{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=80480&ordering=-airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=80440&ordering=-airdate","results":[{"id":3559774,"uri":"https://api.kexp.org/v2/plays/3559774/?format=json","airdate":"2025-09-30T20:27:24-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://coverartarchive.org/release/c164294c-0c98-4369-838a-6b5859587f8f/39810371856-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/c164294c-0c98-4369-838a-6b5859587f8f/39810371856-250.jpg","song":"Beaux Dimanches","track_id":null,"recording_id":"d72f076a-1dc4-4c38-8d6e-7422e2ba5943","artist":"Amadou & Mariam","artist_ids":["1fb60b6c-0f4d-42b4-8a5e-de705ec76660"],"album":"La vie est belle","release_id":null,"release_group_id":"d14579d6-598f-431e-8fc5-ea31f5a313bf","labels":[],"label_ids":[],"release_date":"2024-09-06","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"This compilation, released in September of 2024, includes favorited tracks off of this duo’s successful string of post-millennial albums – Dimanche à Bamako (2004), Welcome to Mali (2008), Folila (2012) and La Confusion (2017). \n\nAmadou and Mariam first met at the Bamako (Mali) Institute for Young Blind People in the 1970s and went on to captivate audiences throughout Mali and the Ivory Coast with music ranging from authentic Malian street music to super-sophisticated blends of electronica-soaked electro-pop.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559775,"uri":"https://api.kexp.org/v2/plays/3559775/?format=json","airdate":"2025-09-30T20:24:58-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3559772,"uri":"https://api.kexp.org/v2/plays/3559772/?format=json","airdate":"2025-09-30T20:20:09-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://ia601909.us.archive.org/32/items/mbid-1e54dda5-c64b-42e8-9eed-ed50639e134b/mbid-1e54dda5-c64b-42e8-9eed-ed50639e134b-34338224438_thumb500.jpg","thumbnail_uri":"https://dn721605.ca.archive.org/0/items/mbid-1e54dda5-c64b-42e8-9eed-ed50639e134b/mbid-1e54dda5-c64b-42e8-9eed-ed50639e134b-34338224438_thumb250.jpg","song":"Sega","track_id":"92a439e0-3790-3a93-a228-8759726d0595","recording_id":"d78f616e-8d59-4b7c-af09-7f5e094a2e0f","artist":"Ali Farka Touré with Ry Cooder","artist_ids":["a4e2650b-938b-4b72-95bc-6e229cd34601","9be2a5ac-8201-489b-b5f6-91f958bf9060"],"album":"Talking Timbuktu","release_id":"1e54dda5-c64b-42e8-9eed-ed50639e134b","release_group_id":"a5a7a716-a039-3815-aee3-88ac135721c5","labels":["World Circuit","Hannibal"],"label_ids":["ad3947c8-2a1e-45b7-a41b-fd0f4d1065bc","7fd6a368-1932-4621-88e1-9a71929ee9b9"],"release_date":"1994-03-29","rotation_status":null,"is_local":true,"is_request":false,"is_live":false,"comment":"This record is from the collaboration of Malian guitarist Ali Farka Touré and American guitarist/producer Ry Cooder. The two musicians met in 1992 and agreed to collaborate, leading to Talking Timbuktu, which was recorded in just three days, released in 1994.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559771,"uri":"https://api.kexp.org/v2/plays/3559771/?format=json","airdate":"2025-09-30T20:14:16-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://dn721605.ca.archive.org/0/items/mbid-1e54dda5-c64b-42e8-9eed-ed50639e134b/mbid-1e54dda5-c64b-42e8-9eed-ed50639e134b-34338224438_thumb500.jpg","thumbnail_uri":"https://dn721605.ca.archive.org/0/items/mbid-1e54dda5-c64b-42e8-9eed-ed50639e134b/mbid-1e54dda5-c64b-42e8-9eed-ed50639e134b-34338224438_thumb250.jpg","song":"Soukora","track_id":"5eb60157-1353-30b9-a31f-8374e573d293","recording_id":"b7bb9a47-03b6-4810-acee-838706b2faee","artist":"Ali Farka Touré with Ry Cooder","artist_ids":["a4e2650b-938b-4b72-95bc-6e229cd34601","9be2a5ac-8201-489b-b5f6-91f958bf9060"],"album":"Talking Timbuktu","release_id":"1e54dda5-c64b-42e8-9eed-ed50639e134b","release_group_id":"a5a7a716-a039-3815-aee3-88ac135721c5","labels":["World Circuit","Hannibal"],"label_ids":["ad3947c8-2a1e-45b7-a41b-fd0f4d1065bc","7fd6a368-1932-4621-88e1-9a71929ee9b9"],"release_date":"1994-03-29","rotation_status":null,"is_local":true,"is_request":false,"is_live":false,"comment":"Ry Cooder and Ali Farka Touré first crossed trails in London in 1992. As a token of his admiration, the legendary African musician presented Cooder the one-string lute he’d played as a child.  