{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=80640&ordering=-airdate","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=80600&ordering=-airdate","results":[{"id":3559349,"uri":"https://api.kexp.org/v2/plays/3559349/?format=json","airdate":"2025-09-29T21:13:28-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3559348,"uri":"https://api.kexp.org/v2/plays/3559348/?format=json","airdate":"2025-09-29T21:10:59-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"https://coverartarchive.org/release/7aa083e3-e69f-4c1c-9e2c-e23f391c786d/26413086728-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/7aa083e3-e69f-4c1c-9e2c-e23f391c786d/26413086728-250.jpg","song":"Chica de oro","track_id":null,"recording_id":"a7653b4a-5930-4cdc-a817-3306dd3645af","artist":"El Mató a un Policía Motorizado","artist_ids":["9eaf4321-20b8-4611-bc82-493a361104e3"],"album":"La Dinastía Scorpio","release_id":null,"release_group_id":"2c238f2b-a1da-4ab7-b5d9-703b8b0f930b","labels":[],"label_ids":[],"release_date":"2012-11-28","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Chica de Oro” is a dreamy, melancholic track that captures Él Mató a un Policía Motorizado at their most vulnerable and atmospheric. With steady drums, fuzzed-out guitars, and Santiago Motorizado’s restrained vocal delivery, the song drifts between longing and resignation. The repeated mention of “Jenny” gives the track a nostalgic, almost ghostly quality—like calling out to someone already lost to time. Its simplicity is its strength: emotionally raw yet musically restrained, evoking the ache of memory without ever needing to explain too much. A slow-burning standout in their discography.\n\nListen on Bandcamp:\nhttps://elmatoaunpoliciamotorizado.bandcamp.com/track/chica-de-oro-2","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559347,"uri":"https://api.kexp.org/v2/plays/3559347/?format=json","airdate":"2025-09-29T21:07:36-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Carnaval","track_id":null,"recording_id":null,"artist":"Estamos Perdidos","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Estamos Perdidos channel urgency and political bite. “Carnaval” takes the festive title and twists it—turning the celebration into a metaphor for chaos, violence, and collapse. The music is fast and direct: distorted guitars, pounding drums, and shouted vocals that refuse subtlety. The song burns bright and brief, like a spark in dry grass. Its energy is contagious, fueled by anger but also solidarity. Estamos Perdidos exemplify punk’s DIY grit, and “Carnaval” is one of their fiercest calls to action.\u2028Listen: https://estamosperdidos.bandcamp.com/track/carnaval","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559346,"uri":"https://api.kexp.org/v2/plays/3559346/?format=json","airdate":"2025-09-29T21:02:12-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Todo se mantiene igual","track_id":null,"recording_id":null,"artist":"destellos","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"*\u2028destellos* is an Argentine shoegaze/dream-pop project focused on shimmering textures and understated vocals. “Todo se mantiene igual” lives in repetition and atmosphere: layered guitars ripple with delay, percussion remains steady, and the voice blends into the mix like another instrument. The title (“Everything Stays the Same”) reflects the song’s circular structure, creating a trance-like effect that underscores the lyrics’ resignation. It’s not about climax, but immersion. destellos* excel at evoking landscapes of melancholy and calm, and this track demonstrates their skill for meditative, deeply textured soundscapes.\u2028Listen: https://destellosmusica.bandcamp.com/track/todo-se-mantiene-igual","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559345,"uri":"https://api.kexp.org/v2/plays/3559345/?format=json","airdate":"2025-09-29T20:58:25-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Mientras bajo el pulgar","track_id":null,"recording_id":null,"artist":"Socorro","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Socorro is an indie/post-punk outfit known for mixing biting lyrics with shimmering guitar work. “Mientras bajo el pulgar” pairs jangly riffs with a propulsive bassline, giving it an anxious forward motion. Vocals are sharp and direct, carrying themes of disillusionment and personal unrest. The track thrives on contrast: its bright melodies offset the weight of its words, making it catchy but unresolved. Socorro’s music reflects the unease of contemporary youth in Spain—political uncertainty, inner battles, and ironic humor—wrapped in infectious indie energy.