarca su propuesta musical dentro del género synth-pop, con influencias que van desde el post-punk hasta la new wave. Este tema es uno de nuestros favoritos, extraído de su álbum debut homónimo.\nEsta canción es imprescindible en nuestra programación del Goth Day en KEXP.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638737,"uri":"https://api.kexp.org/v2/plays/3638737/?format=json","airdate":"2026-04-06T18:56:38-07:00","show":66385,"show_uri":"https://api.kexp.org/v2/shows/66385/?format=json","image_uri":"https://dn721904.ca.archive.org/0/items/mbid-5c9b9213-c85c-43fd-8522-de03df8e0b1d/mbid-5c9b9213-c85c-43fd-8522-de03df8e0b1d-15463598991_thumb500.jpg","thumbnail_uri":"https://dn721904.ca.archive.org/0/items/mbid-5c9b9213-c85c-43fd-8522-de03df8e0b1d/mbid-5c9b9213-c85c-43fd-8522-de03df8e0b1d-15463598991_thumb250.jpg","song":"People Get Ready","track_id":"919fb484-ad83-3d85-b96d-48b94a471c44","recording_id":"e1c4a8f9-8d77-4f33-b83e-e07e29accc77","artist":"Aretha Franklin","artist_ids":["2f9ecbed-27be-40e6-abca-6de49d50299e"],"album":"Lady Soul","release_id":"5c9b9213-c85c-43fd-8522-de03df8e0b1d","release_group_id":"05571372-5b11-39b7-89c5-1c02589a27c8","labels":["Atlantic"],"label_ids":["50c384a2-0b44-401b-b893-8181173339c7"],"release_date":"1968-01-22","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":null,"location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638736,"uri":"https://api.kexp.org/v2/plays/3638736/?format=json","airdate":"2026-04-06T18:52:28-07:00","show":66385,"show_uri":"https://api.kexp.org/v2/shows/66385/?format=json","image_uri":"https://dn711203.ca.archive.org/0/items/mbid-c7cba802-a824-4b60-8590-15eefe59b876/mbid-c7cba802-a824-4b60-8590-15eefe59b876-9706598071_thumb500.jpg","thumbnail_uri":"https://dn711203.ca.archive.org/0/items/mbid-c7cba802-a824-4b60-8590-15eefe59b876/mbid-c7cba802-a824-4b60-8590-15eefe59b876-9706598071_thumb250.jpg","song":"I Learned the Hard Way","track_id":"7db4c638-db3e-326a-8ac2-83391cff5696","recording_id":"77baf4a0-b8f6-4052-adb4-85f4fad285a3","artist":"Sharon Jones and the Dap‐Kings","artist_ids":["8d50cd20-34f2-4abe-ba16-0759ee0fb9f5"],"album":"I Learned the Hard Way","release_id":"c7cba802-a824-4b60-8590-15eefe59b876","release_group_id":"a60c452c-e8d0-4deb-b6f5-7a444a20eaaa","labels":["Daptone Records"],"label_ids":["6507ff0e-035a-4a24-9bbe-e07b1e2224d8"],"release_date":"2010-04-26","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"released on this day in 2010","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3638734,"uri":"https://api.kexp.org/v2/plays/3638734/?format=json","airdate":"2026-04-06T18:46:15-07:00","show":66385,"show_uri":"https://api.kexp.org/v2/shows/66385/?format=json","image_uri":"https://dn710109.ca.archive.org/0/items/mbid-257e056a-8252-436c-8da4-272aa644cf60/mbid-257e056a-8252-436c-8da4-272aa644cf60-44710397954_thumb500.jpg","thumbnail_uri":"https://ia600608.us.archive.org/17/items/mbid-257e056a-8252-436c-8da4-272aa644cf60/mbid-257e056a-8252-436c-8da4-272aa644cf60-44710397954_thumb250.jpg","song":"Asleep in the Desert","track_id":"ee340e62-2804-4313-98a1-e8520c2f3528","recording_id":"c3e26428-67fc-4d19-bc3b-771bb65a2774","artist":"Adrian Quesada","artist_ids":["4eaaae09-e432-4731-9e6a-6aac09123aa2"],"album":"Trio Asesino","release_id":"257e056a-8252-436c-8da4-272aa644cf60","release_group_id":"095833b3-4870-48a8-87af-174d9d9c094d","labels":["ATO Records"],"label_ids":["b63922e9-da3c-4e41-9eda-ae1b11d33a1a"],"release_date":"2026-03-27","rotation_status":"Medium","is_local":false,"is_request":false,"is_live":false,"comment":"[air break]","location":1,"location_name":"Default","play_type":"trackplay"}]}