From that moment on, they became each other's musical teammates, collaborating on each other's projects every so often.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559769,"uri":"https://api.kexp.org/v2/plays/3559769/?format=json","airdate":"2025-09-30T20:10:57-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://ia801405.us.archive.org/27/items/mbid-b33bb51a-169d-450c-a8bb-c9aa7fe56417/mbid-b33bb51a-169d-450c-a8bb-c9aa7fe56417-16127844498_thumb500.jpg","thumbnail_uri":"https://ia801405.us.archive.org/27/items/mbid-b33bb51a-169d-450c-a8bb-c9aa7fe56417/mbid-b33bb51a-169d-450c-a8bb-c9aa7fe56417-16127844498_thumb250.jpg","song":"Hillside Drums","track_id":"5b1fb5f8-790f-35e4-8d6e-f0e0ce13ee47","recording_id":"96fbb902-95b9-4bef-af54-ddc33b90441c","artist":"Nusrat Fateh Ali Khan","artist_ids":["5968383c-11c1-4c5b-ada0-504a38cec8e7"],"album":"Bandit Queen","release_id":"b33bb51a-169d-450c-a8bb-c9aa7fe56417","release_group_id":"f6dbb923-9312-3218-ac11-bbbf7f68db50","labels":["Milan"],"label_ids":["41099e29-7301-4fa3-86a4-8d510157b275"],"release_date":"1996-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Ustad Nusrat Fateh Ali Khan was a Pakistani singer, songwriter, and music director, primarily associated with qawwali, a form of Sufi devotional music. He ranks as one of the most influential South Asian singers of all time","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559767,"uri":"https://api.kexp.org/v2/plays/3559767/?format=json","airdate":"2025-09-30T20:08:51-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://coverartarchive.org/release/6afeb3ca-4103-42d1-9029-94cb068595f9/8404095525-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/6afeb3ca-4103-42d1-9029-94cb068595f9/8404095525-250.jpg","song":"Sunny Crypt","track_id":null,"recording_id":"0e2e569f-d870-448f-a27b-c408a187388c","artist":"Francis Bebey","artist_ids":["fab6adab-b46f-45f8-8700-bc44408ba583"],"album":"Psychedelic Sanza 1982-1984","release_id":null,"release_group_id":"379eeaf2-a9fe-4e96-8d1e-a745842b1d16","labels":[],"label_ids":[],"release_date":"2014-08-21","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"There is so much to discover about prolific Cameroonian artist Francis Bebey. While some know him for his infectious riffs on the one-note bamboo flute reminiscent of Herbie Hancock’s “Watermelon Man,” others know him as a researcher in the field of African musicology.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559766,"uri":"https://api.kexp.org/v2/plays/3559766/?format=json","airdate":"2025-09-30T20:04:05-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://coverartarchive.org/release/6afeb3ca-4103-42d1-9029-94cb068595f9/8404095525-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/6afeb3ca-4103-42d1-9029-94cb068595f9/8404095525-250.jpg","song":"African Sanza","track_id":null,"recording_id":"26dc9bfc-00a5-4bd7-8c2d-88a159f82102","artist":"Francis Bebey","artist_ids":["fab6adab-b46f-45f8-8700-bc44408ba583"],"album":"Psychedelic Sanza 1982-1984","release_id":null,"release_group_id":"379eeaf2-a9fe-4e96-8d1e-a745842b1d16","labels":["Born Bad Records"],"label_ids":["c82f5a52-138e-46b0-b359-acab96b71ce6"],"release_date":"2014-08-21","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The sanza we hear looks vaguely like a kalimba, mbira, and manifests as a hollow wooden block with metal rods which are struck to create a vibrating sound that resonates within the wood. 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In this recording, we hear what's likely a bamboo flute.