Play Public Instance

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{
    "id": 3421342,
    "uri": "https://api.kexp.org/v2/plays/3421342/?format=api",
    "airdate": "2024-11-04T14:19:47-08:00",
    "show": 61763,
    "show_uri": "https://api.kexp.org/v2/shows/61763/?format=api",
    "image_uri": "https://coverartarchive.org/release/237aceaf-cae1-4936-9d9b-2fd3c164232a/13038676943-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/237aceaf-cae1-4936-9d9b-2fd3c164232a/13038676943-250.jpg",
    "song": "On Days Like These",
    "track_id": null,
    "recording_id": "26c817a7-081d-4680-ae13-073648ad5f82",
    "artist": "Quincy Jones",
    "artist_ids": [
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    "album": "The Italian Job",
    "release_id": null,
    "release_group_id": "5274ce98-8d15-3121-b263-16891ff20b7f",
    "labels": [
        "Quartet Records"
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    "release_date": "2000-11-20",
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    "comment": "\"Of Jones’s many soundtrack albums, a highlight came, surprisingly enough, with a British comedy crime caper. Accordingly, the musician plays it light here, with songs incorporating British patriotic tunes like “God Save the Queen” and Cockney rhyming slang, samba, country, and even a harpsichord. Proof, if it were needed, that Jones could turn his hand to almost anything. Michael Caine, the film’s lead, tweeted this morning in tribute to “my Celestial twin Quincy”, so clearly it went down well on set too.\"",
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