Play Public Instance

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{
    "id": 347035,
    "uri": "https://api.kexp.org/v2/plays/347035/?format=api",
    "airdate": "2019-06-27T15:46:14-07:00",
    "show": 5781,
    "show_uri": "https://api.kexp.org/v2/shows/5781/?format=api",
    "image_uri": "http://coverartarchive.org/release/c283c6e9-570f-418c-ae7d-281bf2e2069b/23297751679-250.jpg",
    "thumbnail_uri": "",
    "song": "What Comes After Certainty",
    "track_id": "40eb3e64-efa1-45be-af5a-2754c9c56f8a",
    "recording_id": null,
    "artist": "Bill Callahan",
    "artist_ids": [
        "c309d914-93af-4b3f-8058-d79c75ea89da"
    ],
    "album": "Shepherd in a Sheepskin Vest",
    "release_id": "c283c6e9-570f-418c-ae7d-281bf2e2069b",
    "release_group_id": null,
    "labels": [
        "Drag City"
    ],
    "label_ids": [
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    ],
    "release_date": "2019-06-14",
    "rotation_status": "Heavy",
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album \"Sewn to the Sky\". Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn't have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records.",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}