{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=68680&ordering=-airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=68640&ordering=-airdate","results":[{"id":3582334,"uri":"https://api.kexp.org/v2/plays/3582334/?format=json","airdate":"2025-11-24T10:42:52-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://dn710602.ca.archive.org/0/items/mbid-5494abde-9aae-472a-bce5-72931cbfbad2/mbid-5494abde-9aae-472a-bce5-72931cbfbad2-8314007591_thumb500.jpg","thumbnail_uri":"https://dn710602.ca.archive.org/0/items/mbid-5494abde-9aae-472a-bce5-72931cbfbad2/mbid-5494abde-9aae-472a-bce5-72931cbfbad2-8314007591_thumb250.jpg","song":"Fools Gold","track_id":"83aafec9-8f76-4ef4-a298-1738870c8f26","recording_id":"dfc3104d-ccd8-42e1-9b1e-6abba204d098","artist":"The Stone Roses","artist_ids":["b5fa29f1-6c22-4321-a488-b5f363b06b06"],"album":"The Very Best of the Stone Roses","release_id":"5494abde-9aae-472a-bce5-72931cbfbad2","release_group_id":"22294667-d565-3828-98b8-8ccc240eeff9","labels":["Silvertone Records"],"label_ids":["82307007-21d1-48c0-a31f-b89d9b1811de"],"release_date":"2002-11-04","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Mani (Gary Mounfield), the influential bassist for The Stone Roses and Primal Scream, died on November 20, 2025, at the age of 63. He was known for his distinctive basslines, notably on tracks like \"Fools Gold\".\n\nhttps://thestonerosesstore.com/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582333,"uri":"https://api.kexp.org/v2/plays/3582333/?format=json","airdate":"2025-11-24T10:39:13-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://dn710705.ca.archive.org/0/items/mbid-e2962f3b-d1ed-4c6a-8837-bfa7013f91a2/mbid-e2962f3b-d1ed-4c6a-8837-bfa7013f91a2-21231312585_thumb500.jpg","thumbnail_uri":"https://dn710705.ca.archive.org/0/items/mbid-e2962f3b-d1ed-4c6a-8837-bfa7013f91a2/mbid-e2962f3b-d1ed-4c6a-8837-bfa7013f91a2-21231312585_thumb250.jpg","song":"I Don't Like Mondays","track_id":"6043b924-1e64-350f-b600-c0ccd2b05826","recording_id":"59b1a8d9-c0ef-4fe6-9a1b-b7ec4bb80d65","artist":"The Boomtown Rats","artist_ids":["47aa3e97-f623-4472-8e54-da886c6a6e20"],"album":"Just Can't Get Enough: New Wave Hits of the '80s, Volume 2","release_id":"e2962f3b-d1ed-4c6a-8837-bfa7013f91a2","release_group_id":"ada7a57a-08dd-3d63-b93a-15dbd1d6f60b","labels":["Rhino"],"label_ids":["c4f2cf49-b57c-4cc1-8061-f54400704ac4"],"release_date":"1994-06-21","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"This is about a 16-year-old high school student who lived across the street from Cleveland Elementary School in San Diego, California. \n\nOn Monday, January 29, 1979, she opened fire on the school with a rifle her father had given her for Christmas, killing two adults (including the principal) and injuring nine children before going back to her home. Police surrounded her home and waited for seven hours until she gave herself up. In that time, she spoke with a reporter on the phone. \n\nWhen asked why she did it, she replied, \"I just started shooting, that's it. I just did it for the fun of it. I just don't like Mondays. I just did it because it's a way to cheer the day up. Nobody likes Mondays.\"\n\nOn a more positive note, the Boomtown Rats' Bob Geldof brought the \"who's who\" of the 1980s music scene together to raise money for, and awareness of African Famine - leading to Band Aid's \"Do They Know It's Christmas\" and the Live Aid concerts in Philadelphia and London! 40 years ago this year!\n\nThe Boomtown Rats released (in 2020) their first album in 36 years, 'Citizens of Boomtown': https://www.theboomtownratsofficial.com/.