Play Public Instance

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{
    "id": 3413832,
    "uri": "https://api.kexp.org/v2/plays/3413832/?format=api",
    "airdate": "2024-10-17T10:19:22-07:00",
    "show": 61599,
    "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "On",
    "track_id": "691c98b3-969d-3659-a817-7733a685b89a",
    "recording_id": "10459ecd-5a9e-4c9b-8d73-08ab29b7009e",
    "artist": "Aphex Twin",
    "artist_ids": [
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    "album": "On",
    "release_id": "fd93116d-f846-40e1-b54d-9ec1a1e18ebd",
    "release_group_id": "b1c01b4b-2548-3dee-9fa4-8d7907eee131",
    "labels": [
        "Sire Records"
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    "label_ids": [
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    "release_date": "1994-01-11",
    "rotation_status": "Library",
    "is_local": false,
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    "comment": "Nobody can chew up music and spit it back out quite like Richard D. James. Throughout the 90s, the Cornwall-bred prankster refracted practically every known sub-genre of electronic music through the kaleidoscope of his whimsical personality and extreme technical ambitions.\nWith each album from the artist, best known as Aphex Twin, came a new, warped blueprint. \n\nAll the while James was gaining a reputation as dance music's foremost proto-troll. The early internet buzzed with rumours of him ambushing audiences with noise by playing pieces of sandpaper instead of records in his DJ sets, riding around in a fully armed tank, building vast secret studios of custom home brew synthesisers and stockpiling hundreds, if not thousands, of unreleased tracks.\n\nJames has often came off as aloof or purposely oblique in interviews. \"I just like to make music, I don't like to talk about it much,\" he said in a 1995 promo clip that now lives on YouTube. \"Electronic music isn't meant to be talked about.\" https://tinyurl.com/yc4psnav",
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}