{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=5280&ordering=-airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=5240&ordering=-airdate","results":[{"id":3639933,"uri":"https://api.kexp.org/v2/plays/3639933/?format=json","airdate":"2026-04-09T15:27:18-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","song":"I Walk on Guilded Splinters","track_id":null,"recording_id":"218cdc97-65ac-4490-911c-3bbef1d2de8e","artist":"Johnny Jenkins","artist_ids":["b22d0d4f-4cc7-4130-ae0d-2538fafdd130"],"album":"Rollin' And Tumblin' (American Electric Blues 1965-1971)","release_id":null,"release_group_id":"2b2a06d7-3252-4604-9f7c-3634c4b1a770","labels":["Cherry Red Records"],"label_ids":["0a866b14-bfd8-4e74-b451-ada9fc713329"],"release_date":"2025-07-18","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The guitarist, singer and songwriter Johnny Jenkins proved a massive influence on acts from his home town, Macon, Georgia, such as Otis Redding and the Allman Brothers, and also those from further afield such as Jimi Hendrix. On a visit to Macon, Hendrix had noted the flamboyance of Jenkins' left-handed, upside-down guitar playing and realized that showmanship, like playing the guitar behind the head, was a very good gimmick.\n--\nHere's an obituary for the flamboyant guitarist who died in 2006: https://www.theguardian.com/news/2006/sep/16/guardianobituaries.artsobituaries","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639934,"uri":"https://api.kexp.org/v2/plays/3639934/?format=json","airdate":"2026-04-09T15:26:50-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","comment":"“I think you have to keep a childlike quality to play music or make a record.” --Beck","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3639932,"uri":"https://api.kexp.org/v2/plays/3639932/?format=json","airdate":"2026-04-09T15:20:30-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"https://dn710800.ca.archive.org/0/items/mbid-c3619bbc-887b-4012-9024-0b7806333c4d/mbid-c3619bbc-887b-4012-9024-0b7806333c4d-38534240640_thumb500.jpg","thumbnail_uri":"https://dn710800.ca.archive.org/0/items/mbid-c3619bbc-887b-4012-9024-0b7806333c4d/mbid-c3619bbc-887b-4012-9024-0b7806333c4d-38534240640_thumb250.jpg","song":"E‐Pro","track_id":"1e90111e-60ad-3a43-9002-58daecc4b2fd","recording_id":"31970bcd-4879-4040-ba46-c75ca9593519","artist":"Beck","artist_ids":["309c62ba-7a22-4277-9f67-4a162526d18a"],"album":"Guero","release_id":"c3619bbc-887b-4012-9024-0b7806333c4d","release_group_id":"e49e2f8a-94c0-3dcf-8ce6-9bc52a1a7867","labels":["Interscope Records"],"label_ids":["2182a316-c4bd-4605-936a-5e2fac52bdd2"],"release_date":"2005-03-29","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"\"E-Pro\" contains samples of the rhythm track from \"So What'cha Want\" by Beastie Boys and the drums from \"The Big Beat\" by Billy Squier.\n--\n ”One of the few things I remember Beck saying early on,” recalls Mike Simpson, who helped produce the album, ”was that he just wanted some rocking songs that he could play live.” Beck: Yeah, you just try to articulate certain things in a way that doesn’t come off as too pretentious or overbaked. I find that sometimes you can work on something for a long time and get it to have all these meanings, and sometimes it just doesn’t want to have any of those. The song just wants to be real simple, and not have a lot of significance to it.”","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639931,"uri":"https://api.kexp.org/v2/plays/3639931/?format=json","airdate":"2026-04-09T15:15:50-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"https://dn711106.ca.archive.org/0/items/mbid-c27b99d1-8b6b-4f5b-901f-c8a8e5845ec1/mbid-c27b99d1-8b6b-4f5b-901f-c8a8e5845ec1-9661165599_thumb500.jpg","thumbnail_uri":"https://dn711106.ca.archive.org/0/items/mbid-c27b99d1-8b6b-4f5b-901f-c8a8e5845ec1/mbid-c27b99d1-8b6b-4f5b-901f-c8a8e5845ec1-9661165599_thumb250.jpg","song":"So What'cha Want (single version)","track_id":"783e7e4f-5c1b-389d-b694-fbc8cf308446","recording_id":"e6103940-5494-47bb-8019-8e8054c527d8","artist":"Beastie Boys","artist_ids":["9beb62b2-88db-4cea-801e-162cd344ee53"],"album":"So What'cha Want","release_id":"c27b99d1-8b6b-4f5b-901f-c8a8e5845ec1","release_group_id":"1ddbd705-19d4-367d-b3cd-720453916df7","labels":["Capitol Records"],"label_ids":["abea2d3e-eabf-4480-ab24-9382dd642c73"],"release_date":"1992-06-02","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The song samples “Just Rhymin’ With Biz” by Big Daddy Kane featuring Biz Markie, and “I’ve Been Watching You” by Southside Movement.