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It was the first Tame Impala single to credit a co-writer since Parker collaborated with Pond co-founder Jay Watson in 2012 for \"Elephant.\"\n--\nThe video, directed by Julian Klincewicz  doubles down on the nocturnal theme. Shot in the Australian outback, it depicts moonlit gatherings, portable house parties, and the kind of communal energy you'd expect if Dracula traded his cape for a bucket hat.: https://www.youtube.com/watch?v=xnP7qKxwzjg","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597945,"uri":"https://api.kexp.org/v2/plays/3597945/?format=json","airdate":"2025-12-30T09:15:53-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3597944,"uri":"https://api.kexp.org/v2/plays/3597944/?format=json","airdate":"2025-12-30T09:13:05-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"https://coverartarchive.org/release/7ed05534-03e4-4698-b0d1-2cbd4eb5fc07/5987449123-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/7ed05534-03e4-4698-b0d1-2cbd4eb5fc07/5987449123-250.jpg","song":"Time and Place (LP version)","track_id":null,"recording_id":"6b50f61c-6c12-4312-bb19-02f73cd8f7e8","artist":"Lee Moses","artist_ids":["21351ca4-8fb5-4a47-abd3-4443c2db1288"],"album":"Time and Place","release_id":null,"release_group_id":"1eb3858f-f6db-3d82-a271-ea90ddd31e68","labels":["Castle Music"],"label_ids":["b151764b-7521-4063-93a8-6817f7ae670f"],"release_date":"1971-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The self-taught multi-instrumentalist cut his teeth in Atlanta before moving to New York where he teamed up with fellow Atlantan, Johnny Brantley  to produce this album. Unfortunately it didn’t receive the acclaim it deserved, and Moses moved back to Atlanta where he fell into a drug addiction and depression and died at 56.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597943,"uri":"https://api.kexp.org/v2/plays/3597943/?format=json","airdate":"2025-12-30T09:09:17-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","song":"Pretender","track_id":"44ed952e-f8e3-4fa1-9ac9-479592a089de","recording_id":"41d114cd-7017-4f21-bdfc-8775e0470ac0","artist":"Nadya Albertsson","artist_ids":["a0b5af14-fe56-4ea5-aa2b-7c3113eb57e9"],"album":"Half Silk Half Blade","release_id":"9f5e36bd-bd3e-4d41-ab98-a9cbab3d087c","release_group_id":"d9d841b0-b763-42da-86d8-588d22fbacca","labels":["Rebecca's Records"],"label_ids":["2e54c973-4a46-4723-84eb-4e5d8c24c3b0"],"release_date":"2025-10-24","rotation_status":"R/N","is_local":false,"is_request":false,"is_live":false,"comment":"Pretender is from Nadya Albertsson's debut album 'Half Silk Half Blade' released this year.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597941,"uri":"https://api.kexp.org/v2/plays/3597941/?format=json","airdate":"2025-12-30T09:05:18-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","song":"Worth It.","track_id":null,"recording_id":"22409345-075c-4c32-9add-bd5d5b1fda86","artist":"RAYE","artist_ids":["8be564c3-dfba-440b-af8c-4ffbceeef45e"],"album":"My 21st Century Blues.","release_id":null,"release_group_id":"c9018967-1382-47e4-87ac-486a824cd81d","labels":["Human Re Sources"],"label_ids":["c4f89a2b-8b94-4557-947a-75dc25b0a655"],"release_date":"2023-02-03","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"\"My 21st Century Blues is both [Rachel] Keen’s long-awaited debut and her first project as an independent artist. In places, it’s a defiant riposte to an unequal industry, reintroducing RAYE as a solo star full of rage and candor...