\u2028Listen: https://socorro.bandcamp.com/track/mientras-bajo-el-pulgar","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559344,"uri":"https://api.kexp.org/v2/plays/3559344/?format=json","airdate":"2025-09-29T20:54:57-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Aterrizaje en la luna","track_id":null,"recording_id":null,"artist":"yo!yo!yo!","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"yo!yo!yo! are a experimental act pushing cumbia, hip hop, and noise into uncharted territory. “Aterrizaje en la luna” is cosmic cumbia at its weirdest: looped percussion, psychedelic samples, and rapped vocals distorted into alien transmissions. The title (“moon landing”) reflects the song’s otherworldly feel, as if traditional rhythms have been warped by space travel. It’s playful but disorienting, a testament to the project’s irreverence. yo!yo!yo! thrive on dismantling genres, and here they turn cumbia into something extraterrestrial, humorous, and unforgettable.\u2028Listen: https://yoyoyocumbia.bandcamp.com/track/aterrizaje-en-la-luna","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559343,"uri":"https://api.kexp.org/v2/plays/3559343/?format=json","airdate":"2025-09-29T20:52:26-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Green (Revisited)","track_id":null,"recording_id":null,"artist":"The Lsdays","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The Lsdays, hailing from Mexico, are known for blending shoegaze and dream pop with psychedelic flourishes. “Green (Revisited)” reworks one of their earlier songs, pushing deeper into atmosphere and texture. Lush guitars ripple like sunlight through water, while vocals drift in airy tones that dissolve into reverb. The rhythm section stays understated, letting the song breathe and expand. It’s meditative and enveloping, showcasing the band’s knack for sculpting immersive soundscapes. “Green (Revisited)” is a perfect entry point into their catalog: hypnotic, tender, and shimmering with color.\u2028Listen: https://thelsdays.bandcamp.com/track/green-revisited","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559342,"uri":"https://api.kexp.org/v2/plays/3559342/?format=json","airdate":"2025-09-29T20:48:14-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Love Dream","track_id":null,"recording_id":null,"artist":"Sad Name","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Sad Name, from Santa Ana, channel post-punk melancholy into lush, atmospheric songs. “Love Dream” stands out for its ethereal guitars and brooding vocals, creating a balance between dream pop and gothic intensity. The rhythm section is restrained but insistent, pushing the song forward while the guitars shimmer overhead. Lyrics weave desire with despair, love with longing, turning the dream into something fragile. The production is expansive yet intimate, allowing small details—reverb tails, harmonic swells—to shine. A hauntingly beautiful track that highlights Sad Name’s cinematic approach to dark indie.\u2028Listen: https://sadname.bandcamp.com/track/love-dream","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559341,"uri":"https://api.kexp.org/v2/plays/3559341/?format=json","airdate":"2025-09-29T20:46:03-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3559340,"uri":"https://api.kexp.org/v2/plays/3559340/?format=json","airdate":"2025-09-29T20:42:05-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"La flaca","track_id":null,"recording_id":"d00494dc-114a-4f36-a4ba-12d975356343","artist":"Jarabe de Palo","artist_ids":["38b511a2-76fa-4a1e-9b7a-e2a6efa6399b"],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“La Flaca” is a signature track by Jarabe de Palo, written by Pau Donés during a trip to Cuba, inspired by a woman (“La Flaca”) they met in Havana. \nWikipedia The song blends Latin rock with Afro‑Caribbean rhythms, smooth guitar, and a relaxed but passionate vocal delivery. The lyrics capture infatuation and longing in vivid imagery: “Coral negro de la Habana, tremenda mulata… cien libras de piel y hueso, cuarenta kilos de salsa…” \nIt’s both a personal love letter and a universal story of desire for the unattainable. What stands out is how it balances melancholy and celebration: the narrator is entranced, vulnerable, yet the music moves with warmth. “Por un beso de la flaca daría lo que fuera” (“For a kiss from La Flaca I’d give anything”) becomes a refrain that lingers.