\n--\nBeck sampled it for his song \"E-Pro\" from \"Guero.\"","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639930,"uri":"https://api.kexp.org/v2/plays/3639930/?format=json","airdate":"2026-04-09T15:10:24-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"https://dn721604.ca.archive.org/0/items/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c-43096301269_thumb500.jpg","thumbnail_uri":"https://dn721604.ca.archive.org/0/items/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c-43096301269_thumb250.jpg","song":"Milk & Honey","track_id":"ca7e9567-2ce6-3585-adc5-31873cb5b4b6","recording_id":"740acde9-fed9-4b93-b760-0cb35cbc7977","artist":"Beck","artist_ids":["309c62ba-7a22-4277-9f67-4a162526d18a"],"album":"Midnite Vultures","release_id":"53014f5f-355a-4bf3-aeab-70be7b6bb97c","release_group_id":"4c5cd9dc-31b5-32b1-bd11-57081e83f8bb","labels":["DGC Records"],"label_ids":["68803e28-86fe-4a95-985f-8e493795ab31"],"release_date":"1999-11-23","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Beck sampled the hooks from both Mr. Loco and Buzz Clifford for this song.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639929,"uri":"https://api.kexp.org/v2/plays/3639929/?format=json","airdate":"2026-04-09T15:07:55-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","song":"I See I Am","track_id":null,"recording_id":"51d31c04-08b7-4cbb-9eae-ed7680cac58c","artist":"Buzz Clifford","artist_ids":["e4c06a55-4bec-4be4-9086-8e205ec83f06"],"album":"See Your Way Clear","release_id":null,"release_group_id":"581451a5-377f-4be9-94bb-f375abc2b86f","labels":["Big Pink"],"label_ids":["c4316b82-561b-4eff-933d-c923cb90608e"],"release_date":"1969-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"R.I.P., Reese Francis Clifford III, who died in 2018 at age 75.  He was perhaps best known for his song, \"BabySittin' Boogie,\" with its unique gurgling sound.: https://bestclassicbands.com/buzz-clifford-obituary-1-28-18/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639928,"uri":"https://api.kexp.org/v2/plays/3639928/?format=json","airdate":"2026-04-09T15:06:09-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","song":"Mister Loco","track_id":null,"recording_id":"b6f5b088-36e4-441a-93a7-cbc578c01018","artist":"Mr. Loco","artist_ids":["477cab43-296f-4924-91d0-2c739fcc2d8b"],"album":"Uno","release_id":null,"release_group_id":"7e2392ed-e06d-4cf3-a8fa-f7eecb70af8e","labels":[],"label_ids":[],"release_date":"1975-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Mister Loco is a Mexican rock band formed in 1975 by former members of the group Los Locos del Ritmo.: https://grokipedia.com/page/Mister_Loco","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639927,"uri":"https://api.kexp.org/v2/plays/3639927/?format=json","airdate":"2026-04-09T15:05:51-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","comment":"“I’m a musician. I’m not, like, a personality. I’ve never really pretended to perform that kind of function.” --Beck","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3639925,"uri":"https://api.kexp.org/v2/plays/3639925/?format=json","airdate":"2026-04-09T14:58:48-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"https://dn710606.ca.archive.org/0/items/mbid-f94dc170-00b5-4b99-8ea3-061ab264cc50/mbid-f94dc170-00b5-4b99-8ea3-061ab264cc50-11233531408_thumb500.jpg","thumbnail_uri":"https://dn710606.ca.archive.org/0/items/mbid-f94dc170-00b5-4b99-8ea3-061ab264cc50/mbid-f94dc170-00b5-4b99-8ea3-061ab264cc50-11233531408_thumb250.jpg","song":"Paper Tiger","track_id":"7ae3ce31-2141-407f-b287-2c6de07eefc7","recording_id":"2bf8f547-057d-4be0-82ef-f19a2e3ac402","artist":"Beck","artist_ids":["309c62ba-7a22-4277-9f67-4a162526d18a"],"album":"Sea Change","release_id":"f94dc170-00b5-4b99-8ea3-061ab264cc50","release_group_id":"5f84e8b9-b8e5-3fbf-b514-0192a62d88b6","labels":["DGC Records"],"label_ids":["68803e28-86fe-4a95-985f-8e493795ab31"],"release_date":"2002-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Beck's father, orchestrator David Campbell, helped with the brass and string arrangements on this song and the rest of the album. Beck told NPR how they worked together. \"I usually get some kind of keyboard and I'll play the basic voicings and we'll map it out,\" he said. \"With strings, a lot of times I'll play or sing parts over the song, which we'll transcribe.