\"\n\nRead more about RAYE's songwriting career prior to this album and how the record came to be! https://tinyurl.com/4jba5nrb","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597940,"uri":"https://api.kexp.org/v2/plays/3597940/?format=json","airdate":"2025-12-30T09:02:43-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","song":"Stranger to love","track_id":"d1f7ae18-bbf0-4002-b705-30d5b7a3cfa3","recording_id":"7bf5cf39-7468-4fe4-b616-420beb3aec13","artist":"dexter in the newsagent","artist_ids":["c062f562-dfff-40da-b1e0-c6f31f9f6e8c"],"album":"Time Flies","release_id":"abc7a1ad-abc7-4ab9-adb7-1ec2471a9e9b","release_group_id":"f85572f9-b1ff-469a-8699-32676ab2be7e","labels":[],"label_ids":[],"release_date":"2025-11-07","rotation_status":"Medium","is_local":false,"is_request":false,"is_live":false,"comment":"dexter in the newsagent, aka South London-based R&B singer Charmaine Ayoku, wrote her debut mixtape, 'Time Flies', in the wake of her father’s death, and the spectre of time and the change it brings haunts the music. These songs are heavy and introspective, a poignant document of a future that feels uncertain and a present that is too painful and too fleeting. Despite its heft, the project remains hopeful, buoyed by an indefatigable commitment to finding and nurturing love amid the loss.\n\nhttps://pitchfork.com/reviews/albums/dexter-in-the-newsagent-time-flies/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597939,"uri":"https://api.kexp.org/v2/plays/3597939/?format=json","airdate":"2025-12-30T08:58:16-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3597938,"uri":"https://api.kexp.org/v2/plays/3597938/?format=json","airdate":"2025-12-30T08:52:58-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"https://ia800105.us.archive.org/7/items/mbid-a2536e20-e802-385d-acb7-964ed326af78/mbid-a2536e20-e802-385d-acb7-964ed326af78-19011590959_thumb500.jpg","thumbnail_uri":"https://ia800105.us.archive.org/7/items/mbid-a2536e20-e802-385d-acb7-964ed326af78/mbid-a2536e20-e802-385d-acb7-964ed326af78-19011590959_thumb250.jpg","song":"Common People","track_id":"e1a3ec74-0c88-496b-88c9-30e0994a01b6","recording_id":"4e1c3d15-b20e-44ab-8758-272330c3ab9d","artist":"Pulp","artist_ids":["76b2e842-5e85-4c97-ab62-d5bc315595b5"],"album":"Different Class","release_id":"a2536e20-e802-385d-acb7-964ed326af78","release_group_id":"88f69eab-8f07-343b-847c-b944ad33dfcf","labels":["Island"],"label_ids":["dfd92cd3-4888-46d2-b968-328b1feb2642"],"release_date":"2006-09-11","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Common People” was the first single from Pulp’s 1995 album \"Different Class.\"\n\nJarvis Cocker, while studying at St. Martin’s College, met a wealthy girl who said she “wanted to move to Hackney and live like the common people.” Class tourism, or slumming, was popular at the time. People in upper classes found something noble in the lower classes, yet they had the privilege of leaving when they wanted.\n\nRead the story behind this song: https://americansongwriter.com/the-working-class-meaning-behind-common-people-by-pulp/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597937,"uri":"https://api.kexp.org/v2/plays/3597937/?format=json","airdate":"2025-12-30T08:49:41-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","song":"Dopamine","track_id":"4726ddbd-6fc9-48f2-9a63-893bfc700a3b","recording_id":"f200d605-be90-4184-b84f-96cde9fd9f2b","artist":"Robyn","artist_ids":["5a8e07d5-d932-4484-a7f7-e700793a9c94"],"album":"Dopamine","release_id":"42089278-2071-4f38-99ce-bed9ff3c09e0","release_group_id":"a44cdb79-a618-45a2-a3f1-d316e4c2c7eb","labels":["Konichiwa Records"],"label_ids":["65cfad3e-f8cf-4b7a-91a9-dabf1ab8d860"],"release_date":"2025-11-12","rotation_status":"Heavy","is_local":false,"is_request":false,"is_live":false,"comment":"This is the Swedish pop singer's first song in seven years! Don't miss the delightful video for \"Dopamine\": \n\nhttps://www.youtube.com/watch?v=vitil9qMN6A\n\nOf this track, Robyn notes, \"Everyone has a phone where they see their heart rate, and we’re learning how to decode our emotions through the hormones and chemical substances in our bodies.