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559339,"uri":"https://api.kexp.org/v2/plays/3559339/?format=json","airdate":"2025-09-29T20:37:51-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"“Te Para 3 – MTV Unplugged”","track_id":null,"recording_id":null,"artist":"Soda Stereo","artist_ids":["3f8a5e5b-c24b-4068-9f1c-afad8829e06b"],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"This acoustic version of “Te Para 3” reimagines Soda Stereo’s classic with intimate vulnerability. Gustavo Cerati’s vocals take center stage, framed by stripped-down guitars and subtle percussion. The lyrics, enigmatic yet emotional, gain added poignancy in the live setting, resonating with themes of absence and memory. The performance thrives on space and silence as much as melody, making every pause feel weighted. It stands as one of the most iconic moments of the MTV Unplugged era in Latin America—proof of Soda Stereo’s enduring ability to reinvent themselves without losing essence.\u2028Listen: https://open.spotify.com/track/0pVCBuPeFwYQnuwCqVvV6X","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559338,"uri":"https://api.kexp.org/v2/plays/3559338/?format=json","airdate":"2025-09-29T20:34:51-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Hasta La Raiz","track_id":null,"recording_id":null,"artist":"Natalia Lafourcade","artist_ids":["2ceb4e66-4eaa-4dba-ad3a-30df3b742557"],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Hasta la Raíz” is the title track and lead single from Natalia Lafourcade’s 2015 album.  The song weaves together folk‑roots elements (notably huapango) with polished pop sensibility. \nThe lyrics are lyrical and introspective, centering on the idea of carrying someone inside you to the root, even across distance or change. Her vocal performance is tender but firm, soft where intimacy demands, swelling with emotion in choruses. Musically, strings, gentle guitars, subtle percussion, and moments of atmospheric build give the song richness without overproduction. It feels both personal and expansive—a powerful reflection on love, memory, identity.","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559337,"uri":"https://api.kexp.org/v2/plays/3559337/?format=json","airdate":"2025-09-29T20:32:13-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3559336,"uri":"https://api.kexp.org/v2/plays/3559336/?format=json","airdate":"2025-09-29T20:28:36-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Flavio","track_id":null,"recording_id":null,"artist":"Mengers","artist_ids":["e0a15893-a805-4b54-b593-1ef4ab41a43a"],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Mexico City trio Mengers specialize in noise-punk grooves, and “Flavio” is a standout cut from their album i/O. The track is hypnotic yet abrasive: bass and drums lock into a heavy, looping rhythm, while guitars add textures of feedback and dissonance. Vocals are buried and distorted, functioning as another instrument rather than a clear message. Mengers are part of the new wave of Mexican garage/noise bands, and “Flavio” exemplifies their style—raw, relentless, and urban in mood. It’s music that thrives on repetition, creating trance through grit.\u2028Listen: https://mengers.bandcamp.com/track/flavio","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559335,"uri":"https://api.kexp.org/v2/plays/3559335/?format=json","airdate":"2025-09-29T20:21:12-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Liberar","track_id":null,"recording_id":null,"artist":"Mirror Revelations","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Mirror Revelations, a shoegaze/dream pop group from Mexico, create luminous soundscapes steeped in reverb. “Liberar” is expansive, beginning with hazy guitars before opening into soaring crescendos. Vocals are soft and almost hidden, merging with the instrumentation rather than cutting above it. The title (“to set free”) reflects the song’s feel: release through immersion, liberation through noise. Their music draws from both classic shoegaze (MBV, Slowdive) and Latin American experimentalism. This track highlights their ability to create cathartic, cinematic moments out of layered distortion and melody.