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582332,"uri":"https://api.kexp.org/v2/plays/3582332/?format=json","airdate":"2025-11-24T10:35:56-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://ia803402.us.archive.org/29/items/mbid-e0dd6b64-4324-47e7-a8b1-11f9c3abe281/mbid-e0dd6b64-4324-47e7-a8b1-11f9c3abe281-9362250663_thumb500.jpg","thumbnail_uri":"https://ia903402.us.archive.org/29/items/mbid-e0dd6b64-4324-47e7-a8b1-11f9c3abe281/mbid-e0dd6b64-4324-47e7-a8b1-11f9c3abe281-9362250663_thumb250.jpg","song":"Monday, Monday","track_id":"b6a94dc0-84fb-4610-a61e-c6465e62f441","recording_id":"ee4dac8b-63e3-4583-9824-3c9b96ecdb12","artist":"The Mama’s and the Papa’s","artist_ids":["ff294730-0315-440d-a543-54005779c15b"],"album":"If You Can Believe Your Eyes and Ears","release_id":"e0dd6b64-4324-47e7-a8b1-11f9c3abe281","release_group_id":"6399b0c8-a1a0-3674-92b5-585a574fdf20","labels":["Dunhill Records"],"label_ids":["42fdb729-af9c-41b6-a7d7-6639501d2c09"],"release_date":"1966-02-28","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Monday morning, Monday Monday. Can't trust that day. Sometimes it just turns out that way!\n\nThis was the band's only US No. 1 single.\n\nhttps://www.themamasandthepapasofficial.com","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582331,"uri":"https://api.kexp.org/v2/plays/3582331/?format=json","airdate":"2025-11-24T10:34:17-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3582330,"uri":"https://api.kexp.org/v2/plays/3582330/?format=json","airdate":"2025-11-24T10:31:11-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://ia800503.us.archive.org/4/items/mbid-88395238-d787-41ee-bfd5-134e4bf31475/mbid-88395238-d787-41ee-bfd5-134e4bf31475-11227450074_thumb500.jpg","thumbnail_uri":"https://ia800503.us.archive.org/4/items/mbid-88395238-d787-41ee-bfd5-134e4bf31475/mbid-88395238-d787-41ee-bfd5-134e4bf31475-11227450074_thumb250.jpg","song":"Manic Monday","track_id":"d92c58b7-0a47-3256-bec0-92894b2f7e55","recording_id":"c2be13ee-131e-4cdb-9141-0f0195a85626","artist":"Bangles","artist_ids":["f31ec2ac-9071-4306-acd1-d2c8321033b5"],"album":"Different Light","release_id":"88395238-d787-41ee-bfd5-134e4bf31475","release_group_id":"d583565f-0cb4-324d-86f4-79bd44f40039","labels":["Columbia"],"label_ids":["011d1192-6f65-45bd-85c4-0400dd45693e"],"release_date":"1986-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Prince wrote \"I Feel For You\" and \"Manic Monday\" in 1984, and recorded it as a duet for the band Apollonia 6's self-titled album; however, he eventually pulled the song. Two years later, he offered the single to the Bangles under the pseudonym \"Christopher\", a character he played in the 1986 film \"Under the Cherry Moon.\" \n\nIt was rumored by various writers that after Prince listened to the band's 1984 debut album \"All Over the Place,\" he gave the song to Bangles rhythm guitarist Susanna Hoffs, in hopes of winning her affection.\n\nhttps://www.thebangles.com/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582329,"uri":"https://api.kexp.org/v2/plays/3582329/?format=json","airdate":"2025-11-24T10:23:52-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://ia902903.us.archive.org/32/items/mbid-2ec1502e-1763-302d-9a92-fa8799566156/mbid-2ec1502e-1763-302d-9a92-fa8799566156-35883657505_thumb500.jpg","thumbnail_uri":"https://ia802903.us.archive.org/32/items/mbid-2ec1502e-1763-302d-9a92-fa8799566156/mbid-2ec1502e-1763-302d-9a92-fa8799566156-35883657505_thumb250.jpg","song":"Blue Monday","track_id":"4cb05a5a-23c0-3986-9be4-909d41d39165","recording_id":"9aa2be7b-8fb0-4187-bce4-9bb4e84815fc","artist":"New Order","artist_ids":["f1106b17-dcbb-45f6-b938-199ccfab50cc"],"album":"Substance 1987","release_id":"2ec1502e-1763-302d-9a92-fa8799566156","release_group_id":"95f78ba6-4cdb-3c88-972a-4ef3220f7ad1","labels":["Qwest Records"],"label_ids":["279669fd-fcd3-4d68-afa2-786b96e55de4"],"release_date":"1987-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"New Order came up with the rhythm of this song when they were experimenting with a new Oberheim DMX drum machine. Peter Hook explained: \"Bernard [Sumner] and Stephen [Morris] were the instigators. It was their enthusiasm for new technology. The drum pattern was ripped off from a Donna Summer B-side.