{"next":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=9480","previous":"https://api.kexp.org/v2/plays/?format=json&limit=20&offset=9440","results":[{"id":3641694,"uri":"https://api.kexp.org/v2/plays/3641694/?format=json","airdate":"2026-04-13T21:08:40-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/19d99103-2b3b-467a-a42e-44241fd10e43/29615147204-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/19d99103-2b3b-467a-a42e-44241fd10e43/29615147204-250.jpg","song":"Dancing in the Dark","track_id":null,"recording_id":"77276c54-60e5-4c22-b5cf-8e94d9d53953","artist":"Downtown Boys","artist_ids":["4bab4841-5584-4c04-a933-3f537fbe3aad"],"album":"Full Communism","release_id":null,"release_group_id":"e4ac84b6-9087-4a4c-9416-ee3444a1cc6f","labels":["Don Giovanni Records"],"label_ids":["dcea8cc5-4fc4-4f77-aeef-3e5a14863776"],"release_date":"2015-05-05","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Downtown Boys’ version of “Dancing in the Dark” does not treat Bruce Springsteen’s song as sacred text. It grabs it by the collar and drags it into the band’s own bilingual, politically charged, high-voltage universe. Released on Full Communism in 2015, the cover lands inside an album already defined by urgency, confrontation, and a refusal to separate personal feeling from public pressure. That context matters, because Downtown Boys were never a band interested in nostalgia as comfort. Out of Providence, they built a sound that was blistering, communal, and deeply aware of systemic violence, and so their take on “Dancing in the Dark” feels less like homage than reclamation. The original’s longing remains, but the mood changes under Downtown Boys’ hands. Restlessness becomes attack. Frustration becomes propulsion. The song’s famous ache is still there, but it now feels crowded by history, by politics, by the sheer speed at which the band plays it. That transformation is what makes the cover memorable. Rather than smoothing the track into reverence, Downtown Boys reveal how elastic Springsteen’s writing can be when handed to artists with different stakes and a different temperature. Their version is furious, joyous, and just unstable enough to feel necessary. It is a cover that honors the song by refusing to behave around it. \u2028Listen: https://downtownboys.bandcamp.com/track/dancing-in-the-dark-2","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641693,"uri":"https://api.kexp.org/v2/plays/3641693/?format=json","airdate":"2026-04-13T21:06:37-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/f1ab3b40-a0a0-4915-993e-582ffe15a9e4/22604055915-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/f1ab3b40-a0a0-4915-993e-582ffe15a9e4/22604055915-250.jpg","song":"Resistol","track_id":null,"recording_id":null,"artist":"Belafonte Sensacional","artist_ids":["2fa364f9-8c12-46bd-8846-437a5dbfdc10"],"album":"Soy piedra","release_id":null,"release_group_id":"3515f9c5-095c-4515-a490-546f1a95013c","labels":[],"label_ids":[],"release_date":"2019-03-15","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Belafonte Sensacional’s “Resistol” is brief, wiry, and oddly moving, the kind of song that feels tossed off in two minutes but leaves adhesive residue behind, true to its title. Released on Soy Piedra in 2019, it belongs to a record that sharpened the Mexico City project’s gift for turning neighborhood realism, folk-rock instinct, and punk abrasion into something distinctly their own. Led by Israel Ramírez, Belafonte Sensacional has long worked in a register where street language, literary allusion, and emotional wreckage can coexist without ceremony, and “Resistol” distills that sensibility into a compact burst. There is something volatile in the song’s construction: it moves quickly, but never lightly. Its tension comes from compression, from how much atmosphere and personality can be forced into such a short runtime. The band’s music often feels rooted in specific places and social textures, and “Resistol” carries that same rough intimacy. It is not polished into anonymity. It still sounds like people in a room, like nerves, like friction, like thought arriving half a second too late. That roughness is part of its beauty. Rather than striving for grandeur, the song achieves something harder: a lived-in emotional truth that sticks fast and keeps clinging after the last chord cuts out. \u2028Listen: https://open.spotify.com/track/6KpTKRYjv9Oz2Sv0jmuGVR","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641692,"uri":"https://api.kexp.org/v2/plays/3641692/?format=json","airdate":"2026-04-13T21:02:43-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","song":"La