\"\n\nHe added: \"For 'Paper Tiger' there's a whole solo that the orchestra does; that was actually something I sang, and then we just transcribed it.\"","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639924,"uri":"https://api.kexp.org/v2/plays/3639924/?format=json","airdate":"2026-04-09T14:57:19-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"https://dn710303.ca.archive.org/0/items/mbid-bdbe5b7d-6579-4ff6-832f-172b2e83fdb3/mbid-bdbe5b7d-6579-4ff6-832f-172b2e83fdb3-23122333798_thumb500.jpg","thumbnail_uri":"https://dn710303.ca.archive.org/0/items/mbid-bdbe5b7d-6579-4ff6-832f-172b2e83fdb3/mbid-bdbe5b7d-6579-4ff6-832f-172b2e83fdb3-23122333798_thumb250.jpg","song":"Cargo culte","track_id":"c60ac351-83c5-4f14-9039-407a2f40d687","recording_id":"7a460071-71f4-4c02-9586-3b4f9fb60fcb","artist":"Serge Gainsbourg","artist_ids":["b21ef19b-c6aa-4775-90d3-3cc3e067ce6d"],"album":"Histoire de Melody Nelson","release_id":"bdbe5b7d-6579-4ff6-832f-172b2e83fdb3","release_group_id":"431ae137-315a-3faa-8005-c959fc0d57e9","labels":["Light in the Attic Records"],"label_ids":["d277da0d-1d64-4256-90f5-ced940fb9b77"],"release_date":"2009-03-24","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"\"Histoire de Melody Nelson\" is Serge Gainsbourg's Lolita, the story of an affair with an underaged nymphette who Gainsbourg’s character meets when he nearly runs her over in his Rolls Royce. Melody Nelson is voiced by Gainsbourg’s wife, Jane Birkin, whose squeaks and squeals of delight provide an unnervingly erotic accompaniment to Gainsbourg’s lurid bass lines and luscious psychedelic arrangements.\n\n“Cargo Culte,” the album’s finale, is staged as Gainsbourg’s response to Melody’s tragic death in a plane crash. \nLearn more about this song here:","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639922,"uri":"https://api.kexp.org/v2/plays/3639922/?format=json","airdate":"2026-04-09T14:52:51-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"https://dn710603.ca.archive.org/0/items/mbid-3d08d05a-59ec-4ed2-b096-efdea0977f62/mbid-3d08d05a-59ec-4ed2-b096-efdea0977f62-1190605830_thumb500.jpg","thumbnail_uri":"https://ia802806.us.archive.org/30/items/mbid-3d08d05a-59ec-4ed2-b096-efdea0977f62/mbid-3d08d05a-59ec-4ed2-b096-efdea0977f62-1190605830_thumb250.jpg","song":"The New Pollution","track_id":"4e8ee244-3e53-376a-9c99-d2aa630a1dda","recording_id":"aa9135c4-0499-4d75-9caf-4e2025caf388","artist":"Beck","artist_ids":["309c62ba-7a22-4277-9f67-4a162526d18a"],"album":"Odelay","release_id":"3d08d05a-59ec-4ed2-b096-efdea0977f62","release_group_id":"f2466d20-9a29-3baa-bfac-c245410e925f","labels":["Bong Load Custom Records","DGC Records"],"label_ids":["b41ac8e4-c575-44df-a544-40ad84723ff3","68803e28-86fe-4a95-985f-8e493795ab31"],"release_date":"1996-06-18","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"\"The New Pollution\" samples the drumbeat from Gus Poole's \"Hallelujah, Alright, Amen,\" a funky disco soul track from 1970, and the bluesy sax riff is from Joe Thomas' \"Venus\" (1976).\n -- \nBeck was once asked what the new pollution was. His reply, \"Human radios, sex with machines, mad eunuchs.\"","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639923,"uri":"https://api.kexp.org/v2/plays/3639923/?format=json","airdate":"2026-04-09T14:52:12-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","song":"Venus","track_id":null,"recording_id":"395db9d8-d32f-4b2c-8750-84805877abbb","artist":"Joe Thomas","artist_ids":["9ff469e2-43f5-43d6-aaac-63c6c00b7db2"],"album":"Feelin's From Within","release_id":null,"release_group_id":"fd49b854-8aec-4629-9429-0d627e1ed8fa","labels":["Groove Merchant"],"label_ids":["3ae76f1d-efb0-4fbc-83c3-123e8d0707c8"],"release_date":"1976-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Joe Thomas and Brad Baker wrote this song, which Beck sampled on \"The New Pollution.