\" (The song also samples Kraftwerk's \"Uranium.\").\n--\nPeter Hook said that he got the bass riff from \"La resi de conti\" by Ennio Morricone. \n\nAfter Morricone's death, Hook took to social media to pen his tribute to the one-of-a-kind composer: “I remember well being blown away by Ennio Morricone’s music on so many films. We would then spend hours trying to get that guitar sound – on Elegia & Sunrise specifically – and of course, he was the inspiration for the Blue Monday bassline. Thank you Ennio & rest in peace.”\n\nhttps://www.neworder.com/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582328,"uri":"https://api.kexp.org/v2/plays/3582328/?format=json","airdate":"2025-11-24T10:19:01-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://dn710009.ca.archive.org/0/items/mbid-eefe82d4-6967-4282-b852-7e4c2f84aa2a/mbid-eefe82d4-6967-4282-b852-7e4c2f84aa2a-38333257610_thumb500.jpg","thumbnail_uri":"https://dn710009.ca.archive.org/0/items/mbid-eefe82d4-6967-4282-b852-7e4c2f84aa2a/mbid-eefe82d4-6967-4282-b852-7e4c2f84aa2a-38333257610_thumb250.jpg","song":"24 Hour Party People","track_id":"becb89de-0abe-38aa-bfb8-0fc8b69a4ec0","recording_id":"80267b9c-f972-4d8a-9ce7-48320319f532","artist":"Happy Mondays","artist_ids":["01f4fb92-6bf0-4de5-83dc-3fe194e763bf"],"album":"Sunshine And Love","release_id":"c378401c-b39d-4caf-ace3-229c52f1ce5c","release_group_id":"a44910d0-dfeb-307e-b177-f120073b0e36","labels":["Elektra Entertainment"],"label_ids":["745f3292-03fe-44b5-babe-bc7eaa46a15d"],"release_date":"1992-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"\"No days off...\"\nHere's the official video for this classic song from the Madchester scene: https://www.youtube.com/watch?v=0zWpHxfQvtk.\n\nhttps://happymondays.bandcamp.com/music","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582327,"uri":"https://api.kexp.org/v2/plays/3582327/?format=json","airdate":"2025-11-24T10:17:47-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3582326,"uri":"https://api.kexp.org/v2/plays/3582326/?format=json","airdate":"2025-11-24T10:14:19-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"","thumbnail_uri":"","song":"Gloomy Monday Morning","track_id":"c81786da-7c90-3b68-b1f0-7850e8e7c8b0","recording_id":"39d0340e-2cf6-4813-a7b6-99d235cb345a","artist":"The Black Hollies","artist_ids":["61f8b5ab-4dac-44d9-b047-9363516d519b"],"album":"Softly Towards the Light","release_id":"65060e41-92f0-40bd-a2c6-cba1810c40f3","release_group_id":"70f5bf78-0181-4dae-a0c5-cc2e5f07a85e","labels":["Ernest Jenning Record Co."],"label_ids":["ebef98f4-00a9-4364-bb68-8534034964bb"],"release_date":"2009-10-06","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Jersey City band that blends classic influences from garage to psych to gritty soul. https://bit.ly/48haYt2\n\nhttps://theblackhollies.bandcamp.com/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582325,"uri":"https://api.kexp.org/v2/plays/3582325/?format=json","airdate":"2025-11-24T10:10:50-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://ia800405.us.archive.org/23/items/mbid-d18b273a-4987-4594-a4db-419454c7e113/mbid-d18b273a-4987-4594-a4db-419454c7e113-2013460549_thumb500.jpg","thumbnail_uri":"https://ia800405.us.archive.org/23/items/mbid-d18b273a-4987-4594-a4db-419454c7e113/mbid-d18b273a-4987-4594-a4db-419454c7e113-2013460549_thumb250.jpg","song":"Monday","track_id":"2238fdf3-a602-348c-b1f5-544a6564230e","recording_id":"cd25ffb1-5998-4f5a-bb0f-1c3cb3d61da4","artist":"Wilco","artist_ids":["9e53f84d-ef44-4c16-9677-5fd4d78cbd7d"],"album":"Being There","release_id":"d18b273a-4987-4594-a4db-419454c7e113","release_group_id":"5aed5f2c-4b8a-35a7-9655-906e3ea72fa1","labels":["Reprise Records"],"label_ids":["af6d6f49-2b4d-40fe-86d4-241906772b59"],"release_date":"1996-10-29","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Join us for the 2025 KEXP Yule Benefit with Jeff Tweedy and Mavis Staples at McCaw Hall on Tuesday, December 2nd. For one night only, gather with the KEXP community for sets from singer-songwriter-producer and Wilco frontman Jeff Tweedy performing solo, and from Mavis Staples, a true American music and civil rights icon. Proceeds from this special performance benefit KEXP. https://www.kexp.org/events/kexp-events/yule-benefit-2025/\n\nEnjoy Live Video from Wilco's 2015 Columbia City Theater performance exclusively for KEXP New Home donors: https://bit.ly/3phQSHF.