Information about plays

list: List of plays
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GET /v2/plays/3546629/?format=api
HTTP 200 OK
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Vary: Accept

{
    "id": 3546629,
    "uri": "https://api.kexp.org/v2/plays/3546629/?format=api",
    "airdate": "2025-08-30T07:51:48-07:00",
    "show": 64427,
    "show_uri": "https://api.kexp.org/v2/shows/64427/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "Behind the Console: Career Change",
    "track_id": null,
    "recording_id": null,
    "artist": "",
    "artist_ids": [],
    "album": "",
    "release_id": null,
    "release_group_id": null,
    "labels": [],
    "label_ids": [],
    "release_date": null,
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "We’re listening back to Emily Fox’s conversation with two front-of-house audio engineers who both have had to pivot their careers. The first is Dana Wachs, who has worked with Yves Tumor, Perfume Genius, MGMT, Grizzly Bear, Cat Power, St. Vincent, Deerhunter, and more. Dana talks about losing work during the pandemic when tours got cancelled. \n\n\nWe then meet Seattle-based Alicia Blake, who went on hiatus from music for a few years to become a baker. In the past, she was Sylvan Esso’s tour manager, and she’s worked with Head and the Heart, Thao and the Get Down Stay Down, Destroyer, and more. \n\n\nLink to story: https://kexp.org/podcasts/sound-vision/2021/10/26/behind-console-career-change/",
    "location": 1,
    "location_name": "Default",
    "play_type": "nontrackplay"
}