\"","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639921,"uri":"https://api.kexp.org/v2/plays/3639921/?format=json","airdate":"2026-04-09T14:49:46-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","song":"Hallelujah, Alright, Amen","track_id":null,"recording_id":null,"artist":"Gus Poole","artist_ids":[],"album":"Soul Revolution","release_id":null,"release_group_id":null,"labels":["Novasonic"],"label_ids":[],"release_date":"1970-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"This song was written, arranged, and produced by Gus Poole, who played organ on it.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639920,"uri":"https://api.kexp.org/v2/plays/3639920/?format=json","airdate":"2026-04-09T14:45:46-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"https://dn710803.ca.archive.org/0/items/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68-18173981072_thumb500.jpg","thumbnail_uri":"https://dn710803.ca.archive.org/0/items/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68/mbid-401b0a2d-a250-4fe0-ae73-53fc4ca4ae68-18173981072_thumb250.jpg","song":"Sweet Sunshine","track_id":"59af15f6-5834-3895-bae1-7a6322c54c46","recording_id":"35ab80ab-09b9-48c2-ae61-c31d40a023d6","artist":"Beck","artist_ids":["309c62ba-7a22-4277-9f67-4a162526d18a"],"album":"Mellow Gold","release_id":"401b0a2d-a250-4fe0-ae73-53fc4ca4ae68","release_group_id":"4f8bb33f-9e2d-34dc-8852-5d591cc104d8","labels":["Bong Load Custom Records","DGC Records"],"label_ids":["b41ac8e4-c575-44df-a544-40ad84723ff3","68803e28-86fe-4a95-985f-8e493795ab31"],"release_date":"1994-03-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Beck sampled the drums for Southside Movement's \"Save the World.\"\n--\nOnce when talking about \"The New Pollution,\" Beck mentioned that he likes how he took an ugly word like \"pollution\" and use it an appealing concept or context. With \"Sweet Sunshine,\" he did the opposite, taking a completely innocent (and in a way cheesy) phrase like \"sweet sunshine\" and turning it into an ugly, harsh image: \"Gonna break my face on the sweet sunshine.\" He sings of buckets of blood, scumbag souls, wreckin' balls, and how he killed his imagination. This is not a song that should be titled \"Sweet Sunshine\"! Beck's explored this type of duality in his lyrics many times, from \"Asshole\" to \"Beautiful Way.\"","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639919,"uri":"https://api.kexp.org/v2/plays/3639919/?format=json","airdate":"2026-04-09T14:44:40-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","song":"Save the World","track_id":null,"recording_id":"d0223bfe-1266-42c3-b6fc-8e8453a85777","artist":"Southside Movement","artist_ids":["fbfbd9ec-8e4a-4216-9d9e-e9f057494a6a"],"album":"Movin'","release_id":null,"release_group_id":"0acdf997-4ef6-3038-8ef4-c9023f90ac8e","labels":["20th Century Records"],"label_ids":["ed0d5aff-e23f-4239-950f-bae0bc201e6c"],"release_date":"1974-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Southside Movement was a Chicago-based funk and soul octet which recorded in the early '70s. Made up of vocalist Melvin Moore, guitarist Bobby Pointer, keyboardist Morris Beeks, bassist Ronald Simmons, drummer Willie Hayes, alto saxophonist Milton Johnson, trumpeter Stephen Hawkins, and trombonist Bill McFarland, the group got its start as the backing band for the Sam & Dave-styled soul duo Simtec & Wylie. \n--\nThis song, particularly the drums,  has been sampled more than 90 times, Including by Beck at least twice!","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639926,"uri":"https://api.kexp.org/v2/plays/3639926/?format=json","airdate":"2026-04-09T14:43:53-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3639917,"uri":"https://api.kexp.org/v2/plays/3639917/?format=json","airdate":"2026-04-09T14:36:22-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"https://dn721604.ca.archive.org/0/items/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c-43096301269_thumb500.jpg","thumbnail_uri":"https://dn721604.ca.archive.org/0/items/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c/mbid-53014f5f-355a-4bf3-aeab-70be7b6bb97c-43096301269_thumb250.jpg","song":"Debra","track_id":"3d0a9ed1-2545-38c9-b8ff-96caaeb269be","recording_id":"89c6a4a4-ceec-43fb-8e34-d44715ba38ec","artist":"Beck","artist_ids":["309c62ba-7a22-4277-9f67-4a162526d18a"],"album":"Midnite