Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/3543666/?format=api
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "id": 3543666,
    "uri": "https://api.kexp.org/v2/plays/3543666/?format=api",
    "airdate": "2025-08-23T08:23:17-07:00",
    "show": 64365,
    "show_uri": "https://api.kexp.org/v2/shows/64365/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "Jesse Beaman Calls Spotify “Pay to Play,” Doubles Down on Collaborations",
    "track_id": null,
    "recording_id": null,
    "artist": "",
    "artist_ids": [],
    "album": "",
    "release_id": null,
    "release_group_id": null,
    "labels": [],
    "label_ids": [],
    "release_date": null,
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Jesse Beaman, an ambient composer based in Mexico City, joins a growing number of artists who are no longer making their music available on Spotify. He cites the platform’s requirement for musicians to have 1,000 yearly streams to receive royalties, as well as CEO Daniel Ek’s investments in Helsing, a company that makes AI-powered defense weaponry.\n\n\nWhile his platform may not be as big as other Spotify protestors like Deerhoof, Beaman’s career is marked with tours across four continents, video production, and collaborations with members of Interpol and M83. These connections have proven vital for his success.\n\n\nKEXP’s Roddy Nikpour talks with Beaman about his complicated Latinx identity, his prolific network, and his stance against Spotify.\n\n\nJesse Beaman’s music on Bandcamp: https://jessebeaman.bandcamp.com/",
    "location": 1,
    "location_name": "Default",
    "play_type": "nontrackplay"
}