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582324,"uri":"https://api.kexp.org/v2/plays/3582324/?format=json","airdate":"2025-11-24T10:07:17-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://ia801507.us.archive.org/31/items/mbid-bfe87e08-264d-455f-a0a5-d71a7f60f182/mbid-bfe87e08-264d-455f-a0a5-d71a7f60f182-5094120429_thumb500.jpg","thumbnail_uri":"https://ia801507.us.archive.org/31/items/mbid-bfe87e08-264d-455f-a0a5-d71a7f60f182/mbid-bfe87e08-264d-455f-a0a5-d71a7f60f182-5094120429_thumb250.jpg","song":"Maybe on Monday","track_id":"6fad1359-ee04-39ff-82c6-fd983171c907","recording_id":"5403cb37-83df-4d0b-af77-a83f31213d80","artist":"Calexico","artist_ids":["5e372a49-5672-4fb8-ba14-18c90780c4f9"],"album":"Algiers","release_id":"bfe87e08-264d-455f-a0a5-d71a7f60f182","release_group_id":"9d1cc7ba-87b7-4066-99d2-115069d04ec1","labels":["Anti‐"],"label_ids":["5b8cf470-f162-4ee3-9b9f-77ff4ee0c601"],"release_date":"2012-09-11","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Enjoy Live Video from Calexico's 2022 KEXP In-Studio: https://bit.ly/4odlWWk.\n\nFor the better part of two decades, nine studio albums, and countless trips around the globe, Joey Burns and John Convertino have embraced a multitude of diverse styles and well cultivated signature sounds. https://casadecalexico.bandcamp.com/track/maybe-on-monday\n\nhttps://www.casadecalexico.com/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582323,"uri":"https://api.kexp.org/v2/plays/3582323/?format=json","airdate":"2025-11-24T10:04:01-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://ia800804.us.archive.org/35/items/mbid-db3b83dc-b975-49ce-a300-fa01b678d955/mbid-db3b83dc-b975-49ce-a300-fa01b678d955-10799413817_thumb500.jpg","thumbnail_uri":"https://ia800804.us.archive.org/35/items/mbid-db3b83dc-b975-49ce-a300-fa01b678d955/mbid-db3b83dc-b975-49ce-a300-fa01b678d955-10799413817_thumb250.jpg","song":"Long Monday","track_id":"7ddebd73-8159-3af8-a3ad-3f7688d7d396","recording_id":"c92d7d90-ec2d-4c42-8ec6-474f662dea17","artist":"John Prine","artist_ids":["e86492c1-0376-4df0-8042-8ba058c83960"],"album":"Fair & Square","release_id":"db3b83dc-b975-49ce-a300-fa01b678d955","release_group_id":"034e6b4c-bc03-3e80-ac07-92a5f9d96cca","labels":["Oh Boy Records"],"label_ids":["479ff113-194d-4606-83cd-ab3386907c87"],"release_date":"2005-04-26","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"John Prine's 15th studio album. At the 48th Grammy Awards in 2006, Fair & Square won the Grammy Award for Best Contemporary Folk Album.\n\nhttps://www.johnprine.com/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582322,"uri":"https://api.kexp.org/v2/plays/3582322/?format=json","airdate":"2025-11-24T10:00:12-08:00","show":65199,"show_uri":"https://api.kexp.org/v2/shows/65199/?format=json","image_uri":"https://dn710001.ca.archive.org/0/items/mbid-88b7a894-a6cc-4d64-9ffd-da56e72fd5a8/mbid-88b7a894-a6cc-4d64-9ffd-da56e72fd5a8-37857999068_thumb500.jpg","thumbnail_uri":"https://dn710001.ca.archive.org/0/items/mbid-88b7a894-a6cc-4d64-9ffd-da56e72fd5a8/mbid-88b7a894-a6cc-4d64-9ffd-da56e72fd5a8-37857999068_thumb250.jpg","song":"If It's Monday Morning","track_id":"9c0fc5e6-cc8a-4300-97f1-6d64bba1e5c8","recording_id":"9312e02f-8084-4f9b-8e09-caa27a6af51c","artist":"Lee Hazlewood","artist_ids":["56d9908f-548e-40c1-837f-cd006d79d3a0"],"album":"Requiem For An Almost Lady","release_id":"88b7a894-a6cc-4d64-9ffd-da56e72fd5a8","release_group_id":"a6282dca-f64b-3aa6-b9ad-279acbc86a19","labels":["Smells Like Records"],"label_ids":["ae9ddfd9-5c54-45f7-88a3-c1af57e2ac93"],"release_date":"1999-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Lee Hazlewood was a Creek pop singer, songwriter, and record produce.