puerta de Alcalá","track_id":null,"recording_id":"80b29c48-059f-4572-8550-bf717dfa2ce8","artist":"Ana Belén & Víctor Manuel","artist_ids":["f8dff62b-2cc1-4ce9-8def-05a45421f3fe","e9c8cad5-d9e2-4e64-9b4f-44cb5bc80701"],"album":"Personalidad","release_id":null,"release_group_id":"e84e3325-e092-369f-8d97-3b625bd35afb","labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Ana Belén and Víctor Manuel’s “La Puerta de Alcalá” is pop as public memory. Released as a 1986 single, the song has long since grown beyond its original chart life into something closer to civic folklore, a piece of Spanish popular music so embedded in collective consciousness that later retrospectives and television tributes place it alongside the most emblematic songs of the 1980s. That makes sense because the song turns Madrid’s famous monument into more than a landmark. It becomes a witness, a threshold through which history, private longing, and urban identity all pass. The lyric’s search for “a door” where past and present can coexist gives the song its real depth. This is not simply a nostalgic city anthem. It is a meditation on change, memory, and survival dressed in accessible melodic form. Ana Belén and Víctor Manuel were uniquely positioned to carry that weight, bringing political and cultural gravitas without losing warmth. What still makes “La Puerta de Alcalá” so moving is its scale. It sounds public, but it feels human. The city is there, yes, but so is the solitary figure walking through it, looking for continuity inside movement. Few songs make monumentality feel this intimate. \u2028Listen: https://open.spotify.com/track/29opVIw8I1BOZntEn3Un2I","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641691,"uri":"https://api.kexp.org/v2/plays/3641691/?format=json","airdate":"2026-04-13T21:00:00-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3641690,"uri":"https://api.kexp.org/v2/plays/3641690/?format=json","airdate":"2026-04-13T20:56:29-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/eca4bc84-693c-47a6-a197-a69310fba19b/25046377310-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/eca4bc84-693c-47a6-a197-a69310fba19b/25046377310-250.jpg","song":"No Miracles","track_id":null,"recording_id":"d4a705a1-77e0-47f2-9f46-ac7c9730b9ba","artist":"SDH","artist_ids":["77655d87-3211-462b-9622-dee287b904b5"],"album":"Against Strong Thinking","release_id":null,"release_group_id":"b0229dde-56b5-414e-9464-0b85a4ef76c8","labels":["Avant! Records"],"label_ids":["5eebd884-1e7a-4377-a06c-3e1dbb67ff42"],"release_date":"2020-02-14","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“No Miracles” by SDH is a stark, atmospheric cut from their 2020 album How Do You Feel?. The Barcelona-based duo—Sonia Herrero and Ivan de la Rouch—are known for their coldwave and dark synth-pop sound, blending analog minimalism with emotionally charged vocals.\n\nThe track is built on a restrained, pulsing electronic framework, where each element feels carefully spaced and deliberately холод in tone. Sparse drum machine patterns and brooding synth lines create a sense of tension, while the vocal delivery remains detached yet haunting, reinforcing themes of emotional distance and disillusionment.\n\n“No Miracles” captures SDH’s ability to balance danceable structure with introspective weight, making music that works equally in a club setting or a solitary late-night listen. It’s a reminder that transformation in their world is not sudden or miraculous, but slow, mechanical, and human.\n\nhttps://www.youtube.com/watch?v=QwVQ9wWkXv0","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641689,"uri":"https://api.kexp.org/v2/plays/3641689/?format=json","airdate":"2026-04-13T20:52:50-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/7b53bd5c-7992-48d5-ab71-3535ff85d8c0/39525681427-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/7b53bd5c-7992-48d5-ab71-3535ff85d8c0/39525681427-250.jpg","song":"Move","track_id":null,"recording_id":"b31a47e1-1a9d-42e4-898c-dc189bebb441","artist":"Dark Chisme","artist_ids":["2df279da-29e0-42d8-9e1e-0e3fd722f3d3"],"album":"Dark Chisme","release_id":null,"release_group_id":"10e39631-bb46-48bd-9708-f66184ec6495","labels":["[no label]"],"label_ids":["157afde4-4bf5-4039-8ad2-5a15acc85176"],"release_date":"2024-07-22","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Move” by Dark Chisme is a sleek, rhythm-forward track that sits comfortably within the contemporary Latin alternative electronic underground. While detailed official release metadata for the song is limited, Dark Chisme is known for blending club-oriented production with experimental textures, drawing from house, electro-pop, and bass-heavy global dance music.