Play Public Instance

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{
    "id": 350496,
    "uri": "https://api.kexp.org/v2/plays/350496/?format=api",
    "airdate": "2019-07-05T15:22:35-07:00",
    "show": 5836,
    "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "Soy yo",
    "track_id": "a85677ad-b8a5-4856-a94e-dc9b0ac361c9",
    "recording_id": null,
    "artist": "Bomba Estéreo",
    "artist_ids": [
        "aea8576d-7ad5-4430-bf2e-63725d80f05c"
    ],
    "album": "Amanecer",
    "release_id": "70cbc020-456e-41c9-815b-f4c83c011470",
    "release_group_id": null,
    "labels": [
        "Sony Music | Latin"
    ],
    "label_ids": [
        "99962abe-c219-4031-9c6c-c61fc3885944"
    ],
    "release_date": "2015-06-02",
    "rotation_status": "Library",
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Bomba Estéreo was born in Bogotá, Colombia in 2005 as a pilot project led by the musician and audio-visual artist Simon Mejia with singer Li Saumet.  Particularly noteworthy is the band’s embrace of champeta, a polyrhythmic style of dance music native to the descendants of African slaves on Colombia’s Caribbean coast. While the light-skinned Spanish-descended elites of Bogotá and Medellín have historically looked down on Afro-Colombian music, Bomba Estéreo has helped spark a renaissance of interest in the genre.\n\nLest the band be accused of hipster fetishization, it incorporates the genre’s inheritors, too. Guitarist Julián Salazar now has a side project called Mitú, with Franklin Tejedor, a drummer from San Basilio de Palenque, a small town known as the cradle of Colombia’s Afro-Caribbean culture. The village was the first maroon (runaway slave) community in the Americas to be recognized by a colonial power.   https://bit.ly/2YGjixK",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}