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559765,"uri":"https://api.kexp.org/v2/plays/3559765/?format=json","airdate":"2025-09-30T19:59:53-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3559764,"uri":"https://api.kexp.org/v2/plays/3559764/?format=json","airdate":"2025-09-30T19:46:31-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://ia800501.us.archive.org/10/items/mbid-d54d0d24-c3ba-435f-9ae9-60d2574c3027/mbid-d54d0d24-c3ba-435f-9ae9-60d2574c3027-22424238175_thumb500.jpg","thumbnail_uri":"https://ia800501.us.archive.org/10/items/mbid-d54d0d24-c3ba-435f-9ae9-60d2574c3027/mbid-d54d0d24-c3ba-435f-9ae9-60d2574c3027-22424238175_thumb250.jpg","song":"Shakara","track_id":"1b2baf19-7cea-4070-b60e-e1abe86de84b","recording_id":"3d2193ed-6e93-43a3-bebf-c95a56f181c1","artist":"Fela Kuti","artist_ids":["6514cffa-fbe0-4965-ad88-e998ead8a82a"],"album":"The Complete Works of Fela Anikulapo Kuti","release_id":"d54d0d24-c3ba-435f-9ae9-60d2574c3027","release_group_id":"fb6a6f9e-6dcf-42fe-a603-6e463cf65b67","labels":["Wrasse Records"],"label_ids":["3a33c6f4-b06e-4d23-8ebf-ba3d2c9edab3"],"release_date":"2010-11-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"One of the first tracks played by Darek Mazzone of Wo' Pop during the shows early days.\n\nReleased in 72. 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As for the song's melody, the band had been kicking around its strictly roots riff for quite some time, according to Wailers bassist Aston \"Family Man\" Barrett. \"That’s why it still stands up today, because it’s outstanding,\" he said. \"Natural Mystic\" not only set the tone for one of Marley's greatest works, but also its title phrase earned Marley, already called Nesta and Tuff Gong, yet another nickname.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559762,"uri":"https://api.kexp.org/v2/plays/3559762/?format=json","airdate":"2025-09-30T19:36:15-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3559761,"uri":"https://api.kexp.org/v2/plays/3559761/?format=json","airdate":"2025-09-30T19:32:51-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://ia600708.us.archive.org/29/items/mbid-2e18e017-0a62-4c50-a708-b6fbea29612e/mbid-2e18e017-0a62-4c50-a708-b6fbea29612e-23975175806_thumb500.jpg","thumbnail_uri":"https://ia600708.us.archive.org/29/items/mbid-2e18e017-0a62-4c50-a708-b6fbea29612e/mbid-2e18e017-0a62-4c50-a708-b6fbea29612e-23975175806_thumb250.jpg","song":"Candela","track_id":"629bad50-a7d4-3880-ad94-c098030a04d7","recording_id":"16c11b1d-162e-4b9e-a3c0-fc74546b4520","artist":"Buena Vista Social Club","artist_ids":["2a85ecff-41e9-4be1-aca6-c87054a4c334"],"album":"Buena Vista Social Club","release_id":"2e18e017-0a62-4c50-a708-b6fbea29612e","release_group_id":"32bbab8e-02c0-30d2-9e23-a19739864b84","labels":["Nonesuch"],"label_ids":["c69cac59-f512-4edc-ab2c-d04c22dbce20"],"release_date":"1997-09-16","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Buena Vista Social Club is the debut album by the eponymous ensemble of Cuban musicians directed by Juan de Marcos González and American guitarist Ry Cooder.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559759,"uri":"https://api.kexp.org/v2/plays/3559759/?format=json","airdate":"2025-09-30T19:28:11-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://ia902802.us.archive.org/34/items/mbid-6794515a-ea3a-4b51-9c23-54d67b751650/mbid-6794515a-ea3a-4b51-9c23-54d67b751650-6232091176_thumb500.jpg","thumbnail_uri":"https://ia902802.us.archive.org/34/items/mbid-6794515a-ea3a-4b51-9c23-54d67b751650/mbid-6794515a-ea3a-4b51-9c23-54d67b751650-6232091176_thumb250.jpg","song":"Chan Chan","track_id":"e9b2385f-afd4-30a7-84b2-ab1aeec3473f","recording_id":"de0b9a2a-1d1c-468c-ad2f-0173d01174d8","artist":"Buena Vista Social Club","artist_ids":["2a85ecff-41e9-4be1-aca6-c87054a4c334"],"album":"At Carnegie Hall","release_id":"6794515a-ea3a-4b51-9c23-54d67b751650","release_group_id":"3f25ebdc-5e8a-35e3-b06f-43181fbdbf3a","labels":["World Circuit"],"label_ids":["ad3947c8-2a1e-45b7-a41b-fd0f4d1065bc"],"release_date":"2008-10-13","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The song is a story about a man and a woman (Chan Chan and Juanica) who are building a house, and go to the beach to get some sand. Chan Chan collects the sand and puts it on the jibe (a sieve for sand). Juanica shakes it, and to do so she shakes herself with it, flustering Chan Chan. This tale comes from a farmer song learnt by Compay Segundo, singer and guitarist inthe group, when he was twelve years