Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/3550774/?format=api
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "id": 3550774,
    "uri": "https://api.kexp.org/v2/plays/3550774/?format=api",
    "airdate": "2025-09-09T07:44:32-07:00",
    "show": 64516,
    "show_uri": "https://api.kexp.org/v2/shows/64516/?format=api",
    "image_uri": "https://ia804601.us.archive.org/19/items/mbid-023fcf90-dca7-4a4e-a4e2-ed0eaba78f9e/mbid-023fcf90-dca7-4a4e-a4e2-ed0eaba78f9e-8579764982_thumb500.jpg",
    "thumbnail_uri": "https://ia904601.us.archive.org/19/items/mbid-023fcf90-dca7-4a4e-a4e2-ed0eaba78f9e/mbid-023fcf90-dca7-4a4e-a4e2-ed0eaba78f9e-8579764982_thumb250.jpg",
    "song": "The King of Carrot Flowers Pts. Two & Three",
    "track_id": "baea9d92-02a6-33ca-8b96-4560bf243a06",
    "recording_id": "a0c6f46e-939b-4528-bae5-69e6c0a07efc",
    "artist": "Neutral Milk Hotel",
    "artist_ids": [
        "a506f761-2c22-4b2f-8a94-bd748c2c8f75"
    ],
    "album": "In the Aeroplane Over the Sea",
    "release_id": "023fcf90-dca7-4a4e-a4e2-ed0eaba78f9e",
    "release_group_id": "8f310800-045b-3e12-8268-50b3d33a2267",
    "labels": [
        "Merge Records"
    ],
    "label_ids": [
        "5a4f8d65-681e-4a1f-85a8-a874c9513888"
    ],
    "release_date": "1998-02-10",
    "rotation_status": "Library",
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Neutral Milk Hotel biographer Kim Cooper believes In the Aeroplane Over the Sea is one of the most heavily distorted albums ever made, but also notes the lack of equipment such as Big Muffs or distortion pedals. Mangum liked having a layer of distortion over the music, but Schneider decided to not use standard effects equipment. Instead, Schneider used heavy compression and placed a Bellari RP-220 tube mic pre-amp close to his guitar. Schneider then ran the sound through a mixing console and maxed out the sound on a cassette tape. This process was done for nearly every instrument used on In the Aeroplane Over the Sea. Schneider claimed that the nonlinearities of microphone distortion gave the album its unique \"warm\" quality.",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}