Play Public Instance

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{
    "id": 347445,
    "uri": "https://api.kexp.org/v2/plays/347445/?format=api",
    "airdate": "2019-06-28T14:14:55-07:00",
    "show": 5786,
    "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "Tethered",
    "track_id": "3b32aab5-0fcf-40a6-880d-225c47dea633",
    "recording_id": null,
    "artist": "Versing",
    "artist_ids": [
        "d74c3287-3e5c-415f-a752-21737183da93"
    ],
    "album": "10000",
    "release_id": "1a905545-045b-458f-a5d7-eff2bd7ba63c",
    "release_group_id": null,
    "labels": [
        "Hardly Art"
    ],
    "label_ids": [
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    ],
    "release_date": "2019-05-03",
    "rotation_status": "Heavy",
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Like many important bands, Seattle quartet Versing got their start in college radio—Tacoma’s KUPS. The group’s main songwriter/guitarist/vocalist Daniel Salas served as alternative music director there, where he met guitarist Graham Baker, drummer Max Keyes, and bassist Kirby Lochner. Emerging from a stint as a drummer in a stoner-metal band, Salas formed Versing as a vehicle to vent obliquely about his political and social views with irony and humor. Populated with strange characters, his songs often double as “critiques of centrism and conservatism, from a leftist perspective. That’s a theme: committing to something or doing something that may be hard but is the better option. However, when I write politically, it’s more allegorical and can be interpreted beyond the political realm. I find that more interesting to write about than my personal life.”  https://bit.ly/2Lq9kg3",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}