\n\n“Move” is built around a propulsive groove designed for motion—tight percussion, layered synth stabs, and a steady low-end pulse that gives the track its physical momentum. The production feels minimal but intentional, prioritizing rhythm and atmosphere over dense melodic development. Vocal elements, where present, are used sparingly and more as texture than narrative, reinforcing the track’s focus on movement and vibe.\n\nThe result is a hypnotic, dancefloor-ready piece that captures Dark Chisme’s aesthetic: modern, borderless electronic music that thrives on repetition, energy, and subtle sonic detail.\n\nhttps://www.youtube.com/watch?v=QwVQ9wWkXv0","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641688,"uri":"https://api.kexp.org/v2/plays/3641688/?format=json","airdate":"2026-04-13T20:48:10-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/4a62d75e-9751-40e3-a7ad-64d27dc6114f/35196224248-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/4a62d75e-9751-40e3-a7ad-64d27dc6114f/35196224248-250.jpg","song":"Fed Up","track_id":null,"recording_id":"00b34436-8d1d-4546-b210-cb1f14c04ce3","artist":"Hocico","artist_ids":["b16fd684-831e-4128-8120-6626e76f88c6"],"album":"The Spell of the Spider","release_id":null,"release_group_id":"f028f5b9-cd49-4efd-8a26-1b75ba6a9c13","labels":["Out of Line"],"label_ids":["0e4086ea-c5e6-47f8-a6cc-f93f080a7ced"],"release_date":"2017-07-21","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Hocico’s “Fed Up” is industrial fatigue turned into attack. Associated with The Spell of the Spider and also present in the band’s broader release ecosystem, the track belongs to a project that has spent decades making rage feel mechanized without ever losing its human venom. Hocico, the long-running Mexican electro-industrial duo led by Erk Aicrag and Racso Agroyam, have always thrived on intensity that sounds earned rather than decorative, and “Fed Up” fits that lineage neatly. The title is blunt, almost conversational, but that plainness is part of its force. Being fed up is not abstract despair. It is the moment irritation curdles into refusal, when endurance hardens into contempt. Hocico know how to score that transition. Their music often fuses harsh electronics, club propulsion, and emotional extremity, making songs that feel equally suited to confrontation and catharsis. “Fed Up” sounds like a pressure valve opened only halfway, enough to release violence into motion but not enough to restore calm. That is why it works. The track does not promise healing or clarity. It offers a more immediate truth: exhaustion can become fuel, and disgust can still move the body. In the hands of a lesser act, that could sound formulaic. Hocico make it feel elemental. \u2028Listen: https://hocico666.bandcamp.com/track/fed-up","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641687,"uri":"https://api.kexp.org/v2/plays/3641687/?format=json","airdate":"2026-04-13T20:42:01-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/e9116215-455b-4cd4-a97b-e6750745c06a/21535433590-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/e9116215-455b-4cd4-a97b-e6750745c06a/21535433590-250.jpg","song":"Magnétique","track_id":null,"recording_id":"74866926-d166-4729-942c-4983806c7344","artist":"La bande-son imaginaire","artist_ids":["eb92ba5b-89a3-4e4a-86af-d2e110bfe442"],"album":"Mezcal a pleno vuelo","release_id":null,"release_group_id":"675a680e-faa7-4507-9343-750078b8df25","labels":["[no label]"],"label_ids":["157afde4-4bf5-4039-8ad2-5a15acc85176"],"release_date":"2018-04-05","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"La Bande-Son Imaginaire’s “Magnétique” lives up to its name with a beautifully measured pull. Released in 2018 as part of Mezcal a pleno vuelo, the Oaxaca project places itself in a zone where synth-driven darkness, cinematic pacing, and nocturnal sensuality all converge. The Bandcamp release and streaming listings point to a group rooted in Mexico but reaching toward a wider dream of coldwave and electronic post-punk, and “Magnétique” feels like one of those tracks where atmosphere is not background but structure. It draws the listener in gradually, through tone, pulse, and suggestion. That magnetism is not flashy. It is patient, which makes it more persuasive. The title promises attraction, but the song’s deeper strength lies in ambiguity: what exactly is being pulled toward what, and with what consequences? Tracks like this work because they avoid explaining too much. Instead, they