Play Public Instance

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{
    "id": 2675993,
    "uri": "https://api.kexp.org/v2/plays/2675993/?format=api",
    "airdate": "2019-12-20T16:16:32-08:00",
    "show": 46176,
    "show_uri": "https://api.kexp.org/v2/shows/46176/?format=api",
    "image_uri": "https://coverartarchive.org/release/cf9ccaf9-3b92-4372-9ea0-9044951710fd/22759015784-250.jpg",
    "thumbnail_uri": "",
    "song": "Television Screens",
    "track_id": "65be5688-9145-434c-86f4-e2a2b0f37524",
    "recording_id": null,
    "artist": "Fontaines D.C.",
    "artist_ids": [
        "fd87acc7-e0a0-4a45-bc2a-d2ab5c10be68"
    ],
    "album": "Dogrel",
    "release_id": "cf9ccaf9-3b92-4372-9ea0-9044951710fd",
    "release_group_id": null,
    "labels": [
        "Partisan Records"
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    "release_date": "2019-04-12",
    "rotation_status": "Library",
    "is_local": false,
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    "is_live": false,
    "comment": "Fontaines D.C. have been pigeonholed as the British Isles’ next great post-punk export a la Shame or Idles, but this Irish five-piece deserve more than that reductive framing. Fontaines D.C. are more poetic than the bands they’re lumped in with, and their debut album Dogrel is a testament to a different set of concerns. Dogrel takes on the degradation of urban cities as lively cultural hubs and launching pads for people to make something of themselves—or at least put some change in their pockets. Frontman Grian Chatten and his bandmates share a love of literature and poetry (the Beats, James Joyce, Patrick Kavanagh, etc.), and they write songs together in Irish pubs, resulting in a brazen-faced, romantic portrait of Dublin and its vast characters.  Chatten’s speak-sing delivery in a distinct Dublin tongue is another thing that sets them apart.  https://bit.ly/2ZlcKWt",
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}