\u2028Listen: https://mirrorrevelations.bandcamp.com/track/liberar","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559334,"uri":"https://api.kexp.org/v2/plays/3559334/?format=json","airdate":"2025-09-29T20:19:37-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3559333,"uri":"https://api.kexp.org/v2/plays/3559333/?format=json","airdate":"2025-09-29T20:14:41-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Valium","track_id":null,"recording_id":null,"artist":"transmissão beta","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Valium” channels the numb drift ofhardcore ennui with minimalist elegance. Anchored by a hypnotic bassline and mechanical drum machine, the track layers guitars in icy chorus tones, blurring into a dreamlike haze. Vocals are restrained, sung like someone half-asleep, embodying the chemical detachment its title suggests. The song builds through subtle shifts rather than dramatic changes, immersing the listener deeper into its atmosphere. Transmission as sedation, beauty as paralysis—it’s nighttime music for wandering empty streets, detached but strangely soothing. Brazilian post-punk at its most compelling.\u2028Listen: https://open.spotify.com/track/7LhOGc6l0B7mEs79sQH7q5","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559332,"uri":"https://api.kexp.org/v2/plays/3559332/?format=json","airdate":"2025-09-29T20:13:05-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"La debacle","track_id":null,"recording_id":null,"artist":"Blanco Teta","artist_ids":["60e392c0-83b0-44a9-af5e-25645b0ecce9"],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“La debacle” is Blanco Teta at their most chaotic and exhilarating. Bass and drums tumble forward in noisy syncopation while vocals scream, mutter, and provoke. The song constantly threatens collapse, leaning into dissonance and abrasion, yet somehow grooves enough to keep listeners hooked. It’s less a track than a happening: unpredictable, volatile, alive. Feedback and distortion work as instruments, creating texture as much as chaos. By the end, “La debacle” feels like both destruction and liberation—an experiment that refuses genre constraints. Experimental punk at its rawest.\u2028Listen: https://blancoteta.bandcamp.com/track/la-debacle","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559331,"uri":"https://api.kexp.org/v2/plays/3559331/?format=json","airdate":"2025-09-29T20:10:46-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Mírame más","track_id":null,"recording_id":null,"artist":"Etérea Letal","artist_ids":[],"album":null,"release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Mírame más” builds on Etérea Letal’s feminist punk urgency with a raw, relentless delivery. Guitars burn with serrated riffs while drums hammer forward, unrelenting. The vocals demand visibility, pushing against erasure with every shouted line. There’s no gloss here—just impact, catharsis, and the kind of raw power that defines scenes rather than follows them. The arrangement is compact but loaded with energy, perfect for sweaty basements and protest marches alike. With this track, Etérea Letal cement themselves not just as a band, but as a vital voice of resistance.\u2028Listen: https://open.spotify.com/track/2lE53BZrTR0xqj2drT4pJ0","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3559330,"uri":"https://api.kexp.org/v2/plays/3559330/?format=json","airdate":"2025-09-29T20:09:14-07:00","show":64703,"show_uri":"https://api.kexp.org/v2/shows/64703/?format=json","image_uri":"","thumbnail_uri":"","song":"Agujas","track_id":null,"recording_id":"a86b4dbc-61a6-48bc-b8d6-8d9ae78e5c0c","artist":"Margaritas Podridas","artist_ids":["599f26bc-ccdf-46e3-87a4-350532f782f8"],"album":"","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"An urgent shoegaze anthem, “Agujas” layers distortion so thick it feels suffocating, yet still lets melody shine through. Rene’s vocals hover like fragile echoes over a storm of fuzz, grounding the noise with emotional weight. The track moves forward with punk-like propulsion, keeping shoegaze intensity raw and immediate instead of floating away. Its chorus blooms into cathartic brightness, pulling beauty out of abrasion. “Agujas” has become a signature track for Margaritas Podridas, cementing their role as leaders of Mexico’s modern noise-gaze wave. Both tender and brutal, it’s unforgettable.\u2028Listen: https://margaritaspodridas.bandcamp.com/track/agujas","location":1,"location_name":"Default","play_type":"trackplay"}]}