let texture do the emotional labor. La Bande-Son Imaginaire seem especially attuned to that method, treating electronic instrumentation not as sterile machinery but as a medium for mood and tension. “Magnétique” feels poised between seduction and disorientation, as if desire itself had become an electrical field. It is sleek without being empty, dark without becoming blunt, and memorable precisely because it knows how to let a song unfold like a spell rather than a declaration. \u2028Listen: https://labandeson.bandcamp.com/track/magn-tique","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641686,"uri":"https://api.kexp.org/v2/plays/3641686/?format=json","airdate":"2026-04-13T20:39:10-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3641685,"uri":"https://api.kexp.org/v2/plays/3641685/?format=json","airdate":"2026-04-13T20:34:15-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/63a47649-4f0d-38a7-91b8-e9ad5f7c2b5b/11858497454-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/63a47649-4f0d-38a7-91b8-e9ad5f7c2b5b/11858497454-250.jpg","song":"Nos vamos juntos","track_id":null,"recording_id":"9c90da84-5163-4815-9017-67845d569c13","artist":"Caifanes","artist_ids":["77814bfb-f1b0-47fd-8492-65d6f72c246d"],"album":"El silencio","release_id":null,"release_group_id":"af9eec57-eef7-3091-9a1b-2ebc6fdd88da","labels":[],"label_ids":[],"release_date":"1992-09-08","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Nos Vamos Juntos” by Caifanes is a powerful, emotionally charged track from their 1992 album El Silencio. Arriving after the departure of key member Alejandro Marcovich’s earlier bandmate era and amid internal shifts, the album captures a band in transition, pushing toward a heavier and more expansive rock sound.\n\nThe song blends soaring guitar lines with a steady, driving rhythm section, creating a sense of urgency and emotional intensity. Saúl Hernández’s vocal delivery is impassioned and intimate, carrying themes of unity, departure, and enduring connection. There’s a cinematic quality to the arrangement, with dynamics that rise and fall like a conversation between tension and release.\n\n“Nos Vamos Juntos” stands out as one of Caifanes’ more anthemic moments, balancing vulnerability with power and reinforcing their legacy as one of the defining voices in Latin American rock.\n\nhttps://www.youtube.com/watch?v=QwVQ9wWkXv0","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641683,"uri":"https://api.kexp.org/v2/plays/3641683/?format=json","airdate":"2026-04-13T20:29:00-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/f2d5c8f3-63e9-4f57-905b-1ada9acb8eff/27474399615-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/f2d5c8f3-63e9-4f57-905b-1ada9acb8eff/27474399615-250.jpg","song":"Espiral","track_id":null,"recording_id":"749e4104-23db-4dd3-801d-368560dc903a","artist":"Porter","artist_ids":["36ae137b-1e86-4ee3-8932-3eb312cfa714"],"album":"Donde los ponys pastan","release_id":null,"release_group_id":"197d00cc-1d18-3e40-9349-143f5753db8c","labels":["3er Piso Records"],"label_ids":["4698fdca-6284-48e9-adad-5363bbf71ec8"],"release_date":"2005-01-07","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Espiral” by Porter is a luminous and introspective track from their 2019 album Las Batallas. Marking a mature phase in the band’s evolution, the song reflects Porter’s shift toward more expansive, conceptual songwriting while retaining their signature blend of indie rock and atmospheric pop.\nOpening with delicate instrumentation, “Espiral” gradually builds into a swirling, layered arrangement that mirrors its title. The band crafts a sense of motion through echoing guitars, subtle electronic elements, and dynamic shifts that feel both meditative and emotionally charged. Vocals float through the mix with a poetic softness, emphasizing themes of transformation, cycles, and inner searching.\n“Espiral” stands as a contemplative centerpiece, showcasing Porter’s ability to balance sonic richness with emotional depth, drawing listeners into a space that feels both intimate and cosmic.