\n\nhttps://leehazlewoodmusic.net/","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582320,"uri":"https://api.kexp.org/v2/plays/3582320/?format=json","airdate":"2025-11-24T09:57:25-08:00","show":65198,"show_uri":"https://api.kexp.org/v2/shows/65198/?format=json","image_uri":"https://ia801806.us.archive.org/27/items/mbid-ee4005a8-e3f7-414d-95c7-1af4135b6f19/mbid-ee4005a8-e3f7-414d-95c7-1af4135b6f19-28197974254_thumb500.jpg","thumbnail_uri":"https://ia801806.us.archive.org/27/items/mbid-ee4005a8-e3f7-414d-95c7-1af4135b6f19/mbid-ee4005a8-e3f7-414d-95c7-1af4135b6f19-28197974254_thumb250.jpg","song":"The Harder They Come","track_id":"9f912d36-e7bb-3e70-a290-e3481ce1ab25","recording_id":"51084ca6-06f4-41f2-bfcf-5d2bc5940b3e","artist":"Jimmy Cliff","artist_ids":["2caa54a7-b08c-41da-b892-3a41abe778be"],"album":"The Reggae Box: The Routes of Jamaican Music","release_id":"ee4005a8-e3f7-414d-95c7-1af4135b6f19","release_group_id":"bff0dbdb-18e5-3fd8-bca4-b9445d8f9525","labels":["Hip‐O Records"],"label_ids":["71f53f0e-6286-4684-8bb8-33c027397852"],"release_date":"2001-11-13","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Jimmy Cliff, the charismatic Jamaican singer, songwriter, and actor who played an instrumental role in bringing reggae music and the raw culture of Jamaica to a global audience, has died at the age of 81. His family announced that he passed away following a seizure and subsequent pneumonia.\n\nBorn James Chambers on July 30, 1944, in Somerton, Saint James, Jamaica, Cliff began his career after moving to Kingston in his early teens. Adopting the stage name Jimmy Cliff, he recorded his first local hit, \"Hurricane Hattie,\" at just 14, establishing himself as a foundational figure in the evolution of ska and rocksteady into reggae.\n\nCliff’s rise to international prominence was cemented by his starring role in the 1972 cult-classic film, The Harder They Come. Playing the aspiring singer-turned-outlaw Ivanhoe \"Ivan\" Martin, Cliff not only provided the film's gritty heart but also co-produced a seminal soundtrack that introduced reggae classics like the title track, \"Many Rivers to Cross,\" and \"Sitting in Limbo\" to the world. The film is widely credited with establishing reggae as a global musical force.\n\nThroughout his seven-decade career, Cliff continued to tour and record, exploring genres beyond reggae and collaborating with artists across the musical spectrum. His enduring influence and musical excellence were recognized with numerous honors, including:\nInduction into the Rock and Roll Hall of Fame in 2010; two Grammy Awards for Best Reggae Recording/Album, for Cliff Hanger (1985) and Rebirth (2012); and The Order of Merit, one of Jamaica's highest national honors.\n\nJimmy Cliff’s voice was a powerful conduit for the spirit of his homeland, carrying its struggles, its defiance, and its vibrant rhythm to every corner of the earth.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582321,"uri":"https://api.kexp.org/v2/plays/3582321/?format=json","airdate":"2025-11-24T09:56:28-08:00","show":65198,"show_uri":"https://api.kexp.org/v2/shows/65198/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3582319,"uri":"https://api.kexp.org/v2/plays/3582319/?format=json","airdate":"2025-11-24T09:52:34-08:00","show":65198,"show_uri":"https://api.kexp.org/v2/shows/65198/?format=json","image_uri":"https://dn721500.ca.archive.org/0/items/mbid-e5913eac-3d74-47af-a3f2-7aa6618f140a/mbid-e5913eac-3d74-47af-a3f2-7aa6618f140a-43405280844_thumb500.jpg","thumbnail_uri":"https://ia801001.us.archive.org/34/items/mbid-e5913eac-