Play Public Instance

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{
    "id": 3520350,
    "uri": "https://api.kexp.org/v2/plays/3520350/?format=api",
    "airdate": "2025-06-29T09:59:54-07:00",
    "show": 63869,
    "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api",
    "image_uri": "https://coverartarchive.org/release/3b94ef93-60e9-49ed-a4a2-d92c592a45f7/20269418442-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/3b94ef93-60e9-49ed-a4a2-d92c592a45f7/20269418442-250.jpg",
    "song": "Opelousas Sostan",
    "track_id": null,
    "recording_id": "b2adc794-95ed-49d3-8bbc-a2a587b30603",
    "artist": "Rufus Jagneaux",
    "artist_ids": [
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    "album": "Swamp Gold, Volume 1",
    "release_id": null,
    "release_group_id": "a3781b78-add9-32ca-8751-c708eda5308e",
    "labels": [],
    "label_ids": [],
    "release_date": "1991-01-01",
    "rotation_status": null,
    "is_local": false,
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    "is_live": false,
    "comment": "Like “Sostan,” Rufus incorporated elements of its Southwest Louisiana identity, as evidenced by the southern rock-toned “Sha T Babe,” the wacky “Port Barre” and the harmonica-powered “Quadroon.” Jagneaux even covered Cajun blockbusters such as DL Menard’s “The Back Door,” sung mostly in English and fueled by a psychotic-twangy guitar, and Jimmy C. Newman’s “Lache pas la patate.’\nhttp://www.45cat.com/artist/rufus-jagneaux2 \nhttps://www.offbeat.com/music/rufus-jagneaux-the-opelousas-sostan-collection-jin-records/",
    "location": 1,
    "location_name": "Default",
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}