\nhttps://www.youtube.com/watch?v=QwVQ9wWkXv0","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641682,"uri":"https://api.kexp.org/v2/plays/3641682/?format=json","airdate":"2026-04-13T20:22:50-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","song":"Lejos de México","track_id":null,"recording_id":"fd66f49b-2094-4e2b-b285-2028b2e6b39c","artist":"teodioteodio","artist_ids":["fa436965-a122-45fc-a1b2-3eaf3a16bf03"],"album":"Echaremos el cielo abajo a patadas","release_id":null,"release_group_id":"873df5f6-4080-4a4a-945b-7c17cd677278","labels":[],"label_ids":[],"release_date":"2026-03-27","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"teodioteodio’s “Lejos de México” carries the ache of distance in its title before a note is even heard, and the music follows through with a sense of raw, unvarnished departure. Released on the 2026 album Echaremos el Cielo Abajo a Patadas, the track appears to emerge from Santiago’s current guitar underground, where emotion is often delivered with more abrasion than ornament. Available first in earlier live and SoundCloud form and now as part of the album, “Lejos de México” feels like a song that has lived more than one life already. That history matters because the recording still carries a basement-born quality: intimate, slightly frayed, and unwilling to tidy up its own feeling. teodioteodio’s surrounding materials point to a band rooted in Santiago and recording with close-knit collaborators rather than projecting a polished myth, and that directness shapes the song. The title suggests geography, but the emotional force comes from estrangement more broadly: from being removed from a person, a place, a version of oneself. The track does not romanticize that distance. It inhabits it. There is grief in it, but also stubborn presence, the sense of a band choosing to leave the edges visible rather than sanding them down. That rough fidelity gives “Lejos de México” its power. It sounds like longing recorded before it had time to become memory. \u2028Listen: https://open.spotify.com/track/19s24VnwPPCU1QUpQrSrUH","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641681,"uri":"https://api.kexp.org/v2/plays/3641681/?format=json","airdate":"2026-04-13T20:19:36-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","song":"Hiriku","track_id":null,"recording_id":null,"artist":"Diles que no me maten","artist_ids":["6dfd0709-1021-4a1a-b4ba-a5a93c5b053a"],"album":"Hiriku","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"2026-04-08","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Diles que no me maten’s “Hiriku” arrives as a striking outlier within the atmosphere of Escrito en Agua: faster, more hypnotic, and more overtly driving than much of the material surrounding it. Early coverage of the song describes it as inspired by José Vicente Anaya’s poem “Híkuri,” a connection that immediately gives the track an expanded emotional and spiritual frame. That makes sense when hearing how the band approaches it. Rather than using speed simply for aggression, “Hiriku” feels trance-like, as if propulsion itself were a way of opening multiple emotional planes at once. The group has long been skilled at balancing heaviness with reflection, and this single sharpens that tension beautifully. There is motion everywhere in it, yet the song never feels careless. It sounds considered, even ritualistic in places, with repetition doing the work of meditation rather than simplification. The result is intense without being blunt. Recent notes around the forthcoming album suggest a more stripped and deliberate approach to rhythm and arrangement, and “Hiriku” stands out precisely because it channels that restraint into a piece of high-energy concentration. It is not chaos for its own sake. It is a focused burn, a song that circles altered states, split selves, and emotional multiplicity without losing its grip on the body. Few bands make hypnosis sound this urgent. \u2028Listen: https://dilesquenomematen.bandcamp.com/album/hiriku","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641680,"uri":"https://api.kexp.org/v2/plays/3641680/?format=json","airdate":"2026-04-13T20:15:33-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"},{"id":3641679,"uri":"https://api.kexp.org/v2/plays/3641679/?format=json","airdate":"2026-04-13T20:13:20-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","song":"Bass In My Thong","track_id":null,"recording_id":null,"artist":"SOLTERA","artist_ids":["4209b32f-a9df-4c58-b945-7d05a6a69bd5"],"album":"Bass In My Thong","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"2026-04-09","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Soltera and Sonido Sex’s “Bass In My Thong” is exactly the kind of title that tells you, in one breath, that subtlety is not the operative mode. The song has existed in live circulation for some time, including performances documented in 2023, and then reemerged in 2026 as an official single and video release. That trajectory matters because it makes the track feel road-tested rather than merely clever. Soltera’s recent artist pages show a fast-moving catalog of singles and collaborations, while