\n\n\"It’s almost like we don’t even accept that we’re human anymore, like we’re trying to shoot ourselves out of it and explain every single thing—which I think is great, but that’s also why the world is shit, this idea that you can figure out and win life or something.\" \n\nhttps://pitchfork.com/news/robyn-returns-with-new-song-and-video-dopamine-watch/\n\nhttps://www.robyn.com/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597936,"uri":"https://api.kexp.org/v2/plays/3597936/?format=json","airdate":"2025-12-30T08:46:55-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","song":"That’s the Way We Get By","track_id":null,"recording_id":"1f0921c7-4797-4c66-86cc-892ca28565ab","artist":"Johnny Nash","artist_ids":["0efaa6e3-3ef1-4481-bc01-aa3d5901dbdc"],"album":"I Can See Clearly Now","release_id":null,"release_group_id":"5de5b01c-3abf-46d9-9cb9-993d52b0ce6c","labels":["Sony Music UK"],"label_ids":["4029defc-63b1-4071-a49f-3f826f92ef71"],"release_date":"1972-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"From the 1972 album 'I Can See Clearly Now', which featured the Billboard #1 hit of the same name.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597935,"uri":"https://api.kexp.org/v2/plays/3597935/?format=json","airdate":"2025-12-30T08:43:42-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"https://ia800405.us.archive.org/12/items/mbid-9731589d-3b2d-4494-8413-8caa9c7dfa9e/mbid-9731589d-3b2d-4494-8413-8caa9c7dfa9e-19767684896_thumb500.jpg","thumbnail_uri":"https://ia800405.us.archive.org/12/items/mbid-9731589d-3b2d-4494-8413-8caa9c7dfa9e/mbid-9731589d-3b2d-4494-8413-8caa9c7dfa9e-19767684896_thumb250.jpg","song":"Always See Your Face","track_id":"366be23c-5ab0-3224-af9d-8676b2d4cad1","recording_id":"30943be6-2a58-4365-95bc-3e26b7c7e49d","artist":"Love","artist_ids":["34ec9a8d-c65b-48fd-bcdd-aad2f72fdb47"],"album":"Love Story 1962-1966","release_id":"9731589d-3b2d-4494-8413-8caa9c7dfa9e","release_group_id":"9f8588cf-21ed-3faf-bd64-6e6efdecd973","labels":["Rhino"],"label_ids":["c4f2cf49-b57c-4cc1-8061-f54400704ac4"],"release_date":"1995-07-18","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"You may know this wonderful song from the movie \"High Fidelity.\"  It's from Love's fourth album, \"Four Sail.\" Enjoy this loving retrospective: https://rockandrollglobe.com/psychedelics/always-see-your-face-loves-four-sail-at-50/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597934,"uri":"https://api.kexp.org/v2/plays/3597934/?format=json","airdate":"2025-12-30T08:41:15-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3597933,"uri":"https://api.kexp.org/v2/plays/3597933/?format=json","airdate":"2025-12-30T08:37:53-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","song":"Bastards of Young","track_id":"274f10ec-bb77-31bd-ab12-d992fe5c25cb","recording_id":"d342bcd3-bda3-4050-8c66-60f885e05f2f","artist":"The Replacements","artist_ids":["dc0d05ce-2f47-4962-b4fa-8631a0a51987"],"album":"Tim","release_id":"ba8d0528-07be-3ef8-8cd1-6793f342a96c","release_group_id":"ecae37b3-42f2-396d-a2d6-b614c1c41da3","labels":["Sire Records"],"label_ids":["be0fec81-5c18-4494-8bbf-0d81dec006bf"],"release_date":"1993-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"\"Tim\" was the group’s major label debut. Paul Westerberg wondered if his band