Vultures","release_id":"53014f5f-355a-4bf3-aeab-70be7b6bb97c","release_group_id":"4c5cd9dc-31b5-32b1-bd11-57081e83f8bb","labels":["DGC Records"],"label_ids":["68803e28-86fe-4a95-985f-8e493795ab31"],"release_date":"1999-11-23","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Beck had originally attempted to record \"Debra\" with the Dust Brothers for Odelay, but was either not happy with the recording, or felt it didn't fit on the album, or both. (\"I thought it was too jokey,\" Beck once admitted.) But the song was a natural for the stage: \"What happened is we started playing it live and it became the centerpiece of the whole set. It was the song that people would react to more than the songs that they'd heard on the radio. So we kept playing it and playing it.\" It took on a life of its own, and the energy that was breathed into the song was clearly noted. \"I think its life began as being tongue-in-cheek and silly, but somewhere along the way, like the way we performed it every night, it acquired some other dimensions,\" Beck explained.\n--\nHere's Beck in a live performance of \"Debra\" on Dutch television back in 1999: https://youtu.be/OuvR9d73OlI https://www.beck.com/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639918,"uri":"https://api.kexp.org/v2/plays/3639918/?format=json","airdate":"2026-04-09T14:35:37-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3639916,"uri":"https://api.kexp.org/v2/plays/3639916/?format=json","airdate":"2026-04-09T14:26:52-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"https://dn711004.ca.archive.org/0/items/mbid-36aa4fbb-776d-445a-a2f8-065f2fb012a0/mbid-36aa4fbb-776d-445a-a2f8-065f2fb012a0-989663639_thumb500.jpg","thumbnail_uri":"https://dn711004.ca.archive.org/0/items/mbid-36aa4fbb-776d-445a-a2f8-065f2fb012a0/mbid-36aa4fbb-776d-445a-a2f8-065f2fb012a0-989663639_thumb250.jpg","song":"Novacane","track_id":"d4cab083-f95a-3df5-b926-a7cb251515cc","recording_id":"4d08a37a-6e71-401c-ad54-dbe5a8ae919c","artist":"Beck","artist_ids":["309c62ba-7a22-4277-9f67-4a162526d18a"],"album":"Odelay","release_id":"36aa4fbb-776d-445a-a2f8-065f2fb012a0","release_group_id":"f2466d20-9a29-3baa-bfac-c245410e925f","labels":["Geffen Records"],"label_ids":["0fadc2ce-f7de-4e27-bbe6-612b317e716b"],"release_date":"1996-06-24","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Beck explained to Rolling Stone that the lyrical inspiration for this song came from the film and video director Spike Jonze. Said Beck: \"Spike and I talked about doing a video together for ten years before we actually ever did one. One of our first conversations was about the movie Convoy - he was obsessed with it. He wanted to do a video where I was in a convoy, so I wrote all this truckers-going-into-oblivion imagery.\"\n--\n\"Odelay\" was produced by the Dust Brothers, Michael Simpson and John King. They said, \"With Beck it was like you couldn't throw something too crazy at him. He'd push us. He was like, 'What can we do to this song to make it more f--ked up?' and I feel like we achieved it on 'Novacane.'\"","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3639915,"uri":"https://api.kexp.org/v2/plays/3639915/?format=json","airdate":"2026-04-09T14:25:30-07:00","show":66408,"show_uri":"https://api.kexp.org/v2/shows/66408/?format=json","image_uri":"","thumbnail_uri":"","song":"Medley: Tell Me How You Feel / (Don't Want No) Woman / My Friends","track_id":null,"recording_id":"14c96460-fdc2-41b0-94fa-4508163202d1","artist":"Lee Michaels","artist_ids":["5c601227-87b5-4c65-ad99-84f0eb9008ca"],"album":"Hello: The Very Best of Lee Michaels","release_id":null,"release_group_id":"65fb2a11-44ea-463d-a013-7a5efa83c9e1","labels":["Shout! Factory"],"label_ids":["004762a8-6905-4270-b5f8-ceef5fc5bc73"],"release_date":"2004-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The drums in this song were sampled by Beck for \"Novacane.\"","location":1,"location_name":"Default","play_type":"trackplay"}]}