3d74-47af-a3f2-7aa6618f140a/mbid-e5913eac-3d74-47af-a3f2-7aa6618f140a-43405280844_thumb250.jpg","song":"Divinize","track_id":"e59c874f-f78c-438e-80f5-1393517c71df","recording_id":"2185db2a-e6a4-487b-a3a4-2b030a2daa53","artist":"ROSALÍA","artist_ids":["25f3abd9-63b5-471a-bd25-feb9672dfa11"],"album":"LUX","release_id":"e5913eac-3d74-47af-a3f2-7aa6618f140a","release_group_id":"bb3ec118-57df-4eb9-a8fe-a26a70a7dbe0","labels":["Columbia"],"label_ids":["011d1192-6f65-45bd-85c4-0400dd45693e"],"release_date":"2025-11-07","rotation_status":"Heavy","is_local":false,"is_request":false,"is_live":false,"comment":"Catalonian artist Rosalía has been described as an \"atypical pop star\" due to her genre-bending musical styles.\n\nAfter being enthralled by Spanish folk music at age 14, she studied musicology at the Catalonia College of Music while also performing at musical bars and weddings, for which she was paid \"a little over 80 euros or in exchange for dinner.\" \n\nRosalía completed her studies with honours by virtue of her debut and collaborative cover album with Raül Refree, Los Ángeles (2017), and her baccalaureate second album El mal querer (2018). Reimagining flamenco by mixing it with pop and hip hop music, it spawned the singles \"Malamente\" and \"Pienso en tu mirá,\" which caught the attention of the Spanish public, and were released to critical acclaim. https://tinyurl.com/4fwn756j","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582315,"uri":"https://api.kexp.org/v2/plays/3582315/?format=json","airdate":"2025-11-24T09:49:26-08:00","show":65198,"show_uri":"https://api.kexp.org/v2/shows/65198/?format=json","image_uri":"","thumbnail_uri":"","song":"Outside","track_id":null,"recording_id":null,"artist":"Palo Canto","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":"R/N","is_local":false,"is_request":false,"is_live":false,"comment":"\"In Palo Canto we find our truth.\"\n\nThe Budapest-based, multicultural techno duo, composed of Bertalan Toth and Peter Kedves, aims to gravitate listeners to their absolute higher self, much akin to indigenous medicine like the sacred smoke from burning palo santo.\n\nThe primary thought behind their creation is to be challenged by connecting the audience to their inner world through dancing and healing vibes. Palo Canto's music consists not only of different mixtures of organic and electric sounds but also hypnotic guitar riffs, warm synths, ancient chants, ecstatic pulses, smooth textures, and powerful rhythmic beats.\n\nPalo Canto is currently working on its first LP, inviting all listeners for an unforgettable inner trip of healing.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582314,"uri":"https://api.kexp.org/v2/plays/3582314/?format=json","airdate":"2025-11-24T09:47:49-08:00","show":65198,"show_uri":"https://api.kexp.org/v2/shows/65198/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3582313,"uri":"https://api.kexp.org/v2/plays/3582313/?format=json","airdate":"2025-11-24T09:42:24-08:00","show":65198,"show_uri":"https://api.kexp.org/v2/shows/65198/?format=json","image_uri":"https://coverartarchive.org/release/720ec41d-ae3f-461b-b1f4-a9734888d8b7/42244362135-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/720ec41d-ae3f-461b-b1f4-a9734888d8b7/42244362135-250.jpg","song":"Fairy in a Bottle","track_id":null,"recording_id":"77c63625-da0c-4b36-b35a-e9711882c86c","artist":"Jacob Alon","artist_ids":["86621e68-ef8f-45ac-a6d0-b1824beb2666"],"album":"In Limerence","release_id":null,"release_group_id":"255d20ed-05cb-48b7-b547-dbe392513011","labels":["Island"],"label_ids":["dfd92cd3-4888-46d2-b968-328b1feb2642"],"release_date":"2025-05-30","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Jacob Alon has been nominated for  Mercury Prize(!!!), which FarOut Magazine aptly describes as \"a win for industry outsiders. When we talk about the music industry being broken, a talent like Alon is exactly the type of artist we talk about being lost. Born in Fife and raised by a single mother on the border between a housing estate and a forest — it’s not the context the music industry often goes looking in. They also had to face up to the pain of being ostracised by their family for being non-binary, adding a whole new battle.