Play Public Instance

HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "id": 2683199,
    "uri": "https://api.kexp.org/v2/plays/2683199/?format=api",
    "airdate": "2020-01-07T09:38:07-08:00",
    "show": 46312,
    "show_uri": "https://api.kexp.org/v2/shows/46312/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "Hippychick",
    "track_id": "89de488c-1265-3e9e-adb5-52d51f513c5e",
    "recording_id": null,
    "artist": "soho",
    "artist_ids": [
        "f73a2559-f9d8-42aa-9675-594e4c447b09"
    ],
    "album": "Goddess",
    "release_id": "34d8f822-7ae4-4de4-a6a6-24f3f130bcc3",
    "release_group_id": null,
    "labels": [
        "Cherry Pop"
    ],
    "label_ids": [],
    "release_date": "1990-03-19",
    "rotation_status": "Library",
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Soho songwriter Tim London on what this song is about: \"Hippychick was written as a short blues based pop song, written from the perspective of a young woman arrested by her boyfriend (who is a policeman) on a demonstration. She is basically telling him it's over, because, as a cop, he supports an establishment she wants to get rid of. And if that sounds a bit pretentious now then it probably sounded less pretentious in the late '80s when it was written, when young people in the UK had been politicized by the very real threat of nuclear war, the miners strike, (which was practically a small scale war between the massed ranks of government forces - including the army, and the miners and their supporters in 1984), the anti-apartheid movement (against the evil fascists who controlled South Africa back then) and the defiance against the much hated Poll Tax.\"",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}