old!","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559760,"uri":"https://api.kexp.org/v2/plays/3559760/?format=json","airdate":"2025-09-30T19:24:34-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3559758,"uri":"https://api.kexp.org/v2/plays/3559758/?format=json","airdate":"2025-09-30T19:22:14-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://coverartarchive.org/release/d1542edd-2c76-424e-8518-99b95ea4a800/25798907453-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/d1542edd-2c76-424e-8518-99b95ea4a800/25798907453-250.jpg","song":"Africadelic","track_id":null,"recording_id":"3a66fc5c-3590-4fc0-bd80-a9ae97449cc0","artist":"Manu Dibango","artist_ids":["826b488f-5164-45ca-abc4-ab11b3c321eb"],"album":"The Very Best of Manu Dibango","release_id":null,"release_group_id":"e29d4909-ef09-328d-8601-716073f283cb","labels":["Manteca"],"label_ids":["97d24ff8-2093-4fa4-984f-534aa8f20119"],"release_date":"2000-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The 86-year-old fused jazz and funk music with traditional sounds from his home country, Cameroon, with his primary instruments being saxophone and vibraphone.\n\nHe collaborated with numerous artists over a long career, including US pianist Herbie Hancock and Nigeria's Afrobeat pioneer Fela Kuti.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559756,"uri":"https://api.kexp.org/v2/plays/3559756/?format=json","airdate":"2025-09-30T19:19:07-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"","thumbnail_uri":"","song":"Dil Tadap Tadap Ke","track_id":null,"recording_id":"eb44d856-18e9-4591-ad80-ad46a2681638","artist":"Lata Mangeshkar & Mukesh","artist_ids":["aeb71bd8-447d-4415-8ea1-2b7d664f67e1","bc396309-3a20-4520-9431-1444142d1051"],"album":"Legends - Lata Mangeshkar & Mukesh","release_id":null,"release_group_id":"e2f7ad85-186e-4df3-b0a8-4924d18f0ab6","labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Lata Mangeshkar and Mukesh were two of Indian cinema's most iconic and cherished playback singers, and their musical partnership holds great significance in the history of Bollywood, as their voices represented the golden era of Hindi film music.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559757,"uri":"https://api.kexp.org/v2/plays/3559757/?format=json","airdate":"2025-09-30T19:15:47-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"","thumbnail_uri":"","song":"Aloha Ka Manini","track_id":null,"recording_id":"f9f5adc0-4fe4-4168-ac09-ba73dd8726b9","artist":"Gabby Pahinui","artist_ids":["f7f0a712-5a59-4f65-a36d-5cc5b2ecb029"],"album":"Best of the Gabby Band, 1972–1977","release_id":null,"release_group_id":"134e3758-65be-3a7c-b59e-f457dbc307b1","labels":["Panini Records"],"label_ids":["eb9eb27d-9011-4bc8-a908-1435ad5559d9"],"release_date":"1993-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Gabby was one of the great 20th century masters of Hawaiian vocal, slack key and steel guitar music -- a true working class hero.  Gabby was a brilliant self-taught musician whose musical influences included the big band and jazz music brought to Hawai“i to entertain the tourists, in the neighborhood where he grew up, and the traditional Hawaiian music favored by his native community.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559755,"uri":"https://api.kexp.org/v2/plays/3559755/?format=json","airdate":"2025-09-30T19:11:12-07:00","show":64712,"show_uri":"https://api.kexp.org/v2/shows/64712/?format=json","image_uri":"https://coverartarchive.org/release/1dc084f5-bf2f-4834-b6ab-9621b4b93cd2/23605920780-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/1dc084f5-bf2f-4834-b6ab-9621b4b93cd2/23605920780-250.jpg","song":"Blue Hawaiian Moonlight","track_id":null,"recording_id":"5461cf45-7c0d-4022-938a-35ee6d890879","artist":"Gabby Pahinui","artist_ids":["f7f0a712-5a59-4f65-a36d-5cc5b2ecb029"],"album":"Mele O Hawai’i","release_id":null,"release_group_id":"3c60d614-0134-465f-8326-0ed1121c2bbe","labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"This track is a Kevin Sur pick, off a pioneering Hawaiian record that revived the Hawaiian language in the Hawaiian renaissance. 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He's known for merging this western jazz instrument with Ethiopian scales and rhythms.","location":1,"location_name":"Default","play_type":"trackplay"}]}