of misfits belonged to the mainstream rock landscape. He worried The Replacements might be a tax write-off for Sire Records. A common practice with major labels was signing numerous bands, hoping a few stick, and using the others as tax deductions. \n\n\"Income tax deduction, what a hell of a function\nIt beats picking cotton or waiting to be forgotten\nWait on the sons of no one, bastards of young\nWait on the sons of no one, bastards of young\"\n\nAccording to Bob Mehr’s biography on the band, Trouble Boys: The True Story of The Replacements, Westerberg’s mother induced labor on New Year’s Eve for a tax deduction. So using a newborn baby or a band for a tax break profoundly affected Westerberg—it was an exclamation point to feeling unwanted.\n\nhttps://americansongwriter.com/what-a-mess-on-the-ladder-of-success-the-misfit-approved-meaning-behind-bastards-of-young-by-the-replacements/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597932,"uri":"https://api.kexp.org/v2/plays/3597932/?format=json","airdate":"2025-12-30T08:34:32-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","song":"Dominoes","track_id":"1883b963-6e03-4906-b03a-9963cbbe27b4","recording_id":"f77fcf5c-4eaa-4851-94bd-781bb0e44ecc","artist":"Twin Shadow","artist_ids":["8d831383-b22b-4237-8059-12bee111e4b6"],"album":"Cadet","release_id":"67e5f46b-2a17-4369-a7f1-2a47d58f0f68","release_group_id":"f0168007-edf8-49d8-822d-56e8ce56d22a","labels":["Cheree Cheree"],"label_ids":["81314aef-1791-450e-b258-c725bea2bbe9"],"release_date":"2025-11-21","rotation_status":"Light","is_local":false,"is_request":false,"is_live":false,"comment":"From 'Cadet' the new album by Twin Shadow, a reimagining of his earlier album 'Georgie' which was also released this year. \"Georgie is a cerebral experience. Cadet is the body experience.\"\n\nhttps://www.ladygunn.com/music/twin-shadow-on-cadet-instinct-improvisation-and-a-new-era-of-play/\n https://twinshadow.bandcamp.com/album/cadet\n\nWatch the official video here: https://www.youtube.com/watch?v=XFuc812nbJM","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597931,"uri":"https://api.kexp.org/v2/plays/3597931/?format=json","airdate":"2025-12-30T08:32:51-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","song":"Houston","track_id":"f4554e59-267d-4018-8515-771edd0235e2","recording_id":"ac4bfcb6-4dcb-4f91-baf0-7af2332f70bc","artist":"Allah-Las","artist_ids":["cfd1fdcc-3c1d-4854-a500-31d96a6d5184"],"album":"LAHS","release_id":"1b19e737-2bf6-4324-b338-91a3a353dd46","release_group_id":"ffa2d614-50c5-40d8-9752-40af74942d56","labels":["Mexican Summer"],"label_ids":["2c6049c6-7335-4d03-b264-234b314b03b5"],"release_date":"2019-10-11","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Check out the LA band’s 2016 Roadhouse session https://www.youtube.com/watch?v=X9fjj0moj_U&t=174s\n\nPlaying The Fillmore in SF 10/25 https://www.livenation.com/event/G5vYZbaU3Bvwo/allah-las\n\nhttps://allah-las.bandcamp.com/album/lahs","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3597930,"uri":"https://api.kexp.org/v2/plays/3597930/?format=json","airdate":"2025-12-30T08:28:34-08:00","show":65514,"show_uri":"https://api.kexp.org/v2/shows/65514/?format=json","image_uri":"","thumbnail_uri":"","song":"Strange","track_id":"48e4d3f0-3f52-3e5f-a906-532093a553a6","recording_id":"7b3a8c0a-5dfa-43f9-b160-baee292402b6","artist":"Built to Spill","artist_ids":["3ac482b8-1494-4071-a0e9-f192f9d2c2b0"],"album":"Ancient Melodies of the Future","release_id":"fd417b02-f15c-43c0-b245-853b8de59ae0","release_group_id":"060b2c77-1d7b-387e-921e-3d8578246200","labels":["Warner Bros. 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