the new release framing around “Bass In My Thong” emphasizes the partnership with Sonido Sex and the song’s club-readiness. The title does a lot of work: bass as low-end force, bass as bodily sensation, thong as sexualized costume, joke, and emblem of self-styled excess. The song appears to understand all of that and lean straight into it. What could have been a throwaway provocation instead reads as part of a larger aesthetic of hyperpop-adjacent nightlife self-invention, where shamelessness becomes a kind of compositional tool. “Bass In My Thong” sounds engineered for motion, humor, and immediate recall. It turns innuendo into branding, but with enough rhythmic conviction that the joke does not flatten the song. Instead, it becomes part of the song’s bounce: cheeky, physical, and fully committed to the bit. \u2028Listen: https://www.youtube.com/watch?v=547iCRdq8S4","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641677,"uri":"https://api.kexp.org/v2/plays/3641677/?format=json","airdate":"2026-04-13T20:10:00-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","song":"Don't Escape From Death","track_id":null,"recording_id":"196a1321-3cf5-469a-a5b1-5b7dfa483d83","artist":"Ces Cadáveres","artist_ids":["efd8c3f0-497a-43bb-9003-6329646f376f"],"album":"Cuerpos Monstruosos","release_id":null,"release_group_id":"e2458620-fb5b-4b2d-8782-8f7910e555a5","labels":["Detriti Records"],"label_ids":["12a6aae6-f8db-49d6-bdc0-5df2c9d56c2a"],"release_date":"2020-06-08","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Ces Cadáveres’ “Don’t Escape From Death” is darkwave with a sharpened political edge. The track appears on Cuerpos Monstruosos, released through the band’s own page and Berlin’s Detriti Records in 2020, and the available lyrics immediately distinguish it from generic gothic fatalism. This is not death as stylish abstraction. The words point toward surveillance, violence, war, and “families in pain,” giving the song a geopolitical gravity that cuts through the usual post-punk fog. Coverage from WhiteLight//WhiteHeat described the project as a New York synth-punk/EBM trio ahead of that cassette release, which helps explain the song’s mixture of club propulsion and dread. Ces Cadáveres seem interested in making darkness active rather than decorative. “Don’t Escape From Death” pulses like a warning, its title functioning less as existential philosophy than as a brutal recognition that some systems leave no safe outside. That is what gives the track its bite. The electronic framework is important, but the real force comes from how the song refuses to let atmosphere float free of consequence. There are bodies here, victims here, structures of harm here. By tying cold-wave sonics to language of pursuit, bombardment, and collective pain, Ces Cadáveres turn genre style into something more urgent and harder to shake. \u2028Listen: https://cescadaveres.bandcamp.com/track/dont-escape-from-death","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641678,"uri":"https://api.kexp.org/v2/plays/3641678/?format=json","airdate":"2026-04-13T20:08:01-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/c5304a59-1c0b-4380-b0b5-a8c908a134e3/43259465369-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/c5304a59-1c0b-4380-b0b5-a8c908a134e3/43259465369-250.jpg","song":"catacresis","track_id":null,"recording_id":"1277420b-3271-4a86-8955-0c98f0c089b8","artist":"Ven Y Mira","artist_ids":["f1edc849-0fad-44f5-ae97-8b4bc3c04ca5"],"album":"el cuadro","release_id":null,"release_group_id":"4149839d-cf68-4028-96a6-e26b279521f7","labels":["ERiZO"],"label_ids":["95071a6c-9f11-4891-a183-2aafb73d003d"],"release_date":"2025-10-10","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Ven y Mira” by Catecrecis is a shadowy, immersive track that leans into the group’s affinity for darkwave textures and ritualistic atmosphere. While detailed release information about the song is limited, Catecrecis has built a reputation within Mexico’s underground for crafting music that blends post-punk, ambient, and industrial influences into something deeply evocative.\n\nThe track unfolds slowly, driven by pulsing low-end and cavernous reverb that gives it a sense of depth and unease. Vocals emerge like distant incantations, more felt than clearly heard, adding to the song’s mystique. There’s a cinematic quality to “Ven y Mira,” as if it’s soundtracking a nocturnal landscape—both hypnotic and slightly foreboding.\n\nWith its minimal structure and heavy mood, the song invites listeners to sit בתוך atmosphere rather than chase melody, highlighting Catecrecis’ strength in building tension and emotional resonance through texture alone.