\" https://tinyurl.com/ypzn7urm\n\nOf this Dan Carey-produced track, Scottish artist Jacob Alon shares, \"This song, for me, is a shedding of shame. It’s a soft hand tracing the stretch marks left behind by a once messy, awkward, painful, and frightening realisation of my queerness. It’s a memory of the unspoken ways in which my heart and body knew how to move; knew how to draw in close under a cloak of darkness to bridge canyons of hatred and fear with acts of love.\n\n\"I wrote this song the night after a party where my self-esteem had shattered into a million pieces. When, out of my face, I’d confessed to someone with my words, my precious words, how I had loved them all those years ago. I was half-expecting some big revelation or closure or acknowledgement, but it didn’t come. I would always be something they’d rather pretend didn’t happen.\n\n\"I wish I could tell little Cob how much joy and beauty was waiting for them on the other side of all that pain. I hope I can give the same love to anyone out there who’s still figuring things out. And I want to keep giving it to you – my beautiful, boundless, infinite queers. This song is for you. This song is for little Cob.\" https://tinyurl.com/475mtsrn","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3582311,"uri":"https://api.kexp.org/v2/plays/3582311/?format=json","airdate":"2025-11-24T09:36:02-08:00","show":65198,"show_uri":"https://api.kexp.org/v2/shows/65198/?format=json","image_uri":"","thumbnail_uri":"","song":"Forever, I've Been Being Born","track_id":null,"recording_id":null,"artist":"Jesse Sykes & The Sweet Hereafter","artist_ids":["254b5419-1819-49c9-abcf-6e9b8210ebf4"],"album":"Forever, I've Been Being Born","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":"R/N","is_local":false,"is_request":false,"is_live":false,"comment":"Jesse Syke's first release in 14 years will finally see the light on Black Friday's edition of Record Store Day 2025; more info here: https://tinyurl.com/msuhcwh2\n\nThey'll also be performing a free and all ages show live at Easy Street Records on Friday, November 28th at 7pm to celebrate their RSDBF release!\n\nSykes reveals, \"This album is our attempt to create elegant folk and sometimes ragged, cosmic, heart rendered songs full of eulogies and laments. When we started recording it,  I remember saying, 'Play the songs as if the edge of a butterfly wing was brushing against your cheek in the dark while you’re holding a small child.'\n\n\"I wanted to connote tenderness and a state of grace in the wake of resolution. I was coming out of a bad depression at the time, relieved I wanted to pick up my guitar again after an insanely long dry spell, but also I was paying homage to the knowledge of an emerging, menacing undertone in the collective psyche that was bigger than me, which might have been what compelled me to pick it up that day back in 2015.\n\n\"I must also mention that I wrote it right before our beloved dog died. She was almost 16 at the time and I knew it was coming, her death. She was at my feet when it was written, so she’s enmeshed in the body of the song. I was consoling myself and my future self, knowing she’d be gone by the time the song would see the light of day. Songs are time machines. Portals. She’s right there inside of it now, eating her snow, which was all she wanted to do the last few weeks of her life.\n\n\"It is with great pleasure and humility that we bring you, Forever, I’ve Been Being Born. Listen in the dark.\" https://tinyurl.com/4cbv46rz","location":1,"location_name":"Default","play_type":"trackplay"}]}