\n\nhttps://www.youtube.com/watch?v=QwVQ9wWkXv0","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641676,"uri":"https://api.kexp.org/v2/plays/3641676/?format=json","airdate":"2026-04-13T20:03:00-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","song":"Bailando","track_id":null,"recording_id":"df70bd9c-3492-43c3-9ca7-4576cb9f5009","artist":"Alaska y los Pegamoides","artist_ids":["d7a16aab-6822-4d14-985e-8f87a2602051"],"album":"Bailando","release_id":null,"release_group_id":"d5375aff-ebfd-4f7e-95d9-7992584e3803","labels":["Kingdom Records"],"label_ids":["aa7ad0b8-edad-4004-9dd7-ee0542975356"],"release_date":"1982-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Alaska y Los Pegamoides’ “Bailando” remains one of the great acts of deadpan liberation in Spanish pop. Released in 1982, the song became a defining artifact of the early Movida era not by sounding grandiose, but by making repetition itself feel ecstatic and slightly absurd. Its lyric is famously simple: dancing, drinking, neighbors complaining. Yet that simplicity is exactly what gives the song its enduring force. Alaska y Los Pegamoides understood that post-punk and new wave could make room for humor, boredom, nightlife, and social performance without sacrificing style. “Bailando” captures that brilliantly. It turns a tiny scene into an anthem, a domestic nuisance into a philosophy of pleasure. The beat stays light on its feet, the vocal delivery stays cool, and the whole thing moves with the kind of irreverent clarity that made the band so central to a cultural shift larger than any one track. What still makes “Bailando” feel alive is its refusal to overstate itself. It does not sermonize about freedom; it enacts it through repetition and nerve. The song is playful, yes, but also quietly radical in how little justification it offers for joy. It dances because dancing is enough. That remains a powerful proposition. \u2028Listen: https://www.youtube.com/watch?v=zNZtVn4STac","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641675,"uri":"https://api.kexp.org/v2/plays/3641675/?format=json","airdate":"2026-04-13T20:01:24-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"https://coverartarchive.org/release/9bc31312-e47b-416e-a5eb-0cd9eb1db066/15683305271-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/9bc31312-e47b-416e-a5eb-0cd9eb1db066/15683305271-250.jpg","song":"Señoras bien","track_id":null,"recording_id":"1cb7e0a7-9a7e-4756-a968-9830c2fdf911","artist":"Las Bistecs","artist_ids":["2f77364f-0900-49b8-be68-8be2c57c99cc"],"album":"Oferta","release_id":null,"release_group_id":"b45a3a2f-1515-44e2-acf8-d63bd9ca77b1","labels":["[no label]"],"label_ids":["157afde4-4bf5-4039-8ad2-5a15acc85176"],"release_date":"2016-09-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Las Bistecs’ “Señoras Bien” is camp as a weapon and satire as dance music. Released on Oferta in 2016, the track belongs to the Barcelona duo’s gleefully confrontational project of “electro-disgusting,” a style built around crude humor, pop immediacy, and sharp social caricature. Even before getting into the song’s specifics, the title says a great deal. “Señoras bien” names a recognizable social type: comfortable, respectable, class-coded, performatively proper. Las Bistecs seize that figure and turn it into raw material for mockery, performance, and club-floor release. What makes the song work is that it never mistakes parody for distance. It is not aloof satire. It is noisy, bodily, ridiculous, and fully aware that comedy lands harder when it is also infectious. The duo’s larger catalog has always been invested in using simple hooks and abrasive wit to push against sexism, bourgeois respectability, and the policing of bodies, and “Señoras Bien” fits cleanly within that mission. It sounds like social critique with lipstick smeared across it, a song that laughs not because things are harmless, but because exaggeration can expose what politeness protects. The result is catchy and confrontational in equal measure, the kind of pop provocation that knows exactly how silly power can look under bright lights. \u2028Listen: https://open.spotify.com/track/0C60TsFeKSPCyTHolDUN0n","location":1,"location_name":"Default","play_type":"trackplay"},{"id":3641674,"uri":"https://api.kexp.org/v2/plays/3641674/?format=json","airdate":"2026-04-13T19:58:30-07:00","show":66446,"show_uri":"https://api.kexp.org/v2/shows/66446/?format=json","image_uri":"","thumbnail_uri":"","comment":"","location":1,"location_name":"Default","play_type":"airbreak"}]}